Casualties of Horror did two commissions for me. The first one, with Paris was exceptionally well done and remains one of my favorites. Allen, the man behind CoH and a frequent actor in their videos, was a pleasure to work with. Although John M. (PKF) previously had filmed an excellent Paris custom for me (the first of the Deadly Interrogation series), I went with CoH because at the time Allen was the only producer who was featuring her. My second custom with CoH starred Kristina Cross, and it was far less successful than the first. Allen was honest about the video's failings and indicated the project was too ambitious for the time he had available with the actress (which for my projects seems to be the main reason things go awry).

Sadly, my experiences with CoH are now moot, as Allen closed shop long ago. His stores still sell the legacy videos on Nicheclips, but there has been no new material from CoH in years.

Although you did not ask about PKF, I would be remiss not to include them here as they have produced six custom videos for me, each with a different actress. In every case, I was extremely pleased with the results, and as anyone who has done business with John knows, he is among the most professional, reliable and dedicated producers in the community. That's not to say everything from PKF is perfect - anyone who commissions a custom video should expect some disappointment - but for me, John has hit the mark consistently over many years with only the occasional oversight.

PKF has much going for it: John has support staff, a wide range of actresses (and several actors) to choose from, a fully equipped studio with a variety of sets, and the capacity to shoot about a half dozen new titles a week. On the downside, because PKF does a lot of business, it can take several months to complete a project, and unless you submit a minimalist script, be prepared to pay more for what you get.

"Roman Nowicki" has been shooting full-length GIMP films (like the Fantom Kiler series) under the Teraz label for over 15 years. Still, Teraz is relatively new to producing customs. I have always enjoyed the very distinct style of Roman's work, so when he hung out his shingle to accept commissions, I became his first customer. It helped a lot that Roman was able to hire a favorite actress of mine to play the lead. The experience and final result were both first-rate, and overall, I would put Teraz on par with PKF, though for different reasons.

Roman works much slower and more methodically than John (think Kubrick vs. Oliver Stone), but he is far less prolific - so in the end, the turn-around is about the same. Like PKF, Teraz has its own studio, and although it is on the small side, Roman uses it to maximum potential. Teraz productions are very carefully lit, staged and shot, resulting in atmosphere and detail that are missing from the work of his competitors, save perhaps Red Feline. Further, Roman works with a talent agent who seems to have access to the most gorgeous adult actresses in Eastern Europe.

Teraz' negatives are similar to those of PKF: both prices and wait times are above average, but more than reasonable when you take into account what you get. Also, though Roman is both imaginative and resourceful - he's filmed women run over by trains as well as attacked by everything from Santa Claus to giant rats - his reach sometimes exceeds his grasp, so if you have trouble suspending your disbelief, don't tempt him with anything too outrageous.

So Gog, I'm not sure I've covered what you want to know, as this is just a smattering of what I could share about my experiences in this domain. I only mentioned the producers you asked about (and one you didn't). Except for CoH, I did not include those who've ceased to be, expired and gone to meet their makers. I've also left out the ones (more than I care to remember) who completely disappointed me, those who bolted for various reasons, and the one company that took my script and my money and didn't deliver so much as a single frame. If you want more information about these or anything else I didn't cover, let me know.

As for the cost, $300 seems very low to get anything of quality - but a lot depends on the complexity of the script, the actress you want, length of the video, props and construction required, inclusion of nudity and H/C scenes, make-up, visual and sound effects, etc. etc. All I can say is that (excepting two deals I got from PKF), anytime I've paid under $500, it was a total waste of money. My most recent commissions (for a 30 to 40 minute clip) have come in between $900 and $1200 (US), and that's less than the $1500 plus I was paying five years ago. If you want to see what that gets you, check out Deadly Interrogation 3 and 4, or Interrogation of a Rebel Spy at Teraz .

Perhaps the best advice I can give anyone considering a commission is to buy as many videos as you can afford from any producer that interests you, then watch them carefully. If you don't see an example of something similar to what you want, then no matter how cheaply they offer to shoot your script, it's best to move on.

A question... why is it that "interrogation videos" are definitely not popular?

I would agree that interrogation videos are somewhat under-represented when compared to all the other fetish films producers are releasing. But I'm not so sure this is because they are not popular. John M. has told me that the Deadly Interrogation clips do very well at PKF, and they are among the top selling titles which feature a single victim. If I recall correctly, the first one in the series had sold over 500 copies a year or two ago, and it still had legs at the time. In addition, I'm told that Interrogation of a Rebel Spy is the top selling short video at Teraz.

So if people are buying interrogation videos, why are there not more of them? I can think of at least two reasons.

First, as you yourself suggested, they are technically more difficult to produce, and hence more expensive. If so, I assume most producers prefer to shoot an interrogation scene as a custom, for which a client provides much of the overhead cost up front. If they are filming a non-custom project, I would guess they'd choose something simpler (and cheaper) that features a sure-thing actress and favored GIMP action without being limited to a potentially restrictive genre.

Second, assuming most interrogation videos are customs, this means clients have to write the scripts. For many GIMPers, the script is all about the fetish elements - what the heroine is or isn't wearing, whether it includes bondage and sex, the types of peril or demise depicted and so on. The story and context are often secondary or non-existent. I'm sure producers get a lot of submissions which are little more than "beautiful, auburn haired woman walks into bedroom wearing black corset and heels before being raped by assailant while being throttled with fuchsia panties." Plot and characterization are not important to everyone - so why should these elements be included? Of course, without them, a video involving an interrogation scene is all but impossible.

For me, plot and characterization - meaning a coherent and interesting narrative - are critical to an enjoyable GIMP scenario. That's why I write so many interrogation scripts and stories. It's not really about the interrogation itself, but that it provides a framework for everything else. I have used other scenarios, but interrogations come in so many flavors (everything from medieval inquisitions to questioning of POWs) that they figure in about 80% of my fetish writing.

I really don't bemoan the lack of interrogation scenes in GIMP videos, but I do wish more people would demand some background, ambience and substance to flesh out their fantasies.

As for Rosencrantz and Guildenstern are Dead, I agree that is a great movie... but we should also give Tom Stoppard some credit for writing one of the most significant English language plays of the last century.

Seeing as the drill part was not part of the original script, I'm curious, Fritz, if they told you they were going to use the drill or just went ahead and did it and you found about it when you saw the movie?

I actually like to be surprised (occasionally) so in some custom scripts I leave it up to the producers to make decisions (within given parameters) on how to shoot certain scenes. They seem to like it when I trust them, but I only do this if I believe they get the vibe of what I want. That's what I did for Spy Games. When it came time for Brynn to be tortured, I listed a bunch of options in the script, including a variety of items the villain might find in his tool box (pliers, a knife, a hammer, etc.). I did not mention a drill specifically (or a heat lamp), but PT did nothing wrong by using these.

What did annoy me was that they chose something they couldn't sell believably in the scene. That drill is certainly threatening, but Brynn remains remarkably unaffected (and unbloodied) after having both her skull and midsection perforated. Somehow I'd expect even the toughest agents would react a little more emphatically to that sort of abuse, if they managed to survive it at all.

...especialy before the new UK porn laws kick in.

In any event, I pop in today with a mission for fellow gimpers and perverts to try and locate information on a mainstream movie bondage scene that has been eluding me for years. Rather silly in that it only now occurs to me to put the subject of my search here, where in all likelihood the correct information would be forthcoming, and it was the discussion on interrogation scenes recently that brought this clip to my mind.

The scene in question involves a rather comely lass bound hands over head to a white tile wall. She is clad in a figure flattering red dress. Now if memory serves correctly, she is being interrogated by one man, and she, being the good damsel she is, refuses to reveal the information. At this point, her panties are unceremoniously removed, and at a gesture from her interrogator, two goons off to the side appear, and lift her legs up and spread widely, while the interrogator takes a position between to do the deed.

In every clip I've ever seen, it ends right there, with her screaming. What happened next, the aftermath, etc. is never shown. What movie this is from, etc. is unknown. It's a tantalizing clip, albeit rather brief. If anyone has any information on it, please share!

Also, got my clips4sale store open and will be working to feed it, and get some of these darned movies rendered and available.

To Mr. Blakemore: Thank you for your response. I thought that all might have been the case. After all, they kept coming back, so they must have had something of themselves invested in the projects.

I have always wondered about the expression on Arthur's face in the white panties picture, since sitting astride the iron bar can't be comfortable, but it doesn't look that painful. Now we know.

The pic of Anne Bruno comes from a favorite video, too. She shows great suffering on her face throughout it. It must have been because she really was suffering, and at her suggestion! One leg takes a bit of effort to keep extended and raised, but two is really hard to do.

Thank you as well for the figure study of Arthur. She is absolutely gorgeous. I don't know how a body like that can exist, but it does. Tourist Trap II, in which she is so pretty I ache, never gets old. A fine point, but one not lost on me, is that Arthur always wore attractive and stylish underwear.

As far as my experience with PT.....and only being quoted $300.00 (double that w/HC), my script was actually very detailed. It included 3 scenes, a change of location, a strangle take-down abduction, a least 2 different bondage ties (possibly a third....I can't remember and I no longer have the script. But one was a partial suspension, and the other one for sure, was a chair tie). The run time was between 25 to 30 minutes if I remember right.

I contacted PT as word on the street (so to speak) was that they were very inexpensive (again, at the time.....about 4 years ago). And that's what they quoted me. Don't know how things would have worked out with a finished product however (obviously). But this was no simple script (3 pages if I remember right), with specific details of the bonds used, and with what, and specifics on each scene, including approximate time per scene, etc.

Maybe one day I'll actually get one made afterall. :-)

**

I finally found that picture of the chair tie that went missing. So a little late, but here's my all time favorite chair tie picture (though my memory failed me and her ankles weren't tied to the back legs afterall.).

**

And I thought I'd venture into a business opportunity. It's a take-off on the old "Dinner and a Movie" theme. "Dinner and a GIMP". So what do ya think.....has potential? :-)

So as I take a trip down Mammary Lane, thought some of you might enjoy some stills of A Death in the Family

The clip starts with a hit-man getting instructions and timetable in which to off the hot blonde. He's instructed to make it look like a break-in, rape, robbery. As the target of the hit prepares for a night out with her husband, the hit-man breaks in.

Unaware the there's been a break-in, the hit-man zeros in on his target. She's grabbed from behind and dragged into another room.

The hit-man doing his thing.

Once the first phase of the hit has taken place, now come the time to make it look like a robbery/rape.

As the hit-man rapes the now dead hot blonde, he finishes by cumming all over her stomach. He then goes about removing her jewelry to make it look like a robbery as instructed. As he's about to leave the husband calls on the woman's cell phone. The hit-man answers and tells the husband that his wife isn't able to come to the phone. He then sets it down next to her, with the husband still talking, then leaves.

After the clip there's also a couple of bloopers included. One of which has Puma (who played the part of the wife) answering the husband on the phone, "Shut the fuck up, I'm dead!"

Anyway, though no bondage, this is the clip that really got me interested in PT.

Don't know if Ralphus wants to add this to the review section, since there is no B&D, but it's still a GIMP.

So my thoughts on the first clip ever by PT? Excellent photography, very believable struggle/strangle (though drawn out....but that's what they do :-), extremely hot blonde, mansion-like house for setting (going with the story about being a rich wife). Not much wrong here at all....except of course missing the bondage.

Grade a B+

P.S. The clip is so old that I don't thinks it's on Nicheclips anymore. Anyone interested would have to go to the PT website to order on DVD (See URL above).

Does any other Gimper ask the same question? Also is it rape if she's a corpse? I just don't believe doing anything to a corpse is erotic. No terror and no screaming or pleading equals no gimp to me. Bill K.

Re: Today's pic: Think that ladder is worth more today because Blakemore tied a girl to it?

Only if it is accompanied by a provenance signed by the model.

I especially liked El Wananchi's 'Thunderball' scene - very tense and dramatic - maybe they could add it into a 'Director's Cut' release!

Regrettably, you can add me to the list of folks who aren't into this kind of thing (even if the film did receive a far more convincing B+ grade). I like films where I'm the one who is stiff, not the victim.

It beats dragging your genuine 17th-century issue torture rack around with you wherever you go.

The captive on the ladder looks as though her 'Womanhood' area is about to explode ! Not complaining! One thing that I have always wanted to do (like many of you) is attend a 'live' bondage shoot.

Actually, all those rapists/assassins have their days at large counted... unless they dispose of the body in a really cunning way (none of them even look to be aware of the need of doing that), all that cum (to say nothing about fingerprints) they have left spread all over is like leaving a signed confession!

But I think that's getting too picky...

El Wananchi

--------------------

Gog wrote:

It's a take-off on the old "Dinner and a Movie" theme. "Dinner and a GIMP". So what do ya think.....has potential? :-)

Yeah, but it has its kinks that need to be worked out, so to speak. So, what's the plan, he has dinner while staring at the tied-up naked woman in front of him? It would have to be Dinner for One since she can't eat through that gag over her mouth. And I'm just guessing that food is not going to be his top priority. Still, I'd rather look at a woman in bondage over dinner than watch Fast & Furious 6...

Or let's take your idea in a completely new direction...how about the GIMP as the main course, followed by dessert?

And thanks for the review of A Death in the Family. It definitely applies to be considered a review, although like the others, I don't quite understand the appeal of raping a woman who's already dead. Certainly there have to be some necromaniacs among us who would dare to explain why they enjoy that aspect of the fetish. Maybe because she's still warm and you can do anything to her and she won't fight back? I mean, what else would you do with a naked woman's body? I'm just speculating, I haven't had sex with a corpse. I prefer to have them wiggling and reacting, but I'm always open to new ideas.

The direct link to your latest review is in my Homepage URL above.

Some people need to get a grip. :)

My franchise overview is as follows: Make a reservation via e-mail. You then get a confirmation e-mail showing which GIMPs are available for the time period of you reserve. Come in and you get a menu for the dinner and selection for the GIMP of your choosing. She is brought to your table and is forced to sweat it out as you have your dinner, not knowing what fate you will choose for her afterwards.

There will be plenty of room for individualization/specialization for each franchise purchased though. :-)

**

I think I inadvertently gave the impression that I hadn't had a custom made at all in a previous post of mine. Actually I have had a few, though none through a company of specialization (or at least none I was happy with when I did), which is what I meant.

I'd share a few pics from the one that I had made that was fairly well done, but it's not available anywhere anymore. So don't want to be a GIMP tease. :-) .....unless anyone wants to see anyway.

Today's pic is from a magazine feature titled, "Red, Hot Bondage," taken when the feature was filmed for inclusion in the video, Punished 1.

Next to "Sign!," this is one of the hottest videos Blakemore and Montgomery ever did.

There's something about a gimp bound to a stake or in this case a two by four that drives me batty. Bill K.

And I really love the expressions on her face. I wish more modern day models would try to emulate that look of fear in their faces. Too often, they just look bored.

I would love to watch her writhe and sweat. Is this video still available anywhere? I tried googling but didn't find anything.

Just wanted to back-track a bit,and comment on "interrogation" films (or rather the lack thereof). It's a shame that there are not more films with that type of situation, because they are BY FAR my favorite. I think PKF did a great job with the "Deadly Interrogation" series, and I hope they make more of them.

I also still (hopefully) plan to write an interrogation story, with a slight twist. I have had the plot in my head for a while, but haven't had the time to write it. Perhaps soon...

Sharon is unbelievably hot in this video, from start to finish.

The only place I have found Punished 1 is as a download on another bondage forum.

----------------

Bill K: Punished was a color movie. In those old HOM mags, you would usually get limited color photos. Always the front and back cover and sporadic shots within the actual magazine, usually one per photo series if you were lucky. Most of the stills were in black and white.

In a way, the black & white sort of made them a little dirtier, a little seedier. That and the content, of course. There's something about seeing black and white photographs of women hanging by their wrists and ankles that sort of evokes the feeling of getting to view a serial killer's private stash. Anyone else feel the same way?

Other than electric shock, medieval methods and devices got the modern interrogation beat by a TEN screaming sweaty witches to ONE gimp shocked smoking hot spy margin to me. This is not a serious question or cause for debate, just light hearted old vs. new interrogation methods comment. Bill K.

Ralphus: I wondered about including a link to a different site, but because that is the only place I have ever found this movie, I thought it worth including. I should have checked the links first, though.

I downloaded Punished 1 in 2011. Not surprised that the link is dead. I hope The Escape pops up somewhere else, because this is Karen Arthur's movie, and as good as she looks in TT II, she is dynamite in this one.

Frog wrote: It's a pity she kept her shoes on throughout.

I'm with you on the shoe thing. But I know there is a large contingent of GIMPers who would rather the shoes stay on. Oh well, different strokes.

Left for Dead wrote: And I really love the expressions on her face.

Yeah, me too - look at those eyes. They really sell it.

Of course the best way to grow the number of these videos (and stories) is for those who like them to write them. After penning the DI scripts and two more for PKF alone, I feel I'm running out of ideas for interrogation storylines - so I would love to see others contribute more of this ilk. To those considering a commission, why not try your hand at the genre? As for stories, Eda and a couple of other writers are contributing most of the interrogation themed output - but there is certainly room for more. I'm pleased you are planning to write a story yourself, and I look forward to reading it when it is posted.

Flinstone wrote:

I for one would be interested in hearing who did not give you your money's worth for the custom films you hired them to produce. I've never gone that route but often thought about what I would want out of one.

Getting one's money's worth is a very subjective measure, so before I share my experiences, let me state that, as with all such things, your mileage will vary. Even if I say a certain producer let me down, it's quite possible you and others had (or will have) positive dealings with him or her. In fact, in several cases, my own appraisal of a single producer's work varied dramatically from one project to the next.

First, let me reiterate the success stories. All my commissions with PKF were more than satisfactory, and in only one case was there a notable hitch (requiring a last-minute actress replacement). That project went on with my approving a substitution, and in the end I was pleased with the result. I have only commissioned one custom video from Teraz, but that too was an overall winner. My first Casualties of Horror project was exceptional and although the second was not, the producer was professional and made every effort to stay true to the script in both cases.

My earliest commissions were from producers who operated under the long-departed Necrobabes banner. In 1999, I ordered two customs (including my first) from Lissa Noble (of Drop Dead Gorgeous). Both were cheap and primitive by today's standards, but at the time I thought I got my money's worth. Later I submitted three scripts to Bailee Arnett, who ran first Panic Productions, then Alternate Reality (ARP). The first two projects were (for the time) very well done - more expensive and sophisticated than the DDG customs, but definitely worth the money. The third languished for almost a year in post production before I asked Bailee to send me the raw footage, which I subsequently digitized and edited myself. Perhaps to make up for this fiasco, she later directed a sequel for me gratis.

These early projects (1999 to 2004) were shot on VHS and sent to me as videotapes. After NB, DDG and ARP folded, new producers emerged, most of who shot digitally and distributed their titles online. This led to improvement in both quality and turn-around times. One major disappointment among this new crowd was Todd Tjersland, who ran a succession of production companies (Threat Video, Astaroth, Grunt Films) which filmed both his own features as well as custom videos. I had seen some of Todd's stuff, and after twice failing to reach a deal (because his quotes were in the $5K range) we agreed to go ahead with a more reasonably priced production.

The results were an unmitigated disaster. Todd did not follow the script, left out most of the action and shot by what appears to be candlelight. There is no semblance of continuity and everything takes place in a ten square foot corner of a white room. The sound is so garbled that what little dialogue there is is unintelligible. The only good thing I can say about it is that Paris Kennedy looks great in a ripped t-shirt. Todd seems to have fallen off the radar - his Nicheclips stores are gone and apparently so are his web sites.

Also departed is Paul M. of Kill Her Productions (KHP), from whom I ordered two commissions. The first was so-so at best. It was shot outdoors (even though this was not specified in the script) and the latter half takes place in almost total darkness because the sun set "unexpectedly." I'm still not sure why I hired KHP a second time, but I did, submitting an ambitious script which required some sophisticated visual effects. This sort of thing was supposed to be Paul's specialty. The results were better than my first KHP custom, but the thing took almost two years to finish while Paul struggled with the post work and various business problems.

In addition to commissioning fetish producers, I have also approached fetish actresses directly, leaving it to them to contract professional videographers to handle production work. Although the technical quality of these efforts are superior (and the costs surprisingly affordable), I eventually gave up on this approach. If whoever is directing the action does not understand GIMP fantasies, whatever is delivered in the end almost certainly will miss the mark. I first tried this with Tanya Danielle as the star. The guy who shot the footage (in long, continuous takes) did so POV style, casting himself (behind the camera) as the villain and playing the whole thing for laughs. I had more success with Amber Michaels, who delivered a reasonable video on the second try, but misrepresented herself as being 30 or 40 pounds lighter than she actually was at the time.

Another bad idea was to commission a producer who specializes in superheroine and femme-fight videos to do a GIMP film. Alex Bettinger had done some excellent work shooting straight peril scenes for his Agent Eve and Slayer series, so I hired him to shoot a (for me) relatively lightweight custom script. It may have turned out well, but I'll never know because for two years he churned out female wrestling matches while ignoring my project. He finally refunded my money.

And the one producer who didn't deliver nor give a refund? This happened in 2005, at which time they (it's a husband-and-wife outfit) were releasing soft-fetish productions and were virtually unknown in the peril community. I took a chance with them because the quote was low. For the first attempt I ended up with a video that was at best a bare pass. There was not much competition at the time, so I went back to this team with a second script - but shortly after I transferred the funds, all communication ceased and they disappeared. Then, just a few years ago, they popped up on Nicheclips where they now have two stores. I won't name them directly, but if you are dealing with a woman whose name rhymes with gasoline, be very careful.

Fritz: I can see where some GIMPers would see the DI series as too extreme. Everyone has their own likes and dislikes, which is why we have such a wide variety of posters in the forum. The only thing I would change from those is for there to be less "blood" - for me, it takes away some of the attractiveness of the female. I thought you had been the one to commission those, so well done!

I don't have the resources to commission a film myself, but I can certainly attempt to write a decent story. My story will definitely be on the "modern" side, for those interested. It make take a while to write, but I will work on it when I can.

Glad you liked the story. I'll try keep on writing that sort of thing.

Cheers!

El Wananchi

Someone mentioned her expressions because they seemed to be so real? Well...the way you get a girl to HAVE those expressions of pain is...you fucking HURT her...like when I wanted a close-up of an expression of really sexy looking pain from her or another girl, I held the Bolex in one hand and grasped a nipple with the fingers and thumb of my other hand and crushed the pretty thing as I twisted it so hard she screamed...and like magic, she gave me what I wanted.

One of the things that really turned me on and made working with both Sharon Montgomery and Karen Arthur was that they really resisted giving-in to pain, perhaps unconsciously challenging me to hurt them more and more until the very real agony flooding their brain from their breasts or pussy was so severe they couldn't NOT really squirm and try to scream.

For instance...there are a couple of things in the picture of Sharon hanging upside-down today that...(unfortunately)...you can't see, because the very nature of our relationship meant I stuck a dozen ordinary straight pins through her panties and into her pussy before I tied the ropes into her crotch...which made her so damn hot, pussy-juice was running down her belly from the top of her soaked panties to the rope around her waist.

And if you think I didn't lay the camera down after filming that sequence to shove my cock down her throat...go find someplace to lay down where nobody will trip over you because you're fucking dead!

If I remember correctly, I mentioned in the "interview" that I got into the business because I discovered that I could make money doing what I loved to do and had been doing for a long time...and yes, of course I did it for the money, and because "money" gave so many of the girls who "worked" for a plausible excuse to do something they either consciously or I think in most cases unconsciously...craved doing in the first place.

The book "Men Are From Mars-Women Are From Venus" says basically one thing..."Men say what they mean and women don't"...because hot young women really don't CONSCIOUSLY know what they want until the desire for whatever it is, is so great they cant' repress the desire, because the hypocritical "morality" of this "Christian" society has taught them from birth to be "good girls"! And THAT...is primarily what allowed me to actually torture girls like Sharon, Karen, Georgia and others for my own pleasure during...(but REALLY TORTURE and screw them after filming).

Forgive me if I'm repeating something I've mentioned before...but someone mentioned the film "Sign!" starring Miss Montgomery in her natural short, curly red hair. Those who have seen the film are all familiar with the scene where she's forced to sit down on a very non-threatening dildo...(which we couldn't legally show penetrating her cunt)...so after showing the dildo in a shot that stopped short of letting you see it going in, she wanted "more"...so I gladly replaced the thing with one I used for personal fun that was a beautiful thing 2-1/2 inches in diameter and an agonizing 10-inches long...and THAT was what was inside her belly during the scenes where her breasts were bound with wire. What I may have already mentioned was that she suggested we could make the whole thing more cruel and sadistic by hoisting her hips off the chair by barbed wire pulled through her pussy...(like we tried in one of the Tourist Trap movies)

So hell YESSSS! I did it...and rather ingeniously too, or so I thought because when I had her arched-up the camera got a nice view of the BIG "cock" she had just come up off of but all I got was a royal ass-chewing from Barb because I'd gone way too far. Hell, the blood running from her ripped cunt was real and there was no way in hell she was going to risk showing that! DAMN THE CENSORSHIP...because I got about 4 minutes of absolutely fantastic footage of her arched up...screaming and writhing in orgasm over and over...and over because the pain was REAL and REAL pain was what did it for her. It is interesting and perhaps enlightening that more than the actual pain...the thing that made her orgasm was that "the very idea of doing something that wicked and sadistic to a helpless young woman was so forbidden to my brain that having it actually done to made her absolutely crazy hot!

D Santorum thanks for the news about Dead But Dreaming. It seems like there's just going to be delays and there's nothing to be done about it. It pains me, as I'm assuming the delays are somewhat due to theatrical and DVD releases...or at least manpower associated therein to have those things. All I care about personally is when it will be available for download on the site...but alas things are as they are and I'm not the only person in the world. I get paid again on the 15th...guess I should set aside that money for Dead But Dreaming and get something else in the meantime.

Chiming in on interrogation topic. For those who know my tastes, while I am an AOH fiend, interrogation is absolutely how I prefer my AOH served. I like that being the reason why a girl is strung up and tortured. All my customs (http://www.darkfetishnet.com/MAV/albums/4746) except 1 have been based on interrogation.

For me a hot model who gets my eye, even if not fully naked, will be enough for me if she's strung up AOH and tortured for information. That's probably the main reason why I've kept my budgets relatively low. For what I've wanted, I'll say my overall results have been a B+. The misses have come from bad sound effects, film quality, lighting, and in the worst case, a wardrobe malfunction (in a bad way). I've mostly gone with the "fetish" producers once instead of the more hardcore producers. I did try to work with PKF once but we got our signals crossed. Seductive Studios is the only one I've used twice.

Thanks to you guys for pointing out Teraz Films' online store. There's some semi-AOH action there for me to check out.

There are also added psychological and mental aspects on the interrogators' side, since they must force their captive to talk without harming her to a degree that prevents her from talking. The interrogators also know that, if they fail in their mission to get her to talk, they too may face very unpleasant consequences from their superiors. This all gives an interrogation scene more of a balance for me (though certainly not an equal or fair balance) than other types of torture scenes (where all of the power is on one side), since the interrogation victim has power over something her captors' want (her information), despite being utterly helpless physically.

http://www.xvideos.com/video2047454/chinese_girl_tied_by_soldiers

Thanks in advance.

For me, the "will to resist" and the "risks of the trade" factors are essential to a good story. They give a sort of "legitimacy" (so to speak) to the whole scene: the eventual GIMP knew what the risks were, has a reason not to yield, and probably she herself was in a position of power before. There is a reason to what it's happening in the scene.

At the same time, the interrogators are not just and necessarily "perverts"; they might be professionals doing their jobs (a Bond movie quote), though enjoying it to different degrees! I shun from the "innocent-abducted-by-pervert" scenario as senseless violence; and find most "interrogation scenes" (including "Inquisition-type" ones) much too influenced by BDSM.

Regards,
El Wananchi

Hi, can anyone give me some insights as to who the actress and the name of the film in this video?

I can't name either one.

If it's any help, though, I can tell you what company produced the film. That movie was made by the Japanese porn company, fa-pro, and the actress is almost certainly Japanese, not Chinese. If you are searching through the fa-pro site using an English translation from Google, you're most likely to find it in a movie with words such as "war" or "military" in the title.

I would also note that a similar scene can be found in the fa-pro title, Battlefield Gangbang (FA-263), which was reviewed by me and by Sloth.

-----

A side note: fa-pro has teamed up with Attackers for a jointly produced release in September. The film doesn't look like much to me but it raises hopes for future collaborations between the two. Certainly, the recent Lady Attackers from Hell series by Attackers had similarities to the fa-pro films so there might be some potential if they team up for other co-productions.

You must keep in mind that my work was done at a vastly different time, when censorship was both severe and legally deadly. "The Boss Lady" paid serious money to professionals whose job was to "measure" the degree to which I could go...(like being forced to leave the girl's panties ON)...until they felt I could get away with rope in a naked pussy, which was not very often.

Bill K.: This is why I couldn't rip the panties off of Sharon Montgomery in "Punished 1". For that matter, all of you should know that if my victim had panties on in ANY of my films or still sets, it was because legal considerations forced me to. Otherwise...Jeazzzzus! Of course I had that tender wet cunt bare! After all, my sole purpose and greatest pleasure was to HURT these girls, especially their precious breasts and even more precious pussies as severely as possible. I have come to believe that the thing that makes what I did so different from what's being done today, was that I was...(and still am)...so enamored with seeing pretty girls twitching and squirming in real pain...that I actually DID hurt them, often in ways the camera DID NOT reveal...and that translated to what the camera did capture.

There is no question that the one thing I used more than anything else...(which remained "unseen")...was the ordinary little straight pin. Being just under an inch long and having a tiny head, they disappeared under panties when jabbed all the way into the mounds on either side of her pussy or stuck through her clit. And yes...I was somewhat of a "con-artist" by leading a girl to believe being tortured like that was just part of the job, because I KNEW that once she felt that kind of sadistic torment, she would become virtually addicted to it.

Some things are so simple they escape notice and...(at the time)...my future wife made the following comment the first time she saw a "Bondage" magazine for the first time. (In reference to a photo of a girl hanging spread-eagled with a rope slicing her pussy in half, pulling her hips forward), she said, "This girl isn't doing this for money. You can't pay a girl enough money for her to submit to being TORTURED like this! She's doing it because she LIKES IT!" Of course she was right.

Given the "morality of the Bible-Belt", I HAD to keep everything I did as far "off the grid" as possible, which did have certain "benefits". The greatest of which was that what I was doing was so unbelievably "forbidden" and "immoral" that the work attracted only those young women whose conscious or unconscious desires to actually BE HURT...(in very erotic ways)...and I took personal advantage of that for my own pleasure.

TRG: Yes and YES!!!! Karen Arthur was and still is absolutely drop-dead-hot-and-gorgeous and yes, I was one lucky Son-of-a-Bitch in that I shot a set of stills of her on her 18th birthday...then left her gagged, blindfolded and tied with her legs spread...(a position which I "shot" with an empty camera to prepare her for)...my tongue invading her pussy to bring her so close to orgasm she was squirming like a worm in hot ashes to have my cock plough into her...(no shit)...virgin pussy.

Having talked with her many times before she was "legal", about the things I did to girls, I knew from her reactions then, that after I did get her in front of the camera I could FORCE her to orgasm by actually torturing her pussy...so as I fucked her I continuously withdrew my cock and told her "arch it up" and she did...knowing that I was going to stab another pair of dress-maker's T-pins an inch deep into the swollen lips of her pussy or straight down into her nipples...before I gave her my cock back and like magic...she went into a violent series of orgasms, NOT from my cock but from the very idea of such a sadistic thing being done to her as much as from the pain. From that moment on, Karen was "hooked" and over the years I did incredibly sadistic things to her just for pleasure.

I don't intent to monopolize this forum but guys...I just HAVE to tell you about the most incredible incident I ever had with Karen. She had moved to Texas but returned for a few days with her new "man-friend", basically for me to show him how to treat her. His "education" ended that night with seeing her dressed in black spike heels, sheer black stockings and a waist cincher that was so tight it had her pulled in to less than 20 inches...hanging upside-down from the cross brace of scaffolding...with her legs spread, and her thighs tied to the "X" brace so she couldn't twist her hips. With her wrists and elbows tied behind very tightly...she said, "You better gag me"...which I did, and quite severely.

Then, I slid a cold curling iron down into her soppy-wet pussy...plugged it in and held head up by her hair to make her look at the little red light so she KNEW it was on...and then we just sat back stroking our hard cocks as the thing slowly got hotter and hotter...which made her jerk and squirm with increasing force until it was so hot Karen's legs were shaking and trembling uncontrollably and she was straining to reach around her body to claw at her belly so desperately the "claws" of her sharp finger nails were bringing blood. When she reached a point of total panic and loss of physical control she was absolutely wild...so I got up and pulled the thing out of her and I'm NOT exaggerating people...the damn thing made a loud HISSSSSS!!!! when it came out of her pussy. Her new friend said, "Do it again!" and when I shoved the hot thing back down into her it "hisssssed" again and at that instant her cunt literally exploded with a virtual geyser of "girl-cum" shooting two feet into the air. *(Yes, we did take her down and took turns fucking her scalded pussy until she was senselessly exhausted from orgasm.)

What is so Goddamn tragic about this is...I HAD EVERY MINUTE OF THIS ON VIDEO WITH SOUND...but a "situation" with local law enforcement in 2000...(which was nothing more than "pay-backs" for NOT being able to arrest me in the 1970's and 80's)...made it prudent to destroy THAT video and a gazillion like it that knowing what I know now...I would have gladly shared with all of you for nothing! Again...GODDAMN the "moralists" who want to dictate what we do and even think! *(Ironically, it was Karen...then working in the DA's office...who called to tip me off that they very well might be coming to tear my home apart looking for illegal "porn".)

Frog: I'm sorry Sir, but I can not pass your affections on to Sharon Montgomery because in doing so we would be inadvertently telling her she is STILL well known and that pictures of her are out there all over the fucking place...which would upset her because that side of her was and is still intensely personal and must be kept totally hidden from those who think they know her now.

Daniel: Sorry my friend, but you don't really want to attend a "shoot" today because what you see in the finished product is not what you would see as it's being made. For the most part...it's focused work with people around and unlike what I was able to do "AFTER" the work was finished, which would have damn near killed you from having so many orgasms...I'm assuming this but I think those days are long gone because the young women involved today are in it for the fucking money. That's why you see the same things being done over and over.

If I can get Ralphus to post a photocopy of a picture or two of my wife Danielle...I can tell you some REAL hot stuff about her.

LAST BUT NOT LEAST...I APPEAL TO EACH OF YOU SEARCH WHATEVER ASSETS YOU MAY HAVE TO HELP ME FIND...the magazine was a "Whipmaster", a picture of which is included below, because the back cover is a shot of my wife leaning back against a huge door with one leg cocked-up, looking down with a cigarette in one hand. The door has a huge either black or white number on a black or white rectangle. I would love to have a copy of that photograph, so any help will be very much appreciated.

Don't get killed or caught!

Blakemore

Thank you for your response to my post!

You are so right, I really would not want to attend a modern shoot. The desire to do so was born in me in the early sixties. It just has not left.

Thank you for all you have done to make the journey of us 'gimp' lovers so pleasure filled!

Daniel

Here is a scan of the back cover of V1, #7...

Sorry I couldn't be of more help.

This is the first of series of eight videos made by HOM in the 1980s using primarily the models who might be called the "stars" of Blakemore's bondage stable, though there are a few unidentified models thrown in. The quality of the production is generally higher than the usual Bondage Classics material. Outside of Blakemore's feature films, he seemed to be doing his finest work in the Punished series.

In four scenes, a model (Kaye Adams?) is tied to a post, undressed (rudely), and whipped, suspended by her wrists and ankles and whipped, and finally tied down to the Blakemore stretching rack, and well, stretched. Much breast and crotch fondling is included throughout. The sequence ends with a bunched-panty cunt-busting on the rack followed by a dildo insertion, which we don't get to see explicitly.

Hang on to your hat. Sharon Montgomery pulls out all the stops.

Montgomery gives a hard hat worker (Blakemore) some grief and he returns the favor in spades, tying her to a post so he can strip her and fondle her. Notice the lip-licking that signals, whatever you do is OK with me. Then she is tied standing up, spread-eagle, in only panties and heels, writhing against a serious crotch rope, with shots from below, right next to said crotch, looking upward - fabulous scene. Next she is tied upside down with her legs spread wide apart, wearing a triple-rope crotch harness. She gets whipped with a belt, but it's more for show than for punishment.

But now comes the money shot. Tied AOH, a thick rope is pulled up firmly between her legs so she is straddling it, jammed against her crotch. Blakemore walks off the set so Montgomery can solo. This is not GIMP. This is giving her the stage and letting her take the matter where she wants it to go.

She starts writhing around the rope, sliding her hips back and forth along it, in the most sensuous manner you can imagine. Then she undulates back and forth, grinding her pussy against the rope to get herself off. This is the shot Blakemore referred to in his April 4, 2012 GIMP Forum post. She was upset because she had to leave her panties on for the rope-riding. If this scene doesn't blow your fuses, nothing will. The sequence ends with Montgomery, fully clothed again, walking off the set with a satisfied smirk on her face.

OK, you can exhale now. Wow. Triple wow.

Montgomery is super-hot from start to finish. I'm surprised Blakemore didn't faint when he was making it. I can't say enough about the little extras Montgomery throws in that elevate her performance to erotic high art. The more times you watch it, the more things you notice. Related stills were the subject of a magazine layout titled, "Red, Hot Bondage."

Georgia van Helsing often plays a nasty bitch who gets the least of what she deserves. Here, she plays a Sweet Young Thing who is forced to put on wrist and ankle cuffs herself and submit to what is lots of fun for us, but not so much for her. Fastened upright and spread-eagle, with arms high, her sweater and skirt are removed with a little flogging thrown in. Her panties get crunched to the size of dental floss, jammed up into her pussy, and tied in place. Wow, that's gotta hurt.

Gradually, she gets suspended with her ankles high and wide, and gets penetrated with the handle of the flogger, but we don't get to see that. In her final pose, she is spread-eagle once more, arms to the side, with a collar pulling her neck up taut. Off come the panties and the ubiquitous dildo-on-a-pole is set in place just out of her pussy's reach. Finally she goes oral on the wooden dildo for a while (I never do get that) and as we fade to black, we see evidence that maybe SYT actually liked this after all.

This is an enjoyable sequence to watch and one that stands up well on its own, but suffers in comparison with the one you saw just before it (what wouldn't?). Because she does not fight her bondage, like she usually does, but portrays fright and suffering, this is one of my favorite GvH videos. She has a tremendous figure, and shows it off well here.

Lana Ryan, one of Blakemore's top-notch performers, is next up. She is tied in various suspension poses, including the Flying Wallenda - the horizontal wrist and ankle suspension. The upside down suspension is pretty hot, too. Tied to a chair, she won't go anywhere. The highlight of this sequence is having a working dildo slipped into her cunt and held in place by her panties pulled up tightly against it. She is left, AOH, to writhe as it works its magic. Incendiary.

An unknown woman is mainly chained spread-eagle to a wall and whipped. There are too many different poses for such a short sequence, and none of them are all that demanding. There is whipping but she doesn't react much to it. Not a very inspiring sequence.

Ratings:

C, A+, B, A, C

Pluses: Montgomery. She is the reason why you have to have this video. Also the dildo in Ryan's panties - do try this at home.

Minuses: Sequences 1 and 5 never get anything going.

You can buy this movie scene by scene at hotmovies.com

Back about a dozen or so years ago when my interest in BDSM was at it's peak, one of my favorite bondage models was Ariele Cole. Anyone know if she currently appears as a bondage model on any bondage websites? I am primarily looking for pictures, as I tend to find most bondage videos boring these days.

Reluctantly, I have to admit that the movie's big selling point, Sequence 2, probably isn't my cup of tea. I love the stills and everything. But the fact that Sharon Montgomery appears to be into it pretty much ruins the effect for a guy like me with a strong non-consensual bias. I don't think it would blow my fuse.

All the same, I enjoyed the review and the caps. Thanks for putting the review together.

The day arrived. It was the 23rd of July, 7:30 PM and people were gathering at the movie Multiplex in La Paz. Lots, lots of people invited for the big premiere. Our whole team in force, most of the cast, friends, family, VIPs, journalists. A madhouse, to say the least.

The expectations were high, of course, but nobody, no one, only Jac, knew what to expect from the movie. Some, like Amy, Erik, Beto had seen glimpses of the movie, but only Jac had seen the entire movie a thousand times.

There they were, the ladies in the cast, the focus of people taking pictures out in the large hall where the screens show what's to come and the large banners announce the movies playing, including Dead But Dreaming, playing along The Lone Ranger and other blockbusters.

Amy was busy making a little movie with her iPad. Jac was nowhere to be found. Apparently he was in the screening room checking if everything was fine.

The guests formed a very long line to enter and waited, patiently, holding their popcorn and sodas. Finally the doors to the screening room were opened and the crowds filed in.

The screening room, #6, was promptly filled to capacity, over 250 seats. Jac said a few words, the lights went out and the projection began. Jac was sitting next to Amy and I was next to him. I could see their expressions, their anxiety. Amy, specially, was transfixed.

As the movie went on I believe people were simply in awe, Dead But Dreaming was nothing like they were expecting. I believe a lot of people thought it was going to be more like an old traditional vampire movie, or maybe even a Bolivian comedy with nerdy local vampires. Whatever they thought, this was not it.

During the screening Amy was looking at herself with a fixed expression on her face. She's gang raped, flogged savagely and finally put to death by tourniquet. It all takes place during a large part of the movie. In fact, I got the feeling that this sequence WAS the movie. Almost everything was building to it. The film could easily be titled The Passion of Moira.

When the lights went back on the applause came in and as people left the screening room, they congratulated the cast and Jac. Many approached Amy to give her big, big hugs, as if trying to comfort her, to express their sympathy. That's because her suffering seemed so real on that big screen.

The marks of the whip, the bruises, obviously not make-up. People were commenting on how realistic and/or real that was.

Of course they loved the film itself, its creativity, originality, daring, and most of all, those sexy vampires, including Jac himself. For one commentator, Jac was so good, almost unreal.

So, I can say that for this first audience, the film was a success.

The first review came up next day. Not from a critic, we don't expect reviews from Bolivian critics this time around, as one philosopher who love the film told Beto: critics won't touch this movie, I can bet, the best critique is Silence. When they have nothing bad to say, they say nothing.

The review came from a filmmaker, script writer who was at the premiere. He said he was impressed and I quote: I was impressed at the premiere of Jac Avila's film because of its audacity, the performances of actors and actresses, the costumes by Amy, the beautiful vampires, the montage, the "racontis", the moving in space and time, the playing with our patience, the despairing protagonist's sequence, the flogging to which she's subjected is torture for the spectator who moves in his chair, unable to put an end to the unrestrained attitude to provoke us...

I could see in the faces of those near me that they were very, very uncomfortable with the scene, but, at the same time, could not take their eyes away from it.

The reviewer went on to say: There are long sequences as well, with the only intention to provoke, something that Avila manages to do. The script send to us many leading threads however never confusing us or tripping us or taking us from the tension. If the film was a bit shorter we would be free from those Fassbinder type of sequences.

When our first reviewer mentions the way the film moves in space and time, he's referring to Jac's known style of going back and forth from place to place, from time to time, which we see in Martyr and Maleficarum but here, in Dead But Dreaming is more pronounced because he jumps from 10,000 BC to 57BC and to 1805 in ways that make total sense.

The reviewer goes on: Amy Hesketh is impeccable in her role as heroine, more mature each time in her histrionic capacity. He saw Maleficarum too, at the movies, he was impressed as well, but not like now. He's not the only one that admires Amy's capacity to withstand harsh punishments for the love of her art. A make up woman who worked with Amy in Sirwinakuy said to her in the after party: I know what a make-up welt looks like, because I work with that, those welts in the film are real.

She was referring to all those nasty red marks on her skin.

Our also has this to say: The lashes Moira receives hurt our senses, they are disturbing, they move you. Seeing her in this sequence, on her toes all throughout the shooting, ... well, undergoing, naked, the harsh punishment, bringing the spectator to the reality of feeling the lashes ... it's terrifying. It must have been very hard for Amy. And never to forget the tear that comes from the depths of the senses, it makes you want to see Dead But Dreaming all over again.

He's not far from the truth when he says that to watch the movie is to suffer with Moira.

Our reviewer also says: the vampires are unbearably beautiful, uninhibited, expressive. He's referring, of course to the three women who lure others to their untimely end. Veronica, Mila and finally... He wishes to be a victim of those unbearably beautiful vampires and to become one himself.

Dead But Dreaming began its theatrical presence two days later, on July 25th as planned, doing better than Russell Crowe and Turbo, only behind the Long Ranger's 3D version and WWZ, the Brad Pitt zombie extravaganza. It's also playing at the famous Cinemateca, where Maleficarum was "censored" last year. This time they decided not to make the same mistake. They are going further than that. There will be a special screening Saturday with Jac and Amy present for a Q and A.

The film is on its third week already and it might go on for a fourth. But it doesn't really matter now. Its first mission was accomplished. Dead But Dreaming was shown in theaters, it did fairly well, as expected, and we're ready to move on to the next stage. The world release of this fantastic and fully GIMP movie.

The film is now going through its obligatory subtitling in many languages. We're getting it ready for its world release which we believe it will be at the very end of August. We will announce a precise date shortly. There are some technical issues to go through, setting the film up in the VOD store and having it ready for the fulfillment center in the US.

In the meantime plans are already in place for the second part of the trilogy.. and if successful, maybe it will become a series. The crew and cast are ready to shoot a couple of scenes very soon. The major part of the shooting will take place in October. Amy is also preparing to shoot her film, Olalla. We'll be very busy soon.

In fact we were very, very busy before, during and after the release of the movie. There were TV and Radio interviews, as well as press releases, newspaper articles and blogs to send information to. All of that is over now, but the work never is.

Amy and Jac have their sights in the upcoming projects, but they are busy with Dead But Dreaming still. Amy prepared a two hour Making of Dead But Dreaming documentary, which will be part of a two disc DVD release. It needs subtitles as well.

We're anticipating this release. We hope it will reach a lot of people out there. One thing I can say is that Amy's sequence under the whip will become a classic. Mark my words.

The film itself breaks some new ground, but you'll have to wait for it to know how it does that. And it's only the beginning.

I'll have the new, uncensored, trailer in my next post, as well as more comments on Dead But Dreaming and other projects. Our international campaign begins now.

Be ready, Dead But Dreaming is coming and it's coming very soon. OH, and by the way, there was an INTERVIEW with Amy on Horror Society, take a look

Reine Margot

Ralphus has kindly posted another of my stories, this one called Double Trouble, set in Belgrade during the Serb-Croat war. I hope that those of you who choose to read it will like it and will offer me your comments, either on the forum or privately by email.

Quite by coincidence, I had begun putting together a review of Punished 1 a week or so before Ralphus began to post stills from Sharon Montgomery's sequence in that video.

That is weird. We haven't had a review I could file under Classic Adult for quite a long time. I started running the Blakemore/HOM pics when Gog made a comment about women hanging upside down by the ankles and that started the ball rolling. Maybe we were on the same unconscious wavelength; I just chose the Punished pics at random. At any rate, I think the reason the Blakemore stuff is getting such positive feedback is because...the ropework is just so damn good.

I mean, look at the picture today. That's just the epitome of a rough and sexy bondage pose. She's hanging naked, spread-eagled, she's got her neck in a noose, she's covered with whip marks, she looks totally helpless and defeated. That's the way bondage is supposed to be. There are lots of bondage producers out there today but only one man did it first and he did it best. And that's why, over 30 years later, his stuff still stands out.

And thank you for the great review of the first Punished. Outstanding work, and the vidcaps really sold the movie for me. I have it on DVD; I'll have to take another look soon.

The direct link for your review is in my Homepage URL above. And welcome to the Reviewer's Club; that was your first. We have such a terrific group of reviewers here, and anyone can contribute their own review anytime. It takes a bit of effort but the rewards of sharing with your fellow GIMPers are worth it.

----------------------

Margot: Good to finally see you back here, and you made it special with your report on the premiere of Dead But Dreaming. Between your description, the photos and Amy's video, it was almost like being there. This is a film I know very little about, other than it's about vampires and Amy gets a nude public whipping. And in a way, that's fine with me. Since I was somewhat involved in the production of Maleficarum, I pretty much knew the list of tortures in advance. But I'm looking forward to this more as an actual movie with GIMP elements, and hopefully one that will surprise and entertain me. I definitely plan on checking this one out.

Just a quick heads up that ringdivas released an AOH torturefest called Abducted just now. It stars the superhot Cali Danger. She's knocked out then taken to an industrial garage where she's handcuffed (!) AOH then stripped to bra and panties with a knife before getting physically (slaps, bellypunches, kicks, chokes) and psychologically tortured. The last 6 minutes are the most intense IMO, but she's cuffed AOH for 25 of the 40 minutes.

A Canadian: But the fact that Sharon Montgomery appears to be into it pretty much ruins the effect for a guy like me with a strong non-consensual bias.

Chacun a son gout. That's French for, That's what makes horse races.

Glad you liked the review

Ralphus: Thank you for your kind comments, and thank you for helping me get the review set up for the forum. I intend to review the rest of the Punished series, all eight of them, with a new review every two weeks or so.

Dan Hawke:

Thank you for your comment. That's a lot of information that is good to know.

I am calling Helpless, P7, because it is a collection of clips from previous P-series videos, with a few new scenes thrown in. What I call P8, which is how it is labeled whenever I see it on the web, is the one that begins with Lori Waverly fantasizing over drawings she gets out of a wooden chest. My copy does not have a title, though. It starts right off with Lori.

Here's the complete rundown on each: P7--the girl who was second in P6 (G1); Lori; G1 + Lori; some other girl; G1; Toni Stern from P2; Karen Arthur from P3; Sharon M. from P3; the nurse from P3; Laurie Sands from P3; the hot blonde who lead off P4; some gal in opera stockings; Sharon M. from P4.

P8 has Lori; someone else; Karen Arthur; G1; Karen Arthur.

G1 has thick eyebrows, big hooters, fabulous legs, and a really bad 80s haircut--I think you know who I mean.

I am willing to stand corrected on how these videos are titled. You've been around this niche far longer than I have.

Nonetheless, I feel that Helpless needs to be part of a P-series review because most of it involves P-series clips.

#1 - Get rid of the high-heels. Some things just don't fit.....like high-heels at the pool, or the beach, or the woods, etc.

#2 - Get rid of the panties. I know there were restrictions in the day, so just mentioning from my personal preference.

#3 - Get rid of the bush underneath. Again, just personal preference, as I know it was the norm in the day.

**

Reine Margot - Nice to see you post again! I hope all have great success with the release of "Dead but Dreaming".

And wrote (of Amy): "She's gang raped, flogged savagely and finally put to death by tourniquet. It all takes place during a large part of the movie."

All I can say to that is....ooooooh! :-)

**

MAV - Cali Danger is a cutie alright. Though looks to be missing the nudity that would prompt a purchase.

If I get some time during the next few days (or week) I'll post a picture review that has a good long AOH sequence.....with nudity....and rape....and whipping....and..... :-)

Great pic of the day! Except the bush.

You guy's might want to check out my new release. It's definitely GIMP.

Anyway, I rented the movies and we watched it together. My little Asian girlfriend went wild, started telling me all about her forbidden fantasies or bondage and rape as teen in Vietnam. This began a relationship of 20 years of blissful depravity with her. But alas, she finally got to the age where her body couldn't take the Blakemore style bondage positions. Yes, I do have pictures to fall back on.

Now for a couple comments on posts. Love the high heals and bushes. I never got the shaved little girl look.

As for consensual or non consensual, I think it is hottest when the victim is forced non-consensually, but her pussy can't help it, making her squirm and gyrate as she begs and screams for me to stop, ha! Non-consensual works fine as well. Consensual girl with smile on her face, total bore. Non-consensual girl who does not move, does not cry, does not beg, lame! Gags ruin what should be perfectly good begging and crying. So I like it loud and noisy.

Eda, loved the new story. I've got an X frame with your name on it, ha!

Above is a pic of VHS box for Punished 7. Originally found on Sgt. Major blog if I recall correctly. It was huge, so I shrunk it some and posted in chadscan group a whiles back.

Scribbler:

This box cover shows the scenes that are in my .avi labeled Punished 8, which is now labeled Punished 7.

Thanks.

Title: Superheroine in Grave Danger, Vol. 47 (THZ-47)

Starring: Miki Sunohara

Produced by: Giga

Running time: One hour

You can't always judge a Japanese porn film by its DVD cover. While the cover art for Superheroine in Grave Danger, Vol. 47 looks pretty lame, the film is actually a solid GIMP outing.

Pretty Miki Sunohara stars as the superheroine in the sexy cowgirl outfit. Because this is a Giga flick, Miki does battle with all kinds of goofy-looking aliens who appear to have been tossed from the Star Wars bar. What separates this film from some other Giga titles, however, is its classic depictions of torture. Miki is beaten and humiliated in good old-fashioned ways without any laser effects or animation. The traditional approach is used to great effect.

The story has something to do with Miki trying to protect an ugly-looking alien (ugly even by this film's standards) from some villains. Miki gets into martial arts fights with the bad guys and does a pretty good job kicking ass. Unfortunately for the superheroine, the villains capture the guy Miki was trying to protect and Miki is forced to surrender.

Inside the villains' lair, Miki is brought into a creepy room by an alien in black. Miki, stripped down to thong panties, has a leather collar around her neck that is linked to a metal rod that her captor is holding. The villain also has some wooden boards he is using to whip Miki when he is giving commands.

The villain slaps Miki's ass with the boards and orders her to stand on a table to pose in front of three aliens in chairs.

Slave-girl Miki seems to need obedience training, so the villain in black smacks Miki's ass and legs with the boards to get her to spread her legs. He also yanks on her collar and strikes her ass to get her to drop to all fours with her butt facing the alien audience.

Once Miki is on her hands and knees, the seated aliens check out her ass. I don't claim to understand alien-speak or Japanese but the chortling and positive nods confirm Miki's derriere passes inspection. The villain in black pushes the crotch part of Miki's thong panties aside so the villains can assess Miki's pussy, as Miki looks humiliated.

Another smack to the ass gets Miki to stand up. Her ass is slapped once more and her collar is yanked to force her to turn to face the audience. After some arguing between Miki and the aliens, the fiends decide Miki needs to be cleaned up. The villain in black uses the metal rod to hold Miki in place on stage as hoses spray the heroine with cold water.

Miki does some excellent squirming and squealing as the cold water is blasted up and down her body.

Miki's back is paddled with the boards and she is once again told to get on her hands and knees. As Miki assumes the doggie position, the cold water is sprayed directly at Miki's panty-covered pussy, eliciting squirms, whimpers and squeals from the heroine.

With Miki still on all fours, Miki's panties are pushed aside and the cold water is sprayed at her exposed pussy. The villain in black also spreads Miki's butt cheeks with his hands and Miki shrieks as the water is blasted into her bung hole.

In a new scene, Miki is kneeling on a small stage in the creepy room, with handcuffs and chains lifting her arms lifted above her. A villain enters the room and paces around the stage, issuing threats as dripping-wet Miki shivers.

More villains show up -- the three aliens that like sitting in chairs to watch the action, and a human guy who also threatens Miki. The alien in black returns, as well, using the metal rod and neck collar to restrain the ugly alien that Miki was trying to protect.

The ugly alien is positioned to Miki's right so he can be forced to watch Miki's suffering. The human villain uses the wooden boards from the earlier scene to thrash Miki, delivering blows to Miki's back and her ass (the impact of the shots accentuated by sound effects). Some hits look more punishing than others but the overall effect is quite good.

Miki does a tremendous job responding to each crack, with yelps and jerks that are very convincing. She also looks great whimpering and shivering between blows, and there are some wonderful shots of her looking helplessly at the captive ugly alien as the torment continues.

The human villain mocks the powerless ugly alien and slaps Miki's legs with the boards. He then delivers more whippings to Miki's back and to her legs and stomach, and there are more great shots of the helpless look on the heroine's pretty face.

Once the beatings finally end, the human villain feels up Miki's body, including fondling her breasts. The villain slides his hand down Miki's panties and finger fucks her. The villain then taunts Miki by waving his wet fingers close to her mouth and soft lips.

The villain moves behind Miki and puts his hand between her legs to finger her some more. Writhing Miki's reactions -- her twists and jerks, her gasps and panting, the way she grits her teeth or clamps her lips -- are exceptionally hot. Similar to the whipping scene, there are some terrific shots of Miki looking helplessly at the ugly captive as she's being debased.

The villain's hand is splashing against Miki's soaked pussy by the time Miki climaxes. The laughing villain taunts Miki once again by showing his sticky fingers to the quivering, drained beauty.

The human villain plants some kisses on Miki in a scene that looks too consensual for my tastes (perhaps it was supposed to show how much Miki has been broken). Next, the chains holding Miki are lowered and the human villain stands on the stage and has Miki blow him. This part also looks more consensual than it should, although it's redeemed somewhat by some nice shots of disgraced Miki looking at the ugly alien as her face is pumped.

The chains holding Miki's arms are lowered a bit further to allow the human villain to fuck Miki doggie style. The ugly alien is forced to move in close to witness the violation. Miki delivers in this scene, which includes some excellent close-ups of Miki's reactions.

Once the human rapist is done, an alien takes his turn plowing Miki. This second rape has some nice moments but it doesn't last too long, as an alien arrives with news that Miki must be set free to return to the battlefield.

The rest of the movie is too odd to describe. It's worth noting, though, that it ends with Miki back in captivity. She is standing on the small stage, in just her thong panties, with her arms bound above her. Various villains and the ugly guy she was trying to protect are surrounding her, rubbing swords and other weapons against her quivering body. It's a brief scene and then the movie fades to black.

My grade: A-

There's a lot to like about this movie. It has good production values, an attractive victim, and a splendid mix of torture, humiliation and rape scenes that are effective. There are some flaws (eg., the kissing scene) but most of the movie works. If you can handle the cheesy aliens, Superheroine in Grave Danger, Vol. 47 is definitely worth seeing.

Funny, none of the obituaries I've seen mention her outstanding work in Ilsa, Harem Keeper of the Oil Sheiks.

They didn't show her being stripped? Bummer.

I was certainly surprised by that, too. Although I still felt the overall film was quite good.

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Here's an interesting story about a study of Fifty Shades of Grey, which complains the book is "abusive" rather than "kinky" ("abusive" is reportedly a bad thing).

The lead author of the report is a professor from Ohio. Honestly, it makes you wonder if everyone in Ohio is a total prude (we now await the response from our moderator).

I'll never forget my first bondage film; it was Blakemore's work, so like you, I started with the good stuff. HOM Bondage Classics #6, which was a collection of the old silent House of Milan loops transferred to tape, complete with cheesy music. Here's a picture of the DVD cover; mine was, of course, VHS. If I recall, it cost me about 70 bucks. Those were the days, huh? But hey, it was worth it for me.

In fact, I ended up buying a few more Bondage Classics afterward, again for big bucks, I think if you bought 2, that lowered the price to about 60 bucks apiece. Insanely high now, but in those days, fetish material was expensive and not a lot of it was even good. But after seeing the first tape, I realized the HOM stuff was rough and mean and I had no problem forking over the money because I knew it was a worthwhile investment.

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A Canadian: Really enjoyed reading your review, thanks for taking the time to share with the forum. I was under the impression that most of the Giga films were more about costumed heroines and relatively low on the nudity. But your caps seem to show quite a bit of skin, along with a mix of torture and forced sex, which is usually a winning combination. Even if the villains look they were taking a break from the cantina in Star Wars. You gotta admit that's kinda freaky. I wonder if George Lucus would approve?

The direct link for your latest review is in my Homepage URL above.

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So an Ohio State professor thinks Fifty Shades of Grey is a story about abuse? Well, I haven't read the book except for an excerpt, but I wasn't impressed with what I saw. I think it's more likely that it's no more "abusive" than 9 1/2 Weeks and other submissive stories that are written to appeal to women. Obviously, the lady professor has little knowledge of S&M, or B&D, and she can't tell the difference between a consensual kinky relationship and actual abuse. It doesn't take a genius to realize that real abuse isn't sexy to women, but being "taken" by someone who is control definitely can be. It proves you don't necessarily have to have common sense if you live in Ohio, or anywhere else, for that matter. Especially in Canada.

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Bill K asked:

Ralphus, is there a fiery sequel to today's picture?

Yes, Blakemore lit a pile of wood underneath his victim and she violently struggled and writhed as the flames slowly devoured her body. But wouldn't you know it, he left his lens cap on and all his pictures turned out dark. But he used what was left of the model in more photo shoots afterward. If you look carefully in several of his later pictures, you can see her in the ashtray.

I was under the impression that most of the Giga films were more about costumed heroines and relatively low on the nudity. But your caps seem to show quite a bit of skin....

GIMPers who are more familiar with the Giga titles might have something to add, but my sense is the level of nudity varies from movie to movie. When it comes to Giga, you always have to check the cover art and the promotional stills to see what you'll be getting.

Some of the Giga films have nudity, others don't. I have no idea why there are some that don't. Maybe some of the non-nudity titles get a wider distribution? I don't know.

What really puzzles me is when I come across a Giga title with no nudity that stars a JAV actress who has done plenty of nude scenes elsewhere. That makes no sense whatsoever.

On a different note, it also seems to me that rape scenes where the victim is bound or restrained are far less common in Giga films these days. Many current releases have rape scenes but the victim usually isn't restrained. Rape scenes with proper bondage seem to have been more prevalent in the older Giga titles.

Ralphus, you had a model I liked a lot. I think she acted in 666 and South of the Border. She had a real taught hard body, dark hair. You did this electro scene where she was tied up against this big slab of wood. Two guys in hoods, on clanking to the floor with this big piece of wood, then the other would throw the big switch. Who was she and what was her story? I've also always wondered if gagging all the women is just an easy way to cover that they can't do convincing screaming, crying, and begging?

I think she acted in 666 and South of the Border. She had a real taught hard body, dark hair. You did this electro scene where she was tied up against this big slab of wood. Two guys in hoods, on clanking to the floor with this big piece of wood, then the other would throw the big switch. Who was she and what was her story?

I haven't seen 666 but I'm guessing the actress is Kimberly Noble. I thought she was an excellent actress, although her rack was a little too inflated for my tastes. Still, I enjoyed her performances in the Kimberly Noble movies I have seen.

Actually, the sci fi aliens kind of negate the turn-off of the Japanese actress (who doesn't look all that Japanese) and the bizarre costuming. In a weirdly twisted way, it reminds me of the grindhouse B-films that could take the most fantastical situation and make it watchable simply by adding nudity and/or bondage. So, thanks for the great vidcaps, because you're right - the box cover art sucks!

Ralphus, you had a model I liked a lot....Who was she and what was her story? I've also always wondered if gagging all the women is just an easy way to cover that they can't do convincing screaming, crying, and begging?

You might be mistaking me for someone involved with ZFX. I'm just a fan; Rick Masters is the one you want to ask. I can confirm, though, that Kimberly Noble is the actress in question. Not one of my favorites, but reasonably pretty and a very solid performer. I'm pretty sure she was one of the Minnesota girls that worked with Rick when he made the trip out there to shoot a number of movies, including the 666 films and Bitter Sweet Persuasion (where she was a blonde).

I have really been enjoying these oldies Ralphus is running. Maybe not as hardcore as more modern stuff ( though Erotic Perversion really went there and then some) but the girls are outstanding and the bondage and torment exceptional.

Poll: I'm kind of late on this, but thanks for shout outs from Ralphus, A Canadian and others during the favorite producer poll. Much appreciated guys!

Dan: Great history lesson. I bet your package got held in customs, maybe held for "review". They take their good sweet time. It sucks Blakemore is not profiting from the movies he made. I wonder if HOM or Cal Star have put his work back in the catalog?

brainsmaster: I think A Canadian is right, from your description it's probably Kimberly Noble in 666. That movie and the South of the Border series were made by ZFX Productions. You can check out the ZFX site by following the link in my Homepage URL.

She was in Underland 1 and 2, Bitter Sweet Persuasion and I believe South of the Border 3 and 4. I could be missing some but those come to mind.

As far as Kimberly's background, I don't know much about her but she shot with me a few times and did a really nice job. I met her through one of Travis Lee's friends up north. She did a lot of suspension, hanging upside down that sort of thing. She was very vocal and screamed her brains out lol. She gave a lot of very solid performances and was quite a looker. That's about all I know.

That's it for now, I hope everyone is having a great summer!

Rick

The lead author of the report is a professor from Ohio. Honestly, it makes you wonder if everyone in Ohio is a total prude (we now await the response from our moderator).

I don't know, I hooked up with someone that read the book and was wondering about the life. Since I don't know a thing about women in peril or that type of stuff we experimented together. :} I'm from the good part of OHIO not like the heathen part like Ralphus is. :}

I like "The Interrogation," too. This gal is a real cutie, and boy, does she suffer well.

Thank you Ralphus for teasing me with that Blakemore stake damsels (what are those matches for?) picture and I should have known that wasn't going to be a fiery bats scene but like PowerBait to trout I took the bait hook, line and stake. :-) Gullible bats nut Bill K.

Thanks for the memories re: Hom: Bondage Classics 6

I decided to play the [really brief] "sample clip" on your link and was reminded of how weirdly inconsistent the overlay music was with the subject at hand..... and of where my lifelong fondness for jazz actually originated.

I'm from the good part of OHIO not like the heathen part like Ralphus is. :}

I hear you. I think Ohio is a divided state.

I made my first-ever visit to Cleveland last month to catch some Blue Jays games. Some of the folks who live there (specifically, a few of the young ones who get paid to serve refreshments) didn't always have a glowing opinion of their own city -- but they were downright unkind in their assessment of those parts of Ohio that are closer to Ralphus's dungeon.

My only observation is the beer prices (outside of the ball park) are more than reasonable in both ends of the state. Much better than the prices in my neighborhood.

Dan Hawke: Hi old friend! Know what, YOU know infinitely more about my "career" than I do...but that's okay I guess because as I've said, at the time I had discovered that I could make money by hurting pretty young women who were helpless...(and fucking them into oblivion)...the way I was already addicted to. Seriously though, thank you Dan for all you've done and are still doing for me.

Fritz: Thank you my friend, for hunting for the photo I'm looking for. During my recovery time from *surgery on my worn-out back tomorrow, I will make a drawing of the shot that MAY trigger a memory in someone's brain about it. (*This means I will be "absent" for several days or maybe more but I assure you that I will keep abreast of happenings and be back as soon as possible.)

I can honestly say that the physical demands I've been more than delighted to face in providing my gorgeous wife Danielle with the kind of fantasy-fulfillment she has long been addicted to...have in fact taken a toll on me physically. I say that because lifting...dragging...forcing a very limber and strong "cock-teasing-bitch" like her into submission when she's struggling and fighting-back, even though I have the latitude to really HURT her...(and enjoy doing so)...ain't easy because unlike making a movie, THIS is real.

I know without a doubt, that there are some of you who would enjoy the "fullness" in your balls and the hardness of your cock that would come from reading the incredible history of how Danielle evolved into being a woman literally "addicted" to torture and rape...EVEN THOUTH SHE IS TERRIFIED of these things happening to her and REALLY FEARS THE PAIN OF BEING HURT...even when she willingly puts herself into dangerous situations where she has to know she's literally "asking-for-it"! It is this blatant CONTRADICTION in Danielle's mind...(or the mind of any helpless woman who has willingly put herself in a position where she's knows she going to be sexually tormented...even tortured in front of a camera)...that still perplexes me.

This conundrum, however, goes straight to the root of why TRG and A Canadian felt somewhat disappointed in perceiving that Sharon Montgomery...(and others)...seemed to be enjoying being hurt. My answer is...yes but mostly NO! Yes, there were times they didn't react with the kind of fear and pain I wanted them to display unless, as in some of my films...I wanted them to portray that they wanted the abuse to begin with, as in the movies where they "paid" for it, which may not have been the best idea. It was this very "contradiction" that made it hard for me...but also "got-me-off"...to force them past the point they thought they could tolerate. You have to be aware that unlike the overwhelming majority of "actresses" making BDSM films today, who are doing it strictly for the money...(which shows!)...the girls who submitted to me were in fact...DOING JUST THAT...without being able to admit to themselves that they were really so "depraved" they WANTED to be tortured and the same as raped.

Be well...and don't get killed or caught!

Blakemore: I'm not sure how I communicated that I'm disappointed that the models like to be hurt, but actually it's quite the opposite. On the one hand, they could be doing this just for the pay, and if that's all it is, they're pretty good at faking their performance. But there was too much stuff that had no explanation other than that they must not mind this, and maybe even get off on it. After all, you put them through some pretty severe ordeals, and they kept coming back. So finding out what I suspected was true, really was true, makes it even more of a turn-on.

For example, Montgomery in P1 actually trying to get off while rope-riding instead of just playing out the script. I hope, after the camera stopped rolling, you let her finish what she started. What I find amazing is that (a) you found women so pretty who (b) had these "needs" and were (c) willing to play them out in front of a camera for commercial distribution, and (d) were such good communicators.

I still want to hear the story of the cover girl on Bondage Classics 6. Was she as in to it as she appears? How did Blakemore discover her?

To Blakemore, I can totally relate to your challenges. 10 years ago, I had my wife chained in the garage. I think it was like 100 decrees while I was pumping away at her. Later that evening my back stated hurting. By the next day I was in agony. The women just don't appreciate what we go through for them hee hee.

Thanks for the clip. Isn't it great to know that in the distant future, when robots rule, there will still be chicks scantily dressed in lingerie, tied to chairs and gagged with -- of course -- duct tape. Some things stand the test of time.

I also dig how they programmed the robot to think like a human...and how many men end up attacking and killing women they "love" because the women don't choose to love them back? The thing is, attraction isn't a choice, but many men don't realize that. So you end up with situations like this. Putting it in a sci-fi setting was genius. It justifies the point of view of the "bad guy" without making him bad at all, it's just the way he's programmed. I actually felt sympathy for the robot.

As for the woman, hey, that's the way it goes, sweetie. She sure was hot, and gave a great performance as the victim. A perfect ending, too. Kudos all around.

Cylon number 6. A serious note in computer class I took a long while back the first thing teaching tells you is the smartest most powerful computer (robot in this case) is no more smarter then a door nail. Sorry there will never be a killer love :-( crazy robots but maybe a fully functional sex wise robot that look like number 6 is possible.

This picture came out in HTML practice so hope it stays. Bill K.

The 3rd trailer is going to be about her revenge. I wish we'd get some reviews of this film from sites like this one. Do they ever send out advance copies?

First the good stuff. Jemma looks hot. Of course, I knew she was anyway, but she looks especially good here.

And then it's pretty much confirmed, just as I suspected, that she is tortured with electricity. Yes!

But then this bothers me. Can anyone tell from this still if her hands are handcuffed in front, or is she on her stomach and they're cuffed behind her?

If I had to guess, I would say she's laying on her back, with her hands in front. If that's the case, well, why would anyone just lay back and let themselves be shocked? Hands in front is, and always will be, the lamest form of bondage out there.

Again, I'm not sure about the position, but the still they feature on the main page (not from the trailer) shows her on her back, wearing the same dress, and screaming. Maybe that's from the rape scene, but if that were the case, I would expect a guy on top of her. I think it's more likely from the shock torture scene.

And then there's a quick shot of her face down laying on the floor, looking defeated and presumably raped. Hard to say if it's from the same scene, but my guess is no. It's hard to put the pieces together is you're only shown quick snippets.

And then finally, the buried alive scene looks pretty exciting, but what was up with all those cuts and bruises on Jemma's face?

I've been on the record as saying I like seeing women beaten up; a bit of blood, a black eye or two, just enhances the "victim" look. But that looks a bit extreme. They might have overdone it a bit.

Anyway, those are my impressions. I still can't wait for the movie; I'll be checking it out on Day One if possible, but my expectations are a bit more on the guardedly optimistic side at this point.

1. It's just there for shock value and we won't see how it happened
2. It's the result of a fall or accident she has,e.g. A traffic accident in the scene she's running around, or falling down some well where she is trapped etc.

**

A photo review of Dirty Deeds' Brutal Town starring Allie James

The film starts off with Allie in her bedroom, daydreaming of a boy and doodling on some paper. Her daydreams are interrupted when she hears a noise. Before she is able to do anything, a pair of intruders are in and on her. She is quickly overpowered and stripped.

Once overpowered, she's forced to perform oral and then gets raped.

Allie now finds herself hogtied and relocated to the perp's lair. She's untied and then re-secured AOH, as she's shown a whip, while a ball gag quiets her.

The whipping begins as it cuts into Allie's skin. A cattle prod follows as the torment continues.

Allie now gets raped while AOH. This is followed by her being forced to once again perform oral on one of the perps while AOH but now with her ankles tied to her thighs.

After an oral climax, the younger of the two perps wants his turn.....only he wants her dead first, as Allie gets strangled.

Allie gets lowered as the young perp gets his way with her to end the movie.

There is a lot I liked about this movie, though it has some major flaws. Mainly in sound. It seems like Maxx was experimenting with a few special sound effects in this one (and visual too). But will start with the good parts.

Two on one victim, rape and kidnapping (even though during the first rape she was left untied.), belly punches, cattle prodding, and the whipping. I especially liked the whipping. Not sure everyone will, but it was pretty creative as Maxx used a CGI effect here....that wasn't bad. Most whippings aren't very well done in that either angles are used to hide the fact that the whip comes nowhere near the victim.....or are just whipped limp-wristed, so it's obvious to the viewer that it lands with very little force. But I liked this one. It was with a bullwhip and a CGI streak & sound effect to go with it. Not bad at all I thought.

Then, Allie does a decent job of playing the victim....and looks especially sweet in a lot of the segments. The AOH strangle especially (and I hate it when an actress sticks her tongue out during a strangle.....but Allie even pulled this off, looking sweet in most of those shots.). Plus nice & sweaty at the end.

The major flaws here are with the sound. First off, there's the breaking glass sound when the perps enter sounds fake. This is followed with especially loud whacking sound effects whenever Allie gets slapped on the rear. Plus the sound in general seemed to be out of sync (and viewed with VLC as recommended). Then to top that off, at the beginning of the strangle, Allie sounds like a demon possessed troll under a bridge somewhere. Horrible! I don't know if it came out of Allie herself, or it was added. In any case, STOP IT! (or tell Allie to stop it.). It's a noodle maker out of one's dick.

But with all the negatives, I'm still giving this a fairly high grade. You may ask, well, if there is so much wrong with it....why so high? Well one of the criteria for a good review IMO is re-watchabilty.....and this one has so many nice visuals that it meets that criteria. I just have to watch it with the sound off (not all that much different from all those old HOM loops featured here not too long ago with the musical soundtracks.). So my grade....a borderline B+/A-

Ralphus wrote: "But then this bothers me. Can anyone tell from this still if her hands are handcuffed in front, or is she on her stomach and they're cuffed behind her?"

Her hand appears to be in front. The forearm is in too much repose for it to be on her back; the forearm would need to be coming in from a straighter angle if it were in back; the folds in her skirt to the left of her hand look like they cover a flat crotch area rather than the mound her buttocks would make.

It wouldn't bother me that Allie isn't bound in the first rape. In my view, as long as the victim looks like she is being credibly restrained, the scene can be quite effective. For the most part, it appears the rapists are restraining Allie so the scene would probably work pretty well for me. And Allie looks really cute, with a nice, natural body, which is also a big plus in my book.

I would like to congratulate you for your fantastic database and your in depth knowledge - it is a splendid resource! I have started to look for some of the films you discuss, e.g. Maleficarum, Poor Cecily, Shallow Ground and The Inquisitor. Unfortunately when visiting Amazon for example, I only found Poor Cecily, and the ratings say that it had severe cuts so it does not show the best scenes. Have you got any advice for places or sites where it is possible to order these videos in integral version, in DVD or download without being ripped of?

The Vampire Happening! I have seen this at the cinema when I was (too young), and that scene was a definining moment in my life...Cannot forget the sweat droplet on her breasts! What a scene, I with it was longer....I have this in DVD but it has not the magic I felt when I first saw it.

Best,

Lee

I have started to look for some of the films you discuss, e.g. Maleficarum, Poor Cecily, Shallow Ground and The Inquisitor. Unfortunately when visiting Amazon for example, I only found Poor Cecily, and the ratings say that it had severe cuts so it does not show the best scenes.

The bad news is that the chances of finding a good-quality version of Poor Cecily are about as rare as ever finding a good-quality, uncut version of Barbarian Queen (and, no, uncut versions on VHS don't count these days). Others have ordered the various versions of Poor Cecily that are available so I'll let them respond.

Some of the other titles are easier to find.

The highly regarded Shallow Ground, with lovely Natalie Avital, is available at Amazon, although with different cover art.

As for Maleficarum, it's available for download to own at the VermeerWorks site. It's also available on DVD at the Red Feline store.

My idea is a modified version of one of those Murder Mystery dinners or weekends. I will create a specific scenario (I already have one in mind) in which I am a captive with one or two pieces of crucial information that you must discover by asking me questions. I may answer your question truthfully or I may lie to you (based on the flip of a coin that I will make privately), but, once I have told the truth, I will not change that answer. As the questioning progresses, and, presumably, my resolve weakens from additional torments, I may flip two coins and tell the truth 75% of the time to reflect that (lying only if both coins come up heads). The first one to figure out the crucial pieces of information that I have is the winner (of only the satisfaction of having been the first to figure it out -- I'm not giving away anything more than that). I will copy the questions of everyone who plays to all players, as well as my answers to all of the questions, so that everyone who plays will have the same information.

All communications should be made by email (to my email address above) and not on the forum, so as not to clutter the forum for the majority of its posters and readers who will not be interested in this.

If at least three or four of you are interested, we can proceed and I will send you the scenario. Let me know privately if you are interested (again, at my email address posted above and not on the forum for the reason that I stated).

Lee

I'm not one that liked the whipping, though. Too obviously faked, and the while the bloody marks looked good, they were out of place seeing how the whip never actually struck her body. I also would have liked to have seen her getting hogtied instead of just cutting away and she's already tied. I did like the AOH forced oral...a good idea that I don't recall seeing on film before.

The direct link for your latest review is in my Homepage URL above. Try to settle on an actual letter grade instead of splitting them, though. Either B+ or A-. For now I left it at B+; let me know if I should change it.

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Lee Mortacchi: Welcome to the board and thanks for the kind words. I think you're referring to the Torture Rack Database. Most of the credit should go to Tony Wood, the man who originated the database back in the 1990s. I restored it for this site, added some new entries and vidcaps, and put in some video links, which were not easily accessible back in the early days of the Internet. Be sure and check out all our other databases, too; there's a wealth of information just a few clicks away.

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Alice: Another newbie, welcome to the GIMP. We especially like it when actual females take an interest in our activities around here. Hope you like what you see and can stop by and post here in the near future. I'd be curious to see what kind of stuff floats your proverbial boat.

As far as the bullwhip, I didn't think everyone would care for it.....and it appears I was right. But as Vincent Price once said in a movie, "You've seen me use my whip. I can flick a fly of my horse's ear without them breaking stride". So I didn't mind the fact that you never actually see the whip land, since with a bullwhip, it's about flicking it rather than a torturous lashing. So in my mind anyway, I wouldn't expect to see much of the tip on the lash landing.....but that's just me. :-)

But I still think it beats the hell out of those felt cat-o-nine-tails that do about as much damage as getting hit with a Kleenex.

Since you've seen it though, and out of curiosity, what did you think about the part that I described as sounding like a demonic possessed troll coming out of Allie? Was that as much as a bother to you as it was to me? Or did it bother you at all?

Since you've seen it though, and out of curiosity, what did you think about the part that I described as sounding like a demonic possessed troll coming out of Allie? Was that as much as a bother to you as it was to me? Or did it bother you at all?

Actually, you described it pretty accurately! I just watched it again and I was laughing over what you wrote :) Another case of when a director tries to "enhance" the action onscreen but only ends up distracting the viewer away from what's going on.

I'm not picking on Maxx per se; I've seen it many times when a director will do something like use slow motion (especially slow motion audio, where the girl's scream ends up sounding like a male with a deep voice), or turn the camera sidewise, or use split-screen, etc. All of this draws attention to the director's technique and away from the girl being abused. The best thing a director can do is just hold the camera steady and keep everything in focus. If what's going on in front of the camera is hot enough, it shouldn't need post-production tricks.

In other words, we don't want to see you direct, we just want to watch her suffer.

1st let me extend a big thank you to Gog! THANK YOU GOG!!! That movie was the 1st thing I shot with Allie James. I also shot her first BDSM shoot. Now she is doing great for Sexually Broken. We have shot her 3 times this year. Great girl. And a B+ is AWESOME!!! Believe it or not I don't think I ever got a "B" before.

Now I can say things like "Remember that time the Chinese news agency used my photos as a propaganda tool?" You're like WTF is MaX talking about naw? Google "Execution Porn Chinese Mistake".... Here is my interview about it, that you otherwise may not have found. INTERVIEW

Good Hunting

MaX CoXXX

I like manipulation artwork but I wonder do Gimpers like a manipulation gimp artwork with real women and backgrounds or poser artwork which you can create the exact flawless gimp look you want? Real gimp or computer gimp that is the question. Bill K.

Besides, I wouldn't want to take away any business from my regular slave merchant, Honest Ali.

------------------------

Bill K: It doesn't really matter to me whether an artist uses real photographs or Poser to create their artworks. I guess the more realistic-looking, the better, but to me, it's all good. I'm in awe of anyone who can make these fantasies come to life; some of the work I've seen is really fantastic.

It's not really about real vs fake/animated in this case (which has been discussed here before) but about one that uses a consistent medium to display the GIMP vs one where incongruous images are cut and pasted together to achieve a pretty fake look.

Stay well all

It makes me wonder just how amazing gimp scenes could be if done in this way. I would surely be a fan, and in many ways it would be better than actual actors trying to do these roles.

http://www.youtube.com/watch?v=7doHRKxKmN4

http://www.youtube.com/watch?v=7doHRKxKmN4

Hey it's true, as today's picture shows, blondes have more fun or is that blondes are more fun to torture? Bill K.

Just signing in as a newbie to say what a great forum this is. I look forward to exploring !!

Cheers

hotiroman

If we are manipulating, let's do it thoroughly. A well used poser gives you more possibilities.

El Wananchi

I know you were responding to another but how could you be so cruel - now I must dig "Shallow Ground" out of the archives and get a full view of the lovely and gracious Natalie....

I can be pretty thoughtless at times. But it had to be done.

A Canadian - It's been a few years....and I don't remember who exactly, but a shock-jock I used to listen to referred Canada as "The Great Satan". Now I understand why. lol

I don't remember who exactly, but a shock-jock I used to listen to referred Canada as "The Great Satan".

Apparently, the guy who used to play Skippy on Family Ties doesn't think much of us, either.

The Witcher scene is pretty well known, and I remember caused quite a controversy upon release.

What's better than that as far as video games go? Nothing as far as I know that isn't an exclusively Japanese type rape/torture game...or a heavily modded Bethesda game such as my Skyrim :). The attached forum link and video shows only the bare minimum of what one can do with a little patience to play with mods and the game console commands some.

Tear your eyes away from her fake melons and you will notice she's too perfect. No sweat, tears, scars or any sign of gimp type action at all. No real woman, especially a gimp, has that perfect of a body so why should a poser woman or gimp be perfect? Bill K.

http://www.stakedamsels.com/forum/download/file.php?id=9977&mode=view

shows the complexion and body shape we would see in real gimps and women. Bill K.

Starting to explore the Movie Review Index now - and it also looks great.

I've never gotten into video games at all, but that youtube vid shared here by Lashe Mi Singe has me wondering what I might be missing out on. Okay, it's not actual female skin, but this looks pretty fucking hot....

Also there are plenty of torture devices in the game Amnesia: The Dark Descent, but they are only shown its use in way of engraving and flashbacks.

http://www.stakedamsels.com/forum/download/file.php?id=2325&mode=view

Cannibal Warrior game which we talked about here a while back. I ask are there any new gimp video games out there like CannWarrior or are they pretty much like The Witcher 2 which was posted and shows partial nudity in a few gimp scenes? Bill K.

3D Graphics vs. Photo-manipulations: I'm with Left for Dead on this one. It all depends on the quality of the finished product, and there are outstanding and appalling examples in both camps. It's like asking if one prefers paintings done in acrylics, oils or watercolors. The medium is not always the message. That said, I've found there are far fewer photo-manip maestros (like Arcimboldo, Damian and Cypher) than there are Poser virtuosos - most likely due to the limitations of using source material not created with GIMP scenes in mind. Photoshop will only get you so far - and only the most skilled manipulators can morph a cheesecake smile into a terrified scream.

YikYakker wrote:

Does anyone remember the first time they saw Haji (RIP)?

Indeed I do. And yes, it was in Ilsa, Harem Keeper of the Oil Shieks (c. 1977). Her torture and slow demise in that film remains one of my favorite GIMP performances ever. She also had roles in Supervixens, both of which feature (in)famous GIMP scenes, though not with Haji as the victim. The obits do not mention Ilsa, nor her late-in-life romance with Frank Gorshin (The Riddler), nor her work as a champion of animal rights, nor her somewhat out-there version of her origins. Still, she was one of my favorite actresses and she died far too young. I will miss her.

Georgia van Helsing starts off the party, in a long leather dress and fear in her eyes. She gets tied against a wall spread-eagle, and gagged. Quickly the screen fades to her in the same position, sans dress. She has on panty hose and a long-line bra, which falls down to expose her breasts.

There is a one-foot square board hanging from the wall behind her, with dozens of long nails protruding from it. The object is not to back into the nails. Facing toward it, away from it, aimed at her breasts, or her butt, she can't help but run into those nails, almost as if she wants to. You think?

Released from the wall, and naked save for her heels, a strap around her upper torso keeps her arms pinned to her sides, though her hands are free. It is the dildo-seated chair that now confronts her. After waltzing around it saying so much as, if the gag were off, "What? Me, in that?" Following close-ups of her warming up her pussy for the task, she gently and gradually lowers herself onto "that."

Dissolve to arms tied out to the side, but not very taut. She does a little seated dance around the pole she's sitting on and massages her breasts to boot. Her final dilemma on the wall involves hanging in a legs-back spread-eagle, naked pussy in full flower. Fade.

Ah, Georgia. On the one hand, it would be nice if she resisted a bit more, but on the other hand, we have a woman who will take whatever you bring on. Gotta love that, along with her luscious body. Note: Not illustrated is a brief scene in which a feminine pair of hands fasten clothespins to Georgia's nipples, and four more to each breast.

Grade: A

Dixie, wearing a cupless corset and stockings, is tied upright spread-eagle with her back to us and gets flogged. Then she is suspended by her wrists, with her legs folded back in a frog tie. More flogging.

Enter Lana Ryan, in a big black wig, wearing a Hawaiian-style swimsuit with a bandeau top, and sarong, wrist and elbows tied behind her. Right away, she gets hooked up to Dixie, with a crotch rope going up through a pulley and back down to seated Dixie's suspended leg.

Next, the two women are standing, with their crotches cut by the same rope with the pulley in the middle. There is flogging all through this. When he's had his fun, the Tormentor leaves. The two ladies, hot for whatever they can get, still in their restraints, turn their attentions to each other. Fade.

The technical and visual emphasis in this lukewarm episode seems to be on crotch ropes, and in that sense, it truly succeeds.

Grade: B

Anne Bruno is behind bars, weeping, wearing a blue, knee-length shirt dress. She is released from the cell only to be tied to a chair and have the top of her dress unbuttoned and her ample breasts fondled mercilessly. Next she is stripped to her underwear, tied Eiffel Tower, and flogged fore and aft.

Back in the chair, her legs tied together and extended, a noose gets slipped around her neck and pulled up tight. Thin cords are slipped around her nipples and pulled upward sharply.

All that is prologue to the finest breast bondage HOM can offer. Now tied firmly to the chair, the wire harness is slid over her breasts, and around and around the loops of cord go to frame and distend those rock-hard globes. This is a long scene. Back in her prison cell, she shakes her head in agreement with something The Tormentor has proposed, and she is left in her underwear, hands tied behind her back, with a crotch rope, and the breast bondage still in place. Fade.

Some models have bodies that were meant to be tied up. Anne Bruno was made to be put into breast bondage, and apparently loves it through her tears. There's nothing like this in the remainder of the Punished series.

Grade: A

A Georgia van Helsing reappears in a sheer, white nightie, chained by a collar to the brick wall that will come to be a familiar Punished set. The Tormentor gives her a dildo, a big one, and leaves so she can do with what she wants.

The next scene finds her standing, her panties down around one ankle, giving herself an exterior massage with the dildo. Now there was some kind of legal stricture on showing insertion, so you know we're not going to see one, but she sits down, opens her thighs very wide to show us her bare pussy, it is a nice-looking one, and by golly, she slides that thing right in there. It's quick, but not that quick. Nice.

The Tormentor returns and chains her spread-eagle against the wall, facing us. There is lots of flogging, tit torment, and pussy fondling.

Next, The Tormentor fastens a really tight crotch rope onto her, looped up to the ceiling so it will always bear upward, and leaves so we can watch Georgia do a happy dance on the rope that is jammed up her slit to get herself off. Which she does. Tormentor returns, takes her arms down, and she plays with the rope, pulling it up hard (!) against her crotch, until T gives her back the dildo for her to play with instead. Which she does. Fade.

All in all, a nice interlude. A little dildoing to get things started, a little whipping while bound to turn up the heat, a tight crotch rope to get off on with nothing but her roiling hips working the magic, and a cooling-off with the rope and the dildo. I don't see anything GIMP here. It's all about a guy doing this odd girl a favor. How sweet!

Grade: B

Toni Stern stars in the final offering.

She starts off seated in a black dress, tied securely to the chair with a noose around her neck. While she's waiting for something to happen, her hands are free enough for her to reach around play with her nipples. The Tormentor enters the room and wants her to sign something. She doesn't want to, and all hell breaks loose.

Her dress is taken off. She's tied upright spread-eagle, still wearing the noose, in a lacy black body suit. The only way to get her naked is to cut the shoulder straps, ruining a fine piece of lingerie, but her priceless breasts are revealed. Trying to reason with her doesn't work. Neither does pussy-fondling, breast-mashing, and body suit cunt-busting .

Out come the nipple clamps. Ungagged now, Toni is seated, AOH, with one ankle chained to the chair back and the other leg tied straight out to a post. The clamps are secured to another chain, and she is sitting on the very edge of the chair. She can't slide backward, because that will pull on the clamps, and if she slips off the chair and falls, that's really going to pull. What a predicament! I should mention, the clamps pull her breasts up and out to make them look really fine.

Still no go, so she is tied upright, ankles together and hands behind her back, with a rope between her legs going up through a pulley and being reefed on. She's on her tippy toes, almost leaving the ground. Wow.

Finally, Toni is upright spread-eagle, her back to us, naked save for her heels. Many women who are blessed in the Tit Department get shortchanged in the Ass Department, but not this girl. Hers is as fine a bottom as you'll see anywhere. The flogging it gets is exactly what you want to see done to it. After some serious punishment, Toni realizes she can take no more, and relents. She is let go, and signs. Fade.

Blakemore newbies often confuse Toni and Sharon Montgomery. There are even photo galleries of Montgomery on the Internet which include pictures of Stern. But Toni has her own style, one of athletic sensuality. She is also the most glamorous of all the Blakemore models. She projects a vulnerability that few others can. Every video I have seen her in boils down to two words - she delivers. This episode is a high point in the Punished series.

Grade: A

Overall grade: A-

Pluses: Anne Bruno's breast bondage scene is the gold standard. Toni Stern is so beautiful, and so put upon.

Minuses: Episode 2 lacks focus. Episode 4 is about Georgia getting off, not necessarily about you.

Find it at Hotmovies.com

I just ordered "Maleficarum" on DVD - I live in the UK. Is it "legal"? Is there a risk I get into trouble? Only I say that it was removed from a file share website....

Lee

That's not exactly true of bats and fiery gimp peril artwork, for there are Oberon, SDamsels, new artist Sir Steven and many other minor quality manip artist bats artists.

Sir Steven artwork :

http://www.stakedamsels.com/forum/download/file.php?id=12081&mode=view

http://www.stakedamsels.com/forum/download/file.php?id=9816&mode=view

You can mistake them for poser but there are photo-manips and over the entire history of the internet, Photo-manip bats artists dominated poser bats artists by at least a 5 to 1 margin or 80% or more.

Don't know why that is but there are far more poser gimp artists than photo-manip artists but these poser artists other then Buettel don't do very many bats. 3D poser artist Minos of P.T. doesn't do any bats at all.

A side note Arcimboldo has not done or posted anything for over 10 years, Fritz. Bill K.

Three or four years ago I had several DVDs from Mood Pictures/Elitepain confiscated by Her Majesty's Customs and Excise. The content I imagine would be deemed to be more offensive than that of Malificarum as the beatings were more severe and real.

In the letter telling me of the confiscation it was explained that buying and owning such material was not illegal; only the supplying of such.

I hope that this reassures you.

However, I am sure that you will be able to find a more learned opinion somewhere on the Internet.

Happy viewing!

I just ordered "Maleficarum" on DVD - I live in the UK. Is it "legal"? Is there a risk I get into trouble?

On the question about the risk of getting in trouble, my answer is: Probably not.

I don't live in the UK (obviously). In my country, possession of such material is illegal. However, my experience has been that when BDSM materials ordered from outside the country are nabbed, the authorities send a letter that says the materials are being held and reviewed. That is followed by a letter that says the materials are being confiscated.

Since there's no kiddie porn involved, it's a pretty safe bet that nothing further would come of it. Nothing happened to me when I had materials confiscated. For example, I never had any problems obtaining and renewing a passport.

By the way, the authorities don't have a great record for catching this stuff (at least, not in my country). Most GIMP material gets past the censors. Hopefully, Maleficarum has been sent in some discreet packaging (Amy or Margot may have more to say on this point).

Lee Hi All I just ordered "Maleficarum" on DVD - I live in the UK. Is it "legal"? Is there a risk I get into trouble? Only I say that it was removed from a file share website....
Lee

Well, as we all know by now, Maleficarum, as well as other titles, are "mainstream" movies. They are sold in Amazon.com.

It is featured in IMDB. That makes Maleficarum a bonafide movie. Really.

We send to the UK regularly and every package arrived to its destination without any issues.

As far as our films being removed from the file share website. Well, piracy IS illegal. We do complain to the sites and ask them to remove them. They do.

I will have more news very, very soon.... concerning Dead But Dreaming, of course. Which is almost ready to be launched. (Really nearly there, honestly.) (Amy is doing all those subtitles for the European version. German, French, Spanish, Portuguese... and of course, English. Yes, English too.) Good night. (This was a quicky from Margot)

Here's Maleficarum on the cover of the Sunday Supplement of a Bolivian Newspaper.

Bill K: One question: there is no raping of the gimps by the male but there is self consensual dildo sex. I take it's because of censorship from the era Punished 2 was made?

I'm not the expert on that, so I really can't comment. Sorry.

http://www.perilousthoughts.com/

It's a free site that features Minos' 3D poser artwork. Bill K.

Ralphus has honoured me by uploading another short story of mine into the site. It is called "The Iranian Connection", and it is about a kind of misguided spies' work in Argentina, in present times. It has a connection with real events: in 1992 and 1994 two bombings against Jewish targets happened at Buenos Aires, Argentina: against the Embassy of Israel, and against a cultural center (Argentinean Jewish community is the largest in Latin America) respectively. Hezbollah, Syrian and Iranian services alternatively have been blamed with the operations. The story goes around some secret documents related to the bombings (not necessarily incriminating) lost by Iranian operatives at Buenos Aires and their efforts to recover them, by all means necessary. As usual, the story delves a bit into the characters involved, to give it some depth, and in an aspect often overlooked (or crudely resolved, as in the common "rape-and-strangling" type plots) which is the aftermath of the situation.

I hope you take the time to have a look at it, and enjoy it.

El Wananchi

PS: I have good looking copies of all of the 'Blakemore' work save a few so-so copies. I would like to get a pristine copy of Master Control, The Experiment, Sweet Nightmares (weakest title, but some nice scenes), Caught and 'The Escape', hopefully a digital copy. If anyone has these (in great viewing condition) I'm sure we could work out some sort of trade?

I've been looking around the internet for good Poser stuff for quite some time, and the only high-quality fare I can find are from Arcas and Quoom. There are lots of makers, but those are the only two whose work actually looks realistic, and not like somebody's posing a mannequin (which they are, just digitally).

I agree that Arcas and Quoom are among the best 3D GIMP artists on the 'net. They are both very prolific and currently active, so their work is relatively easy to find as well. That said, there is a lot of additional digital GIMP art available from many other talented creators. Here's a list of some who (in my opinion) produce consistently high quality images. All specialize in peril scenes. Click on the names to see a sample of their work.

• Hieronymous
• Runemaster
• Decados
• Mitru
• Blades123
• Mr Zet
• Flori
• Spook (aka Spook99)
• KristinF
• El Cid
• Eyeteeth
• deMullotto
• GirlsWhipper
• Spookiie
• LCFRVSJSS
• Kathyrne
• Mad Bob
• Browny (aka browny1)
• Merlin
• Mr X
• Studio AD (aka Artdude41, ASH)
• Murka
• Necromancer
• Deathtrap
• Suleyman
• Skating Jesus
• Stormrider
• MikeA
• Zell (aka Bazell)

The degree of realism varies of course. Some (like Kathyrne, Browny and Mr X) play up the Barbie-doll look of their female figures to give the deliberately exaggerated look of a caricature, but others transcend the "plastic mannequin" effect inherent to Poser and other programs. Some, like Blades123, Spook and Mad Bob, are pretty close to Arcas when it comes to realistic renders. All go to great lengths to provide detail and atmosphere in their work, shunning the flat, grey-background images of less accomplished (or downright lazy) dabblers.

Not all these artists are currently active, and a few may be hard to track down. Some good places to find their output include the following. Many publish at multiple sites and some use more than one alias. Most distribute their work gratis. Happy hunting.

• Renderotica
• Deviant Art
• Dark Peril / Sexy Amazons
• E-Hentai Galleries
• Art of Darkness (Join to get access to the extreme gallery.)
• Erotic Illusions (Collection of pay sites.)
• Erotic Art Zone
• The Dark Spot

There are many other 3D graphics sites, and I'm sure I'm forgetting a few of my favorite artists as well. If there are more 3D art fans on the board, perhaps they can add to my lists.

http://bmovievillain.deviantart.com/gallery/

with bmovievillian my favorite but there are huge number of all kinds of gimp artwork there too. Bill K.

http://mkgrr.deviantart.com/?rnrd=955

but he has not been active for a while.

A note: with Deviantart you have become a member to view the nude pictures there but it's free. Bill K.

This might clear up the identity of several HOM models. In Punished 3, the first episode stars Karen Arthur, the second, Sharon Montgomery, and the fourth, Toni Stern.

http://skatingjesus.deviantart.com/

First, belated thanks for posting the scenes from the Czech (?) witch hunter movie that showed the brutal application of the boot. The woman under examination is quite beautiful and the action and setting are dark and dramatic.

There are several "old timers" like me on this board, guys who began to pay attention to GIMP scenes back in the 1960s. The stuff seemed to be everywhere--movies, magazines--and unlike Playboy it was accessible: The Wonders of Aladdin, Marco Polo, Tower of London, Taras Bulba...sigh...and I remember a scene-by-scene magazine layout of "The Pick Up."

A question: does anyone remember or have a copy of a magazine titled "Men's Digest" that had a cover story on "The Ten Tortures Women Fear Most?" Memory is hazy on this one, but I think it was published about 1962...and would be a great topic for discussion today (among men and women, and with photo or video illustration, of course).

Wonderful board, by the way, and thanks to all who keep it going!

Alice wrote:

Finished exploring the Hot Iron Database - it's soooo great!

Well, thank you! I'm glad you like it. Other than the first few days after we debuted it, there hasn't been a lot of feedback about it, so that helps make the effort worthwhile. I'm pretty proud of it since it was the first of our 4 databases that was created here from scratch from start to finish. All the others were built using other people's lists as a starting point.

Starting to explore the Movie Review Index now - and it also looks great.

Uh oh, looks like we won't see you here for a while. There's a LOT to read there. Try to come up for air from time to time.

-------------------------

TRG: Once again, a wonderful job reviewing the Blakemore classic Punished 2. I'm no expert on the old HOM performers, but like Dan Hawke, I also thought the girl in the final segment was Karen Arthur. I never heard of Toni Stern either. The problem with those old movies is the participants were never listed in the credits, which is part of the reason why there's confusion over the names. Blakemore himself was sometimes listed in movies as "Jason Whitman" but NEVER as "John Blakemore"...that was a moniker that was adopted on him long after he retired.

And BTW, Blakemore would be the last person to ask about the real names. When I talk to him on the phone, he always talks about the girls by the names he knew them as...Dottie, Cynthia, Winky...all of which were different from the names they were given by the company. He doesn't even know most of them by their stage names.

At any rate, it's good to see these old movies being rediscovered by new legions of fans. I'm sure Blakemore will be glad to read the reviews, but he'll likely be away for a few more weeks at least while he recovers from back surgery. When I talked to him last week, he was in a great deal of pain. It takes a while.

The direct link for your latest review is in my Homepage URL above.

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Obikenobi wrote:

First review of ISOYG2, and it sounds very promising.

Definitely a positive review, although I got a clue the reviewer liked the revenge part of the story more than the rape part. He wrote: "the revenge scenes totally made the first half worth it". That's kind of the opposite of the way I would react to an ISOYG film. I mean, did ANYBODY here watch the first 2 movies and enjoy seeing the guys get their comeuppance afterward? As far as I'm concerned, you can turn off either movie after the rapes, because the good stuff is already over. I hate seeing victims getting revenge...it's downright perverse.

-------------------------

Fritz: Thanks for the massive list of Poser artists. What's weird is I had only heard of a small percentage of the artists listed...most of those names were new to me. Looks like some really nice work there.

-------------------------

Provost wrote:

A question: does anyone remember or have a copy of a magazine titled "Men's Digest" that had a cover story on "The Ten Tortures Women Fear Most?"

Sloth, are you out there? How about you, Covers? See if you can dig that one up and I'll try to reproduce it for the site. Top Ten Tortures? Hey, we could do a new torture every day for 10 days! Mmmmm...the mind boggles.

I consider myself a GIMPer who enjoys it when things go pretty far, even death doesn't rustle me too bad but Quoom goes into the territory of explicitly showing the most brutal of deaths. Looking at all your images...I see many of the same kind of artists do the same...wonder why that is?

I have thousands of Quoom's images and 62 of his picture stories. Although his art is admittedly brutal, only four of those stories show any GIMPs being killed. The main reason for this is that Quoom hardly ever finishes his picture series. He seems to lose interest in his stories before the heroines even get a chance to die, dropping the sequence midstream and beginning new adventures from scratch. We are left to guess the outcome of the cliffhangers, though given the rather extreme perils suffered by Quoom's female characters, we can assume they likely are heading to early graves.

As for the other artists I listed, the level of nastiness in some of the samples may be more a reflection of my own heavyweight preferences than anything else - though one might contend that Poser chicks are prone to more intense abuse because they don't complain as much as flesh-and-blood models do. More likely, I just gravitate to the work of artists who, like me, enjoy the rough stuff. That would explain why a diligent collector like Ralphus (a secret softie and closet tickling fetishist) is unfamiliar with many of them.

Off the top of my head, I remember these stories by Quoom where death of the GIMP was quite explicit (I remember some of the titles, other I can only describe them): Emperor's Revenge; the one with the heretic nuns tied to the wheels to die; the on with the quartered woman; the short one with the spiked pear; the impaled woman on the wheel; the burnt woman in "Rome"; "Barbarian Queen" and most "cucifixion/impalement" scenarios. I agree that in most he deliberately avoids the instance in which he has to show the actual killing of the victim, but in almost every of them, the death is almost unavoidable.

If I had to criticize something of his work, I would say that he emphasizes too much the "rape instance" in situation where it is actually unlikely to happen (like it or not, in most "torture" scenarios, rape is unlikely) But I guess he knows his public...

El Wananchi

When hateful villains are torturing a gimp to death it can be much more bloody and gruesome which may make it not erotic to a lot of Gimpers including me. I guess there's a fine line between gimp tortures that are erotic and not erotic. Bill K.

• Emperor's Revenge (Crucifixion)
• Dismembered (Drawn and quartered)
• Eye for an Eye (Broken on the wheel and blinded by birds)
• Jeanne d'Arc (Burning)

On checking these out, I noticed that in the last two the victim technically remains alive in the final frame, though as you say, it is very unlikely that she will survive. This is also true of the woman who is burned in Enemies of Rome and the impaled heroine in Therese - the GIMPs almost certainly are doomed, but the action stops before we see evidence of a corpse. There may be other Quoom titles like this - drawing to a close with death imminent yet not shown - but the first two on my list are the only ones I can find that go "all the way". Given their definitive resolutions, all these stories evidently are complete. Still, the majority of Quoom's work frustratingly ends when there is clearly more to come.

By the way, I am unfamiliar with Barbarian Queen and can't find it on Quoom's site. Do you have more info about it? Also, the stories involving heretic nuns and the spiked pear (a frequently used prop) don't ring a bell I'm afraid.

Karen Arthur or Toni Stern?

In the title page of the magazine, Master Control, Toni Stern is mentioned as the fourth female character. The first three who appear are Georgia van Helsing, Sharon Montgomery, and Lana Ryan. The model in the movie who appears fourth is the same model appearing in P2-5. That's where I found a way to put a name on her.

In an earlier post I mentioned the appearance of both Arthur and Stern in P3. They are also both in Punished 6, Arthur in the third episode and Stern in the fourth.

Or, compare chads of Stern (0677-0700) with chads of Arthur (2369-2383). Their faces are much different, and Stern is more voluptuous than Arthur.

To Blakemore: I had two back surgeries last year. Best wishes for getting back on your feet quickly and staying as active as you can, day by day.

A Canadian: Thank you for your appreciation. P2 is pretty good, but there's even better stuff down the road.

Anyway why I really posted again...there's finally good news on Dead But Dreaming Facebook page! And about time! I'm quite excited right now really.

I think if you enlist the help of 'Eda' and a few more of the hardcore "Gimpers" here, you could make short work of 'Kim'! Sure gonna miss her! ;)

Dead But Dreaming is finally available to the wider world. I just finished watching it. And it is really quite a remarkable achievement. I enjoyed it immensely.

The production values are way beyond those of Maleficarum. Although I enjoyed it, Maleficarum was a low budget movie that looked and sounded like a low budget movie. Of course, Dead but Dreaming is a low budget movie as well, but there are many moments where you could almost think you are watching a big studio production. The shot composition, colors, costumes, and music all combine for a visual and aural feast. And the first few minutes look a hell of a lot like a Sergio Leone western from the 60s. Which I think is just incredibly cool.

As for GIMP, well this one isn't as GIMPy as Maleficarum, but rest assured there is no shortage of naked pretty women having unspeakable things done to them. You may recall that I commissioned a public whipping scene from Amy and Jac, which ended up in this movie. It is extremely well done. I wanted them to give us an intense and realistic scene, and that is what they gave us. It is certainly more intense and realistic than any whipping scene I've seen before, in either a mainstream film or a fetish flick.

Yes my friends, this one is a winner. You should have it in your collection.

Sure it was, Ralphus ;-), Inquiring minds need to know so is the "National Enquirer" the next to break this Kim and Ralphus literally electrifying connection shocking story? You branded Kim for life hopefully on her breasts and it's gonna be in "The Hot Iron Database". Anyways it's fun to fantasize you doing all that and more to Kim, even if it's of course ;-) not true.

I'll be checking Vermeer Works for "Dead but Dreaming" for its DVD release starting tomorrow and everyday afterwards. The second it's available I will buy it. Bill K.

As for its release format...it seems to me like simply getting it on my computer in a video file was not what was intended for some reason. I purchased it and had to tool around with the flux player...which played like a DVD with menus etc and only wanted me to burn it to a DVD if I was to export it at all. As a hater of DVDs and using old technology in general I couldn't have that so I eventually gave up and bandicam screen recorded the whole movie. Now I have the file I want but it feels like I had to circumvent the producers intentions...which it shouldn't be that way really but no harm.

Amy's character, sort of half-dressed (you could say she's had a very rough night), is brought out to a courtyard, where she's bound to a whipping post on a small stage. Her wrists and ankles are put in metal shackles. She is forced to stand on tiptoe at the post throughout the scene. Her sentence is read aloud to the gathering (maybe 15 people??) - she is to receive 36 lashes, and then remain bound at the post until dusk (presumably several hours later).

We get to see all 36 strokes, spaced about 4-5 seconds apart. I didn't time the scene's length, but rest assured this is NOT another whipping scene where you'll be complaining it's over way too soon.

Back when I first stipulated (for Amy and Jac) certain things I wanted to see in this scene, one was that the victim was to struggle to remain stoic when the whipping begins, but gradually loses control and eventually is unable to keep from screaming in agony. Like many of you I'm sure, I love the idea of a victim's will and strength gradually being shattered by the onslaught of pain. Of course, the humiliation of having it happen before an audience of onlookers makes it ever more exciting. And what I really want to say is that Amy pulls this off perfectly, and her screams are 100% convincing. It gives the scene a powerful emotional impact that it simply would not have in the hands of a less daring actress and director.

Now, the scene isn't perfect. I really would have liked a larger crowd of onlookers, for one thing. But I can understand how the logistics and cost of using many more extras (for a scene that took 5 days to shoot) precluded that. And I'm pretty sure that in every whipping scene I've ever seen, it's been pretty damn obvious that any bloody whip marks shown at the end didn't come from the whipping. The same flaw is present here, though I didn't find it terribly distracting. Maybe someday, a film-maker somewhere will figure out how to get this detail right.

Finally, a few words about the actress Mila Joya. I've seen her before in Maleficarum and Barbazul, and in both I thought she seemed rather timid and self-conscious (granted this was consistent with the characters she played, but I think it was more than that). But in Dead But Dreaming I was happy to see her expressing a very sexy confidence. Of course, she was the star of Le Marquis de la Croix (which I haven't seen) and maybe she expressed this confidence there as well. There are a couple of scenes in this movie where she's manacled or tied up in more or less full nudity. She looks as if she's really enjoying performing these scenes, fully aware of the visual impact her cute body is going to have on many viewers. I suppose I could be reading too much into her performance, but I just loved this about her.

So apparently there is at least one other person already who found the whipping scene to be as powerful as I did. Glad to hear it. Obviously I wasn't involved in the actual making of the film, but as the one who forked over cold hard cash to get that scene made, I really wanted it to make an impact on people. Not just on me.

And for what it's worth, I count a total of 6 GIMPy scenes (including the public whipping). Some are very short though.

But I did order Maleficarum both the download and then the DVD in the mail and after converting the download to DVD and watching both I saw no difference in them. But there is the added second disc goodies you get for buying the "Dead but Dreaming" DVD that I ordered I believe the download doesn't have. Am I right anybody for not sure? Bill K.

The download has all the extras because again it's basically just a download to the flux player app that only lets you run it as a DVD. It's acting like a DVD, with menus etc. As I didn't care much about the extras that aspect held no appeal to me. DVD menus hold no appeal to me either :) I'm just mr negative I know.

As for watching movies on my TV...well theres two layers to this response. First is I can already with any variety of PC/TV connection I chose. Right now I'm using the windows media center from XBox, a capability that I've had for years and it works pretty well despite some restrictions it has vs hooking up HDMI cable from PC to TV. Anyway...there's very easy to set up options for such a connection.

Second...I wouldn't dare use any of these options to watch Dead but Dreaming...Maleficarum...hell probably not even Breaking Bad or Walking Dead (at least not in the day time) on the TV. You see there's a wife and kid in the house who it'd be hard to explain to after all. Keeping porn and/or fetish materials private on my computer is the only way to go for me. Would I think it'd be better on my TV if I could? Actually no...odd as it seems I like the private location and smaller screen for private stuff...and living room/big screen for other things. I think both have their place and it just feels...awkward putting BDSM materials on my big screen. That all boils down to mentality I guess...my world turns all wrong for me if I treat my seedier stuff like I do Finding Nemo.

I have become a member of the deviantart site, but the interesting stuff (you guess what it is) seems buried amongo tons of other things I wouldn't look at even during a long convalescence. Would someone be so kind as to provide something like a roadmap to the good stuff hidden there?

El Wananchi

http://bmovievillain.deviantart.com/gallery/

my favorite and I search for different gimp using the search box on that page. Hope that helps. Bill K.

So next the villainess comes in and does a nice stripping scene and the victim shows no shame or humiliation. How hard can it be to be tied up like this getting stripped and do some begging and squirming?

Well at least I can hope that once she gets warmed up there will be some action but low and behold, the villainess gags her up dashing any hopes and ever hearing a "please don't hurt me". So lame!

Next she puts these apparently very tight clips on her nipples which can't be pulled of. You would expect a nice squeal for this, but alas, barely a peep. Maybe she was wasted on heroin or something.

Then comes this nice whip and I'm sure things will get exciting now. This does manage to get a little movement and a grunt or two, but totally unconvincing.

Then come these nasty gator clips on her labia which surely would make any woman scream in agony, but dud again. This is followed by some nasty looking tit caning and slapping, and we do get an occasional wince and jerk, but little to get excited over.

This is all finished with a semi warm forced orgasm scene.

I rate this scene a C simply because the performer looks good in a sexy position. My question to the producers here is, what makes what should have been a very hot scene into such a dud?

Somehow I don't think that'll be a problem in the future.

But interesting pic. Who's the artist? And BTW, looks like something right up Maxx's alley. Could be a cool movie for him.....and us, by showing what went on, leading to such an unsettling warning sign. :-)

I'd give that clip a "D" with a deduction for the huge Navy anchor in the middle of her chest. WTF is that all about?

I am in complete agreement.

The clip gets a "D" from me for that same reason, plus the criticisms that brainmaster has mentioned.

Not everybody can do this. Rick Masters told me that finding the right talent is always the hardest part. I know it's a sad fact of life today that those who are into the bondage scene are also the same ones who prefer "body art". But if you're a young woman and you mark yourself up with nasty tattoos, don't expect to be successful in this line of work. Oh, there will be a few non-discerning producers who will sign you, but you've already limited your potential when you marked up your body. And speaking as a consumer, I choose not to buy material with tattooed actresses. And I know for damn sure I'm not alone.

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Gog: Like most of the artworks I highlight as the daily picture, I don't know the artist or where to find more like it. This was just one I found somewhere on the net, and I thought it was nasty enough that I considered it GIMP-worthy. I honestly thought there was a chance somebody might even complain about how mean-spirited it is, even on a site like we have here. After all, some of us are GIMP-Lightweights.

No, she played the intimidated victim in that one. LMDLC was a pretty good movie, though...it was basically a pure, unadulterated "gimp" movie, with no talking head segments like in Maleficarum. Hopefully someday RF will produce another straightforward Inquisition-type film, although they seem to be branching into more mainstream fare.

Ok, what I gonna do, is to ask you for help in finding titles for the military or spy girls captured, bound, interrogated etc. If it will be an AOH or spreadeagle scenes it would be perfect.

So, what I have for the moment is:
1. Soldiers Of Fortune Inc, s1e13, Hired Guns - Melinda Clarke
2. Doomsday - Rhona Mirta
3. La Femme Nikita s1e2, Friend - Peta Wilson
4. Nikita s1e11, All The Way - Maggie Q
5. Nikita s2e19, Wrath - Maggie Q

Not much, actually. So anyway, I'll share, if I'll find something more, and maybe someone have more, so I will be glad if you share it as well :)

Thank you for your time!)

Jessica Alba in Dark Angel "Love Among the Runes"

Minka Kelly in Charlie's Angels "Angel with a Broken Wing"

Roselyn Sanchez in Act of Valor

Renee Cline in Invasion Force

Victoria Pratt in Mutant X "Taking of Crows" Claire Stansfield in Sweepers

Heather Hemmens in 3 Musketeers

Bobbie Phillips in Chameleon 3:Dark Angel

Lorena Rojas in Ladron de Corazones

Fawnia Mondey in Forbidden Rage

Lim Soo-Hyang in Iris 2 "Episode 4"

There are links to all of these clips, as well as a bunch of other AOH torture/bondage clips, in the discussion section of my AOH group (linked above). These are all "mainstream" clips but there are a lot of other scenes in Zen/Giga and Ringdivas movies.

More reviews are coming in for the highly anticipated I Spit On Your Grave 2. The one from Dread Central had some decent plot details:

"Katie is paid an unwelcome visit by Ivan's slow and seemingly unintimidating brother, Georgy, who ends up stabbing her heroic neighbor and brutally raping her in front of his dying eyes. Katie is then drugged and kidnapped and inexplicably ends up in Bulgaria, where for the next two thirds of film she is chained, beaten, raped, urinated on, sexually assaulted with an electric rod and buried alive"

The review also complains that the movie has "numerous and rage-inducing assaults that drag on far too long in the first hour of the film." I'm pleased to see it looks like the majority of the movie is her torture and not her revenge. And I love it when reviewers say they couldn't stomach something...means it's probably pretty good!

Lisa Eichorn in "Opposing Force" in which a female military officer goes through an escape and evasion course, only to fall victim to an officer gone mad.

Caged Fury (1973), which features a female CIA agent trapped in a Far Eastern prison camp, where women are brainwashed to be suicide bombers. The guards suspect there is a spy there, so there's plenty of interrogation/torture.

Stalag 69 (1982) a porn film with rape/torture. Two female commandos enter Nazi Germany to rescue captured spy Dorothy Le May. Naturally, they're captured and raped. Link above.

Cheri Caffaro does not get raped in "Abductors"... in fact it is she who seduces the leader of the gang, only to be unmasked, captured and tied to a post, while the guy and his buddy punches and later rapes her sidekick (Laurie Rose?) I should add that the "rape" scene is very mild, and almost consensual. Cheri entices her guard into having sex with her, only to subdue him after only some kisses had been exchanged (old, old trick). Lots of consensuality all around. I reckon a "missed GIMP situation" there.

El Wananchi

These are all "mainstream" clips but there are a lot of other scenes in Zen/Giga and Ringdivas movies.

In terms of Japanese porn films, here are some of my reviews (with caps) of movies that fit the bill.

Military themes:

• Lady Attackers from Hell 2: Mission and BDSM

• Lady Attackers from Hell 3: Abduction and Torture

• Battlefield Gangbang

• Shark 231

• Shark Special 35

• Investigator Agent - Creampie 20 Times

• Female Private Investigator

• Industrial Spy

I know about your blog, it is great, as I am the AOH fan too. ;)

By the way, I forgot to mention Chuck series, starring Yvonne Strahovsky

These are Chuck vs. the Helicopter, Chuck vs. the Beefcake and Chuck vs. the Santa suit episodes.

Thank you to all who answered :)

It's from the Giga film, GOMK-64. I might like to see that movie at some point.

Maybe in a future project containing a similar scenario, we could have Amy again on public display after her punishment/torment......except upside-down. Dreaming into the future. :-)

On a side note, I can't remember who it was, but they were wanting to order a DVD and were concerned about having it confiscated on the way to the U.K. Are your films available at Amazon UK? If so, that would be one way, I would think, to keep that from happening (though I really don't think it would be a problem since these are really mainstream movies now).

@Canadian-Hope you post your thoughts on that Giga AOH scene if you see it.

@AmyHesketh-love how you're on your tippy toes in your AOH whipping scene in Dead But Dreaming!

Then I remembered that this film hasn't been influenced by any midget producers (I don't think).

I could make some videos as well if you wish. But I have only a cut version of that movie. So I'm not really sure if the branding scene is complete.

IMHO, the problem with the "captured spy/investigator/whatever" scenes in mainstream movies, especially latest ones (weirdly, it looks like in the 60s and 70s there were less prurites) is that ALL of them resolve in a GIMP AOH situation with no nudity; the "torture" being usually "electrodes" applied to wet clothes; and that's all. A variation sees the GIMP tied to a chair in full clothing. Very tame and frustrating to my liking.

El Wananchi

Insomniac wrote:

The review also complains that the movie has "numerous and rage-inducing assaults that drag on far too long in the first hour of the film." I'm pleased to see it looks like the majority of the movie is her torture and not her revenge. And I love it when reviewers say they couldn't stomach something...means it's probably pretty good!

Yes, this is optimistic news, especially given the information that the torture section is the first hour of the film. A 90-minute movie in which 2/3 is devoted to GIMPness? That's breaking with the tradition of the first 2 films, both of which were pretty much a 50/50 split between the good stuff and the male-hating second half which can easily be watched with your thumb on the fast-forward button. The review also complains about the revenge scenes being silly and far-fetched, like anybody cares. In the same vein, they've also released the third and final trailer which is devoted to the revenge scenes and which will have no interest whatsoever among the readers of this forum. Search for it on YouTube if you're morbidly curious.

There was also a mention in the review about possibly turning I Spit On Your Grave into a film franchise, and wouldn't that be sweet? Maybe the next edition can improve the ratio to about 85 minutes for the chick and the final 5 minutes can be devoted to the guys getting it. I think that's about fair.

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MrAnthony wrote:

Stalag 69 (1982) a porn film with rape/torture. Two female commandos enter Nazi Germany to rescue captured spy Dorothy Le May. Naturally, they're captured and raped.

Man, that film brings back so many pleasant memories. That was the first adult film that I ever put on my highlights tape. Yes, there's plenty of bondage rape but my favorite scene is where a blonde spy is tied to a wall and has clamps hooked onto her nipples and a metal probe shoved up her pussy, and then shocked with electricity. I had never seen anything like that as an impressionable young man and that scene did it for me every time. It was also skillfully edited alongside a woman being raped while tied in stocks, so that the payoff of the chick being shocked matched the orgasm of the guy raping the other woman. I sure wish somebody would re-issue that film in a decent-looking print.

XHamster has the film in its entirely in my Homepage URL. My favorite scene begins at around the 18:30 mark. Starting with the classic movie line: "Heil Hitler! Take them! Fuck them!"

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Margot: Great review you linked. Anybody else getting Dead But Dreaming fever? I'm still waiting on my DVD, but I've peeked at some of the promotional stills I was sent and I'm impressed at all the really nice looking ladies participating in this one. And not just Amy this time. I'm deliberately not looking at all of them because I want to be surprised when I see it.

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marathonmann: Cool, a new hot iron scene for the database. Drop me an e-mail and I'll see if I can get some more info so I can add it. I had heard about Julia X but haven't been able to acquire a print yet. Always enjoy seeing women get burned. Sizzle sizzle ... Aaaauuuggghh!

I'm not really going to do a full review or anything because we all know what's in a Slave Island film: women being abducted, imprisoned in filthy, inescapable underground prison cells on a remote island, where they're raped and tortured relentlessly. What's great about 067 is that it's over three hours long of jam packed humiliation and degradation of two beautiful Japanese girls, both of whom put in extremely convincing performances, full of tears and sobbing. There's no filler plot at all...the setup at the beginning of the film is about two minutes long, then it's straight to the good stuff. All the standard slave island elements are there: whippings, forced lesbian, tons of forced oral, pooping and peeing in bowls, eating dog food (or something) out of those same bowls, pregnancy tests, etc. Unfortunately no gags, though...one amusing thing I noticed was the phrase "RAPE ME" scrawled out in English on the wall of one of the girl's cells.

Here's a few screens:

Actually all the Slave Island films are pretty good. I just love it as a series...for some reason the Japanese have a weird talent for making rape searingly erotic.

For example, in Red Ella the warrior heroine is captured by an Elf/Witch, tortured, rescued by her friend/lover Chaya, both recaptured and Ella forced to watch the torture of Chaya and given the option of saving her by fellating a huge troll. Although I am not a fan of stories with elves and goblins etc. This certainly worked for me. Below are two samples from the story, Chaya being tortured and Ella pleasuring the troll.

I have included three more examples from three different stories (one of which appeared here before), but instead of summarizing the contexts I recommend you go to Killy's site and check it out for yourself. (It is free but figuring out exactly how to navigate it might take a few minutes. Click on Stories for a complete listing.) http://killy.atwebpages.com/J15/

I'm baffled as to why one review of (Slave Island 7) on this site is only a few sentences long!

I hear you. I wrote one of the reviews of Slave Island 7 and there was no way I was limiting myself to just a few sentences.

Actually, the other review, by MeetThePryz, was part of his summary of the entire Slave Island series and he wrote that Slave Island 7 was one of his least favorite films in the series. I disagree. I thought it was one of the stronger entries, with arguably the best mix of rape, humiliation and torture (including some nice whipping scenes) in the entire series.

It should be noted that the star of the film -- Ayumu Kase -- is also the star of the recently released Giga film, GOMK-64. I posted a picture on Thursday from MAV's blog of Ayumu being whipped in GOMK-64.

Ayumu Kase also starred in Shark Special 35, which was one of the titles I mentioned the other day in my listing of Japanese porn films with military and spy themes.

Ayumu is awfully damn cute and she's not shy about making GIMP films.

For anyone else that is thinking of checking out the Slave Island titles, I strongly recommend Slave Island 11, which I thought was the best film in the series.

Another one worth checking out is Slave Island 8. I never got around to reviewing it (I had put together a few sentences but clearly that wouldn't have been enough). Nonetheless, it is another good one.

When you use the "Search the GIMP" function to look for reviews, you discover that many of the reviews that have been capped include a photo image alongside the name of the review. For example, here's the page for a search of "Slave Island" reviews. I looked around and many other capped reviews also have images.

That's an unintended consequence that I think adds just a bit more value to the catalog of reviews.

I saw the movie and the beginning part is basically the only GIMP part of the movie. As the pics showed, she gets abducted and chained up AOH by Hercules (Kevin Sorbo), but quickly breaks free and tries to escape. Herc catches her, ties her to a pickup bay, and brands her ass. After that its a silly horror revenge flick. Gotta give it to Valerie Azlynn for letting them fully suspend her AOH.

Anyway, we have a brand new blog up at http://centaurcelluloid.blogspot.com (with plenty of pics) and Centaur Celluloid is posting new material, too at http://centaurcelluloid.com/centaur-bondage-home.html

Feel free to make comments on the blog, hardly anyone has.

Currently Natasha Flade is our only model getting roped up and raped, but we're working on that.

I hope Natasha makes a return visit to Bring Out the GIMP one of these days.

I know she considers this site to be a bit more hardcore than the audience for her films. But some of us are GIMP lightweights and like some of the stuff she has produced.

Anyway, just thought I'd stop by and say "Mmmmmmph, mmmmph, mmmmph". (Because I know you guys like to have a big old gag shoved in a girl's mouth.)

Gabriela

Gabriela, I believe we guys like big brand new gags and not old ugh gags. Germophobic Gimper Bill K.

I wouldn't like it done to me, but then I'd probably be tied up and have no choice in the matter.

Gabriela

Ralphus wrote:

Anybody else getting Dead But Dreaming fever?

Oh yeah, absolutely. This movie has a lot that I dig: it's a period piece, it has vampires, and of course, there's the GIMPage. Makes me feel like I want to sing: Stripping and whipping and hist'ry and fangs/These are a few of my favorite...er, thangs!

But seriously, I'm looking forward to watching this movie over and over again until my eyes bleed.