| Name | Posts | ||||
|
Hi again,I've set a new punishment to my site [www.jocoboclips.com] It's called "Juliette’s Exhibition II" If someone of the "review-writers" is interested in writing a review of it send me an e-mail and I will send it to the first who called me FOR FREE |
||||
|
|
||||
|
|
||||
|
|
||||
|
@Mark Evans Thanks for the review of High Voltage. Many here have convinced me to check out films starring Luna Vera. She looks very hot as a GIMP victim. Are the Deathtrap Films the only movies she is in? I just put some money into the Justine campaign towards the Cross torture. I was never a fan of the Crux fetish until I watched my first Red Feline film. Now I look forward to how they can top their previous crucifixion. Their best cricifixion scene is the one from Martyr. I hope the one in Justine tops that. I hope many of you will put down some money for Justine. It promises to be GIMPier than Maleficarum. I'm already naming Justine my most anticipated film to be released. |
||||
|
The dumbest shit I've seen so far this year is ... no, not Holocaust Cannibal of ill-reputed Bill Zebub, nope, that's a remote second. The biggest waste of my time was Behind Your Eyes (2011). Everything sucks there. From acting, lightning, cardboard drama to moronic developments. I hope Clint Lien, the director had a blast cuz I'm sure he was alone in that.I could only squeeze a couple of fake bondage/belting plus some impractical chair tying. Watch at your peril! You are forewarned. Now, if you excuse me, I need to go take a shower. [www34.zippyshare.com] pass: ralphus.net "The horror! The horror!" as described by Joseph Conrad. |
||||
|
|
||||
|
Whipping starts at 22:40 Protip: use Google Translate to look up words like "flogging", "torture" ect in other languages and then search youtube with it [youtu.be] |
||||
|
Kelderek Thanks for the Witcher pics. This game is certainly a GIMP treasure trove. A guy had me do a commission story a little while back about the character Ciri being captured by three cannibalistic witches in the third game. In fact several of the stories I have been paid to write involve female game characters. Here is Ciri, with the story posted online below with permission of the client [depravityrepository.org] ![]()
|
||||
|
Today's MAM cover is from Man's Life Jan 1958JD wrote: Covers the Relentless: Thanks. I enjoy Neil Gaiman more as an author than a illustrator (opposite to Frank Miller). Sorry if I mislead you, JD. The story is by Neil Gaiman. P. Craig Russell oversaw the graphic adaptation. Seven different artists illustrated chapters. Galen Showman was the illustrator for this particular chapter. All of the artists adjusted their styles to give the book a pretty consistent feel. ---------------- I suppose I should comment on the poll before Ralphus decrees it complete. I have no interest in watching vanilla adult movies. I do appreciate photos of a good looking woman (reasonably in-shape, no obvious tats or implants, no platform hooker shoes) if she is shiny or showing off her flexibility or athleticism. |
||||
|
|
||||
|
Found a really hot new bondage model. So I thought I'd give a heads up that she's going to be in LA on August 3. To Producers, this is the kind of girl that sells movies. Guys if you're thinking of getting a custom with your favorite bondage producer, now is the time, bondage models like this are one in a million. She does more than model while bound, she's cool with hard core girl on girl forced orgasm bondage sex. Kenna James [www.cherrynudes.com] Kenna in a bondage movie. [fmconcepts.us] Modeling Agency, call or e-mail to book her. btw in the spirit of sharing information let Gimpers know if you set something up with her. Post it on the forum. I'm going to get a movie with her. When it comes to fruition I'll post info on it. [matrixmodels.com] |
||||
|
@Chuck Spears: Nice find, thanks. I'll use the edit of that scene for today's update. I've always found it funny when the torturer sweats harder than the object of his attention. Like here. @DarthSaad: Damn, I'm sure I'll have to finish what I'm doing and start playing that. Is the nudity in the game normal (like removing armor) or an extra texture pack (as in Skyrim) made by fans? Covers the Relentless said: Sorry if I mislead you, JD. You are an evil man, Sir. BTW, the 8176 cover reminds me of a roadtrip through Maine. The size and ferocity of their lobsters was the same. Much like Louisiana after watching True Detectives, I'll never see Maine the same. :) Clint said: Found a really hot new bondage model. Boy, she's awesome. Slim, good looking and tats free. If experience serves us any good, a model looking that good will be fussy to do anything more than a play with a rope (a la Restrained Elegance, nothing wrong with them) or a pair of handcuffs. I fear this crowd has different expectations. Bummer. Today's update, thanks to Chuck Spears comes from The Genial Bandit (Sevimli Haydut) 1961. [www56.zippyshare.com] pass: ralphus.net The Genial Bandit (Sevimli Haydut) 1961 from Christopher Wilder on Vimeo. |
||||
|
JD: I've always found it funny when the torturer sweats harder than the object of his attention. And a more pained facial expression. She looks like a whore not paid enough to bother faking her orgasm. Thank you, Chuck Spears for the Protip: use Google Translate to look up words like "flogging", "torture" ect in other languages and then search youtube with it. Never thought of this. There must be a lot of foreign stuff out there from less morally righteous censor-everything-I-don't-like societies. |
||||
|
Today we are back to the land of strategically hidden nipples with Man's Life Jan 1960.-------------- JD wrote: You are an evil man, Sir. BTW, the 8176 cover reminds me of a roadtrip through Maine. The size and ferocity of their lobsters was the same. Much like Louisiana after watching True Detectives, I'll never see Maine the same. :) There is no higher compliment in this forum. Thanks, JD! Thanks also for your great posts. Nice looking girl in today's post, BTW. I've never been to Maine, but if I ever do, I will be sure to bring my lobster gun. |
||||
|
|
||||
|
Catching up on a few posts... Imagen Latente: It's back up in the Electro-Shock Database. Thanks to Jeckstart for letting me know the link had gone bad. It's a good scene, but oh so short. What do we get, about 6 seconds of naked writhing? If only the filmmakers could have padded that out a little bit, it could have been a classic. ------------------------------------------- Kelderek: Man, I love your 3D artwork. The parrot's perch combined with electroshock? I'll bet that bitch will be swinging back and forth like an out of control rocking chair every time he gives her a jolt. ------------------------------------------- Joek0 wrote: Many here have convinced me to check out films starring Luna Vera. She looks very hot as a GIMP victim. Are the Deathtrap Films the only movies she is in? Her first bondage shoot was with Badman at Badmans Bitches In Peril. I haven't seen that one, but she's crying in the stills and looks pretty hot. Earlier, D Santorum made a post about some tickling videos she was in, which normally wouldn't interest me, but she's really thrashing around in the previews. Might be worth checking out. The girl knows how to emote. ------------------------------------------- Chuck Spears: Totally dig the video for The Genial Bandit and thanks to JD for editing out the extraneous footage. The actress in that film is named Türkan Soray and she was apparently a huge sex symbol in Turkey in the 1960s and 70s. And of course, the producers of the movie played up the fact that she was tied up and whipped by sticking that very image right on the movie's poster: ![]() Hey, they're no dummies. Doesn't matter what country you live in, women in bondage sell tickets. ------------------------------------------- Bill K: Witch Burning for World Peace? That's too funny. Kudos to the University of Maryland for teaching that course. And BTW, there is really only one way to do the job right...the Classic Method. Tried and true. |
||||
|
Re: Fantasy Dungeon Slave I looked high and low for the image. But it was to no avail. The girl was on a beer poster. It was part of Fosters Lager's "Australian For Beer" campaign. She was this delicious and innocent looking brunette laying on the beach in a skimpy blue bikini; the caption: "Australian For Overdressed." It came out in the late 1990s. I still have the poster but it's way too big to scan with the equipment I currently possess. I can photograph it, but that will take some time. But I will post it for all to gaze upon. |
||||
|
Re: Genial Bandit:Yeah, ok that's pretty nice except for a few hints for would-be turkish film-makers: 1. cut or at least roll-up her hair; 2. you might suggest that your victim emote a bit beyond counting the spaghetti strokes called for in her contract so she, you know, looks like she might actually be getting whipped pretty hard; and 3. Do SOMETHING with the damn corncobs! Go see 8 girls and a guy (?) if you can find it to get some ideas! Re Luna's latest. I too find her very hot, but it really bothers me to see an actress supposedly being shocked with the muscles so relaxed; anyone who's ever touched a live wire (or had a TENS treatment) knows your muscles clench. I don't do postal mail-orders, so I guess I'll have to wait for this to come out on Netflix, but what I saw in the stills didn't look very realistic. And, of course, the lying down arms-at-sides position was a total waste. Finally, WTF? She is shocked to death and never breaks a sweat?! Never cries a tear?! Just proving that beggars CAN be choosers. |
||||
|
|
||||
|
@Covers the Relentless: That's pretty insensitive on your behalf to post that lion cover, with all the brouhaha with the late Cecil. There might be charitable hearts on this forum that might object. The same kind hearts that want to either hang the doctor (PETA) or skin him alive (Piers Morgan). Lucelia Santos being raped three times at the price of one in Bonitinha Mas Ordinária (1981). Or the same rape remembered differently each time. Something like that. Not my cup of tea but I like Lucelia from other Brasilian productions so I gave it a shot. The casting choice of 4 black dudes raping a white virgin wouldn't pass the PC filters any longer. In a modern day remake the rapists would be one white, one black, one latino and one jew, to make sure no group is particularly offended. [www15.zippyshare.com] pass: ralphus.net |
||||
|
Luna gets offered up to the monster in the finale of "Breeder."MARK EVANS: Hey, thanks, Mark, for the kind words in reviewing our latest release, "High Voltage." I'm glad to see that the people here think as highly of Luna as we do. She's a wonderful actress who always gives 110 percent. For "High Voltage," we brought along baby oil to give her a sweaty glistening look. We needn't have bothered. We shot it in an un-air-conditioned warehouse in the middle of July. It was 95 degrees outside and way hotter in the stagnate air inside that building. Luna was really suffering in that heat, but kept an upbeat attitude through the whole shoot. RALPHUS: I'm not surprised that you find our films a mixed bag. We deliberately try and put out films that, while they all concentrate on the damsel in distress, vary widely in terms of tone, feel, and tropes. Sometimes the endings are happy, sometimes they are very grim indeed. Sometimes they have humor, sometimes they don't. Sometimes the story is simple (Like "High Voltage"), sometimes it is more intricate (Like "Buzzsaw Butchers 2"). Sometimes there are buckets of gore, sometimes the films are bloodless. We realize that in serving this community that there are going to be people on one side or the other of any of these spectrums who are going to be disappointed by the choices we make for any particular film. We are always interested in hearing feedback, good or bad, from our customers. I'd be particularly interested in hearing why you didn't like "Breeder," which, in terms of post-production work, is our biggest film this year. |
||||
|
Poll question. I will watch a 'vanilla' sex tape or movie if it includes 'rough sex'! So that really limits my choices. BDSM, whipping, the rack or hanging are fine for me! Thank you! |
||||
|
Review: Juliette’s Exhibition IIThe video opens with Juliette being guided from behind into a basement room by a man in a ski mask. He steers her by means of a three foot pole attached from behind to a metal collar. Her arms are bent over her shoulders and manacled to the back of the collar. This gives her very pleasing AOH appearance. She is wearing black mid-thigh stockings and what looks like a T-shirt around her neck as well as a leather gag. Her tormentor says to her, “Now Juliette, let’s strip you so we can have access to your body.” There isn't much to strip – he just cuts away the “T-shirt,” – but it’s a nice excuse for a great line. Her breasts are exposed and she has nipple clamps with bells attached. Juliette is forced into a bent over position and a butt plug is forced up her ass. She whimpers and moans into her gag nicely showing her displeasure. ![]() She is bound to a chair. Her ankles are shackled to the rear legs, spreading her thighs open. A leather belt is cinched tightly around her waist to the back of the chair. Her arms are once again pulled back over her shoulders and a chain run through her manacled wrists and attached to the chair’s back, pulling her arms back and down and thrusting her breasts forward, nicely framed by her elbows. This is a delightful position. She is completely open and helpless and it emphasizes her breasts, which are the target for most of her suffering. But first her tormentor changes her gag by stuffing her mouth with cloth and taping over it, then putting on a leather hood which leaves the top half of her face uncovered. Leather hoods are not unusual in Juliette’s videos, and I must say I am not a fan of the device. ![]() “We come to the part which will be difficult for you,” says the man and so commences her breast torture. First comes the suction devices on the nipples. This is followed by a light caning on her breasts with the suction devices in place (light here does not mean painless, as evinced by Juliette’s reaction) and finally electric shocks (TENS). This is the core of the film. The combination of Juliette’s bondage position on the chair, her screaming and moaning into her gag, her writhing around and her fear as shown by her eyes and her shaking her head back and forth when the suction devices are about to be tightened, make this a great scene; IMHO a must have. ![]() A large vibrator is taped to the chair up against her pussy. We are informed by her captor that she will be given a heavy orgasm but that the price will be pain in the form of more electric current to her breasts. Again her suffering is a pleasure to behold. ![]() The negatives for me are: the hood, the stockings (I prefer my victims totally naked), and the lack of any real plot. It seems Juliette’s ordeal is being produced solely for the video audience. The positives: Juliette’s performance, and I can't overstate this. Her bondage on the chair. This video pleasantly surprised me. I have seen six or seven of Juliette’s videos and was the first one to review her on the GIMP. In other words I was very favorably disposed toward her. My favorites by far were the ones where she is interrogated, which gave a reason for her torture. This one lacked any plot so I was not that optimistic. But her great performance made this a delight and easily equal to the others. My only decision is whether it deserves an A or A-. In the interest of being conservative, make it an A- and a nomination for Juliette for a Ralphus Award for 2015. Note: You might want to go to the site Jocoboclips.com and read the description for Juliette’s Exhibition II as it is more complete than here and pretty accurate. Also the video is 56 minutes long. |
||||
|
|
||||
|
JD wrote: @Covers the Relentless: That's pretty insensitive on your behalf to post that lion cover, with all the brouhaha with the late Cecil. There might be charitable hearts on this forum that might object. The same kind hearts that want to either hang the doctor (PETA) or skin him alive (Piers Morgan). I am a pretty insensitive guy, JD. Besides, nobody's aiming a gun at Cecil on this cover. What do you have against a little rough lion sex? Since Ralphus is running an electrotorture theme, I submit this photo. |
||||
|
@Covers the Relentless: Is that Margaret "Tight Lips" Houlihan?Something to keep this post ontopic. I just watched Furious 7 and I was wondering what could Ian Shaw (Jason Stratham) do to lure Dom out of hiding? Then it struck me. Capture Letty, wire her, send the pictures. Unfortunately the plot developed on a different direction. Too bad I got bored and didn't finish it, by adding a background and some villains |
||||
|
|
||||
|
@Matt - I was on DeviantArt just now and remembered this short story that I posted a while back that won a comp there. It was a Prisoner Of War tale so of course I thought of your request here. Hope you like it :) [darthsaad.deviantart.com] Thanks again for all the folks who have been sending commissions my way. If anyone anytime has a GIMP story they want written [or any other kind, I'm very versatile] just email me and let me know. Commission rates start at $15 for the first 2500 words. D |
||||
|
@JD said: "The casting choice of 4 black dudes raping a white virgin wouldn't pass the PC filters any longer. In a modern day remake the rapists would be one white, one black, one latino and one jew, to make sure no group is particularly offended." Christ, I laughed hard at this Sorry JD who are u ? new admin? where is Ralphus? u posting things adming would post, definitely, and well , anyway thank u (sry for post with no pic) |
||||
|
Nice GIMP of the day, Ralphus! The shiny girl really makes that scene great.----------- JD wrote: @Covers the Relentless: Is that Margaret "Tight Lips" Houlihan? I think they will be "Hot Lips" shortly, JD. ----------- Today's MAM cover is from Man's Life July 1956. |
||||
|
Hey. What a nice scene in the top of the forum site. Electro torture, sweaty spread-eagled girl ... Wow. Can somebody tell me what movie does that screen come from? |
||||
|
Jeckstart said: Sorry JD who are u ? new admin? Nope. At 6'3" I'm far too tall for that. And too handsome. There are stringent requirements for that job. Jeckstart said: U posting things adming would post ... Whoa, no hits under the belt, OK? That's insulting to my intelligence. I know I had a couple of lobotomies last month and I'm constantly under opioids but even so, it's undeserved. Covers the Relentless said: I think they will be "Hot Lips" shortly, JD Smoking hot. Literally. As for the next cover at (8197), I'm sure you're aware that there are animal protection groups that would be vociferous about the idea of a man threatening a snake with a blade. Does he have a permit? Is the snake well known in the country? Is it GPS enabled? A short clip about the risks of being a hooker with sadistic customers. Zibel O'Grady in Angel in the Dark (1991) [www16.zippyshare.com] pass: ralphus.net |
||||
|
Good Evening All. Apropos of the discussion initiated by 'High Voltage'. As I have commented before, however delightful the body of the victim, (very in the case of HV), and however much the victim writhes, there is always the suspicion that the pain is feigned. I wish to see genuine suffering. Therefore the image posted by Mr. Petelobo, 8185, is very much to my taste. The sweat on her body, the drool, the contortion of her very red face and, above all, the inflammation of the skin around her nipples persuades me that, in this case, the victim is genuinely suffering. Therefore, I would very much like to know the source of the image, in the hope that I might be able to explore it further. So this is a plea that all who post images on this site give the origin of their images. This also applies most urgently regarding recent images to JD 8165 and Jeckstart 8153. Thank you folks and take care. |
||||
|
Where can I get the film High Voltage - I can't find it anywhere. |
||||
|
Esso: Thanks for putting together the review of Juliette's Exhibition II. I'm not always too fussy about a plot. But I'm thinking the absence of any real set-up for the suffering might be a problem for the Ralphus Award judges. I guess we shall see. |
||||
|
Quick update for the animation database. Though this series actually has several whipping scenes I just picked the first on I heard about. Starts right at the beginning of the video Cross Ange Episode 10 |
||||
|
I'm preparing a nice long post with pictures and news, but there's something that we're doing now and I had to let you know.Last night we finished shooting the big part of Pygmalion. We have some little takes to shoot still, but we consider the production of Pygmalion almost there. We have a new MOVIE and that calls for a celebration so, we have a big SALE: 25% OFF all of our movie downloads! http://movies.redfeline.com This sale will be for a short time only! I'll have a nice post in a couple of days. |
||||
|
@Esso Thanks for the review of Juliette's Exhibition II. I hope to check it out when I can get some funds for it. @Margot I'm glad to see that the production of Pygmalion is going well. I can't wait to see the movie. Interesting time to have a sale. I am currently saving up for the Justine campaign, but hopefully I can scrounge up some funds for the sale. |
||||
|
JD wrote: As for the next cover at (8197), I'm sure you're aware that there are animal protection groups that would be vociferous about the idea of a man threatening a snake with a blade. Does he have a permit? Is the snake well known in the country? Is it GPS enabled?What are you, some sort of snake-coddling liberal? Fortunately, snakes aren't cute or fuzzy, so the animal rights groups don't care about them. Down here in the Florida Everglades, giant constrictors are considered invasive species, so they're always in season if you've got a permit. Photo shows python baiting in the Everglades. |
||||
|
galahad said So this is a plea that all who post images on this site give the origin of their images. This also applies most urgently regarding recent images to JD 8165 and Jeckstart 8153.For both of them, about where they originated, see above. I'm still flattered that people take them for real. Dr Yuya said: Quick update for the animation database. Thanks. Great find! Covers the Relentless said: Photo shows python baiting in the Everglades. Wow. Never knew they use cougars to capture pythons. Thanks. |
||||
|
These recent electro pictures are really doing it for me. |
||||
|
Thanks for the review esso. I'm glad that you liked most of the video. You are right, at the "exhibition" videos there is not a great storyline. But it opens with the man giving an explanation of what is about to happen to me and there after I get flaunted. I plan to do a more elaborate production with a medieval storyline, but the biggest problem is the budget for costumes and new hardware like a rack and some other equipment. Maybe someone here has an idea how to get the budget or is interested in a sponsoring? Thanks again and I hope that many more will enjoy my video(s). |
||||
|
Galahad: The image is of a model named Vai (purportedly an amateur) and was from a video in Wired Pussy.Re: the video of Juliette, really some of you guys are beyond...well, beyond something! Let's see, you have an attractive model with a beautiful body, no tats, fine emoter, a villain who at least doesn't blow the fantasy like the guy in the latest ZFX, various types of torture in a 50+ minute video for $35, and you couldn't be bothered to watch it or (god forbid) BUY it, because there's no set-up, no script, no story line! Now you have a genuine BDSM actress who with her husband does lots of vids worrying about adding more story-line to her videos, sets, costumes! The girl is nude. She's tied in a wonderful position reminiscent of one of HOM's best Perversion videos, missing only having her sitting on a dildo. She's being tortured to get information. Use your imagination! Or if that's too hard, watch fucking TV (and complain about the lack of nudity and true torture). Juliette's already giving you the hard part! I don't know how many, if any, of us self-proclaimed "pervs" have bought this--or any--of her efforts, but Juliette has gone out of her way to write to the board, listen to our comments, give Esso a free vid to review. And what I read are: "I don't like stockings", "I want more plot." Suck it up! You support the Juliettes, the Dan Hawkes, the RedFelines out there on the frontier MAKING this stuff or in a while you find yourself wondering, "hey, where did all that good stuff go?" Juliette, before you start messing up a business model that is hopefully working at least somewhat for you and your hubby, the raw truth here is that most of our brethren don't post much, and they buy even less! Red Feline has been reaching out HARD for years, set up an IndieGogo to try to raise...$20,000 for a big budget film with a (gasp) STORY, with actresses who have proven their chops, giving us a chance to say what we want to see, and the total take so far, with all the promotion has been a few thousand--almost all from a couple people who are accustomed to paying for their own custom productions. Your stuff is very good (largely because you are someone many of us would love to be able to "torture".) Wear stockings, wear heels, use whips (more of that, please) or TENS pads (or electrode clips), (OK, I'm not a big fan of those suction cup dealies, but...), do AOH, chair bondage, etc. People who buy stuff will buy it. Those who specialize in giving reasons why the didn't buy it will always have reasons and they won't buy. Don't bother trying to re-make Maleficarum. Keep doing your good stuff and enjoy the work. It's very hard to find your stuff pirated on the internet, so that's good. Though we all huff and puff here about not "stealing" the work of producers like yourself, one of the reasons so few pictures or video clips are posted with sources mentioned is because...the poster has no idea. We just FOUND them on the net, or downloaded from one of a hundred sites where people post them and let others download. Keep letting us know what you are doing, and those who get turned on will buy (because they can't get it any other way) what they like. The rest will mistake themselves for Roger Ebert and tell you how to do it better. |
||||
|
Today's MAM cover (Man's Life July 1957) features a much cuter creature. I wish to point out that it was published before I was born, so I take no responsibility for the guy with the gun, JD. Also, I think maybe she is just swooning with delight at the touch of her elephant pet.---------- galahad wrote: So this is a plea that all who post images on this site give the origin of their images. This also applies most urgently regarding recent images to JD 8165 and Jeckstart 8153. I'll second that one. My least favorite aspect of the modern internet is the photo sharing sites that strip off identifying file names and replace them with random gibberish. I'm looking at you... Facebook! |
||||
|
Dr. Yuya wrote: "Quick update for the animation database. Though this series actually has several whipping scenes I just picked the first on I heard about. Starts right at the beginning of the video. Cross Ange Episode 10" Nice find! I actually started watching the video for the plot, too. I've got to hand it to the Japanese; they come out with some pretty creative sci-fi stuff. No wonder its so popular with the kids these days. |
||||
|
JulietteA wrote: "I plan to do a more elaborate production with a medieval storyline, but the biggest problem is the budget for costumes and new hardware like a rack and some other equipment. Maybe someone here has an idea how to get the budget or is interested in a sponsoring?"A rack? I'm intrigued. How much money were you thinking? Maybe start small. Instead of developing costumes, etc., you could borrow a plot idea from one of your earlier films: a slave girl is led down into the basement, where a wealthy patron has paid to have her tortured on a rack while he/she watches through a video camera. As the rack is tightened, the torturer can explain what will happen when the body reaches its maximum tension - first the shoulders will dislocate, then the spine, then the knees, then the hips. He tightens her, then releases the tension, then he tightens her again. This extends her agony on the rack. Or, he could do it "auction style". On the video screen, the paying customers can see a dollar amount with a scale showing various levels of money. When a certain level is reached, she is tightened one notch. When another level is achieved, she is tightened another notch, and so forth until the full amount is reached and she is at her maximum tension. She screams and passes out. She is loosened a few notches and the camera pans over her sweaty body, then the camera fades to black and ends with "Tune in for our next show" or something like that. Just an idea. Thomas PS: the attached image is from "Rose Racked" at [www.shadowplayers.com.] It's an older video with so-so resolution, but a must-have for rack fans. You may want to study it for design and engineering purposes. |
||||
|
BTW, this and the picture in my previous post are from Realtimebondage.com (PD and Matt Williams). Incredible whipping and electro scenes (sorry, not much of a plot-line, but you can always watch reruns of Dallas for that...). Very tough actress, though I can't find the name of the shoot or her name.
|
||||
|
hi all |
||||
|
|
||||
|
|
||||
|
|
||||
|
Good Evening All. Apropos post JD 8207. I am fully aware that all images, both in origination and reception, are a product of the mind/brain; however small! My point was a desire to be informed as to whether an image posted here is unique to this site, available elsewhere, is part of a series or film, etc., to which I might have access to pursue any interest that these images provoke. This seems to have been understood by several posters here. Dear Mr. Petelobo. Thank you for the information, in post 8210, that I requested and, slightly belatedly, the information on an equally attractive victim, in post 8210, identified in post 8214. You refer in your post to genuine BDSM actresses. This is my concern. I am a true sadist and wish to see my 'victims' truly hurt. Sweating in 95 degree heat may be uncomfortable, but is not true sadism/masochism. (Please understand Ms Juliette that this is no criticism of you!). Thus my preference is for the like of productions by Mood Pictures/Elitepain. That is why I come to this site for information about images/films etc. that involve genuine suffering. May you all enjoy your desires! |
||||
|
Post 8219 by galahad. The merciless peril element in movies is more what I'm into galahad and not so much real pain. Like you can't really burn a gimp at the stake for real, but Maleficarum had acting and came across as real as possible. Also you can't electrocute for real either but you can electro shock for real and or with good acting and believable props make it look real. Movies with real pain without merciless peril or the that dirty word consensual real painful torture is no buy for me. Terror and horror in a Gimp movie is what it's all about to me even if it's fake acting so long as it's real looking. Maybe there's a poll question Which is better? Bill K. |
||||
|
|
||||
|
First a belated thanks to A Canadian for all the Taxi info. I've purchased some of Juliette's videos. Those of you who are asking for an elaborate plot or a monologue by the villain on what the upcoming rack torture will do to the victim are barking up the wrong tree. These videos are for the international market and have to be largely language independent. I believe Juliette's first language is German. Fortunately, a beautiful, naked woman being grabbed and raped or tortured doesn't really need a complicated explanation. And like a car chase, it plays well all over the world. Joe X |
||||
|
Bill K. wrote: Maybe there's a poll question We have had a poll question like that in the recent past. That said, there have been other poll questions that have been asked more than once. We'll see what Ralphus thinks. In my case, I have no interest in the real stuff. I have no desire to see someone being genuinely hurt. I do like my scenes to look convincing -- eg., the victim looks like she can't escape. But I still want it to be fictional. ---- electrotorture: I've seen my share of Japanese porn but I can't help you in your quest. I don't recognize the scene. Nor do I recognize the actress. Sorry about that. |
||||
|
@Ed: That second picture's such a hot one; a stress position combined with electric shocks. Imagining being dragged into the interrogation cell and seeing that frame and the waiting wires and clips and struggling hopelessly against the hold of the guards as they haul you over to it and tied you in place. In that position you wouldn't be able to see what was going on with the rest of your body, but you'd feel the pinch of the clips as they were snapped into place and the cold steel of the rods being pushed into you; then the questions would start... |
||||
|
Galahad, I believe the sweating in 95 degrees comment was about Luna--not Juliette--though I must have missed any caps that showed that.As for "real" suffering vs acting, I wonder if you have ever let anyone whip you even with a flogger on naked skin. It hurts, bro. The actress may have signed on for that, but that doesn't mean consensual to me. When someone starts saying "hit me harder" or moaning in pleasure as she's being "whipped", that does ruin the illusion for me. But even if I know the actress allowed her wrists and ankles to be bound (wasn't forced to it by gunpoint), that doesn't mean that the marks aren't real (unless they obviously are not), or that the squeals and groans aren't real or that the pain isn't real. If you are only turned on by actually seeing a real woman being forced against her will into bondage (not just acting that) and being beaten or shocked with no way to end it--in short, a snuff film--then you are treading in very dangerous territory. Don't want to ruin anything for you, but the ElitePain models are paid, and they choose to participate in the shoots--or stop participating. They may be pushed further than most, but in the end, the fact that EP is still around--i.e. won its court case that tried to shut them down--indicates that the women are making choices and setting limits in return for something like $$. Here are some more shots from the video I mentioned previously. The actress starts off "acting" being whipped, then starts making fun of Matt Williams, calling him a wimp, challenging him to make her scream or cry. He does his best, and in the end manages to get to that point with the flogger. But the revenge comes in the electro part of the scene where she is clearly screaming and crying and pushed to the limits of her control. Don't know that I've ever seen her anywhere else, so perhaps that one experience did the trick for her--explored the limits. But it's a great video if you can find it. |
||||
|
Covers the Relentless said: Also, I think maybe she is just swooning with delight at the touch of her elephant pet.Hmm, don't know. Females that are depicted as having wet dreams with tentacles seems to be invariably Japanese. JulietteA said: I plan to do a more elaborate production with a medieval storyline, but the biggest problem is the budget for costumes and new hardware like a rack and some other equipment. Normally I don't buy bondage productions but the rack is such a strong button for me that made me buy Shadow Player's video(s) with Rose as well as Maleficarum, with our gracious host, Amy. I do believe that someone as gorgeous as you would make an amazing product. @petelobo: Can't agree more. I was utterly shocked by the tepid response (disclaimer, I only bought the 25USD movie ticket) to Amy's crowdfunding effort. Considering the traffic here I would expect to reach the goal pretty easy. Who knows, maybe one day Ralphus is gonna run an agreggator on the IP's of his visitors and show some statistics. Maybe the bulk of the visitors are from places where 10 dollars feed a family for a month. Dunno. Thomas Chaser said: [..] a must-have for rack fans. You may want to study it for design and engineering purposes. I bought the clip long time ago but there are some things to be mentioned. The carpenter (or the enthusiast) who built it did a good job on making it look old (which require some wood stain and some metal etching). Where he went wrong is in using metal chains. Now, a "real" rack has to look more or less like in the 3D above (pd got it right in his Insex studio because he did his research). It's the same principle as the one hosted in the Tower of London. That's a real one. Most of the other toys you see in 'Torture Museums' are fakes/'replicas' made by people with little understanding of its workings. Why chains were never used? Because they have no slack. You have no control over the tension in the stretching. It's an exponential increase in torque after the first turn of the roller. If you'd have to make one today, using chains, one way to deal with it is by using 4 (or two) extension springs attached to the cuffs. Those can increase gradual the tension. Medievals didn't have springs, so they used ropes. Heavy ropes that act like springs. Secondly, the torque. A real rack will have a large (or two) drums of wood at each end and another one (or two) rollers made of wrought iron of a much smaller diameter than the drum (again, see illustration). It's built like that so a full turn only translate into a small increase in tension in the limbs. In modern days one could use only the large drum and add a gearbox reducer (two cogwheels, one large, one small). Alas, in the Dark Ages they had no milling machines to make those cogs. Even the metal rod used under the rack wasn't true round since was not coming from a lathe but it was hammered so it was looking rather rough. Where it was passing the wood, instead of today's ball bearing they were using nothing but animal fat to keep it from jamming. The reason the rack was designed as in the picture is because of the HUGE pressure (something akin to a metric ton force) and all those fakeries in today's sensationalist museums would just snap. In the design I showed, all that compression force is applied to the two longitudinal thick wooden beam that make the frame. I made a quick calculation based on the prices of the nearby Lowe's if I'd decide to make one (not really, no). Using 8x8' for legs and frame and 2x 5/6 for the supporting planks (they only carry the weight of the person), an iron bar for the roller, some strain and etch for aging effect that would be about 400 dollars. Plus work. Some really thick hemp rope at 1" diameter would another 50 dollars. The major problem would not be the cost but the space. This thing would eat half the space of a normal master bedroom. I suppose some creative mind can throw a mattress on top and convert it into an elevated bed (especially if you make the legs from two parts). Definetely I'd buy any movie with a device like that. If Juliette would be the unfortunate victim that would be even better. If someone would add a bit of sweating effects between the shots to simulate the pain and NO BENT ARMS while feigning pain, that would be supreme! OK, now I described exactly what I want for Christmas. Rebecca_B said: hi all Hi Rebecca. galahad said: I am fully aware that all images, both in origination and reception, are a product of the mind/brain; however small! My point was a desire to be informed as to whether an image posted here is unique to this site, available elsewhere, is part of a series or film, etc., to which I might have access to pursue any interest that these images provoke. Can only speak for myself but whatever I post here is exclusively my brain farts and exclusively posted here. God knows it's time consuming enough to pay attention to this site. In the rare occasion, in the future, if I'll ever post something not mine, I'll make sure that's made clear. It's basic curtesy to the original creator, after all. As for the clips that I post, they are clearly marked with all the necesary info, should someone decide to see them in their entirety. |
||||
|
|
||||
|
@petelobo I am also shocked by the the lack of support for the Justine IndieGogo Campaign. Amy and the gang at Pachamama have proven over and over that they can make a great GIMP movie if they have the funds to make it happen. Maleficarum was a big hit here when it was released and Justine promises to be even GIMPier. If you like the videos that a producer here makes, show them support by buying the film. I myself am buying at least 2 torture perks. This is probably the best way for me to afford a custom scene with Amy and company since I don't have the funds to fund a whole torture scene. I hope that Margot can share some more promo pics of Justine to get people excited about contributing to Justine. I may review 1 or 2 more RF/Pachamama movies to help raise some intrest for Justine. |
||||
|
JD: Don't forget what the rack did to the victims which can't be acted or faked. I sure Amy and JJ in Maleficarum knew the limit of torque on limb joints to not pull out of its socket but with real medieval rack torture the idea was to pull them out of their sockets. I read stories where men and women confessed while being pulled apart at the rack were carried and placed bound at the stake or hung in the sitting or laying position because they couldn't stand up much less walk. Also they were in such ungodly agony they pleaded to be killed. The rack was the best effective way to get a confession compared to other torture devices and methods. Bill K. |
||||
|
Today I'm in a writing mood. Or having a good French brandy. Or both. Another cliche to be debunked is the clinking ratchet. I see it in millions of stories, how another notch of the wheel gets locked in place and remains there. Well, close study shows that it was not actually the case. El Wananchi was the only one from the fiction writers here who got it right, I believe. You stretch, you release. The mechanical limitation of the time was either in the lack of a spring to lock such a winch in place or the lack of a steel elastic enough to act as a spring leaf. So what was the available solution to keep a prisoner uncomfortable? Well, a plain piece of wood that would have block the roller handles. Yeah, it took a second fella to perform it the feat but that's how they did it. See something of this nature in Tudors' racking scenes. The rack was a very versatile instrument, don't forget. Beside it's primary purpose, was a sure way to immobilize the victim for other torments. Forcing water in some overextended stomachs was performed on the rack. Why, you might ask? Because, despite what's seen on TV shows and personal imagination, torture chambers were relatively small places where such a multi-purpose item was highly valuable. According to "Castration and Culture in the Middle Ages" a certain amount of male martyrs were castrated using a similar device. Using torches, skin rippers and what's not, it was all done using a variant of a rack. |
||||
|
I really enjoy reading all these posts about the rack torture. From Amy and Margot's posts, it seems that the new rack being built is of the vertical standing variety. Anyone know much about that version of the rack? Any scenes in the rack database that use the vertical rack? |
||||
|
electrotorture - The movie you are asking about must be "Age of FA". For some reason I am blocked from their site, but I think it's fa-pro.com. It may also be available at R18.com. |
||||
|
The rack was a very versatile instrument, don't forget. Beside its primary purpose, it was a sure way to immobilize the victim for other torments. Torments like hot iron, spike rods, whips and bun toaster. Yes by itself rack torture is erotic but add other torments and it's most erotic torture ever. There was the horse rack where the gimp is bound like a regular rack but two or more horses are used to pull her apart. Roman and other cultures used that method. |
||||
|
JoeK said: "I really enjoy reading all these posts about the rack torture. From Amy and Margot's posts, it seems that the new rack being built is of the vertical standing variety. Anyone know much about that version of the rack? Any scenes in the rack database that use the vertical rack?"I can think of two: one is Lana Clarkson in "Barbarian Queen" and the other is this unfortunate girl from an early Waterbondage.Com shoot. |
||||
|
Petelobo said: "Here are some more shots from the video I mentioned previously. The actress starts off "acting" being whipped, then starts making fun of Matt Williams, calling him a wimp, challenging him to make her scream or cry. He does his best, and in the end manages to get to that point with the flogger. But the revenge comes in the electro part of the scene where she is clearly screaming and crying and pushed to the limits of her control.Don't know that I've ever seen her anywhere else, so perhaps that one experience did the trick for her--explored the limits. But it's a great video if you can find it." Found it. See my Website link. [www.insexondemand.com] |
||||
|
Hi guys,Welcome Rebecca. Petelobo and Galahad: The lady is Kathy Cane, did a Hardtied and a couple of Real Time Bondage sets. Really made Mark Williams flog her hard but as seen in follow up set he got her to crying fairly soon. That seems to have ended her career. The rack: The people over at Inquisition had a third drum under the back of the victim, evidently knobby which I assume was meant to work on the spine. Historically correct? |
||||
|
|
||||
|
In my previous post the torture device without Poser Amy is not a rack but is called a rack by my Daz dungeon program. It was used to hoist the victim off the ground into the air so I suppose you could use it like a rack if victim's ankles are anchored to the ground. But why would you? Bill K. |
||||
|
|
||||
|
Mark Evans - Whoa, thanks mate. But I do some brief search on the internet and finds out that there are so many "Age of FA" movies. Do you know which one? william1 - Thanks for your assist. That movie, the FAX-128 is interesting too. But I still wondering about the unfortunate girl with sweaty body and hairy armpit who being tortured from that scene |
||||
|
Unfortunately there are no new rack videos on line. I mean real good ones...women under intense interrogation, Inquisitor leaning over them...slow turning of the crank. A question after every notch, then another turn of the crank. Sweat covering her body, back ached, a brazier of glowing hot coals standing next to the rack awaiting it's use, if she doesn't "talk". Can't find that anywhere now...just the same old same old. If there is such a thing and is available...I would love to know where it is. |
||||
|
A lot of good information/opinion regarding rack torture. One thing I haven't seen (or just missed) was that Inquisition strictures prohibited drawing blood and then most Inquisitor priests really were holy prudes, so the rack and strappado were popular as they could be applied to fully clothed victims, although I'm not sure how much this carried over to the witch hunts. They were also well suited to the gradual infliction of extreme pain without as much risk of premature death, which the Church generally viewed as a failure to save their souls.Rack mechanics certainly varied, but whichever method was used, precise control was desired. Here is one example of possibly the only worthy enhancement made possible by modern technology, electric motors. The tension can be adjusted a millimeter at a time for maximum control. |
||||
|
Now I'm not one to let reality and sexually inhibited priests get in the way of a good sadistic fantasy, so I ALWAYS have my victims naked and face up on the rack.Here is one of my top 5 favorite rack images, also by Zell/Bazell. (And I have quite a few.) No actual torment yet, but the moment before when the victim is becoming increasingly aware of her helplessness and the horror she is facing, the understanding that her ordeal won't just be painful, but sexual as well as her naked body is caressed by the torturer. And as terrifying as it is for her, it is more pleasurable for him, combining sadistic foreplay with the anticipation of what he is going to do to her. His smile and her expression says it all, even without her flesh feeling the whip or irons. Mmmmm. |
||||
|
erodite said: The rack: The people over at Inquisition had a third drum under the back of the victim, evidently knobby which I assume was meant to work on the spine. Historically correct?Yes, in some implementations. Also appearing in some contemporary illustration so that's true. The description of the method was implying more a rolling over the spikes than an adjuvant to stretching. Not really enlightening, I know. The Torture Museum in Amsterdam shows one such exhibit. Bill K. said (8237) What about these rack styles expertly demoed by Poser avatar Amy? Really was used in the Inquisition or just a poser or Hollywood imagination? Some variant existed, as in the well-documented case of Marquise de Brinvilliers, a poisoneur. Stretching was limited though, as it was used more to increase the inconvenience of gulping large amounts of water and stress the stomach rather than stretching the body. One physiological factor here, as many of the older generations can attest is that the spine is not very well suited to take lateral compression/extensions. You can take logitudinal stretching a lot more. Simply put if you try to rack someone in that version you'll kill him/her very quickly. And as it was discussed here, I'm only talking in means of interrogation, not execution. mstremagician said: Unfortunately there are no new rack videos on line. That implies they used to. Which one you mean? |
||||
|
|
||||
|
|
||||
|
|
||||
|
I've been working crazy long hours the past few nights, getting home late and barely having time to change the daily pic before going to bed. As a result, I've missed out on a lot of really good activity lately. But thank God, the rains came today so I've got a rare day off to cover a few recent postings.Deathtrap wrote (in Post 8188): We are always interested in hearing feedback, good or bad, from our customers. I'd be particularly interested in hearing why you didn't like "Breeder," which, in terms of post-production work, is our biggest film this year. I'm not a big fan of monster rape movies; it's not really my genre, since I prefer more realistic fantasies. I ordered this mainly because it starred Luna and it included an electric shock scene. But one thing I most assuredly didn't like was the horrible sound, where the audio was turned up so loud that everything was over-modulated and Luna's screaming was an annoying scratchy buzz. This is at least the third movie I've ordered from you that had this issue. I can understand it happening once, but when it starts happening in multiple movies, that's a problem. Listen to what you're recording while you run tape. If it sounds like shit, turn that sucker down. Louder is NOT necessarily better. Fortunately, there were no such audio issues on this recent release, so hopefully things have been corrected at this point. BTW, I've been wanting to reach you for some time, but didn't have any contact info. Drop me an e-mail when you get a chance. Thanks. --------------------------------------- tkl-pen asked: Where can I get the film High Voltage - I can't find it anywhere. If you go to the individual Reviews page, there's always a buy link at the bottom. http://ralphus.net/reviews/other/highvoltage.htm In this case, the movie is sold by NicheClips, not the most buyer-friendly source out there, thanks mainly to the restrictions the government put in place during the Bush administration. You have to join NicheClips, which is free, then fund your account, usually by check at first, until you get approved. May take a few days to set up. But once you're set up, it's actually fairly easy to order material from them. It's worth it. Good luck. --------------------------------------- Esso: Thanks very kindly for the review of Juliette's Exhibition II. Looks like a winner, and kudos to Juliette for branching out and planning to try new things. We're so lucky to have her posting here and providing updates. Here's the direct link for your latest review: http://ralphus.net/reviews/other/juliettesexhibition2.htm --------------------------------------- Petelobo wrote: I don't know how many, if any, of us self-proclaimed "pervs" have bought this--or any--of her efforts, but Juliette has gone out of her way to write to the board, listen to our comments, give Esso a free vid to review. And what I read are: "I don't like stockings", "I want more plot." Suck it up! You support the Juliettes, the Dan Hawkes, the RedFelines out there on the frontier MAKING this stuff or in a while you find yourself wondering, "hey, where did all that good stuff go?" Here, here. These artists really need our financial support to make more good stuff. It's so easy to look at the Internet as a big free-for-all, and forget that when you download "free" material off the net, that it's okay because it doesn't cost YOU anything. The truth is that the artist, the producer that made the movie to begin with, is the one getting hosed. If everyone gives away their work, they have no $$$ to pay their actresses and make more material. That's basically what happened to Dan Hawke, one of the great producers out there, and Steve from Powershotz, too. Neither one is producing new material because the bootleggers stole their work, so few people buy from them anymore. Red Feline has been reaching out HARD for years, set up an IndieGogo to try to raise...$20,000 for a big budget film with a (gasp) STORY, with actresses who have proven their chops, giving us a chance to say what we want to see, and the total take so far, with all the promotion has been a few thousand--almost all from a couple people who are accustomed to paying for their own custom productions. I think the main thing that has scared off contributors to the Justine IndieGogo campaign is the implication that you have to pay $500 to get a particular scene filmed. I'm not rich by any means, and 500 dollars is way too pricey for me. But the great thing is you don't have to pay that much if you can't afford it. Let's say you can only afford ten bucks, and trust me, everyone here should be able to at least give that much. Suppose you want to contribute to the Wheel scene. I checked with Amy, and she says all you have to do is mention it in the comments about where you want the funds to go. Easy peasy, you help finance the scene you want, and you don't have to blow the budget in the process. Guys, let's give this campaign a boost. God knows it's a good cause. I threw in 10 bucks. If we all did that, they could make their goal easily. Who's with me? Here's the link. Let's help torture Amy! --------------------------------------- JD wrote: Debbie D in Black Ribbon (2007) So that's the infamous Black Ribbon scene. It looks so familiar, since we've seen at least 2 dozen images from it in the past year or so. Bronx_Warrior must be creaming in his jeans right now. |
||||
|
A crucial beware to all you would-be rackers out there inherent in Zell's image here: DO NOT GET TOO CLOSE TO THE WINDLASS while you are winding! Poor fellow on the far side has gotten himself painfully caught in the rope! Worst of all, now they'll have to roll her back a bit to free him. Rarely are injuries like this covered by Workers Comp. A word to the wise--jock-straps!
|
||||
|
JD wrote about Black Ribbon movie. That is my all time favourite nude scene after Poor Cecily!. The unlike role in the movie Black Ribbon is Emily's role actress (Debbie D). I prefer Monika Malacova (Hostel II movie) in the role of Emily (Debbie D), has great structure (just crossed 50 Monica Malacova ![]() ![]() ![]() Debbie D
|
||||
|
electrotorture: I don't know which movie it is. You're right, there are so many movies and the search tools are useless due to poor descriptions in the first place. The only thing we can do is tediously go through the movies. I've come across a couple of good scenes doing that, but never had time to go through all of them. Perhaps if anyone here takes time to look, they will post any good finds. Deathtrap: Really stoked that you saw my review of High Voltage. Hope to see many more just like it. Make sure you let Luna know how amazing she is :) |
||||
|
|
||||
|
I've added seven new entries to the comics section, and Ralphus has been kind enough to post them. This set includes a classic contribution by TRG and a request for some Lou Kagan by Flinstone. There's also another premiere of a restored and translated fumetto. This one had a lot more dialogue and text than I cared for, and in hindsight, I probably wouldn't have bothered with it. Still, I muddled my way through, so read the thing, damn it… don't just fast-forward to the good parts. As always, feedback is appreciated. * * * * * Poll: The vanilla porn of which Ralphus speaks was pretty common in the grindhouse days, and continued through the VHS and DVD eras. Personally, I never cared for it, so I'm no expert on how it evolved. That said, it seems the web has produced a plethora of new flavors… pornography which is aimed specifically at any and all unique fantasies, both common (like ours) and esoteric (balloon bursting lesbians, anyone?). So we're not all that special. Just another crowd with our particular fetishes for seeing women bound, tortured, raped, and well… put in merciless peril. Not vanilla. But neither are the millions of erotic videos depicting smoking, feet, inter-racial sex, watersports, tickling, trampling, superheroines, masturbation, wrestling, pantyhose, scat (ick), bug crushing (double-ick) and hundreds of other categories listed at sites like Clips4sale and xHamster. I sometimes wonder if anyone watches only vanilla porn anymore. If they do, I would guess they are among the more unimaginative and MoR folks willing to indulge. After all, most of us can enjoy straight sex in real life, even if it costs a little more than a DVD. But getting a woman to submit to the rack and fifty lashes, or whatever else turns your crank, well, that's where high-speed internet saves the day. Vanilla? That's so twenty years ago. |
||||
|
|
||||
|
Hi, everyone, Just a warning regarding "contemporary" depictions (illustrations) of racks (or any other torture machine). To begin with, medieval people were very unused to machines of any kind. For instance, the depictions of siege machine you find in illuminations are VERY inaccurate, most of them simply do not make sense as working machines. Second, most of the illustrators relied on hearsay; they had no access to the actual torture chambers, much less the proceedings. Third, those who brought to them narrated descriptions of the machines used, naturally had the limitations described above, if at all witnesses of the actual machines. Fourth, many machines extant today are in a sense "restorations": they have not reached us in the shape they had when actually in use, but a later, restored one. Of course, the people making the restorations had not had access to real working machines! Other "implements" might even be fakes; only that they are "antique fakes", so they look suitably real to us. All that really conspires against illustrations and extant examples as truly reliable sources to learn the true shape/work of the real machines. JD: thank you, mate. Within the technological limitations you mention, "revolving" stretching/spanning devices were available to medieval people, as the relatively sophisticated spanning devices in some crossbows attest. But I still think that the "stretch/release" method was not only imposed by technology but it was highly effective for interrogations as well, instead of a "linear increase" model which would lead to death from shock quite soon. Regards to all, El Wananchi |
||||
|
Funny enough, when I did a Google search for FAD-1423, I came across a post by yours truly from last year where I noted that the film is very hard to find. I believe that scene is also in FAX-128, which can be found online and on disc. http://www.r18.com/videos/vod/movies/detail/Good-Girls-Erotic-Agony--Female-Body-Electric-Torture-Collection/id=h_066fax128/?i3_ref=search&i3_ord=1 |
||||
|
El Wananchi said: Just a warning regarding "contemporary" depictions (illustrations) of racks (or any other torture machine).Absolutely right! I said sometime ago that wooden things in the dampness of a dungeon only last 100...200 years. Anything else is rebuilt more or less to bring in tourist money. The only exception we know for sure it's the original is the one in the Tower of London. The Brits take pride into saving every little bit of their history. El Wananchi said: All that really conspires against illustrations and extant examples as truly reliable sources to learn the true shape/work of the real machines. Correct again. The shapes I was floating around are only derivatisations of the engineering requirements and a proper understanding of the physics behind. My beef was against those feeble contraption you see in many (especially Eastern European) cities that are sold as genuine and their pictures are all over the net. They couldn't stretch an incongruent midget before snapping, embarassing the torturers and making the victim laugh with tears of joy. Finally, as you also mentioned. the stretch and release was effective because our nerves, unlike our tendons and muscles are not very elastic in nature. They stretch a lot less than the rest of human tissue. So what happen is that nerves were actually snapping, inducing an unwanted anesthesia, defeating the purpose. I can imagine a medieval fella scratching his head in disbelief when his victim suddenly went at peace, despite being 6 inches taller than before. Fritz said: Based on limited feedback, fumetti seem to be the most popular additions to this section, so (with some reluctance) I restored and translated another one. Mon Dieu, but your work is ausgezeichnet! I keep saying I'm going to get down to work and doing some scanlation of my favorite fummeti but always life, as a bitch that it is, gets in the way. Maybe Ralphus can setup the forum software that automatically plays "Hail to the Chief" everytime you drop by. It would be well deserved. Im my book, die unruhmliche Katze is the best reading of all. Knowledgeable and witty, one of the reasons I'm still around here. Plus the passive-agressive short-version roofer. Lastly, count me in the crowd of people who has not seen NIKKI'S FINAL MISSION. Thanks. Not my cup of tea but a cup of tea, nonetheless. So, feedback. THE ADVENTURES OF SWEET GWENDOLINE - a trip down the memory lane, thanks. MAISON DE CORRECTION “PRINCESSE MÉLANIE- I've seen this one before but where? Lost in a HDD crash before I smarten enough to back-up all. Thanks, now back into collection. WAR CRIME - nope, not really. NIKKI'S FINAL MISSION - so long ago you say and already better than my puny attempts after reading and playing with 3D stuff for years? Not fair. I hate you. AMAZON'S DEATH STRUGGLE - Hmmm, no. THE SLAVE AND THE LASH - Fucking yes! Where have you been all my life? LE REMÈDE SOUVERAIN - It's a fumetto!!!! No extra commments needed. With a story. With character build-up. With (twisted) logic! What vile person don't like that? (Probably) Ayana Chigawa in Escape Captivity The Movie (2008) [www32.zippyshare.com] pass: ralphus.net A review (in French) of the movie here: [alligatographe.blogspot.ca] |
||||
|
Hi All,Don't check in 'round here very often, but I'm a fairly regular reader of the forum. I noticed the damaged files in the Kagan "Slave and the Lash" upload to the comics section & since I have the originals, just thought I'd give you all a shot at them. BTW, these are scans a friend of mine did for me back in 2004 & I in turn did the editing for. I've just updated 4 of the scans since there were some things I simply couldn't see in my old 2004 CRT monitor that are clearly visible now. Not to mention, all the toys & games in new Photoshop which weren't in V. 7.1 made it a quick operation. These have been floating 'round the web since I first posted them in '04 in one form or another, but this upload is of the original untrammeled files. ;) Here's the link: [www10.zippyshare.com] TJ |
||||
|
TJ said: [..] since I have the originals, just thought I'd give you all a shot at them.And that's why this place is so cool. It's like a readers' library gathering where Stephen King drops by or a political debate club where different former POTUS pay occasional visits. Something to keep the post ontopic. To answer to some posters desire for some background information about an image, well, it's made in 2009, close to Halloween. It was cold outside and rainy. My neighbours' dogs were barking incesantly. I was staring bored at the screen, barely waiting for another vacation in Carribean. I felt like I needed it after that much stress in that summer+fall. Out of sheer boredom I went to some images I found online (from some image forums). I looked at the original of that and I thought ... Hey, that body looks like Buffy's in the first two seasons (before she turned certifiable anorexic). Hmmm, it would be fun if I'd try to find a frame with her head from that low angle. I found one, then using PSP 5.0 (good enough then, good enough now) I put them together. Here. No other background story. |
||||
|
|
||||
|
Fritz: Thank you for putting The Adventures of Sweet Gwendoline in the comics section. Much of what we see now has its roots in this collection of drawings. Gwen's raw sex appeal combined with her utter innocence make her a bondagette who is yet unsurpassed. She is to bondage comics as Story of O is to bondage fiction. I got my copy of the book in 1983 in Paris, but unfortunately it’s all in French, a language I don’t read too well. The pictures don’t need translation, though. |
||||
|
Today's picture is a great erotic poser model but I agree with JD, chains were not likely used in racks. Rope was cheap and easy to make a rack with. I just can't see them using chains. Also in this case the poser artist did a poor job of fitting the chain cuffs into the rack damsel's ankles and in her right hand a chain link is going through the base of her thumb. Strange in that in poser programs you can adjust the angle, size and position of cuffs and chains so make a more natural look. He's no Quoom for sure. Bill K. |
||||
|
|
||||
|
|
||||
|
|
||||
|
@Ed, that's a smoking hot electrotorture pic. It features my favorite variant of it: electrodes to the nipples. Which brings me to a question I have about its real-life application; say with a TENS machine or something similar. I've heard some electro enthusiasts claim you should only clamp one nipple, as clamping both might arc the electricity through the heart and cause cardiac arrest. I've heard others say that this is complete bullshit, and there is no difference in safety between clamping one or both nipples. Does anyone know which is true? Thanks! |
||||
|
To Fritz: Thank you for the new comics, especially the Kagan artwork. I agree that the theme is not my favorite one either, but the artwork is excellent, and he did do some warriors/DID captured and "worked on" also, which I enjoyed, as well as one mag with miscellaneous art that I really wish I still had. The other comics aren't bad either, and I really appreciate the effort and work on your part. |
||||
|
BD - Nice one mate. That's exactly the movie which that scene comes from. Thumbs up |
||||
|
Hofrax commented: @Ed, that's a smoking hot electrotorture pic. It features my favorite variant of it: electrodes to the nipples.Why it's a favorite; I like to SEE my electro-victims reacting to the current in body and face. I agree that nipple electrodes are the best, get them erect and the teats stick out like cute sensitive battery terminals. Here is another by the same artist where the clips are about to be applied. I don't know one way or the other about the dangers of clamping both, but assuming it's for consensual play, my attitude is why would you want to take the risk, however remote? |
||||
|
Concerning the rack debate, I'm sorry fellas but the Tower of London Rack is a recent construction "according to the best research and contemporary documents". The old rack was burned in a fire in the Tower in the 1700's and nothing remains of other torture devices, only a device called "The Scavenger's Daughter" or "Skeffington's Gyves", an all-iron piece which did not burn out. Interesting discussion though on how the rack was used and some confusion between the rack and the Water Torture where the victim was held tightly by wrist and ankle ropes, the bend in the spine being actually to stretch the stomach and upper intestines. |
||||
|
Here's another FA video I found, but not sure which title it is. I've noticed that the shocks are very erotic and seem to arouse the woman in many of their electro-torture scenes. Or maybe the woman is just trying to please the man, not sure. But in this scene she jumps around as he jolts her, and they violently kiss in between shocks. ![]()
|
||||
|
SyzygyUK said: The old rack was burned in a fire in the Tower in the 1700's and nothing remains of other torture devicesDamn. They used to brag about having the only one genuine left. Maybe they meant the only exact replica. Thanks for clarification. A quick update with a comely princess chained one hand to the wall. Genevieve Grad in Attack of the Normans (1962) [www51.zippyshare.com] pass: ralphus.net |
||||
|
Nice mainstream electro scene. (Starts 30 seconds in) |
||||
|
Is there any news on either the 3rd I Spit on your Grave remake ([www.imdb.com]) or the documentary ([www.imdb.com]) ? The Sarah Butler one is supposed to release in a few months, there's no trailer, no news I can find, and at this point we don't even know if it'll even have any rape scenes. |
||||
|
The following link takes you to a nice electro-torture scene: Relatively mainstream but clearly set in a South American style torture room with some dissident student getting it from a surly interrogator. Love the whole dictatorial regime torturing innocent maidens!! |
||||
|
On the rack....Perhaps THE iconic instrument of torture. My first exposure was seeing the poster and ad for The Tower of London, in 1962. What a position! When I finally saw the movie, decades later, there was no shot of the near-naked lass stretched and sweating, but instead a lovely Sandra Knight (Mrs. Jack Nicholson at the time, I believe) suffering stoically under Vincent Prices arched eyebrow. Thrilling, nonetheless.... And the aesthetics of the position should be appreciated: I have yet to meet the woman whose body doesn't acquire some extra allure from a bit of stretching and ...glowing. About the Indiegogo fund-raiser: I am among those for whom $500 is a bit rich, even if it does put the rack to work. I might, however, invest $200 to see the ladies' bare soles whipped or roasted as they enjoy a stretch on the rack, a spin on the wheel... Think of these as ancillary to the main event. Cheers to all who make this a superb site...especially the busy little guy. P |
||||
|
@Roger - Tower of London is one of those treasures that only us older deviants can truly appreciate. A sexy women being sexily tortured on screen at a time when you could not just jump on the internet and find all the torture porn and rape videos you could ever want. Meanwhile, here is another one of my orginal Chevaan racking pictures with story. I don't do many drawings these days - not because I lack the skill, but because as I said above there was a time when stuff like this was a lot harder to find. Now days its easier to search the internet than do my own pics. Especially since I can search the net one handed LOL |
||||
|
The most real rack, where the victim lies completely flat on the table, is very fine for single pictures. For me, who usually makes series of many pictures, this position doesn't allow enough variation, because the victim cannot move anything but fingers, toes and head. Furthermore it is almost impossible to show the slow increase of the stretching on the horizontal rack. I think the movie-makers here have the same problem with rack scenes - mostly static 'real stretching' vs. more action with movements that a stretched body could never do in reality.So I'm mostly using racks where the roll is above the table. Here I can show more dramatic stretching with several poses like fully stretched flat, raise armed, raise chest, lift hip from table as shown in the pictures that are part of an animation. Of course the latter would need more than enough force to tear the victim in pieces... but here I forget the logic of physics for a moment :). |
||||
|
Perhaps the best book that discusses the rack is a book by Geoffrey Abbott: Rack, Rope, and Red-Hot Pincers. The author, a former Yeoman Warder at the Tower of London, describes the rack in some detail, including the one at the Tower, as well as the one used by priest-hunter Richard Topcliffe. He also describes the variations of the rack used in Spain, France, Italy, Portugal, and Germany as well. The author also describes other methods of torture, such as strappado, the use of red-hot pincers, water tortures, the stocks, pillory, etc. It was written in 1993, so it may be out of print. |
||||
|
Nice photos...but where are some NEW videos of women being tortured on the rack? I mean slowly and with some added devices to make her talk or confess. |
||||
|
BurngreaveActually the video is from a group called Electrotorture in Prague, eastern European. There are a number of them that are high-B. Entertaining to watch the attempts at communication between the bad guy cranking the generator to produce the current and the girls emoting. Sometimes the girl will suddenly scream and shudder and the guy has to grab the crank and rapidly turn it a few times, etc. |
||||
|
re 8275, Burngreave: it's from Electrotorture in Prague, a very nice series of vignettes, which I hope continue. |
||||
|
Fritz: Really enjoyed the latest GIMP Comics update. Lots of great variety this time...I had never seen the entire Gwendoline series before, just individual frames. That really is a classic of the genre, and the tight bondage work can't be beat. It's no wonder they've stood the test of time. And even though I'm not a true manglehead, I was also loved the over-the-top fun of your own series Nikki's Final Mission. The poser artwork is well done and the humorous, sadistic dialogue reads a lot like the stories I've read from you. Very entertaining stuff. BTW, the doll snuff story was from the artist named The Spike (see our Notable Guests page), who ran the late website called Plastic Penetration Productions....one of my favorites and also among the most unique and imaginative GIMP-related sites ever. We used to link to them back in the mid-2000's and The Spike himself was a sometimes poster here, too. Unfortunately, there doesn't appear to be any archived version of it available anymore...that's one I would gladly restore for this site if I could. I do, however, have a number of his complete stories left on my hard drive if you ever want to add any more, and he did do at least one that included text. I've run stills from his site at the top of the GIMP in the past...hard to believe that bondage pics featuring Barbie dolls could be so stimulating. --------------------------------------------- LBX: Fantastic tribute to those old Men's Magazine covers, thanks. If only they were allowed to have full nudity back then like in your creation. Hey, now that we're in the less restrictive age of the Internet, no reason not to do more, right? --------------------------------------------- Tower of London: A true mainstream classic, with a beautiful victim and of course, the great Vincent Price as the bad guy dishing out the treatment. A quick check revealed we have very sharp video print of the scene in the Torture Rack Database, which I'll reproduce here. |
||||
|
There's been a lot of discussion of the Rack in recent posts here. But these discussions are limited to only one type of rack. Granted, the "bed" type of rack does have some advantages, from the point of view of the interrogator. There's complete access to whichever side of the Damsel is presented, allowing for full use of whips, spiked Joneses, or hot irons, as desired. And even without any extras, the operation of the rack all by its lonesome can produce sufficient pain to induce loquacity in even the most recalcitrant subjects. But there are, in fiction if not in fact, other types of racks. The 'wheel" type is sometimes seen. A particularly ingenious variation on this can be seen in Page 21 of "Island of Captive Girls" over in the GIMP Comics section. This type also allows access to all exposed parts oft the subject's form, if any additional work is desired. Stanton, in one of his serials, posited the idea of a rack that stretched the limbs by pulling on the midriff, with the subject fastened by wrists and ankles to a frame, and tension being applied by pulling on the midriff. Some of the artists at deviantart.com have some ideas on more inventive versions of the rack. BMovieVilain has posited the idea of an automatic rack whose power is regulated by a swinging, descending Poe's Pendulum. Even more inventive was an idea put forth by one Doctor Domino, a prose writer back about a decade or so ago. He put forth the idea of a bed-type rack poised directly beneath a massive block of stone, which was to be slowly lowered onto the subject. As it descended, the rack would tighten. The idea was to put the prisoner into a double peril--threatened with being crushed alive by the block, and stretched to and past the breaking point by the automatic rack. |
||||
|
Alice Arno in Justine de Sade (1972). Slightly better quality update, until a Blu-ray version is released.[www70.zippyshare.com] pass: ralphus.net |
||||
|
|
||||
|
|
||||
|
We're in a path of new discoveries. Some of them amazing, some not at all great, some kind of sad. It has to do with what we are doing presently. There's a saying in the US, Time is Money. It's a philosophy that it's not shared all over the world, but it does mean something in our case these times of excitement, living on the edge of our economic conditions, using our time in ways that make us extremely happy and anxious, but spending all the money. This is no longer a One Man Crew/Torturer One Woman Cast/Victim style of production. Not anymore, those times are long gone. We have a big team now, and it's a team of real professionals in all areas of production.
We're completing the production of Pygmalion. Not a GIMP movie, not at all. It's erotic, it has S&M elements, like most of Jac's and Amy's work. Some may say is very subdued in its portrayal of sadomasochistic relationships, but some may find it more engaging to a larger audience. It doesn't mean to please. In fact, Pygmalion has its own life now. Something happened on the road from the script to the production. Jac wrote the script, Amy is directing it and from the written word to the actual image there's a transformation. It's a funny, erotic movie. It looks very pretty too.
So, Amy has a fifth feature film under her garter belt and we have a new production in our editing suite. These are exciting times. I think. And we have JUSTINE ahead of us. Before we embark in JUSTINE, Amy has a request. One week vacation, full vacation. She just finished directing one movie, acting in it, and she's now producing, directing and running around the salty lands of UYUNI with a music video. Obviously, she will need a vacation.
Jac's intention is to shoot JUSTINE in September, but things are not always they way he wants them to be. So, the most likely scenario is that he'll start shooting in October. And the one week vacation that Amy wants, may happen in Mexico, where she will be heading the first week of October to a very important festival with her film OLALLA. She was invited to participate of this festival. The official announcement is coming out August 17th, so I can't mention which festival it is at this point, but it's happening. Amy is going to have her vacation in Mexico after all.
The pre-production of JUSTINE is underway, of course. It started long ago, when Amy built The Stocks. And as you all know we have our IndieGoGo campaign which is advancing very slowly to its big goal and I think that's what I'm going to talk about now.
JUSTINE is the decisive film for Jac and Amy. One of the discoveries we are making is showing us that having strong GIMP scenes in films like Dead But Dreaming and OLALLA does not really help that much. It actually limits the larger potential of those films. I often read in this appreciated forum many comments on films with GIMP content, praising those films because of their 1 minute GIMPY scene and which sometimes does not even involve nudity. Some of those films have a huge following outside the GIMP crowd, which, by the way, may not be a large crowd at all.
And what is my point? If Dead But Dreaming and OLALLA had half the GIMP content and more drama, they actually may do better in the larger market. Screen time equals Audience's money. These great films are not doing that well in the GIMP market and they are limited in larger nich markets. That's my point. There's interest in the vampire community for Dead But Dreaming, with good reviews, million plus hits on the trailer, and so on. Vampire lovers want their vampire movies more about the vampires and less about other stuff like loooooong GIMP scenes where they have to seat and count as many as 36 lashes in one scene alone. Dead But Dreaming and the possible sequels have the potential of creating a large cult following. But the way to reach that following is through cable tv and other media where long, extended GIMP scenes do limit our possibilities. They also take a lot of time and money to set them up properly and a longer time to shoot them, while, a vampire pursuing a victim, biting her neck and then having sex with her is easy to shoot and has more of a cult following.
That's what I mean by JUSTINE being the decisive film in our path. The IndieGoGo campaign is not exactly contradicting my point. I wonder what would happen if we put all of our efforts in promoting other aspects of our work. Jac likes GIMP and he will always manage to sneak a scene or two in his movies, like he did with his first film, a docudrama set in Haiti where he has a crucified woman in a sugar cane field and a two brief scene where women are whipped. The question lingering here is: do we have enough of an audience to keep this work going at the level we want it to go?
Maleficarum is a success in our book, but in terms of actual income, it does not do better than what Jac would take in a year salary if he worked in some mid level position at a TV station. Right. He does what he does because he loves it. Period. And now he's preparing something so magnificent that he would love to have all the means to do it the best way possible. That's the reason for the IndieGoGo campaign. The hope is that there are enough people out there willing to push this project ahead. So far we are grateful to 38 wonderful supporters who contributed from as little as 1 dollar to over 1,000 per person. No amount is too little, no amount is too big. With their amazing help we only reached 28% of our goal in ONE month. We have 28 days of the IndieGoGo campaign left. Can we make it?
Ralphus said that maybe not many people can put forth 500 dollars for a perk, but a lot of people can put 25 for an advance purchase of a download, or simply donate any amount to our efforts. The film will be made regardless of how much we reach with the IndieGoGo campaign. But since the cash pays for the making of it, the less we have, the less production values the film will have. For instance, instead of four great locations, we might end up with 1 or 2. Instead of a nice crowd of actors and actresses in costumes, we might have just a few. That's how it works. In Dead But Dreaming we had only one financed sequence, The Whipping Scene. For that scene we had a great location, we built the set, we had a nice crowd, great uniforms for the soldiers and so on. And we worked 5 days, torturing Amy, every day, many hours a day, in front of a crowd.
Later on, Mila had a chance of being tortured but the budget allowed for a very short nailing scene. The great far off location was very expensive and we had a crew and cast there for two days. Jac needed four days to make it work properly, so he had to live with half of his dream scene. We can only imagine what would it have been it Jac had the funding for it.
For JUSTINE we have a great STOCKS scene fully funded! It calls for a good number of people to be in it. It also calls for a nice location and it specifically calls for Amy to be sentenced to 50 lashes before she's put on the stocks where she's raped and people throw rotten fruit at her. That perk did not come cheap. In fact, like Ralphus before in Maleficarum, that initial support by our very first Associate Producer was the push that started JUSTINE.
As of this writing JUSTINE has three contributors to put her on The Wheel. One contributor short of our goal. We have the potential of having a great scene.
Two contributors are backing for JUSTINE and others to be put on The Cross. The question is, how grand the crucifixion scene is going to be?. Will it be as grand as it is in Jac's mind? Will it be only half of what it can be? If there's one experience that Jac has in producing is the crucifixion. He has done it so many times that with the proper support he can make something truly grand happen.
The Rack has one contributor so far. We have one great rack scene in Maleficarum, and another in Le Marquis De La Croix. Roger commented: About the Indiegogo fund-raiser: I am among those for whom $500 is a bit rich, even if it does put the rack to work. I might, however, invest $200 to see the ladies' bare soles whipped or roasted as they enjoy a stretch on the rack, a spin on the wheel... Think of these as ancillary to the main event. My answer is YES, it is possible, of course. The more fun Monsieur Rodin has, the better for all the GIMP loving people in the world, right? So, go ahead, we have your suggestion written in virtual blood. If we see a contribution of 200 in the next couple of days, the rack scene will be complemented with some roasting coals at the feet of our unfortunate Justine.
JUSTINE has ONE contributor, outside of the campaign, a direct contribution, for an Upside Down Suspension scene, where we will see Justine and Rosalie, suspended by their ankles. Someone suggested that while they are in such position, a bit of water torture could take place. Well... if someone is willing to match that contribution with another 800, it can happen.
We met only 28% of our IndieGoGo campaign, so far. We would like to reach at least 50% or our goal. As in our past campaign, for OLALLA, we only showed 40% success at the end, but we had outside contributors who sent the funds bypassing the campaign, directly to us via Pay Pal or to our bank. At the end of the campaign OLALLA had all the funds needed to make the fantastic BATS scene with a crowd and in a really great location.
JUSTINE has twice of what you see in our campaign now because of those two contributors for The Stocks and The Suspension scenes. However, we still need a big push. Any contribution to our campaign helps, of course. The more of those small contributions, the better. Are you willing to take that small step for a man, but a giant leap into danger for a Girl in Merciless Peril?
10 out of 38 of our contributors linked directly from this stemmed forum. In terms of actual funds, member of this forum contributed 1909 of the 5,535 raised so far. Not to mention the two contributors, one of whom, at least, is a frequent visitor to this magnus place. IndieGoGo has 7 contributors, 5 come from direct e mail, 8 from Facebook, and surprisingly 0 from the Crux Foundation! and only 1 from the Crux Forums. So, it appears that the crucifixion scene is JUSTINE will be, again, a labor of love. There are two contributors, so it's not bad. But the core of the crucifixion crowd, that has a home in those two forums, are not too enthusiastic about our efforts. The total contributions from the crux crowd, other than those two strong supporters, is 38 bucks. I hope those figures change soon. It would be very disappointing if it doesn't.
I'm reaching the end of this post. I must remind you that we have a SUPER SALE underway, celebrating the completion of PYGMALION. YOu can get any of our amazing movies with a 25% discount. That's big! Those funds also help us move on with our work. That wonderful cast and crew you saw in the picture on top of this post gets paid for their efforts ALL OF THEM! They are very enthusiastic right now. We want to keep them happy. They are happy if they feed their families and have a beer now and then, so they work for a living, and they work for us.
Another way you can contribute is going to our site and get one or more of our amazing movies with a 25% discount:
|
||||
|
In post 8284 Netrap says "massive block of stone, which was to be slowly lowered onto the subject." I read in high school for a book report that this method of torture for a confession or execution was used on the true John and Mary Alden in the true Salem witch trials. I'm not sure about the rack part but large stones were piled on their torsos in an effort to get them to confess to being witches. They didn't and their chests were crushed. This inquisition method of torture was used quite often but not talked about here or I haven't seen anything about this method of torture. It's not a dungeon torture or necessarily erotic torture so maybe that's why. Bill K. |
||||
|
In my previous post, the crushing the death of John and Mary may not have happened but at least one person was executed by this method and maybe the author of the book I read 40 years ago stretched the truth. Bill K. |
||||
|
Hi, everyone, The scene in "Tower of London" is great as it is. However... It should be stressed that a skilled operator, and a less-overenthusiastic interrogator would have made the proceedings last a whole night. A resourceful director would be able to put that in film. In this line, I cannot prevent thinking of it as a kind of glorified teaser. But what a teaser it is! Regards to all, El Wananchi |
||||
|
Bill K mentioned: not sure about the rack part but large stones were piled on their torsos in an effort to get them to confess to being witches. It was called peine forte et dure (also just "pressing") and it wasn't specifically a method of execution, but a tactic used when the accused refused to enter a plea, since if they pled guilty or non guilty and were executed, their property was confiscated and wouldn't pass to their heirs. The most famous was Giles Corey in the Salem Witch Trials. Tradition says his last words were "More weight" before he died. It is in American literature in Arthur Miller's The Crucible. |
||||
|
Reine Margot wrote: Some of those films have a huge following outside the GIMP crowd, which, by the way, may not be a large crowd at all. Perhaps not -- although as Ralphus always likes to say, size doesn't matter. (Diplomatic person that I am, I've assumed that Ralphus is referring to his height.) Whatever its size, it's worth remembering that the GIMP community covers a diverse range of interests. Sometimes, it's hard to get the so-called lightweights (like me) and the mangleheads to agree on anything. I'm not sure if the diversity of tastes in GIMPland is a factor in the IndieGoGo campaign. To be honest, I have no idea what the normal benchmark is for success on IndieGoGo. It's a world I know nothing about. |
||||
|
@Margot Thanks for the very informative post. I can understand that in trying to make a mainstream GIMP movies, it is hard to make a compromise on how much GIMP to include in a movie. I can understand the fact that most audiences don't fully enjoy long GIMP scenes like we do. I appreciate you guys trying to cater to a bigger audience. I say it is OK to lessen the GIMP in a mainstream film if the director feels that it is necessary for the film's audience. I just hope you guys occasionally make films with all GIMP all the time like Maleficarum and Justine. As for the Justine Campaign, I believe that many GIMPers here are not donating because it is too expensive to to have any say in any of the 3 torture scenes. My response to those GIMPers is that if you have an idea like Roger a few posts back about something you want to see in the torture scene, send an email to Margot or Amy and I am sure a deal can be worked out to get that idea worked out in the scene. As Margot has said, any contribution big or small helps. I really want to see Justine be the best GIMP movie possible and our funds can make it happen. |
||||
|
On Death Star, between questioning room and the holding cell block.El Wananchi said: The scene in "Tower of London" is great as it is. However... It should be stressed that a skilled operator, and a less-overenthusiastic interrogator would have made the proceedings last a whole night. A resourceful director would be able to put that in film. In this line, I cannot prevent thinking of it as a kind of glorified teaser. But what a teaser it is! It's no way you can stretch anyone on that rack. I love the gorgeous Sandra Knight and her acting but the props they used are laughable. The only one way they could strech someone on that would require a drum handle at least 12 feet long and maybe 6 people pushing in unison. At that device she was given at best a therapeutic stretching and probabily she enjoyed it after so many hours in the stocks. My rule of thumb. Any scene where the torturer suffers apparently more than his victim stands for comedy and I laugh copiously. |
||||
|
|
||||
|
Pygmalion and Justine Part Two Joek0 Thanks for the very informative post. I can understand that in trying to make a mainstream GIMP movies, it is hard to make a compromise on how much GIMP to include in a movie. I can understand the fact that most audiences don't fully enjoy long GIMP scenes like we do. I appreciate you guys trying to cater to a bigger audience. I say it is OK to lessen the GIMP in a mainstream film if the director feels that it is necessary for the film's audience. I just hope you guys occasionally make films with all GIMP all the time like Maleficarum and Justine.
Joek0 As for the Justine Campaign, I believe that many GIMPers here are not donating because it is too expensive to to have any say in any of the 3 torture scenes. My response to those GIMPers is that if you have an idea like Roger a few posts back about something you want to see in the torture scene, send an email to Margot or Amy and I am sure a deal can be worked out to get that idea worked out in the scene. As Margot has said, any contribution big or small helps. I really want to see Justine be the best GIMP movie possible and our funds can make it happen. The perks are meant for those supporters willing to put out a large amount of cash and have a say in what we want to do. However, people can put $25 for a download that when it comes out will cost $30 or more. They will have to wait, sure, but they will be the first to get their download. Every cent counts. Today I saw the funds go from $5,510 to $5,693 from one person who got a download and another who asked for a DVD but put down a total of $158 as a contribution to the project. And here's a point, every dollar contributed will go to cover the entire movie, the perks included. So... Just go for it with whatever you can and help us put those STOCKS to work before the cat turns them into his scratching posts.
A Canadian Reine Margot wrote: Some of those films have a huge following outside the GIMP crowd, which, by the way, may not be a large crowd at all. Perhaps not -- although as Ralphus always likes to say, size doesn't matter. (Diplomatic person that I am, I've assumed that Ralphus is referring to his height.) Whatever its size, it's worth remembering that the GIMP community covers a diverse range of interests. Sometimes, it's hard to get the so-called lightweights (like me) and the mangleheads to agree on anything. I'm not sure if the diversity of tastes in GIMPland is a factor in the IndieGoGo campaign. To be honest, I have no idea what the normal benchmark is for success on IndieGoGo. It's a world I know nothing about. Crowd funding is fairly new. Most poor filmmakers hope their relatives and friends will get enthusiastic and open their virtual checkbooks to send them money. There were, however, ways of raising money for film projects through tax exempt organizations that would accept funds for filmmakers, such as Jac, who partly funded his elaborate film on Haiti this way. The total cost of the production was near half a million dollars, he shot that on film, of course, just the laboratory costs were more than 6 of our new films. It took him 8 years of his life to make it. And just as the GIMP community's diverse range of interests, the people he sought after had, too, a diverse opinion on the issues of human rights, poor countries and evil dictators. And they too had a diverse list of criteria that Jac had to meet to get those small funds, a couple of thousand at a time. But he also had the chance to get some biggies to help, like the National Film Board of Canada and Channel Four UK , something he can't do with his films now. So, it's up to the people who love our movies for us to continue making them, really. And that's what filmmaking is all about, right? Who supports most movies? Their audience, of course. We have a small audience and growing needs. That is the CruX of the matter. Now, these fellows would love to get their hands on Justine. Will you help them?
I'd like to remind you that we have a SUPER SALE underway, celebrating the completion of PYGMALION. You can get any of our amazing movies with a 25% discount. That's big! Those funds also help us move on with our work.
We're counting on our fans to make Justine happen!
Another way you can contribute is going to our site and get one or more of our amazing movies with a 25% discount:
|
||||
|
S4 Reloaded by Insex was a great electro torture video but it's nowhere to be found on the internet. |
||||
|
Ed's got it pretty much right as to peine forte et dure, and why it was used. There were occasional women who faced this method of "persusasion", but, as with most crimes and criminals, the usual victim was male. In he Doc Domino story referred to earlier, the stone block was suspended above her body, looming over everything from shoulders to knees. As it descended, the automatic rack would tighten, stretching her to a painful degree. Thus, it was to be a race between a crushing death and a painful stretch that could be fatal in the long run. This story first appeared in a Yahoo group called "Predicaments and Perils". That group was removed from the Web in late 2004, to be superseded by the Kate_Starbuck_Investigations groups. Most of the stories that had been posted were lost in the ether. But a large part of the Doc Domino tale was saved on somebody's hard drive, and can be found in the "files" section of Kate_Starbuck_Investigations. You need an invitation to get into this group. |
||||
|
Ralphus-- The Batdoll picture is actually from a series I created. It's not from Spike. You got that photo from me. |
||||
|
@ El Wanachi & JD Don't forget in Tower of London the girl had already been tortured for several hours [with whips and hot irons I think, though it was off camera]. So by the time she got on the rack she was not exactly at 100%. Of course looking at the movie now it's easy to be critical, the same way that we can look back at 1960's Star Trek episodes and see how they don't really stack up against modern efforts. But again, at a time when you could not find all the GIMP action you wanted on the internet [because it didn't exist!] this scene was gold. You can bet when it came out on VHS decades later quite a few Video Rental Stores found the tape was getting worn out in that particular point of the movie from being watched over and over by us torture fans ;) Actually that reminds me to suggest another poll [sort of] |
||||
|
For JulietteA; Here's a simple, inexpensive rack design in use. Made with two 2" x 12" planks and a 1-ton comealong, I think you'll start to come apart long before it bends very much. The rest of you lot; lots of screaming, but it's only tickling. Close your eyes and use your imagination. Note to affectionados of faux medieval and fantasy racks: They're really silly-looking with those windlass drums that look like they're used for getting a bucket of water out of a 50-foot well. |
||||
|
Hey all - I have a question for everybody As many of you know I have been doing commission writing work recently. Thanks to all those who have sent work my way. Its a pleasure to send you stories. What I was wondering was, would folks out there be interested in subscribing to a GIMP story list. These would be new stories never before published online. Much like what our good friend Quoom does, with literature instead of art. I only do this part time, so I was thinking a subscription of $2 per installment. I would write a story chapter of around 2000 words and post it. Folks could then pay me and send me an email address, and I could post the writing to them. I am happy to provide free teaser's so folks have an idea of what they are paying for. Obviously this is a lot less of a cost than what I charge for commissions, but in commissions you get EXACTLY what you want, tailored to your individual fantasies. So what do you say guys? Would you pay money to see stories like Warrior of the Chevaan continued, along with tales of female prisoners of war, captured spies, sci fi sex tortures? Darth |
||||
|
MrAnthony wrote: The Batdoll picture is actually from a series I created. It's not from Spike. You got that photo from me. Whoopsie, egg all over my face. You're absolutely right, it's even got your name on the title page. It's an outstanding series nonetheless, and definitely worthy of inclusion into the GIMP Comics section, if I can have your permission to reprint it. You know, I was thinking about my statement yesterday that it was hard to believe that bondage pics featuring Barbie dolls could be so stimulating. Because if you look at it, practically all the great Poser works we see here and elsewhere use a form of the same type of plastic doll models, the only difference is they are digital and created in the computer, whereas you and Spike took actual dolls and painstakingly took individual photographs. I'm not sure which is more work, but they're both definitely an art form. Here's some video snaps from my own work with Barbie dolls, when I borrowed a video camera back in the 1990s and burned Barbie at the stake in my parent's fireplace. Yep, I was just like Sid in the first Toy Story movie, the kid who liked to torture toys. What a great kid, I wonder if he reads this forum? In my case, poor Barbie should have known not to expect a nice treatment from this pyromaniac perv. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
||||
|
Hey STAR WARS fans. Here is the latest installment of my story with Mara Jade. Needless to say, things are not going well for her [darthsaad.deviantart.com] ![]() Image by the amazing Garrett Blair |
||||
|
Yes, feel free to add Batdoll! I would be honored. |
||||
|
Thanks guys for the updates on ELECTRO torture in Prague. I shall look them up.I like these kind of vignettes as they have something of a story line and the girl is getting stripped and tortured for a reason rather than a fait accompli. I love the whole political prisoner scenario, east European, south American, etc & would love to see more. Thanks again guys. |
||||
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
DarthSaad wrote: Of course looking at the movie now it's easy to be critical, the same way that we can look back at 1960's Star Trek episodes and see how they don't really stack up against modern efforts. What do you mean? Are you implying that computers in the future won't use ticker-tape-like printouts to give you their analysis? |
||||
|
DarthSaad said: Of course looking at the movie now it's easy to be critical, the same way that we can look back at 1960's Star Trek episodes and see how they don't really stack up against modern efforts.Well, the comparison is flawed. In Star Trek in the 60's they were trying to anticipate the FUTURE, a valiant effort. In "Tower Of London" they were trying to replicate the PAST. Just a matter of due diligence in research. Keira Knightley in A Dangerous Method (2011). [www48.zippyshare.com] pass: ralphus.net |
||||
|
Big news! I just threw another $500 to finish off the perks allotment for using the wheel as a torture device in the upcoming "Justine" film. I'm not sure which version of the wheel will be used - the one used in "Nuevo Mondo" or the one used in "Women in Cages" - but either one certainly holds possibilities for new and unique tortures not normally shown in a mainstream film. Hopefully more than just Ms. Hesketh will take a spin or two or ten. Now, if someone would step up and finish off the crucifixion perks, we might have a very good movie. |
||||
|
Yeah! we passed the 30% today and The Wheel is SOLD OUT! The next time I post a picture of a wheel, it will be OUR wheel. I don't need to promote it anymore. We have two other perks still in need of support. The Cross and The Rack. However, the entire movie needs a nice push, from 1 dollar to a million, it all helps, really. Three contributions between yesterday and today took us up to 31%, one of 25, one of 88 and one Perk of 500. That's how this moves on. We have our eyes fixed on the 50%. Takers? Like I said before, any amount counts! Another way you can contribute is going to our site and get one or more of our amazing movies with a 25% discount: We're counting on our fans to make Justine happen! http://dvds.redfeline.com |
||||
|
|
||||
|
@Thomas Chaser Congratulations Mr. Associate Producer! I am glad to see that one of the torture perks get fully funded. I already gave $500 once for the crucifixion torture and I hope to see another person give towards the torture. I was never into the Crux fetish until Red Feline came along. With all the talk of the Rack lately, I am disappointed to hear that the Rack perk is getting no love. I would love to see the many ideas discussed from the last few days be included in the movie. I hope someone can show this perk some love. For those hoping to see Amy and Mila in an upside down suspension torture with the possibility of adding water to the torture, worry no more. I have committed to Amy that as long as no one else claims to pay for this scene, I will be happy to fund the water torture scene. I'm glad to see that Amy is willing to face her fears again like she did in Agent X. If someone beats me to it, I'll just use the funds towards another torture scene instead. Justine is looking to be another great torture filled film and I am glad that it will include a water torture. |
||||
|
Glad to see "Justine" is getting some momentum again. ______ Also, good to see Barbie get her just reward.....the little slut. ![]() But I can just imagine a little Ralphus going to the store to buy a Barbie to burn at the stake in his parent's fireplace. I hear he started really young. Here's a picture of a little Ralphus (before the fro came in) after he got caught tying up the little neighbor girl to a stake. ![]() Good news was the girl was unharmed as little Ralphus was unable to light the damp matches he kept in his diaper. |
||||
|
Damn Ralphus and Gimpers picture that is Amy roasting on the rack. I've got to win the lottery. I got that BarbeQuoom at: [web.archive.org] , which has a lot of other dungeon torture ideas for Amy to use in Justine. Bill K. |
||||
|
@BillK That artwork series by Quoom was actually inspired by the rack scene from 2nd part of the Red Feline Inquisition series. Camille is the one on the rack in the movie and in the pictures by Quoom. This scene needs to be added to the Rack database. I would write one up and review the movie, but I can't because the film is only on DVD and I only buy the downloadable versions. Maybe Quoom can write up the excerpt for the Rack database for us since I believe he has seen the movie.
|
||||
|
Here is a screen cap from the rack scene I mentioned from the 2nd part of the Red Feline Inquisition series. I got this from a preview shown from one of my RF movies. From what I can see in the previews, Camille is placed upon a rack that is above some heated source. Other than being stretched on the rack, she has a nail impaled into her and also gets branded with a hot iron as well. This scene should please those who like fiery tortures.
|
||||
|
In keeping with the rack theme, I thought I would toss out a few older, different, or more obscure examples. Artist names where known. Different angle from Ken ![]() In the middle of her torture by RMGraham ![]() Carrie, British Mayfair mag's version of PB's Little Annie Fanny ![]() Classic from Bishop ![]() MAM manip ![]() Semaj, I think ![]() No idea, but an interesting (and particularly vicious) WWII Japanese version stretching the victim by her bleeding tits. ![]() And an earlier step from the favored Bazell rack image I posted earlier when the unfortunate female is being bound to the rack. ![]() |
||||
|
"2nd part of the Red Feline Inquisition series" Jock0 said in post 8320 The Arcimboldo site I got the barbeQuoom picture from was archived (not active) in 2002 by the WaybackMachine. How old is the 2nd part of the Red Feline Inquisition series then? Sorry Also I wonder was there or is there a friend connection with Quoom and Arcimboldo which hopefully is still alive? Arcimboldo disappeared sometime in 2002. A separate note of concern for Ralphus and I: Sir Steven has not logged in at the SD forum since April and is not answering his e-mail. Bill K. |
||||
|
JD: Great Star Wars fake from a couple days ago. I wonder if Vader ever did realize that he was torturing his own daughter? |
||||
|
|
||||
|
Margot wrote: "Yeah! we passed the 30% today and The Wheel is SOLD OUT! The next time I post a picture of a wheel, it will be OUR wheel. I don't need to promote it anymore."You're welcome. :) I can't wait to see what your wheel looks like. Now comes the next question. Once you have a maiden on the wheel, what would you like done to her? Maybe we should start a poll. a) Spin her b) Whip her c) Burn her feet with candles d) Knife play e) All of the above Assuming the wheel is designed like the one above. If its the rack style, well, that's a whole different game. Thomas |
||||
|
|
||||
|
|
||||
|
|
||||
|
Ralphus wrote: "So that's the infamous Black Ribbon scene. It looks so familiar, since we've seen at least 2 dozen images from it in the past year or so. Bronx_Warrior must be creaming in his jeans right now" True...To be honest, I watched the movie in 2012 only (after 5 years...how did I miss it?) I like the movie..Thinking to sponsor sequel "Black Ribbon-2" but with some better cast. |
||||
|
Malficarum had enough rack torture to last me the rest of my life, but I am really looking forward to the crucifixion scene in Justine. It's going to feature THREE lovely ladies, naked (I assume) on crosses! How awesome is that? I would help fund it myself but I've already forked over a good amount of money (outside of the Indiegogo campaign) for the upside-down suspension scene, plus donated another $150 through the campaign. After several weeks, only 43 people have donated through the campaign. This is ridiculous and shameful. I know some of you are barely getting by, but others of you have money to spare. Put your damn money where your mouth is. Making movies with the production values Amy and Jac are aiming for is expensive. They are "sick fucks" just like us, but bringing our sick fantasies to life. So get on board and help them out. What the hell are you waiting for? |
||||
|
I love torture rack scene database |
||||
|
Lina Romay'a electrifying scene in Barbed Wire Dolls (1976). Better quality source than what I had.[www37.zippyshare.com] pass: ralphus.net DarknessMonger said: Speaking of racks I found this [..] Excellent, thanks. Looking for "the jew" didn't produce much results before on YT. :) Matt said: JD: Great Star Wars fake from a couple days ago. I wonder if Vader ever did realize that he was torturing his own daughter? Glad you like them. It only encourages me to post more (evil laugh). Vader was an equal opportunity torturer. He wasn't discriminating anyone or playing favorites. @Dr Yuya : Good animation, you should consider investing a bit of time into animating in Poser. This way you're not limited anymore by mods and limited libraries of props. Joek0 said: Here is a screen cap from the rack scene I mentioned from the 2nd part of the Red Feline Inquisition series. Which one is that one? Further Ordeals of Red Feline and Melissa? For whatever reason the TRAILER button doesn't produce any results in my Chrome browser and they lack a picture gallery on their products. They only ship DVDs? I was hoping for a downloadable version. D. Santorum said Malficarum had enough rack torture to last me the rest of my life There's simply not such thing!!! It's like saying I had enough sex this holiday to last me a lifetime. Naiden said I love torture rack scene database Welcome and join the fanclub. |
||||
|
Hey guys, I thought it was high time I do another review, though this is more of a quick heads up on a great scene I haven't seen mentioned here. To those of you who loved The Disappearance of Alice Creed, you'll be happy to know the Dutch decided to remake it last year. And when I say remake I mean they found some different actors, tweaked like two things in the script and slapped a new title on it. Not that I'm complaining. Why fix what wasn't broken, right? The original title of the movie is Bloedlink (later retitled as Reckless). Sarah Chronis (who?) takes the place of Gemma Arterton, and while she may not be as high profile, she does a slightly better job in the nudity department. This time we get full frontal and shots with her face and body together, neither of which we saw from Gemma unless you count the photos the guy pulls up on his computer later in the movie. Now, I don't know about you guys, but I feel like there are still other ways to shoot this scene. We need at least another three remakes. Oh and long live the Dutch! I think I can finally forgive them for killing us in the last Winter Olympics. ![]() ![]() ![]() ![]()
|
||||
|
@JD Further Ordeals of Red Feline and Melissa is indeed the movie I am referring to. Here is the thing about the release of this movie. Every Red Feline/ Pachamama movie is available on DVD. However, all but 2 of the movies are available for download (Part 2 and 4 of the Inquisition series). Amy told me that because of technical reasons I don't understand, they were not able to convert it to the FluxDVD format correctly. Other priorities have delayed the release. Part 4 which has been reviewed by Sardu (Execution of the Unrepented) is one I really want to see. Sardu's review mentions a great impaling scene that begs to be redone in their big production movies. Hope Sardu can can share some screen caps if he is still around. Regarding the trailer for the Inquisition series, they do not exist online. You can only watch the trailer from an RF movie itself. |
||||
|
Come on, people, let's have some support for Justine! D. Santorum (8331) and Reine Margot (8297) are correct: quality GIMP films are not big money makers, believe it or not. If we want this to happen, we need to put some money where our mouths (or whatever) are! I've contributed over $500. A lousy $25 now buys you the download later. A lousy $30 now buys you the DVD. Every buck matters, so think about it. If you're reading this, you can afford a computer; if you can afford a computer, you can afford a $25 contribution! |
||||
|
Here is the link to the review I mentioned in my previous post of the 4th part of the RF Inquisition Series. The impaling scene and the crucifixion scenes are the meat of this movie. And to answer BillK's question, the year for the RF Inquisition movies is 2000. All 4 parts were shot all at once. [ralphus.net] I also encourage everyone to donate to the Justine campaign. Making a movie like Maleficarum and Justine costs a lot of money. Amy and the gang have proven that they can make a great GIMP film. If you plan on buying the movie, just buy it now to help fund the movie. Any donation goes a long way to making the film GIMP worthy. Like Ralphus and D. Santorum did before, I really like the work Pachamama Films does and I believe that this is a great way to fund a torture scene like those 2 chose to do. I already gave $500 once for the Cross scene and I plan on giving $1000 more towards more torture. Which tortures depends on what options are left behind. I encourage you to click on the "Click here to torture Amy" banner and donate towards the movie. By the way Ralphus, who made the banner for the Justine IndieGogo campaign? I look at it every time I visit the page. |
||||
|
Insomanic wrote: "Bloodlink", a Dutch remake of the movie "Disappearance of Alice Creed..." Never knew about this. Thanks for posting the information. The movie makers again failed to shoot a perfect nude GIMP scene.. Do you have any clip of the scene? |
||||
|
I am interested in buying some of the Blakemore era movies of Cal Star. I already checked the Vintage Punishment clips4sale store and see a good number of them. Are all the Blakemore Cal Star films up there? I also checked the Classic Cal Star clips4sale page run by Cal Star itself. Prices are much higher however. How long was Blakemore with Cal Star? I already bought The Escape and plan on getting the 2 Tourist Trap films next. Link to Vintage Punishments: [clips4sale.com] Link to CalStar Classics: [clips4sale.com] |
||||
|
JD (in 8257): Thanks to you (and others) for the kind words and feedback regarding the latest GIMP comics update, though the hail to the chief thing might be laying it on a little thick. I especially appreciate that you took the time to share your thoughts for each of the new additions – including the ones you didn't care for. This makes it easier for me to select future candidates. But that tidbit about Ralphus the roofer? I never would have guessed. Makes sense though… all those falls would explain some of his behavior. * * * * * TJ (in 8258): Although initially I was going to scan my hardcopy version of Slave and the Lash, being a lazy sod, I grabbed one of the many free copies already digitized at several erotic comic sites. I didn't realize these are all dupes of your original, nor that any pages are “damaged”. The comic looked fine to me, and I included it with this update to appease Flinstone's request. I haven't compared it with your update, but I'm sure the latest is improved, given the super-high quality of your art restorations. Thanks so much for donating it. As soon as I have some time, I will swap out the damaged version for the newer one. I'll also give you credit for your work, and if you give me his name, the original scanner as well. * * * * * Ralphus (in 8283): Thanks for the props. I'm no Sweet Gwendolyn expert, but I don't think the comics in TRG's submission are the entire series. My understanding is that there were quite a few more stories and pics by Willie. Also, I'm not sure if any of those posted here was the Wink debut. Was there any accompanying text in that book? Perhaps someone with the goods on Gwen can share a bit more of her history. As for the doll decimation, it appears this truly depraved pastime is more widespread than I had feared. Now that you mention it, I do recall the site at which War Crimes first appeared was call Plastic Penetrations, but I have no recollection of someone named Spike, nor that he was a GIMP contributor long ago. When I update GIMP comics with the improved Kagan scans, I'll also make sure to acknowledge the original artist for this entry. Yet to think that not just Spike, Cannon and Sid, but also MrAnthony and even our own moderator have engaged in such vile, viscious acts of carnage against innocent and clearly defenceless fashion plates… well, I'm speechless. Just how pervasive is this perversion? And does it account for Ralphus's insistence that the burning scene in Don't Go In The House was accomplished with the aid of a mannequin, which after all, is just a life-sized Barbie? Color me astonished. Like JD, I'm (thankfully) not one of you freakin' weirdos who delights in doll devastation, so I was not intending to add further episodes by Spike or any other plastic penetrators to the comics section. Really. But with so many of you Mattel-hating maniacs out there, what will I do now? BTW, Ralphus… is MrAnthony's burning Barbie any good? Should I choose another from my own Spike collection? You got any good ones? I mean… I'm just askin'. |
||||
|
Fumetti Update: It took less than a week, but my GIMP comics translation of this fumetto has already appeared on Vintage Comics. What's surprising is that the older ones have not yet shown up, but I'm sure they soon will. Although Vintage Comics requires a server fee for downloads (so is making money from what can be acquired here for free) I don't mind. In fact, I was fully expecting my restorations and translations to show up at VC, E-Hentai and similar repositories where fumetti can be found. After all, the stuff is free and I claim no copyright. I do the same when adding comics here, though I usually clean them up a bit first. I'm certainly not alone in this, and virtually all of Akujo's excellent work (again, available gratis at Groovy Age of Horror), is being ported to archives where users must pay to download. C'est la vie, and “buyer” beware. ![]() However, what really busts my nut about this recent appropriation is that the individual who chose to find another home for work that is not his (and yes I know who it is), also went to the trouble of removing the cover page and credits, thus implying that he did the work. When I see Akujo's translations reposted, folks (usually) have been kind enough to include the page on which he credits not only himself, but also the original artist and writer. I have tried to do the same, but someone apparently feels such information should be bowdlerized so he himself can claim authorship. I've seen this sort of plagiarism before (rarely, thank goodness), and to my mind it is the worst form of creative infraction. Even the most unscrupulous bootleggers don't cut the credits from a movie and claim they directed it. I've contacted VC and left a comment to either add the cover page or remove the fumetto. The mods screen such input, so I doubt my request will be posted, much less acted on. Instead, I'm expecting my other fumetti translations to appear there, also with the covers absent. Don't get me wrong, I'm all for sharing my work and that of others, so long as it's free and uncopyrighted. I can also understand accidental infringements, ommissions or not identifying unknown parties. But to deliberately remove the name of authors or artists before reposting their work is crossing the line. Sadly, this incident has completely extinguished my already dwindling interest in restoring and/or translating fumetti in the future. I didn't do this work because it's fun, but because I felt folks would appreciate cleaned up and understandable versions of classic GIMP comic art. I received some very positive feedback, so I know my efforts did not go unappreciated. Unfortunately, as they say, it takes just one bad apple, and so long as this one rotten piece of putrid fruit is out there trying to take credit for something I did, I see no reason to feed his ego. For those who enjoyed the GIMP fumetti, thanks again. If you want more, I highly recommend Akujo at GAOH, who continues to publish his excellent scanlations (with due credit preserved). |
||||
|
|
||||
|
GIMP Poll: Since the water wheel torture is not a choice and mostly confirmed to not be in the film, I choose E. All those options are great and seeing them all is even better. We will have to see what the 3 donors (Thomas Chaser gets 2 perks) suggest for the actual torture. Since I became a fan of the crux scenes since learning about RF, I myself may double dip into the Cross perk. Share any ideas you have for the possibilities of at least 3 girls getting crucified. Ideas from RF films you have seen are OK to share as well. My favorite thing RF did in their crux scenes is to impale nails into their flesh. It adds to the pain and weakens the victim as well. |
||||
|
@Fritz I'm sorry to hear about others stealing credit for your work. I have yet to read and thank you for your contributions to the Comics section. I'll read them when I get a chance. Sorry to hear that people disrespecting your hard work causes you to stop working on more Fumetto comics. I'll try to read one of your posted comics soon. |
||||
|
Covering several posts this time (and they're coming fast and furious tonight)...Joek0 wrote (in Post 8320): That artwork series by Quoom was actually inspired by the rack scene from 2nd part of the Red Feline Inquisition series...This scene needs to be added to the Rack database. Doesn't really apply, since the old Red Feline movies would be classified as bondage films, whereas their later stuff (under the Pachamama Films label) is more mainstream. I know, the line is somewhat blurry, but it's my call. -------------------------------------- Thomas Chaser wrote: Once you have a maiden on the wheel, what would you like done to her? Maybe we should start a poll. Okay, since the most recent poll has run its course at this point. So let's break out the fancy fonts and make it official. GIMP POLL: Because of reader contributions, there will now be a Wheel Torture scene in the upcoming film Justine. Once you have a maiden on the wheel, what would you like done to her? a) Spin her b) Whip her c) Burn her feet with candles d) Knife play e) All of the above I'm afraid E is going to run away with this one. All the choices are excellent, and here's hoping the Pachamama crew does the gamut. Certainly, your suggestions could influence the filmmakers, so speak up. This is your chance to have a say in what happens. -------------------------------------- Dr Yuya: Nice animation effort. I think you've got the whipmeister's movements down pat (as well as impressive fire effects). I would try to get a little more movement from the victim. She's standing awfully sturdy even against all that abuse. And she's the one we all want to see anyhow. -------------------------------------- Bronx_Warrior: Thank you so much for NOT showing us another vidcap from Black Ribbon. -------------------------------------- Naiden wrote: I love torture rack scene database Thank you. The databases don't get much public love around here, but I think they are all essential sources of information for pervs and sick fucks. What do you think about the idea of separating the suspension scenes from the actual rack scenes and giving them their own database? It's an idea I've been mulling around for a while, but I've been too busy to act on it so far. -------------------------------------- JD: Thanks for the copy of Lina Romay's classic scene in Barbed Wire Dolls (and for the superb editing job on said clip as well). I was surprised we didn't have the video in the Electro-Shock Database, but I'll get it added soon. -------------------------------------- Joek0 wrote: By the way Ralphus, who made the banner for the Justine IndieGogo campaign? I look at it every time I visit the page. You like that? I made it myself. Personally, I think it's pretty crappy, but it's the best I could do without Photoshop. I just put it together with the tools available to me with my picture viewer. -------------------------------------- And you asked about the Blakemore work with Cal-Star. I'm not a historian on the subject, but I'm pretty sure his silent works were with House of Milan and Cal-Star did the sound movies were with Cal-Star, the last few years of his career. -------------------------------------- Fritz: MrAnthony didn't burn Barbie, that was me. And I wasn't wearing diapers at the time. MrAnthony did a series with Barbie as Batgirl, or rather, "Batdoll". It's very entertaining and should definitely be included as part of GIMP Comics. I ran selected panels from it at the top of the site years ago, but the entire series deserves a complete showcase. |
||||
|
Bronx_Warrior said: Do you have any clip of the scene?I can make it the tomorrow update if you like it. I didn't care much for either version of them and frankly I've seen much better made movies with a million dollars budget. Heck, Jess Franco would have filmed for a full year (about 10 titles). The Bolivian team for a decade. But individual mileages vary. Joek0 said: However, all but 2 of the movies are available for download (Part 2 and 4 of the Inquisition series). Amy told me that because of technical reasons I don't understand, they were not able to convert it to the FluxDVD format correctly. Bummer. I'll have to wait then. Fritz said: But that tidbit about Ralphus the roofer? I never would have guessed. Makes sense though… all those falls would explain some of his behavior. I don't speak English very well, but I understand a roofer is someone who sells roofies. Ol' Cosby had his own personal roofer. @DarthSaad: I might take your offer of pen-for-hire, as soon as I find out how to send some money anonymously. I value my privacy immensely, can't commit to pay by Paypal or CC. I know, Bitcoin is the answer, just need to read a bit more about it. Quoom said: (8278) Furthermore it is almost impossible to show the slow increase of the stretching on the horizontal rack. I think the movie-makers here have the same problem with rack scenes Indeed. But the movie makers would do good to instruct their lead females not to wiggle their legs and flail their bent arms when showing the pain of being stretched. After this aspect is taken care of, they can focus on minor details, like the showing the gradual increase in tension. Fritz said: Fumetti Update: It took less than a week, but my GIMP comics translation of this fumetto has already appeared on Vintage Comics. What's surprising is that the older ones have not yet shown up, but I'm sure they soon will. Although Vintage Comics requires a server fee for downloads (so is making money from what can be acquired here for free) I don't mind. I'm not sure you're right, here. Rapidgator, the server is free (but with some restrictions like most of the similar sites). I don't think Charles, the guy running the show makes money directly, from what I've seen when I had a Rapidgator account all the downloads other people are doing from your files gives you some (small) credit toward your next month paid membership. If you have a HUGE audience and your files are relly LARGE, you might end up having your monthly subscription paid. I don't think the fumetti lovers are that many and his ZIPs are rather small files. I found cheaper to pay 3 dollars a month for a proxy server that allows me to bypass the IP restrictions than to pay 15 dollars for a premier membership with Rapidgator. To give a bit of perspective about how much money are made on Rapidgator, the whole readership of ralphus.net (about 100 downloads of files of roughly 100 MB) produced 45 cents in a week. Less than 2 dollars (as credit, not actual money) a month. I had to pay from my pocket the difference to 15 dollars. Zippyshare OTOH doesn't have any reward scheme but it's also less fussy about bandwidth and cooldown periods. Fritz said: However, what really busts my nut about this recent appropriation is that the individual who chose to find another home for work that is not his (and yes I know who it is), also went to the trouble of removing the cover page and credits, thus imlpying that he did the work. When I see Akujo's translations reposted, folks (usually) have been kind enough to include the page on which he credits not only himself, but also the original artist and writer. I have tried to do the same, but someone apparently feels such information should be bowdlerized so he himself can claim authorship. I'm with you 100% here. Some illustration. Judging by its size gotta be a VERY early effort. Excuse the rough edges. |
||||
|
I'm confused by the choices in the new poll, because if you are not going to spin the gimp why bind her on a wheel in the first place?Unless you are just talking about binding her to a wheel in the X position of the body. In that case my choice would be A but spin her so her feet or legs and head spin in and out of a campfire. I have seen one cowboy movie where that was done to a bad guy by Indians. have seen several drawing of Indians tying women to a wheel torturing her. You could spin her and whip her same time too so I choice A and B. The choice of burn her or brand her is not there either. I guess if it not free spinning wheel it would be B. Bill K. |
||||
|
|
||||
|
Ralphus wrote: MrAnthony didn't burn Barbie, that was me. And I wasn't wearing diapers at the time. Do I really care what you were wearing while you incinerated that innocent, over-endowed symbol of objectified femininity? Jeez… with so many pics of Barbie brutalization popping up, how can I remember who's doing what to her? Not even polyethylene Batgirl is safe from you monsters. Psst… you know where to send the pics for the next update. * * * * * JD wrote: Rapidgator, the server is free (but with some restrictions like most of the similar sites). I don't think Charles, the guy running the show makes money directly, from what I've seen when I had a Rapidgator account all the downloads other people are doing from your files gives you some (small) credit toward your next month paid membership… [along with an economics 101 lecture that zipped right over my head]. Now that you've outed Charles, I can say that he has taken a fumetti translation that Ralphus and I have made available for free and put it on a site that charges money to download it (even if the fee is an “upgrade”). It may not be Charles, but someone is making a profit off the goodwill of fellow netizens, and that is wrong. The more blatant offence, with which you seem to agree, is that Charles has taken the credit for someone else's work by removing the title page and with it, the originator's name. For doing this, he is the Antichrist, and I will strike down upon him with great vengeance and furious anger he who attempts to destroy and poison my… no, wait… sorry, wrong rant. But I sure as shit am not about to create new work so he can claim it as his own. |
||||
|
Love the Dutch re-make of the Alice Creed movie. Kidnapping the girl & then making her pose for a ransom picture, or better still reading out a ransom plea, whilst completely naked & vulnerable is a great genre all by itself. I agree too, the dutch actress makes a better fist of the nudity & vulnerability. Look forward to Alice Creed 3.....and 4.....and 5............. |
||||
|
JD wrote: I don't speak English very well, but I understand a roofer is someone who sells roofies. Ol' Cosby had his own personal roofer. Okay… that's new to me (no, not about Cosby, but the roofer term). Still, I'm not very street-smart and I keep waking up in strange beds. So to investigate further, I checked the esteemed Urban Dictionary, which provided no less than a dozen definitions, several of which arguably could describe our diminutive moderator. Here they are, followed by my personal appraisal of each…
|
||||
|
a+b |
||||
|
Re: the poll.Of course one of the "real-life" uses of the wheel was to use clubs to break the bones of arms and legs--again, something that always seemed like a huge waste of carbon-based resources to me--is not on the list. Glad for that. No surprise that whipping would be high on my list, perhaps one woman turning the wheel (under the whip) as the other is whipped on it, giving a constantly changing range of angles and targets. Even better, turn the spinnerette around and bind her arms to the wheel with her back against it, so she has to move sideways to turn it. That makes for a whole set of very attractive targets and visuals. One thing PM doesn't really do much of is whipping between the legs, which the spreadeagle position on the wheel makes quite accessible. Re the cross idea, I love the use of a dildo or sharpened beam "support" between the legs to "assist" the young lady and help her last longer. |
||||
|
@Fritz: About the roofieness of the Boss. I almost literally shit my pants. Fritz said: I can say that he has taken a fumetti translation that Ralphus and I have made available for free and put it on a site that charges money to download it (even if the fee is an “upgrade”). It may not be Charles, but someone is making a profit off the goodwill of fellow netizens, and that is wrong. I took pains to explain that's not the case. No one is making REAL money here. Rapidgator files can be accesed FOR FREE with some bandwidth restriction and some cooldown periods. But it's basically FREE. Also he posted you comments on his site and added: 1) The original cover is in the zip file. I just chosen the page that better explained the content. I don't remove anything! 2) Fritz (you?) is in the Credits since 2 days down the right column, after the series list. 3) The original comics come from here and BDTrash and I didn't see our credits on Ralphus Anything else? In his defense he's using a Google translate but you get the message. My take is he's doing some good work out of passion (and his blog is INVALUABLE for any fumetti lover). And it's basically for free. Even if someone upgrade to premium at Rapidgator, he doesn't make a dime. Not with the files he shares. You need to traffic large HiRes movies to thousands of people to make a dent. Last thing to mention, Charles' blog is completely DIFFERENT from Rapidgator, right? He only chose it among other billion of servers offering the same services. It's not like WIP where the hosting service WIPFILES.NET belongs to the same guy who's running the movie site WIP. |
||||
|
JD/Ralphus Thanks for the feedback on the Skyrim vid. Truth is making movies in a game world, even one as accommodating as Skyrim is with a freely camera, still suffers many limitations when compared to Poser. For instance a set of animations where the one getting whipped reacts with each strike...as far as I know there's no way to do that yet and not even any mods that carry such a set of animations. I could make the animations and mods myself...something I've dabbled in but then I quickly learn that in doing so it's actually easier to just learn Poser or another CG program, as JD suggested. But with those programs and using my own scratch resources I'm probably going to make everything else ugly...ugly sets...ugly girls etc. that's one thing the Skyrim modding community gets exceptionally right...filming pretty locations and women is easy with what's out there. I've been reading up on SFM though...which is sort of an awesome program that can potentially combine the best of both worlds (gaming and movies). Some amazing stuff has already been done with it by a group called Studio FOW...stuff that's about half of what interests most people here (that is...they are videos with mostly rape but torture isn't really on the menu). Still they are worth checking out for the awesome stuff they've done using game models and sets. [www.studiofow.com] SFM doesn't support every game though...not Skyrim at least...but it supports enough that I feel it'd be pretty cool to learn. |
||||
|
JoeK wrote: Since I became a fan of the crux scenes since learning about RF, I myself may double dip into the Cross perk. Share any ideas you have for the possibilities of at least 3 girls getting crucified. Ideas from RF films you have seen are OK to share as well. My favorite thing RF did in their crux scenes is to impale nails into their flesh. It adds to the pain and weakens the victim as well. I've only seen one three-girl crucifixion and that was in "Flower and Snake", a Japanese film that centers on one woman's sale to the Yakuza to pay off a debt. It was beautifully shot and has a gorgeous Aya Sugimoto as the lead actress. If you're a fan of crux films, you'll want to add this one to your list. As for the wheel, I've seen it used in a couple of films - "Women in Cages" being my favorite, with "Rope and Breasts" a close second. What I like about WiC is that Roberta Collins is spun several times as her torture, which leaves no marks. After spinning fails to achieve results, Pam Grier's characters spins and adds cutting with a trident. I'm not a fan of blood and my complaints with the early Red Feline films are the excessive use of blood effects (along with piss-poor lighting). I'm concerned that Jac may go overboard with the fake blood; more blood does NOT equal more horror. Since I carry 50% of the decision-making on the wheel perk, I'm sort of relying on this forum's answers to the poll to figure out what to do either after or in addition to spinning the girl on the wheel. Foot torture and/or some sort of dunking or fire as she's spun would be interesting to see (similar to what was done in "Rope and Breasts") but I'm not sure Pachemana has the resources to fake it safely. So what else instead? Hot wax? Whipping? The pear? Maybe whipping and the pear? Thomas |
||||
|
|
||||
|
Today's MAM scan is from Man's Life July 1962. While it's not technically a GIMP scene, it (sort of) fits with the rack theme that's been running.-------------------- JD, your last two Star Wars themed images are both really nice. Many thanks. ------------------ On the current poll, I choose "a) Spin her", because that's what a wheel is for. |
||||
|
|
||||
|
Still not the best rack videos...here's one from Inquisionlive...it's excellent though it doesn't really go far enough. [www.sexyamazons.com] |
||||
|
|
||||
|
You could argue a fixed (no spin) wheel and a cross if the feet or ankles are free or are not bound or nailed together is the same thing.Is the Justine wheel is going to be wagon type wheel? I see posts of the corn mill water type wheel torture too. I just what it to be clear that Amy going to be spinning and it's not a fixed wheel? Bill K. |
||||
|
|
||||
|
Greetings; My answer to the poll question would have to be "All the above"! Now if 'Amy' was the wench on the wheel I would have to say "whipping"! |
||||
|
re: Poll question: My answer would have to be "f", for all of the above, plus the use of some sort of phallic device while the other things are done. Gives her something else to think about... |
||||
|
Here's Sarah Chronis in Bloedlink (2014).[www15.zippyshare.com] pass: ralphus.net @Fritz: I just d/l-ed the STORIE BLU N°29 archive from Vintage Comics and Charles is right. In the archive there are all the files, including the one crediting you. At no point from what I can see Charles tried to take credit from the authors he posts FREE to download on his blog. He doesn't credit individuals on every post, that's true, but keeps a list of ouvriers in the home page and your name is in the same place with Akujo. :) I believe it was a big misunderstanding and both of you are doing the good work of bringing fumetti's to people like me, that truly appreciate them. And for that both you, and Charles have my deepest gratitude. About the roofers now, I was told that our resplendent host has been in the northwest part of Arkansas as well as western Pennsylvania, visiting. Not long, just enough to leave an impression. So point 1 and 7 are not actually misattributions. Covers the Relentless said: (8358) Today's MAM scan is from Man's Life July 1962. While it's not technically a GIMP scene, it (sort of) fits with the rack theme that's been running. The illustration looks like an evangelist warning against premarital sex. JD, your last two Star Wars themed images are both really nice. Many thanks. I know the last third and fourth image were up to no good! I knew it! Honest criticism is always appreciated, CtR! mstrmagician said: Still not the best rack videos...here's one from Inquisionlive...it's excellent though it doesn't really go far enough. [www.sexyamazons.com] Thanks mstrmagician. Same fucking thing. The authors took the effort to make a decent rack approximation, don some proper garb yet the 'actress' is feigning pain with her arms comfortably relaxed, in a casual manner. WTF? Are they blind? Don't they see the goof right there? I don't expect them to put the poor female to any actual pain but at least get all the slack rope off table. Is that hard?!? |
||||
|
"TJ (in 8258): Although initially I was going to scan my hardcopy version of Slave and the Lash, being a lazy sod, I grabbed one of the many free copies already digitized at several erotic comic sites. I didn't realize these are all dupes of your original, nor that any pages are “damaged”. The comic looked fine to me, and I included it with this update to appease Flinstone's request. I haven't compared it with your update, but I'm sure the latest is improved, given the super-high quality of your art restorations. Thanks so much for donating it. As soon as I have some time, I will swap out the damaged version for the newer one. I'll also give you credit for your work, and if you give me his name, the original scanner as well." Hi Fritz, No problem about your upload of the Kagan comic. As I said, it's been all over the web for years. I only took the time to upload because a few of the scans in your zip didn't load completely when they were being downloaded. I checked it twice, just to be sure. I haven't been in contact with the scanner for years & he seems to have completely dropped from sight, but his initials are "JM". Thanks for all your uploads & especially the nice work you're doing on the MAM inside scans. I'm always looking forward to your next update! TJ |
||||
|
Poll: A & B. And her legs must be widely spread when she is tied to the wheel. |
||||
|
As it seems there are two different "Wheels" in play, I will address them separately. For the Drum Wheel, I have to go with B, whip her. (Of course, "whip her" is my default answer to pretty much every such poll, especially as my victims ALL face outward.) Burning her feet with candles is ok, as fire should always be a worthy option, but why limit the heat to the feet? Here I offer one from one of the finest gimp animators extant, Agan Medon. Certainly the wench could and should be whipped first, but administering a little leather action following each turn would have the added effect of finding nerves recently irritated by the flames. ![]() The other gifs are too big to post, but here are three more images of a drum wheel scene he has animated, except the actual action shows the girl actually rotating over the coals to roast her torso. Marvelous work! Just go to aganmedon.tumblr.com and scroll down. Agan's blog should be a must for the serious GIMPer. |
||||
|
For the second wheel type, the Wagon Wheel, I have to go with B again. Once more, I offer a great work by Mr. Medon recently seen here on GIMP, but more timely now. As this wheel holds the girl spread-eagled, it is much easier to aim the whip between her legs with every rotation. There is also the lovely way it offers the under curves of the breasts as they change shape. I also noticed that red hot irons were not mentioned, but I'm a glutton for punishment. (Just not my own.-) [www.tumblr.com] |
||||
|
Roberta Collins goes for a spin in "Women In Cages"BillK asked: "You could argue a fixed (no spin) wheel and a cross if the feet or ankles are free or are not bound or nailed together is the same thing. Is the Justine wheel is going to be wagon type wheel? I see posts of the corn mill water type wheel torture too. I just what it to be clear that Amy going to be spinning and it's not a fixed wheel? Bill K." I'm wondering the same thing. Early in the discussion I posted the wheel from "Women in Cages", the wheel from "Nuevo Mondo", and the version from "Rope and Breasts". From a budget standpoint, I doubt we're going to get anything as elaborate as the R&B wheel. That leaves either the WiC wheel or the NM wheel. I suspect it will be the WiC wheel due to simplicity of design, ease of transport to the location (since I doubt they will use a soundstage), and re-purpose-ability (if that's a word). Whether or not it will spin, I can only hope. I hope it does, otherwise, as has been pointed out, they might as well use a cross. Thomas |
||||
|
Loving all the recent rack stuff. |
||||
|
Ed wrote: "For the second wheel type, the Wagon Wheel, I have to go with B again. Once more, I offer a great work by Mr. Medon recently seen here on GIMP, but more timely now. As this wheel holds the girl spread-eagled, it is much easier to aim the whip between her legs with every rotation. There is also the lovely way it offers the under curves of the breasts as they change shape.I also noticed that red hot irons were not mentioned, but I'm a glutton for punishment. (Just not my own.-) Ed, that's perfect! That wheel design is very similar to what I think Amy, Jac, et. al. will end up doing. There is just one issue with the animation: there needs to be something to hold the hips steady. In my "Women in Cages" example, there's a very solid-looking leather and chain belt that holds the victim's center of gravity in place. Roberta Collins is held in five points: both wrists, both ankles, and the hip belt. Even so, her body shifts slightly with the change in gravity and body position. I can see where being spun on a wheel would be both thrilling and torturous. I'm really hoping this is what we get. My second choice would be something like what was used in Nuevo Mundo, where the victim's wrists are bound to the rim of a drum and she is lifted off the floor and either suspended against the drum or stretched with her ankles bound to the floor. I'd post a pic, but I was informed that Elpidia Carrillo was slightly underage when that scene was shot. As for hot irons - yes! But the reason I choose the feet is (a) the soles are very tender and (b) I don't like blood or disfigurement of the body. At least the feet are slightly out-of-sight. |
||||
|
JoeK wrote: Since I became a fan of the crux scenes since learning about RF, I myself may double dip into the Cross perk. Share any ideas you have for the possibilities of at least 3 girls getting crucified. Ideas from RF films you have seen are OK to share as well. My favorite thing RF did in their crux scenes is to impale nails into their flesh. It adds to the pain and weakens the victim as well. In the campaign at indigogo [www.indiegogo.com] it says it would be a Passion Play with 3 girls. One of the girls should be scourged and crucified (as a female christ) and the other 2 just crucified as the 2 criminals. For me the two most interesting parts in a Passion Play are (in order of appearance) the scourging and the feet nailing. I hope the crux scene (aka Passion Play) will be included in this movie. |
||||
|
Just for kicks, here's a similar wagon wheel design in use, this time by a mad killer in "The Torturer" (the 2005 Italian version). It's meant to resemble a film reel, to tie into the mad killer's background as a wanna-be movie producer. This version is a bit more horizontal so the change in gravity isn't as severe, but you can see that the designer has multiple restraints around her arms and legs to limit her shifting off-center. Ignore the blood and disfigurements. Those are the result of the killer weaving hooks into the ends of his flogger, so that he rips and tears skin with every strike. A bit much for my taste but I liked the scenes just before things got bloody.Thomas |
||||
|
The responses to the current poll are very interesting. I hope Thomas Chaser gets some good inspiration from all these responses. With all the talk of the rack lately, I find it disappointing that no one wants to invest in the rack perk for Justine. Making an awesome rack scene takes a lot of money. If they don't get the funds, the rack scene will not be as grand as it could be. Even if you can't pay $500 for input on the torture, you can at least make a contribution and get a pre-order of the movie as well. I really hope Jac can make an awesome rack scene to grace the rack database in the future. I myself am not a big rack fan but can appreciate it from time to time. I myself am buying at least 2 shares of the Cross torture. Jac has made me appreciate the Crux fetish a little more. |
||||
|
Joek0: It a given there will be a great Rack torture scene in Justine because it's a Marquis de Sade era storyline and a dungeon without an Amy on a rack is unthinkable. Also what dungeon doesn't have a rack? It's like Carl's Jr commercial: [www.youtube.com] , without a big rack dame selling their burgers. Bill K. |
||||
|
Joek0 said: With all the talk of the rack lately, I find it disappointing that no one wants to invest in the rack perk for Justine. Making an awesome rack scene takes a lot of money.I'll only invest 500 in a rack if I can build it myself (I'll not charge for labour, the cost of a proper build is roughly in this range). I heard La Paz is the cheapest airport in the world, because the airplanes don't have to descend too much. Now, where is a Home Depot in Bolivia? And what AC system they use? My tools are only good in 110V. This illustration is almost certainly among the first I ever made. Early 00's I think, MutantX was on TV and Vicki Pratt was looking hot, Mason Eckhart was the arch-villain. Did anyone else enjoyed that TV show? Got bad after Karen Cliche joined the cast. |
||||
|
@BillK I never said that the rack scene won't be great. However, the more funds they have, the more elaborate the scene can be. Take the scenes Ralphus and D Santorum commissioned. Building the prop is not the only expense for the scene. Other expenses need to be accounted for to make the elaborate scenes they requested. The more money they have to work with, the more they can do to make the scene as awesome as it can be. |
||||
|
JD: Thanks for clarifying the situation regarding Charles and Vintage Comics. Indeed, he did not remove the cover page and credits from the zip file of the translated fumetto. I didn't realize this as I didn't download the file (why would I?). I still would prefer he use my intended cover on the update list, but it's his choice to make. Oddly enough, he posted another one of my translations today, and this time he did use the cover with the credits. In any case, I've left a comment at VC with my apologies for accusing him of removing the page. As you say, he never intended to claim the work as his own. Regarding my overreaction, let's just say I am exceptionally sensitive to plagiarism due to personal past experience. BTW… an overdue thank-you for your continued posting of such fine video clips. Some I have seen, and some are not for me, but there have been quite a few delightful surprises as well. Furthermore, the quality of your material usually exceeds that of similar clips at CutScenes, DFN, DarkPeeps and other repositories. Great work! As for Ralphus the roofer, I'd prefer to think those nasty Arkansasians (Arkansites? Arkansasers?) are not referring to our fearless moderator with those mean-spirited jibes. Sure, he might be a “sweaty fursack” or a “land pirate” (whatever the hell that is), but he's certainly not a “scumbug” or a “fucking dumbass”, no matter what the urban dictionary says. In fact, it might be wise to keep all those negative definitions to ourselves, just in case the site goes down, or water starts dripping from the ceiling. |
||||
|
@Fritz I was reading through the archives and saw that you may have been involved in a PKF movie starring Paris Kennedy (Deadly Interrogation 1). She is in my top tier list for favorite porn actress, GIMP or No GIMP. The only GIMP I've seen her in is with Kink.com. I'm not really into their videos. Do you know if PKF ever did more videos with Paris or if she has appeared in any other GIMP films you have seen? I plan on watching SI1 as sson as I can get NicheClips set up. |
||||
|
Yes, the spinning wheel has so many possibilities. In various fictions, some of these possibilities have been explored. The tied-to-the-rim style has roots in ancient Roman history. It has shown up in various films and comic books over the years. One of the most elaborate ones of this style was in Robert Altman's "Sodom and Gomorrah" (1961). The victims are male (mostly), but the device would be easily adaptable to the Damsel as well. Another elaborate use of this one--again, with a male victim, but again, easily adaptable to the Damsel--is in Chapter Twelve, "Ceremonial Execution" of the 1943 Republic serial "Secret Service in Darkest Africa". This one combines the wheel (with victim tied to the rim) with a giant-sized, serrated Poe's Pendulum With the "wagon wheel" motif, there are lots of possibilities. One that seems popular with some artists at deviantart.com is to use her as a target for thrown knives, axes, arrows or darts. Another idea that sometimes shows up is to spin the wheel so fast that the centrifugal force threatens to tear the arms and legs off the person tied to the wheel. This seems unlikely, as the only way to power the wheel to go that fast is to drain the power from eleven Western states. There is a side-effect that has not been brought up heretofore. If your damsel (or dude) is spun around fast enough, isn't (s)he likely to "hurl"? This could make an unwholesome mess in your felterkammer. |
||||
|
A healthy but bald firm-breasted victim takes a spin in "The Perils of Gwendolyn in the Land of the YikYak".JoeK0 said: "The responses to the current poll are very interesting. I hope Thomas Chaser gets some good inspiration from all these responses." I am, actually. I really like the hot iron idea. Spinning, whipping, then hot irons sounds like a very logical progression. So that's three. What would be a good fourth torture? Cold water when she passes out? And then... what? I almost forgot another cult favorite wheel scene: "The Perils of Gwendolyn" had a good one. Again we see the five-point restraint system, plus handholds. I secretly wonder if the girl enjoyed being spun, much like how children spin themselves on merry-go-rounds in order to get a rush. I can imagine the other stunt extras lining up and shouting "Me next! Me! Me!" |
||||
|
Joek0 wrote: Do you know if PKF ever did more videos with Paris or if she has appeared in any other GIMP films you have seen? Paris Kennedy had a long history with PKF until she quit shooting peril fetish videos several years ago. If you search the PKF archives, you'll find 16 videos which feature her. Before then, when John Marshall and Hank Samuels were partners in Club Dead and RueMorgue, she often worked for them as well. Some of these early works, which John has the rights to, are now being remastered and released under the RueMorgue label at Niche. Paris also worked for other GIMP producers based in the Northwest US (not to be confused with Northwest Arkansas), including Todd Tjersland (Astaroth Entertainment) and Allen Wright (Casualties of Horror) to whom she was married for a while. I have purchased custom videos featuring Paris from PKF, COH and Astaroth. The latter two have gone tits up, but COH and PKF videos are still available at NicheClips under a variety of storefronts. If you like Paris and heavy interrogation scenes, Deadly Interrogation 1 is worth seeking out. At one point, John told me this clip was his best selling video featuring a single victim, but that was a few years ago. It had sold over 600 copies at the time. My COH commission (The Serum) is also a success IMHO, and is still being sold at Niche. My Astaroth custom (Eliminator 2) is, like its producer, long gone, and that's a good thing. I still have it of course, but trust me, you don't want to see it, even if you are a Paris fan. Aside from these commissions, I have at least two dozen GIMP videos featuring Paris. Five years ago, maybe more now, Paris stopped doing hard peril stuff, especially material featuring torture and death. Instead, she focused on femme-fight and superheroine scenes, which I think have always been her first love. Last I heard, she had started her own production company with Alex Bettinger in LA where they are releasing high-quality pro-wrestling style videos with nudity and soft porn content. Good stuff, if you like that sort of thing. * * * * * Netrap wrote: One of the most elaborate ones of this style was in Robert Altman's "Sodom and Gomorrah" (1961) I think you mean Robert Aldrich, though it's fun to imagine what Altman would have done with it. |
||||
|
Paris Kennedy used to be quite cute, before she went and uglified herself with horrible tattoos. She's now just another victim of Vomit Arm Syndrome and completely unattractive to me. I'd be interested in seeing her older works, though.--------------------------------- Fritz: I hope your misunderstanding regarding the fumetti won't completely sour you on doing more English translations. I know I really enjoyed the last one you put together. I'm sure it's hard work, but it's also a tremendous gift to the community. --------------------------------- Bloedlink: Heck of a scene there, really nice stuff. They picked a real good movie to remake. --------------------------------- Ed: I sure wish Agan Medon would get over his predilection with using bald models. I like everything else about his work, but bald chicks give me the creeps. --------------------------------- BTW, I want to clarify some of the nasty rumors about me that have been swirling around this forum. Just so it is clear...I have NEVER used roofies on a girl...ever. To do so would be taking advantage of her against her will and that would be truly unethical. I prefer to use my blow gun instead. ![]() |
||||
|
Re: Poll Q: Options (a) and (b) are my preference. JD: nice fake with Leia on a bedframe with a Gamorrean and Bib Fortuna. I never found out in the Post-ROTJ expanded universe what happened to him. Hopefully, he was blown to pieces when Jabba's sail barge blew(and may Disney and Lucasfilm go to hell for ditching all of that....I want my Mara Jade! And Grand Admiral Thrawn, and a few others) |
||||
|
Hi GIMPers, I give you a small continuation of my Story "Under suspicion"...Look here: [pimpandhost.com] |
||||
|
|
||||
|
Ralphus said: I sure wish Agan Medon would get over his predilection with using bald models. I like everything else about his work, but bald chicks give me the creeps. I completely agree, the ONLY fault I find with his work, although doing so, even removing all the accused hair, was a fairly common practice. A nod to the historical accuracy purists, but I've expressed my views that accuracy shouldn't get in the way of a good sadism fantasy. In Agan's case, however, I'm willing to cut a lot of slack. |
||||
|
|
||||
|
|
||||
|
8389 Ed and Ralphus said: I sure wish Agan Medon not use bald gimps? There is another reason he may choose to use bald poser models because basis poser models come with no hair and you add the hair style and color of your choice. I find it very hard and time consuming with my Daz poser head hairs to adjust hair to the position of the Gimp. If a poser model is moved to the hanging upside down position the hair doesn't move from the default sitting of standing up or sitting straight up. I have to manually adjust the hair and with a couple hair models I have I can't adjust them at all. Not saying that's the reason he uses bald headed gimps but hair positioning is problematic in all poser artwork. Bill K. |
||||
|
Bill K. said: I find it very hard and time consuming with my Daz poser head hairs to adjust hair to the position of the Gimp. If a poser model is moved to the hanging upside down position the hair doesn't move from the default sitting of standing up or sitting straight up. I have to manually adjust the hair and with a couple hair models I have I can't adjust them at all. Not saying that's the reason he uses bald headed gimps but hair positioning is problematic in all poser artwork.*deep sigh* ... I feel like I'm talking to the deaf. POSER. Hair Dynamics. Gravity. Just check how many wonderful parameters you can set. Dampness of the hair. Elasticity of the hair. Root stiffness. So much control. Why would anyone not heavily into masochism not use Poser? Yes, you need a modern CPU and 8 GB of RAM but if you only have old granny's i386 PC you should stay clear of 3D field altogether. |
||||
|
Maybe the nefarious dwarf can join those 2 together. Fritz said: As for Ralphus the roofer, I'd prefer to think those nasty Arkansasians (Arkansites? Arkansasers?) are not referring to our fearless moderator with those mean-spirited jibes. Sure, he might be a “sweaty fursack” or a “land pirate” (whatever the hell that is), but he's certainly not a “scumbug” or a “fucking dumbass”, no matter what the urban dictionary says. In fact, it might be wise to keep all those negative definitions to ourselves, just in case the site goes down, or water starts dripping from the ceiling. Wise words, indeed. But I had my roof fixed 2 years ago so I expect another 20 years of service, so for the next 15 years I can still throw barbs with impunity (more or less). After that I'll mellow out. Matt said: [..]Bib Fortuna. I never found out in the Post-ROTJ expanded universe what happened to him. Hopefully, he was blown to pieces when Jabba's sail barge blew(and may Disney and Lucasfilm go to hell for ditching all of that.... Hmm, I don't think Disney is going to discard ROTJ, that's pretty much canon. And in the novelisation of that it was pretty clear that poor Bib has met his demise. @ (8388) Covers the Relentless: "Afloat with Flynn". That lady brought her own flotation devices. Amy Acker in All the Time in the World, Alias S05E13 (2006). A mild snake enhanced questioning scene. Remained on my HD cuz I really like Amy. Both of them, actually. [www71.zippyshare.com] pass: ralphus.net |
||||
|
The poll question: My vote is for A. |
||||
|
Well, I've fallen back to lurking lately, risking the anger of a certain sadistic dwarf we all know and love. But I felt compelled to jump in on the Vintage Comics thing. Not as relevant now, as JD already spoke up and Fritz seems to have reconciled himself to the situation. I must say that I myself glanced at that site a few days back and immediately recognized Fritz's translations there.One thing Fritz did say, about maybe not doing any more translations. I understand how much work it is (and really appreciate what Fritz has done in the comics section here-- that Arcas story in particular was great, hey, who needs words anyway with stories like that one? And the modern stuff isn't even my thing, but something that well-done is always worth checking out). So Fritz-- here's an offer. If you want translation help, especially on the Italian fumetti, I'd be happy to pitch and do some of the workload. In fact, it's been a bit of a hobby of mine to translate things like fumetti and all the old Balthazar stories with words I can get my hands on (though German is harder for me). Or at least all the torture and dungeon scenes, the rest tends to interest me less, and, as Fritz pointed out, it is very time-consuming. In fact, I already did a pretty good chunk of the Medieval (non-aliens) part of the story from Storie Blu Special no. 21, "Il Sicario di Satana." Also all the interrogation stuff from Storie Blu no. 79, "Congiura di Palazzo," which has an amazing extended torture sequence. I got both originals from that Vintage Comics site, so I'm a big fan. I'm also (somewhat) cheap and (somewhat) patient, so I don't pay for Rapidgator, I limit myself to the free downloads permitted-- something like 12 per year-- and accept that they're going to download slowly. So, Fritz, if you're interested, drop me a note back-channel, and I'll share the workload as much as I can. Translation only, I'd just supply translated script and you could do the rest since you're better at the restoration etc end of it. You're doing this forum a great service with the comics section and I'd be happy to help you out if possible. Of course, I keep offering things like this to various artists etc and keep getting no response, but hey, I don't take offense, it's just an offer. Also, a shout-out to Dubby for the stuff he's been putting up on Pimp'n'Host for free. I especially like the Demons story. A shame that every new female character introduced seems to wind up in the torture chamber! Also, kudos to Quoom for his recent updates of the Daughters of the Fallen King story. I'm glad that's one that seems to be a continuing long-term project, I think it's outstanding! In fact, knowing that the Quoom site is due for another update fairly soon, I'm hoping we'll see another installment! As to the current GIMP poll, I vote for "all the above." Of course, if you added five more options to the choices, I'd still vote for "all the above," that's just how I roll. Lastly, speaking of fumetti, buried in a lot of "story" in Storie Blu no. 61, "Enigma Temporale," is a short but pretty hot Inquisition witch trial scene, from which the above picture comes. Oh yeah, and does anyone know of a free site where I can find more of that Carrie torture story from Mayfair magazine, a picture of which was posted here a few days ago? I've seen one other image from that set and would like to see it all. Sorry to write so long, I guess I'm making up for all the lurking. |
||||
|
Well. I think that we were so busy with the production of Pygmalion that we were not promoting the campaign properly. Now that I'm doing it, I see an great increase in support. When we started, Amy did the initial promoting, and in the first couple of days we had a nice amount in. I hope that the tendency that began this past weekend continues. We're at 34% of our goal, and I have many here to thank for the jump! Of the 44 contributors to the campaign, 13 linked directly from this magnus forum for a total of $2,617 out of the $6,818 raised so far. When you think of it, there are only 2 grand in perks left. SO... We need those small contributions too! Lots of them to get to the 100% of our goal for a grandiose movie with lots, lots and lots of perils for our beloved damsels!
The possibilities grow by the day. I think we're going to be adding perks. How about if we turn the poll into a series of perks? Starting with THE WHEEL. For every 200 we raise from small contributions, one of the poll suggestions will happen. I dare you all to put your hard earned cents where your sick mind is. We will add to the possibilities. a) Spin her If 500 of the people that bought Maleficarum, put down 25 for a download of Justine we would get: 12,500! While I was promoting and you were all discussing what to do with her, Amy was very busy, of course, shooting a mini film at the salty desert of UYUNI. Now, that's a great location where we could make an amazing film, but we would have to travel there, lodge for more than a week with a full cast and crew and it would cost a bundle, just to be there. And yet, it's tempting. I know that Jac has at least two script ideas for that location, one of them is SciFi.
Thomas Chaser Big news! I just threw another $500 to finish off the perks allotment for using the wheel as a torture device in the upcoming "Justine" film. I'm not sure which version of the wheel will be used - the one used in "Nuevo Mondo" or the one used in "Women in Cages" - but either one certainly holds possibilities for new and unique tortures not normally shown in a mainstream film. Hopefully more than just Ms. Hesketh will take a spin or two or ten. Now, if someone would step up and finish off the crucifixion perks, we might have a very good movie. Thank you Thomas! You made our day and now The Wheel perk is SOLD OUT!. It doesn't mean that people can't contribute to it, yes you all can, just make a comment on your contribution. Jac is hard at work in designing The Wheel, along with Amy who has those particular skills in building things with wood, hammers and metals. I'm sure that the devise they will come up with, will be the stuff of legend. I enjoy the POLL for the wheel and I'm sure our creative team, that means Amy and Jac, will be looking into that for ideas. And if, like I mentioned before, small contributions come earmarked for the wheel, some of those suggestions will sure take place.
Joek0 @Thomas Chaser Congratulations Mr. Associate Producer! I am glad to see that one of the torture perks get fully funded. I already gave $500 nce for the crucifixion torture and I hope to see another person give towards the torture. I was never into the Crux fetish until Red Feline came along. Yes! Anyone who contributes 1,000 or more to the film has the option of having his name credited as Associate Producer. Like Ralphus before, and D. Santorum, later and other large contributors, they will be credited if they so choose to. Our films are mainstream films so they do appear on IMDB and other bonafide film listings. If anyone is enthusiastic enough to contribute 20,000 to the campaign, we'll start a cult to his/her name and she or he will be credited as Executive Producer. We never had one of those, except for Jac who puts all his earnings into the projects. (He does feed his cats first). It should be made clear that the money we raise for a project is not the total of the budget. It covers a lot of the cash expenses, but most of the budget is covered by the sale of our films. So... maybe it is time to consider taking advantage of our Super Sale.
Joek0 With all the talk of the Rack lately, I am disappointed to hear that the Rack perk is getting no love. I would love to see the many ideas discussed from the last few days be included in the movie. I hope someone can show this perk some love. For those hoping to see Amy and Mila in an upside down suspension torture with the possibility of adding water to the torture, worry no more. I have committed to Amy that as long as no one else claims to pay for this scene, I will be happy to fund the water torture scene. I'm glad to see that Amy is willing to face her fears again like she did in Agent X. If someone beats me to it, I'll just use the funds towards another torture scene instead. Justine is looking to be another great torture filled film and I am glad that it will include a water torture. I'll have our gracious director go over the comments on The Rack and see if he has any intention of incorporating some of those sugestions, discussions, to the scenes with that particularly popular contraption that is beginning to get some additional support. I know that what he has in mind is something extremely pleasing to the eyes of the beholder. I'd like to clarify that the Old Rack from Maleficarum and Le Marquis de la Croix does not exist anymore. It was disassembled and it is now a pile of wood in the basement. I say this just in case some potential contributors think that the famous rack will be used in the film and thus decided that there's no need to help build one that is already built. The one Jac has in mind is one that can be used in ways that are discussed here. Like the one used on Camille in the inquisition series.
Bill K. Damn I wish had $ 500 bucks to give to Amy to put this Quoom roast rack into Justine. Ralphus and Gimpers picture that is Amy roasting on the rack. I got to win the lottery. I got that BarbeQuoom at: [web.archive.org] , here which as a lot of other dungeon torture idea for Amy to use in Justine. Amy was roasted for two days for Maleficarum. I"m not sure how pleased she would be to be roasted once again. But a roasting rack would be an interesting way to go. If that happens, it will eliminate Jac's frustration of not having it done the way he would've wanted to do it when he shot the One Man Crew Two Women Cast Red Feline Faces the Inquisition videos. He didn't have the money or the equipment to do justice to the subject. Now he has the chance, at least with some of the parts of the movie. So... how about some encouragement his way? Let's make The Rack scene one that will be remembered always and forever. And remember, you don't have to win the lottery to make this film happen, all contributions, big and small, go to make this film the best adaptation of De Sade's Justine ever.
Thomas Chaser Margot wrote: "Yeah! we passed the 30% today and The Wheel is SOLD OUT! The next time I post a picture of a wheel, it will be OUR wheel. I don't need to promote it anymore." You're welcome. :) I can't wait to see what your wheel looks like. Now comes the next question. Once you have a maiden on the wheel, what would you like done to her? Maybe we should start a poll. a) Spin her - b) Whip her -c) Burn her feet with candles - d) Knife play - e) All of the above Assuming the wheel is designed like the one above. If its the rack style, well, that's a whole different game. The Wheel will spin, I believe, that's the idea. Justine will suffer the whip while she spins. Yes, that's what our dear Infamous Rodin would love to do. I don't know if he's fond of candles burning feet, I can ask. Knife playing is the sort of thing that could end his fun ahead of time, so, I don't know. But there are some ideas floating above.
Bill K. "2nd part of the Red Feline Inquisition series" Jock0 said in post 8320 The Arcimboldo site I got the barbeQuoom picture from was archived (not active) in 2002 by the WaybackMachine. How old is the 2nd part of the Red Feline Inquisition series then? Sorry I'm not up on the history of Red Feline much before Maleficarum. Also I wonder was there or is there a friend connection with Quoom and Arcimboldo which hopefully is still alive? Arcimboldo disappeared sometime in 2002. Red Feline and the Inquisition was produced during the summer of 98, almost at the end of the 20th century, when video was analog and the cameras were very big. The first part was released during 1999. It's an oldie on many senses of the word. At that time Camille began corresponding with Quoom. She was very active then, like Amy is now, although her English wasn't as sharp as hers, or even mine. But she managed, with some help from her collaborators. The film was intended to be just one movie, like Red Feline on the Cross, but it was taking long to edit and when JJ, as we referred to him back then, had an hour of material edited and not even a fourth of the story was told, he divided it in 4 parts, 1 hour each. I think the last part, the fourth part, was released in the year 2000, as the new century began.
Joek0 Here is a screen cap from the rack scene I mentioned from the 2nd part of the Red Feline Inquisition series. I got this from a preview shown from one of my RF movies. From what I can see in the previews, Camille is placed upon a rack that is above some heated source. Other than being stretched on the rack, she has a nail impaled into her and also gets branded with a hot iron as well. This scene should please those who like fiery tortures. Yes. Before Camille is taken to the rack, she is whipped at the post. While on the rack, she's stretched, whipped some more, hot wax is poured on her chest, then whipped more, she's pricked with an stiletto in a few places and burned with a hot pocker and then whipped some more. A lot happens to her on the rack.
Joek0 @JD Further Ordeals of Red Feline and Melissa is indeed the movie I am referring to. Here is the thing about the release of this movie. Every Red Feline/ Pachamama movie is available on DVD. However, all but 2 of the movies are available for download (Part 2 and 4 of the Inquisition series). Amy told me that because of technical reasons I don't understand, they were not able to convert it to the FluxDVD format correctly. Other priorities have delayed the release. Part 4 which has been reviewed by Sardu (Execution of the Unrepented) is one I really want to see. Sardu's review mentions a great impaling scene that begs to be redone in their big production movies. Hope Sardu can can share some screen caps if he is still around. Regarding the trailer for the Inquisition series, they do not exist online. You can only watch the trailer from an RF movie itself. I read Sardu's review and I like it very much, particularly his description of the impalement scene. I think JJ, Camille and Gabrielle run amock on this one. It's so outrageous and sexy at the same time that it is a pity is not a better known movie. I don't know if Jac would ever do a remake of that scene. It can be done, of course, but it needs a lot of work.
We're counting on our fans to make Justine happen! Another way you can contribute is going to our site and get one or more of our amazing movies with a 25% discount: |
||||
|
Re: post 8393 by JD. It's not the power of my computer but the limits of my Daz poser program which makes it difficult to adjust hair for position of the body.It's not that I can't do hair adjustments JD, it just takes me longer and I just started poser in back in February so my skill limit is the beginner stage and my knowledge of how other poser programs is weak. Gimpers you can disregard my previous post for my lack of experience in poser artwork to say why he creates only bald Gimps. Bill K. |
||||
|
Is anyone here very knowledgeable about how payments work with Niche Clips? I see many great clips mentioned here that can only be bought at NicheClips, but realize that the process of getting started is not so simple. I know the system for the weird payment process is because of credit card companies lack of support to producers of GIMP content. From what I have gathered, when you get your login info setup, you first need to send a check or money order to initially fund your account. I realize this is needed to verify new customers. My real question is that after they receive and add the money to your account, what are the potential payment options from this point forward? Will they take credit cards from this point? The reason I ask is that my only option given my personal financial issues is to send a money order. I currently can't open a bank account. I buy my GIMP content and other online purchases with a debit gift card from major cc companies. These let you buy things online as if I had a credit or debit card. The only restriction is I can't make purchases outside of the US (Thank goodness that Jac and Amy's company is based in the US otherwise I can't buy their stuff without resorting to alternate payment options). Money order is fine, but I do it as a last resort. If people don't have an answer for me, can people at least tell me if customer support is decent and prompt with service issues. _________________________________________ @Fritz Thanks for the info regarding Paris Kennedy. I plan on getting Deadly Interrogation I as soon as I get my Niche Clips account settled. I do however agree that once she got the big arm tattoo, I lost some of my fondness of her. I still love her earlier work and I hope to enjoy her stuff from PFK. _________________________________________ @Margot Thanks for the great post. Glad to see some more active promotion for Justine. Hope it brings more funds to the campaign. Thanks for showing us screen caps for the 2 Inquisition movies I mentioned. I would buy them if they were available at the download store. I prefer not to buy the RF movies in DVD format. If they ever get a FluxDVD release, I will buy it for sure. Even though many here are not into Pygmalion, I myself am looking forward to it's release. I enjoyed Sirwinakuy and the pics on the Pygmalion FB page have me excited. Will definitely buy Pygmalion when released. |
||||
|
Bonfire on the moon of Endor.adelbert said: I don't pay for Rapidgator, I limit myself to the free downloads permitted-- something like 12 per year-- and accept that they're going to download slowly. Something is wrong. For free users Rapidgator has a cooldown of 2 hours and a limit of 5 or 6 files a day, they keep fiddling with those numbers but definetely more than one file a month. I use a VPN and change my IP at will, which allows for immediate downloads with no cooldown but that cost about 3 bucks a month. Good for any site that use this nagging technique. One knows his needs. Bill K. said: (8398) Re: post 8393 by JD. It's not the power of my computer but the limits of my Daz poser program which makes it difficult to adjust hair for position of the body. My point was that you don't have to make ANY adjustments. Define ONCE the hair, the parameters and then software does the rest. Useful in animation or when you change the position of the figure frequently and don't want to bother with the hair all the time. But it's more CPU intensive than a simple solid prop attached to a head. |
||||
|
Reine Margot those "2nd part of the Red Feline Inquisition series" look very erotic and fantastic. Where can I buy the DVD movie of those clip scenes? I looked on Redfeline.com and vermeerworks.com and could not find it. What the exact name of the movie? Thank you for answering my post question. A note if Amy were to be roasted on the rack speaking for myself it doesn't have to be real hot coals like Maleficarum's spit roast was but just great editing. I much as I would love a "Twice baked Amy," I'll take "Sweating hot special effects Amy". Bill K. |
||||
|
@BillK The Red Feline movie you want with the roasted Rack scene is in the link below. It is indeed only available on DVD. Buy it now while on sale. [dvds.redfeline.com] |
||||
|
On the topic of Nicheclips, I'm pretty sure you can play with credit card after the first check payment. At least you will eventually be able to pay with credit card as I have not paid with checks in years. Also, they accepted e-checks as well as conventional (paper) checks. |
||||
|
C. Burn her feet with candles Shouldn't that be "burn her tits with candles"? I still choose A and B. I find the choices of c and d is a torture method that low on my erotic list. Much better add hot iron Branding or clamps on tits to the list. Bill K. |
||||
|
JD: Ewoks having a bonfire? ROTJ is canon: it's everything that was produced from the '90s to last year that was the Expanded Universe, and what Disney/Lucasfilm has discarded. Books, roleplaying material, computer games, etc. that fans paid a lot of money for (and I'm one of them) is now considered "Legends" so that they can have their own timeline Post-ROTJ. One book, if I can find it, is Tales of Mos Eisley, which has the inhabitants of the town, cantina, and Jabba's henchmen. Bib Fortuna's fate, if he survived the sail barge blowing, might be there. A few more fakes of Leia on the Death Star or Bespin would be nice to see. |
||||
|
|
||||
|
|
||||
|
Hi @ all! Now we come back to the dark middle ages...With a small update of "The Demons"...enjoy it:[pimpandhost.com] |
||||
|
|
||||
|
My bodyguard has persuaded me to contribute to Miss Amy Hesketh's movie production of 'Justine'. I did so with the proviso that the funds not go to the wheel, rack, or cross (which would have been my favorite) but to that rarely recognized person behind the camera (if allowed on the set at all)--the screenwriter. Yes, WRITER! Amy: I will gladly write a screenplay for you at a nominal (guild) rate. A bit of nit picking now: why do all the manip Star Wars scenes show that dull Carrie Fisher when there is the more exciting Princess Something Natalie Portman? Hunh? |
||||
|
|
||||
|
|
||||
|
Really loving the Star Wars send ups, they're beautifully crafted & Leia looks suitably vulnerable. Like many cinema goers I spent hours imagining what happened to Leia once those cell doors closed behind that humming orb with all the needles sticking out of it. Although the dungeon settings are great it would be cool to see Leia strapped down naked in a more modern, sterile, lab-style setting, being tortured with hypos & needles. Also how about Luke's adoptive aunt being transported to an imperial star cruiser & likewise strapped naked to a torture table to reveal his whereabouts? Be nice to see a mature victim of the empire!! |
||||
|
erodite said: Why do all the manip Star Wars scenes show that dull Carrie Fisher when there is the more exciting Princess Something Natalie Portman? Why, indeed. I wish I knew. Burngreave said: Really loving the Star Wars send ups, they're beautifully crafted & Leia looks suitably vulnerable. Like many cinema goers I spent hours imagining what happened to Leia once those cell doors closed behind that humming orb with all the needles sticking out of it. Although the dungeon settings are great it would be cool to see Leia strapped down naked in a more modern, sterile, lab-style setting, being tortured with hypos & needles. I hear you. The imperials were like pussies compared to the depraved Hut, though. In my book the worst to happen was on Tatooine. Burngreave said: Also how about Luke's adoptive aunt being transported to an imperial star cruiser & likewise strapped naked to a torture table to reveal his whereabouts? Be nice to see a mature victim of the empire!! Aunt Beru? Hmm, she was like 60 at the time of filming the first SW. Too much, even for me. That would put me squarely at the same depravity level with doll burners and bug weekers. Speaking of which, I have a wonderous idea. Why don't we make the last week in August a BUG WEEK? Amazing, right? |
||||
|
Thomas Chaser said: (8412) I come home from a busy day at work and there's no movie clip from JD? WTH man! So disappointed. If you need a suggestion, how about something from "Caged Women" aka "Caged Women in Purgatory" starring Pilar Orive?Probably because I come from work after you. It was a clip on 12th and today is not over yet (not in my timezone). Beside, I wait for Caged Women in a good BD release instead of the lame DVD we have now. Eleonora Vallone in Fuga (1985). Some light bondage from an erotic western. He, a escaped convict kidnaps the spoiled daughter of a local potentate to ensure safe passage. [www82.zippyshare.com] pass: ralphus.net @Covers the Relentless (8409): The barbers were a lot more determined back in the day. |
||||
|
Hey all. As those who know me suspect, I've been lurking in the bushes even if I haven't said anything. I kinda feel like I've stepped into semi-retirement, but I'm hoping it's just a phase. Anywho, with a little prodding from my bud in the Great White North, Melissa Gallant, I managed to pop out a piece. A simple study in superheroic stomach acid. Hope'n ya like?As far as the poll goes, I guess I'll have to take "all of the above", but I won't promise not improvise some even nastier stuff as it comes to mind |
||||
|
petelobo wrote (in 8353): Of course one of the "real-life" uses of the wheel was to use clubs to break the bones of arms and legs--again, something that always seemed like a huge waste of carbon-based resources to me--is not on the list. Glad for that. I'm not sure how bone breaking is a waste of carbon-based resources, but from all I've read, limb smashing and the wheel go together like macaroni and cheese. After all, it's fractured arms and legs that enable the victim to be threaded on the wheel, one of the official terms for this torture – along with broken on the wheel, which also implies skeletal destruction. If the GIMP is simply tied (or nailed) in place, as someone else pointed out, you may as well just crucify her. So I was disappointed that what should be the most obvious option for the poll didn't make the list. Instead we get the usual, boring techniques we see all the time – whipping, burning, cutting (yawn)– instead of considering a unique torture teamed with the punishment for which it was intended. As a result, once again, I have to abstain from voting. That's about three in a row now. Probably my favorite depiction of wheel torture was created by our friend, Mr. Quoom. Maybe I missed it, but I'm surprised no one has posted any images from this series. In any case, I hope Quoom doesn't mind if I share one of the story's 208 panels… ![]() For those interested in more wheel torture pics, I have a DFN album with over 300 images featuring squeals on wheels. The link should take you there if you are a DFN member. If you aren't, what's keeping you? |
||||
|
Ralphus wrote: I hope your misunderstanding regarding the fumetti won't completely sour you on doing more English translations. Now that the VC confusion is cleared up, I can't use what happened as an excuse never to translate another fumetto. Still, for other reasons (mainly the time and effort involved) I'm not making any promises. A lot depends on how much I like the story and whether I have the cycles to do a proper job. * * * * * adelbert wrote: If you want translation help, especially on the Italian fumetti, I'd be happy to pitch and do some of the workload. I think I mentioned this before, but translating the text is the easy part for me. I speak enough Italian and French (the primary languages used in the fumetti I have) to handle this – and if the odd word or expression I don't recognize pops up, it takes just a few seconds to track it down. The condition of the original scan determines how much work is required for the restoration step. Rather than linguistic skills, what's needed to clean up the panels is a good knowledge of Photoshop, especially coding actions, as it would take forever to work on each page individually. Still, the hardest and most frustrating part is clearing out the original text and adding the English version so that it fits in the space provided. Sounds easy, but this replacement step cannot be batched, and has to be done one line at a time, which is extremely tedious. In short, I don't think there's much you or anyone can do to assist me with one project. However, those who are fluent in Italian or French and English, and who are comfortable using an advanced image editor, can help by taking on a project of their own. Select your favorite fumetto and go for it! I'm happy to share my “workflow” to get you on your way. Anyone who wants to try, just let me know. * * * * * Paris and that Thing: Count me among the many who gaped in horror on first seeing Paris Kennedy's tattoo. It's not that I despise all “body art” (though I have yet to see any I like), but the only explanation for the mess that Paris had plastered on her arm is that she was really, really, well… plastered. The good news is the self-mutilation came after she turned in her GIMP card, so all those great peril videos in which she starred were shot before she disfigured herself. |
||||
|
DarthSaad: Thanks for the heads-up on the book. I have that one as well, but it's a long time since I've read either one. If Fortuna did escape the Sail Barge, it'll be in one of those two. As far as who was the worst, the Empire or the Bloated One (as Jabba was called behind his back)? Toss-up, IMHO. You were going to scream loud and long either way. |
||||
|
|
||||
|
Fritz,A chacun son gout, bro, but your level of misogyny leaves me way behind. The (yawn) boring stuff like whipping, electro, a little toasting, etc. get me about as far as I want to go, even in the fantasy world. Beating someone bloody, smashing bones and joints, raping with a dagger and some of the other images in your Squeal album, much less the Quoom image on the wheel, go beyond charging my circuits--they blow them out. Even in fantasy the idea of crippling (or more likely killing) a gimp in any way goes over a line in me. I know that the most badly marked elitepain whippees will be (at least physically) good as new in a bit; ditto for the girl screaming with a shock at sub-mortal levels. Just a little kink in my kink, I guess, that I don't mind imagining hurting them, but I won't imagine killing. So, without judging (for certainly there are many here who would rate my tastes too exteme for them), I proudly remain happy to be boring and not asking RF/PM to do something that I don't think they could do even if they chose. |
||||
|
petelobo: You've obviously subscribed to the Ralphus-promoted myth that only the most extreme and brutal forms of peril will satisfy me. Not true. I often lean toward heavyweight, “manglehead” material, but for me it is all about variety. If you skim the GIMP comics section or my DFN albums (including Squeals on Wheels), you'll note there are all kinds of peril scenes depicted, including both mild and wild. That's why I added the comic pepper ratings… to let readers know what they are in for. And yes, I've enjoyed all the updates, not just the extreme ones. I wouldn't post them otherwise. I do like whipping, burning and knife-play (all of which can be just as brutal as broken bones, BTW), but they already seem to be well-represented here (hence, perhaps unfairly, “boring” – not because they are somehow less potent). The reason for my post is that “the wheel” offers an opportunity to include a form of torture we don't often see at the GIMP. It may not be to everyone's taste (are we all in agreement on any specific peril?), but fracturing limbs was an integral part of being broken on the wheel, so why should we ignore this just because some folks don't care for it? What might surprise you is that it's not a big fetish of mine either, as I'm not into medieval tortures to begin with. Nonetheless, why put a victim on the wheel if you won't at least consider following through with the torture many of us associate with this form of punishment? Ironically, the real blood and actual pain portrayed in ElitePain videos are far more objectionable to me than the most deviant perils in my simulated fantasies. The thought of a real woman enduring even slight discomfort for my sexual pleasure makes me cringe, while the sight of a maimed 3D model broken on the wheel as rendered by Quoom is just fine. As you say, a chacun son gout. |
||||
|
|
||||
|
C. Burn her feet with coals |
||||
|
Ever since Margot discussed some of the major tortures from the Red Feline Inquisition series in her last major post, it made me recall another major torture from the series that is going to be done in Justine as well. In the 3rd part of the Inquisition series, which I do own, Camille is bound and whipped while being suspended upside down. She is first bound in the Y-position before finally being rebound into the X-position. We will have to see how the scene will work out in Justine.
|
||||
|
@Fritz: I don't have any problem with single pictures posted anywhere. I only hate those 'Download complete stories' or the newest update one hour after I published it.This picture here is from a story in work, that is not published yet, but it fits too well in the current topic. So please don't spread this one; I don't want to have to answer all those 'Where I can find this story'-questions |
||||
|
We're still at 35% but the dollars keep adding, that's very nice. With one person getting a DVD of Justine, we'll reach 7,000 dollars... 13,000 short of our goal, but getting nearer!A picture from the recently discussed inquisition series with Red Feline suspended spread eagle and upside down. I'm preparing a new post and hopefully I'll be celebrating the 50% then. |
||||
|
@Margot Thanks for the pic from 3rd part of the RF Inquisition series. It's a big improvement over my video capture that I recently posted. |
||||
|
I have a special at all of my membersites: 30% off !!! So now it's the right time to sign a membership to [www.jocobo.com] [www.jupudo.com] or [www.did] @ Thomas Chaser: I don't know how much money I need for a good rack. But if it should be a good looking one I think around 500-550$ ?! Your idea sounds interesting, write to my e-mail so we can discuss it if you want. |
||||
|
Just contributed $200 to the cause in hopes of inspiring a little attention to the ladies' bare soles. "Put her feet to the fire" should be more than a figure of speech, and a taste of the bastinado is always in season. In fact, simply running a pointed object--a toothpick works fine--along the sole elicits a very strong response. I believe it is a reflex, but the medics in the room may correct me on that. As for the poll, all of the above for me. And thanks to Ralphus & co for making this such a wonderful site! |
||||
|
Pygmalion and Justine Part Three And the amount contributed is very suspicious. Does that mean that there will be a burning feet torture added to THE RACK?. We'll have to see in further comments here. We're counting on our fans to make Justine happen! Another way you can contribute is going to our site and get one or more of our amazing movies with a 25% discount: http://dvds.redfeline.com |
||||
|
@provost If you want to see a foot torture by RF/Pachamama, check out the rack scene from Le Marquis de la Croix. In the the scene, while Mila is on the rack, Jac takes a little time to give her bare soles a good caning. Here is a vid cap from my review. [ralphus.net]
|
||||
|
Sorry, I have not posted for a while. I have several movies that you might be interested in. But, I thought I would showcase this one. Ashley Lane is simply amazing and she really puts a lot of effort into everything she does. Masochistic to the core. Finally, because selling my movies is not as easy as other adult movies, if you're not familiar, you might find the process confusing. So, please feel free to email me. I do sell movies directly---using PP. The highlights of the previews are weighted to the 4-5min strangling scene because that is the audience I generally promote to. However, the majority of this 50+ minute movie is generally on topic for GIMP. "New Experience" Starring Ashley Lane Directed By JohnM ![]() AWESOME PERFORMANCE! ANAL FINGER AND GLASS DILDO INSERTION! NEARLY 1 HOUR LONG!!! Ashley was a good girl who wanted to experience new things. She searched a bondage website and after masturbating to the content, decided it was time to expand herself. She found a local place that would help her out. The meeting went well and she was taken on a tour of the bondage studio. But, her tour guide had evil intentions. He choked her out, cuffed and gagged her as she stared to regain consciousness. He compelled her with a large knife to comply. He fondled her, pinched her nipples and pulled her hair. She was crying and begging the whole time. He ripped her dress open and fingered her then beat her. Then he flogged her for a bit. Afterwards, he got out the cattle prod and shocked her until she went unconscious. So, he tossed a bucket of water on her to wake her up. He cut off her top, pinched her nipples, then fingered her, cut off her panties, fingered her and pinched nipples and pulled her hair. He got out the dildo and forced it down her throat, then up her pussy. Then he got the magic wand and attacked her pussy with it, forcing violent orgasms out of her. He takes her down and forced his fingers in her mouth, then forces her to suck him. He gets her back on the lift and fucks her, then takes her down to the mattress and fingers her ass. Then he forces a large glass dildo into her asshole, forcing her to orgasm over and over. Then he fucks her ass. Finally, he forces her to suck him off one more time, leaving cum dripping off her face. He quickly wraps a rope around her neck, and pulls her back and down. She violently struggles as the rope cut deeply into her neck and air. She bucks and spasms, but after a long struggle, finally is still. He leaves her body sprawled across his mattress for later clean up. Fetish Elements: Violence, Nudity, Graphic Sexual Content, Beating, Flogging, Hair Pulling, Nipple Twisting, Tazer, Thigh Highs, Sexual Assault, Fingering, Restraints, Ball Gag, Choke Out, Ass Fingering, Dildo in Ass, Water, Garrote Strangling, Body Views, Foot Views. Note: Actresses are over 18 at the time of filming and the word "teen", "teenage", "young girl" is only meant to imply legal age characters regardless of audience interpretation. PKF Studios adheres to USC 2257 record keeping requirements. ![]() Note: 1280X720 HD Quality MP4 Format HOW TO BUY ![]() (DIRECT PURCHASE LINK. You just add the movie to your cart and purchase using standard methods) ![]() (This method requires you to establish an account and fund it. Once you do, it is fast and easy!) ![]() (Using this method, you establish an account, pre-pay for credits using standard methods and use them to make purchases) ![]() (Another great method to purchase my movies--once you establish an account, you can direct purchase using standard methods) Step-By-Step instructions are available on my forum (must be a member and signed in to view this link). Not every movie is always available at all stores. If you don't see the movie you want, request it on my forum Please, join my forum to get details about these and other purchase options. Get the latest updates and search 100's of movies at PKF UPDATES! If all this sounds confusing and you are a first time customer, email me, |
||||
|
![]() Howdy all, I just thought I'd add my two cents to Justine. You already had me at "pillory", and whatever is in the rest of the film, I'm sold. My only request is that, at some point(s) in the film, you feature a "walk of shame". I love a public GIMP scene, but it irks me when they leave out the long slow march to the scaffold. Very thematic, and the perfect opportunity for a whipping. For me, it's the mood and build-up that sells it. Passion of the Christ would've been my favorite film, if they'd just put a woman like Amy in the starring role. I'd also like to spread word of a film that I've never seen mentioned here before. It's very arthouse, and definitely not for everyone (but then, neither is this forum, which is why we're here.) If you're in an early 1970's surrealistic mood, and you want to see the most sexually suggestive animated crucifixion/stake burning scene ever, check out Belladonna of Sadness aka 哀しみのベラドンナ (1973) Again, I love it, but you sort of have to be in the right mindset to watch the whole thing. There's a lot of psychedelic devil-rape sequences and it's very art Art Nouveau in its overall presentation. The witch burning scene happens right at the end. Check it out. |
||||
|
T said: For me, it's the mood and build-up that sells it. Passion of the Christ would've been my favorite film, if they'd just put a woman like Amy in the starring role.you should check out this thread [www.cruxforums.com] |
||||
|
T said: I love a public GIMP scene, but it irks me when they leave out the long slow march to the scaffold. Very thematic, and the perfect opportunity for a whipping.Then, you'll enjoy Pamela Fairbrother in Cry of the Banshee (1970). First branded as a heretic, then tied to a cart and whipped all the way to the stocks. One of my favorite, now in HQ. Split in two archives since it's larger than the server's limit. [www91.zippyshare.com] [www91.zippyshare.com] pass: ralphus.net Julietta said: I don't know how much money I need for a good rack. But if it should be a good looking one I think around 500-550$ ?! I posted something in (8226) about this topic, has some illustration too. Not the cost is the big factor but the space taken by the prop and the effort to make it look realistic, like aging the wood and adding a rusty sheen to metal parts. But the potential results are amazing. I made a quick calculation based on the prices of the nearby Lowe's if I'd decide to make one (not really, no). Using 8x8' for legs and frame and 2x 5/6 for the supporting planks (they only carry the weight of the person), an iron bar for the roller, some strain and etch for aging effect that would be about 400 dollars. Plus work. Some really thick hemp rope at 1" diameter would another 50 dollars. The major problem would not be the cost but the space. This thing would eat half the space of a normal master bedroom. I suppose some creative mind can throw a mattress on top and convert it into an elevated bed (especially if you make the legs from two parts). Definetely I'd buy any movie with a device like that. If Juliette would be the unfortunate victim that would be even better. If someone would add a bit of sweating effects between the shots to simulate the pain and NO BENT ARMS while feigning pain, that would be supreme! Based on my previous experience with shopping in Europe and how everything seems to cost double there compared to North America, it might push the final price toward 600 euro. Depends on how expensive is the lumber there, as that's the most important cost factor. |
||||
|
Thanks for the manip JD. Aunt Beru....60? Hmmm maybe you're right!! Love the Leia scene with electrodes on the nipples, definitely the sterile imperial torture lab for me!! |
||||
|
|
||||
|
@Joek0 or anyone else...Do any of the other Red Feline movies have foot torture? |
||||
|
Burn her feet...coals, candles, but something harder than hot wax... |
||||
|
@Fritz97 The only other foot torture by RF/Pachamama is in Maleficarum. Amy is suspended with her arms spread out above her and her feet tied together. Under her heet is a plank of spikes. Her tortures repeatedly lower her bare feet onto the spikes. The only other one are the 2 BATS (Burning at the Stake) scenes.
|
||||
|
Fritz commented: Ironically, the real blood and actual pain portrayed in ElitePain videos are far more objectionable to me than the most deviant perils in my simulated fantasies. The thought of a real woman enduring even slight discomfort for my sexual pleasure makes me cringe, while the sight of a maimed 3D model broken on the wheel as rendered by Quoom is just fine. As you say, a chacun son gout. Agreed. One reason I bemoan the lack of functional holodecks. My late tumblr blog was about 95% drawing/CG as a reflection of my personal preference in this. I have wondered about why this is so for some, however. In my case, my latent sadism fetish was first validated by old Stanton, Eneg, and Ward drawings, and later enhanced by the now-crude mystery RDF artist. Bloody whippings were pretty much of a given. So for me (much like my preference for the popular music of my teens), I still like now what turned me on then, even though new stuff is more advanced/accurate. I can recognize that I am a gentle person with a vicious fantasy, but I know that even the violent ElitePain vids are still consensual. Even so, they SHOULD turn me on, damnit, but just don't; unlike Maleficarum or Ilsa which I know are faked. Sexual cognitive dissonance? Whatever, it all seems to come down to the a chacun/whatever floats your boat concept. Oh, and Quoom's Breaking on the Wheel series is absolutely the finest depiction of a brutal execution method I had only read about and he was able to create something that exceeded my mental image imagination, not an easy thing to do. |
||||
|
I got carried away writing and hit submit too quickly. Great work, JD! I love good manips of fictional characters in gimp situations ignored by the original creators. (Although I admit to being in the No Meru camp.) |
||||
|
Today's MAM cover is from Man's Life Mar 1957 V5 #2-------------------- erodite said: why do all the manip Star Wars scenes show that dull Carrie Fisher when there is the more exciting Princess Something Natalie Portman? I think that has something to do with everyone loving the original three Star Wars movies and most people disliking the newer three with Natalie. I've got nothing against Natalie, but those movies sucked. -------------------- JD wrote" @Covers the Relentless (8409): The barbers were a lot more determined back in the day. Yes, and you could have a really close shave! -------------------- JD wrote: Amy Acker in All the Time in the World, Alias S05E13 (2006). A mild snake enhanced questioning scene. Remained on my HD cuz I really like Amy. Both of them, actually. Thanks for the Amy Acker scene. I really loved her character "Fred" in "Angel." |
||||
|
@Covers the Relentless: I'm reading "The American Male is Losing His Manhood" ... well spank my ass and call me Sally ... not only Northwest Arkansas and western Pennsylvania but the whole US maledom now. And then I relaxed. Thank you Queen, I'm in the Great White North, where men are men and so are the women! Balls, balls, everywhere. Fly balls, space balls, we have them all.Some more imagery from the original trilogy we all loved. |
||||
|
The posts get better and better JD and I love the most recent one with Peter Cushings character looking on. You have a truly wonderful talent. As for what it means.....I shall spend several happy hours studying it my friend. Regarding the debate over whether it should be Leia or the Natalie Portman character, it has to be Leia for me as the original trilogy was by far the best & Leia falls into imperial hands in the original. And I always suspected that Leia had lovely tits under the virginal dress.....Thanks again JD. |
||||
|
|
||||
|
|
||||
|
The newest [www.InfernalRestraints.com] update "is inspired by Quoom's article "Caught in Pyongyang". As far as I can understand, they recreated the "forced water ingestion" torture and the bilbo-restrained scene in the cell. Quoom's excellent series can be found at [www.Quoom.com], of course! What I like most from this series, though, is not the water torture: I like how on a couple of occasions the guards leave their captive alone for an extended period of time tied up in a most uncomfortable/perilous position. Actually, this is my favorite torture method :) On a related front: Dubby, thank you very much for continuing your series! |
||||
|
|
||||
|
Karina Testa in Frontier (2007). The grunts and the screams are in French.[www9.zippyshare.com] pass: ralphus.net |
||||
|
We're are up to 36% and growing! 50 contributors to the cause and 16 of them from this magnum forum! Thank you! We're counting on our fans to make Justine happen! Another way you can contribute is going to our site and get one or more of our amazing movies with a 25% discount.
|
||||
|
Burngreave opined: Regarding the debate over whether it should be Leia or the Natalie Portman character, it has to be Leia Not even open to debate in my book, either. Leia was a feisty and defiant rebel while Amidala spent most of her time simpering. But the most important reason, as you noted, was that Fisher held the promise of some fine breasts under her robes while Portman seems to have been bypassed by that part of puberty. |
||||
|
|
||||
|
JD: Love the Death Star themed fakes. Keep them coming, please. The "Caught in Pyongyang" art is a good one. The North Koreans were pretty nasty to POWs during the Korean War and to the crew of the USS Pueblo. No doubt they'd show similar hospitality to POWs in a second Korean War. |
||||
|
Breaking News! Another way you can contribute is going to our site and get one or more of our amazing movies with a 25% discount.
http://dvds.redfeline.com |
||||
|
Margot beat me to the punch! It was me who just bought the rack perk. With me contributing to the cross perk a little while ago, I can now say that I have an Associate Producer credit to boast about. With the rack discussion earlier this week, I hope someone buys the final rack perk. The rack scene can become something to remember if one final person can support it. Thanks for another great pic from Pygmalion! Amy already knows how excited I am about this film. |
||||
|
Esteemed pervs and sick fucks (according to our broad minded host). I found a clip I KNOW FOR SURE I have it somewhere on my HDDs in a lower res and I can't remember its name if my life depends on it. I know it's some Mexican drama but nothing else come to mind. I know I need a better indexing system, I keep saying I'm gonna do it someday. For Pete's sake, where is this scene from?Thanks in advance. |
||||
|
|
||||
|
I like it, if my stories are inspirement for movies; i also get a lot of inspirement from different sources, often short scenes from mainstream movies. In this story it was the opening scene of 'Salt' where Angelina Jolie gets a good, but much too short water treatment. Why they didn't make 80 minutes of this movie with her time as guest in the prison? This would have been one of my favorite movies :)) |
||||
|
JD: That electro torture scene is from Get the Gringo (2012). It's a great interrogation scene but, like most torture depicted in mainstream movies, much too short. |
||||
|
The Rack perk is finally sold out! I am so happy. The rack scene is going to be awesome. I hope the cross perk gets finished off as well. For all those fans of fiery peril, I hope Margot approves of my share of the funds going towards the fact that the ladies get roasted on the rack like Camille in the 2nd episode of the Inquisition. |
||||
|
Hey Quoom! Margot and BillK shared a few of your art depicting the roasting rack scene of Camille in the 2nd episode of RF Inquisition series. Since the rack perk is now sold out, would you be willing to share more from this series? Would you also share your thoughts on this series of art inspired by Camille from Red Feline? |
||||
|
|
||||
|
Maybe hostus mostus can join those.Blitzkrieg Escape from Stalag 69 (2008). The 'racking' scene. [www62.zippyshare.com] |
||||
|
Breaking News! Another way you can contribute is going to our site and get one or more of our amazing movies with a 25% discount.
http://dvds.redfeline.com |
||||
|
|
||||
|
i like to see all of it in special amazons |
||||
|
Hello all First time poster. Thanks for all the useful clip info on here. Great Stuff. With reference to post 8460 from Mark Evans, I think you'll find that is a Mondo64 title. No 160 I believe. The electro segment is quite short but good. Cheers. |
||||
|
JD, thanks for the clip, but it's asking for a password |
||||
|
Password: ralphus.netSo is it true what the midget inferred? Namely that there are new people coming here every now? I always argues to him that's an ossified audience and it's pointless to keep adding the same password line for something we use for eaons. Secondly, don't forget, last week of August is BUGS WEEK! Some illustration found online. |
||||
|
LAS0023 wrote: JD, thanks for the clip, but it's asking for a password JD seems to think the exact same people come here every day, and therefore so there's no reason to ever post the password. He would rather have me do it instead. He doesn't take into account that we actually have new people visiting all the time. The problem is that I can't monitor the board 24/7 and a lot of times several hours pass before I can catch up with his posts. I don't know if it's laziness or bullheadedness on his part, or maybe a combination of both. Either way, while we do appreciate the free daily clips he provides, it's pretty irresponsible to post password-protected clips and then fail to list the password, don't you think? JD: How about cutting me a break, okay? |
||||
|
Ralphus said: JD seems to think the exact same people come here every day, and therefore so there's no reason to ever post the password. He would rather have me do it instead. He doesn't take into account that we actually have new people visiting all the time. The problem is that I can't monitor the board 24/7 and a lot of times several hours pass before I can catch up with his posts. I don't know if it's laziness or bullheadedness on his part, or maybe a combination of both. Either way, while we do appreciate the free daily clips he provides, it's pretty irresponsible to post password-protected clips and then fail to list the password, don't you think?After posting that pass more than the time a woman would take a pregnancy to term?! Isn't a law of diminishing returns applying here? Secondly, no, it's not irresponsable. For every one that doesn't get it, another ... lemme check ... 76 so far get it. And as they say on Vulcan "Logic clearly dictates that the needs of the many outweigh the needs of the few." Logic, you know. Lastly, your addition of "Pass: ralphus.net" acts like a "Seen" message on FB. Otherwise I'd be worried you might have tripped and fall that day and now you're recovering in a hospital or worse. It's our way of you informing me that you're stil alive and kicking. Don't take this little pleasure away from me. Some image from The Bloody Pit of Horror, I'll post it tommorow. With the same password. We should celebrate any new user that appears less often around here than the Pleiades. |
||||
|
JD wrote: "Some image from The Bloody Pit of Horror, I'll post it tomorrow. With the same password. We should celebrate any new user that appears less often around here than the Pleiades." You know, I've heard about that film but have never actually seen it. I'm guessing its more about implied horror than actual nudity and horror. No matter. I'm still curious. Good choice to start a new week of peril. As for the whole password thing, if a new user wants to know the pw, all they have to do is ask on the board or ask me. As for the crowdfunding of "Justine", I'm surprised that "crucifixion" wasn't the first one to "perk out". I bought two perks of the wheel because I figured it was the long-shot of the three options. I figured crux would go first, then the rack, then the wheel since crux has an entire forum of its own and there was already a couple of nice rack scenes in "Maleficarum". You don't really see the wheel used that much so I figured "Well, I'll fund something new for once". I'm surprised the crux scene is still begging for money after wheel and rack have been fully funded (in that order). I guess I need to reverse my fantasy football draft order, too! Thomas |
||||
|
I came across this forum several years ago when I was trying to find the Blakemore loop titled, Three For the Money, starring Natasha Cole. Someone else on the forum had been asking about it, too, so the search engine pointed me here. It took a lot of looking, but I found it on a Usenet site and downloaded it. Unfortunately, it cannot be found there anymore. Here, though, in case you are interested, is the thumbnail sheet. Cole, billed here as Linda Leeds, wearing a long-sleeved little black dress, approaches a Tormentor. He ties her down to a small table with her legs bent back and spread apart. The top of her dress is pulled down to reveal her smallish breasts. Mild whipping of her inner thighs and pussy takes place. Next she is suspended upside down and stripped to her panties, to show her tight, round bottom and shapely legs. Tormentor whips her from chest to thigh, then fastens on a crotch rope and has fun cinching it a little more, a little less. Finally, she gets strapped down to the famous Blakemore stretching table, face up, and naked. She gets gagged (finally!) with a leather strap. Much fondling and whipping ensue, then cut to her being strapped to the table face down and fondled and whipped some more. The quality of the video is not very good, so what should be some very clear kamikaze shots don’t come through. When Tormentor unstraps her, she rises up toward him, but a quick cut ends the video. I get the concept of the video as an arranged, consensual encounter, with Leeds getting off from her mistreatment from start to finish. Stills are found in chads 3381-96. |
||||
|
|
||||
|
Thomas Chaser wrote:As for the whole password thing, if a new user wants to know the pw, all they have to do is ask on the board or ask me. Ask you? If there's a new user to the forum, how would they know to ask you when you're not the one who posted the video in the first place? They would more logically either ask the original poster or just make it an open-ended request for the password. And it's a waste of time and a waste of valuable forum space for them to have to do that anyway. If JD posts the password like he should, no one has any issues with seeing the video. He likes to quote Mr. Spock about logic, but if Spock were alive, he would arch his brow and calmly state that it's highly illogical to post a password-protected video and then not disclose the password so everyone can use it. The needs of the many outweigh the needs of the few? How about instead we declare that all pervs are created equal, and thus all are allowed access to nasty video clips. We will NOT discriminate against any newbies to the forum. Sound like a good doctrine to adopt? |
||||
|
Ralphus said: The needs of the many outweigh the needs of the few? How about instead we declare that all pervs are created equal, and thus all are allowed access to nasty video clips. We will NOT discriminate against any newbies to the forum. Sound like a good doctrine to adopt?Good enough if you are paying the costs of the party, bossman. You'll have to keep adding that password thing (that looks like an unusual fetish to me), of course, but that's a small price to pay for fighting injustice and discrimination in the world. If Rosa Parks was shorter, she would have made an excelent midget. Another production still from the aforementioned movie who unfortunately remained on the cutting room's floor. |
||||
|
Some witch burning celebrations |
||||
|
@JoeK0: those pictures have been done in times, when rendertime for such pictures was measured in hours... so I don't have more of them. And well, they were good for those times, but compared to pix that are now possible..hmm... okay, thinking back to this beautiful scene with Camille I couldn't hold back and spent my Sunday with working on a new interpretation of this roast-rack...My thoughts to the movie? I can only give a very subjective report: for me it is the best movie ever done! Yes, the video-quality should be better, and also yes, it is quite dark. But this darkness is something I really like; for me it gives much more mood, than a fully bright-lighted scene. And the look and the acting of Camille... this I cannot imagine to be done better. |
||||
|
|
||||
|
I got to agree that it's easier to just affix a password, given that ones required, to every post where there's a link for a download. Not knowing who's viewing or may be interested and at what point they've come to this forum and what pre-existing knowledge they might have about all the goings on here it just seems like attaching the password would at the very least do no harm and only help. I've been here off and on for years but still remember a time I'd been gone for awhile and come back to see all these offered movie files and no password provided. I wasn't a newbie by any stretch but it still gave me problems. There's probably many other stories to varying degrees like mine but it came down to a simple fix that for some inexplicable reason seems to be regarded as a polarizing point of debate rather than the simple fix it should be. |
||||
|
We're are up to 42% Another way you can contribute is going to our site and get one or more of our amazing movies.
http://dvds.redfeline.com |
||||
|
RALPHUS, THOMAS, JD:A suggestion to the password 'problem'. Is there not room at the top, maybe under one of the two polls to add a simple note of the password to embedded vids? Carrie vs. Natalie. Now let me get this Spockian logic correct: Because it is assumed that Carrie has the better chest, all the manips of her are of other women with her head, while using manips of other women with Natalie's head are not used because it is assumed she does not have a chest. Illogical. But logic does not have anything to do with GIMP fantasy. |
||||
|
I've been here off and on in the past and wanted to download some clips but found out they required a password. Since it wasn't listed, I gave up. To be honest, it made me want to quit coming here. It's like I'm not a member of your club or something. Not very welcoming. |
||||
|
@Dr Yuya: So you don't want Ralphus to edit the posts later to add the password? You really don't want to see he's OK? You know what risks he takes every day of his life. Him adding the password in my posts is the sign that says 'I'M ALIVE!"@Covers the Relentless: Uber funny the flying turtles. Must be the asian turtle variety, that pesky invasive specie. erodite said: Carrie vs. Natalie. Now let me get this Spockian logic correct: Because it is assumed that Carrie has the better chest, all the manips of her are of other women with her head, while using manips of other women with Natalie's head are not used because it is assumed she does not have a chest. Indeed. I would never EVER use a headshot of Natalie on a body of a DDD chested woman. That would kill the illusion on the spot, for me. Carrie, through her career varied a lot between porky to anorexic and back to Jabba the Hut size so there is some wiggling room. Others, not that much. Natalie was always flat like a plank. Or take Amanda Tapping. She was always pretty well endowed so it wouldn't make sense to try to imagine her in a AA body. That's the logic. Baylee said: I've been here off and on in the past and wanted to download some clips but found out they required a password. Since it wasn't listed, I gave up. To be honest, it made me want to quit coming here. It's like I'm not a member of your club or something. Not very welcoming. C'mon, really? I doubt there are more than 2 consecutive posts w/o password (the midget takes care of that). Either it's disinterest (nothing wrong with it), or the pesky pygmy conjured an alias to drive his point home. More likely the second. As the clip is still uploading (3 achives, some 550 MB file) here's something with the proper amount of rack. Those vaginal pears are nasty business. |
||||
|
|
||||
|
Chuck Spears said: Is this new whipping discovery? I dont recognize it from the WSMIDNew to me, for sure. Thanks, great find. I'll try to edit the sequence of interest sometime in the future. Bloody Pit of Horror (1965). You need all 3 archives to recompose the original file. [www14.zippyshare.com] [www14.zippyshare.com] [www14.zippyshare.com] pass: ralphus.net |
||||
|
|
||||
|
Baylee wrote: To be honest, it made me want to quit coming here. It's like I'm not a member of your club or something. Not very welcoming. Trust me, it gets worse. Wait until the next Bug Week starts. |
||||
|
@Quoom Thanks for the great new artwork! Your older roasted rack scenes with Camille were still great and are a classic of yours, but your new rendition of this torture is just as good if not better. Thanks for your thought on the movie. I agree with you that Camille/Carmen is an awesome actress. She was awesome in RFOTC and Martyr. I have yet to see all the Inquisition films except for part 3, but what little I did see is still awesome and Camille does a great job there as well. |
||||
|
JD wrote: @Covers the Relentless: Uber funny the flying turtles. Must be the asian turtle variety, that pesky invasive specie.JD, I think almost all of the the animal menace covers are ridiculous. I didn't post any for the first year or so of MAM covers, but one snuck through and lots of people seemed to like it. So now I'm posting them when I find them. ------------------- Attached image was titled Bishop racked-and-thrashed |
||||
|
With Ralphus' permission, I'll post this part of our conversation (as a proof of our ideological disagreements). Again, remember, it was a PRIVATE chat between me and R. Ralphus said: How about you be kind to me and start posting the password with your posts? I'm being serious here. You're being a bit of an ass about this. I understand your point of view, but I don't agree with it and we've wasted enough time arguing this out. When we're still getting posts asking for the password or people saying they've had problems, that should be evidence enough. You're a good guy and I really like everything you do for the forum, and you can continue to think I'm wrong all you want. But bite the bullet and do this for me, okay? Neah, I'm not going to go out of my way for an occasional shmuck who's too lazy to look 5 posts lower for a similar question or post. That's the worst culture of entitlement someone can come up with. Sitting with a finger up their asses and letting someone else bring them the goods like a welfare mother waiting for her 4th child. The moron who complained he felt excluded can feel that way till he dies AFAIC. Do I give a shit about a thousands lurkers and freeloaders? Fuck no. I care about people that bother to give some feedback like Covers or Thomas. People you have a conversation with. The rest can die, as far as I care. Actually I was thinking about setting a (different) password I'd share with the active users of your forum and on request to anyone interested. But that would require those lurkers to do something. To type in a question, to communicate. Anyone else can lick my glorious balls. If they don't like it, they can look for my ORIGINAL work somewhere else. Good luck with that. And finally, no, I'm not going to bite a bullet for the well-being and comfort of an asshole who can't be bothered to participate on a fucking FORUM. If they can be bother 5 seconds to type in a question they can enjoy the fruits of some 10...30 minutes of my labor. If not, FUCK THEM and their whinning. Now, you being the boss, you decide if we should go on or not. But hell no, I'm not going to pamper any limp dick lurker. If they can ask a question, they get an answer. That's the absolute minimum of communication I expect from someone having my work for free. Lemme know what you decide. Go or no go. My first post w/o some illustration. |
||||
|
JD: See, that's the difference between me and you. You only want to help your help your friends in your inner circle. I want to help everyone. I wasn't kidding about my doctrine about not excluding others. You, on the hand...well, if you lived in the US, you would be the prototypical Republican. I don't want this to turn into a public political fistfight between 2 friends who just disagree philosophically. But I'm glad you posted our private e-mail since it illustrates our opposing points of view, which is why we've had the recent debate over what should be a simple fix, as Dr Yuya adroitly pointed out. To me, it just makes common sense to post the password on a password-protected file, but obviously, not to everyone. |
||||
|
Ralphus said: You, on the hand...well, if you lived in the US, you would be the prototypical Republican. Looks like Republican has become a shit word. Don't forget they pushed for the Negro equality before the Seccesion War against Democratic wish and also in the Reconstruction years ... it's easy to be unidimensional and think that's total GOOD and that's totally WRONG ... dunno, to me looks like immature political civism ... Yeah, Republicans have their share of morons as much as Dems do but simply labeling and dismissing it's childish, no offense. For the record, if I'd be American I'd probably vote Bernie (honest and straight, even if sometimes misdirected). That's only to show you the weakness of labelling, without a good ideological support behind. We can talk till morning why Bernie makes more sense financially than Hillary when comes to banking regulation or egalitarism or socialised medicine (since I live in Canada I know a lot more about it). But then who cares? You have your Star Wars identification of evil vs bad so it's pointless to have a debate on merits. "Go ahead and post what you just wrote me, your suggestions about sharing further clips. And don't hold back with the fuck off remarks...if that's really how you feel. " Sure, I'm not a nice person, I'm an honest person. Those two things are never going hand in hand unless you're dimwitt or political corect brainwash (which, BTW, is a Dem trademark, as you know). I'm sure you'll have some support from some people. It depends on how they feel philosophically. A forum (or website) OTOH is not a democracy. Who pays the bills, set the tune. You say, I obey. Simple like that. (disclaimer) All the above are not the be construed as enemity against my friend from Ohio. Just a exploratory opening, stating where everyone belongs. I can still have a beer with the midget if he's OK with that. Trying to impose limits between personal and political talk seems to be a trouble with regimented Americans (be them Reps or Dems). JD |
||||
|
|
||||
|
|
||||
|
JD: I finally just got a look at your edit of Bloody Pit of Horror. That's such a fun movie...I used to show my old VHS copy I bought from Sinister Cinema to my friends when we would get together. Yours is a much better print. Watching it again, it reminded me of the glaring continuity error near the end when the Crimson Executioner throws a shovelful of burning coals into the metal ox the blonde lady is bound to. In the close up, there's a huge fire blazing, but a second later there's no fire shown at all. Whoops. That always bothered me. Great concept, though. They really need to remake that film. ![]() ![]() |
||||
|
JD and Ralphus: Jesus fucking Christ. How did a disagreement on whether or not to include a password with a password protected post turn into a political debate? This makes the Siskel-Ebert feud between Howie and me look positively substantial by comparison. Get a grip guys. It's obvious neither of you have ever been married. JD: You've given so many reasons not to post the password – readers can look it up; readers can ask; is Ralphus still alive?; infrequent lurkers don't deserve it – methinks you're just baiting our poor moderator. Now that you've had your fun, read what the little guy is saying. It's not about whether any of your arguments is valid, it's about doing a kindness for a friend. If you don't post the password (what… 15 seconds of effort?), it means the person who runs this joint – making it possible for you to post in the first place – has to pick up after you. Just do it for him… we won't think you're compromising your principles. In fact, by sucking it up, we will all hold you in higher esteem. Promise. You helped make peace between Charles and me… now let me return the favor. Besides, even though I'm a fellow Canadian, and should be more interested in Duffy than Trump, look at it this way… it's what Bernie would do. Ralphus: Even if JD doesn't back down, let it go. Looking at your last post, it seems you've done just that. I suspect even JD will get so tired of seeing Republicans plead for the password that he will either capitulate or stop posting clips. erodite (8496): Thanks for providing some visual perspective. That's what's called making a silk purse out of a sow's ear… or finding a silver lining in a cloud… or something like that. |
||||
|
Re 8480)Quoom, nice rack; it doesn't look like something that was swiped from a water well. The mechanical advantage is about 12:1 and with a cheater bar you could easily double that. 150 lb torturer ---> 3600 lbs on the frame via the attached victim. The vertical supports for the reel might break at full effort, but the attached safety device should prevent the equipment being damaged. I think this is getting near the limit with what can be done with a wooden reel. The artist of the attached woodcut may actually have seen a medieval rack in use; the mechanical advantage here is at least 20:1, although having a reel on each end shows a serious misunderstanding of the mechanics of the thing. Artistic license? |
||||
|
@lurker10 As a fellow GIMPer who bought a Rack perk for Justine, can you shoot me an email at the address provided in the post. @Fritz Can you shoot me an email as well. |
||||
|
|
||||
|
Less politics, more racks, please. |
||||
|
Wow, what a conversation. If I didn't know better I'd say JD was the one in charge based on his "fuck you guys if you disagree with me" attitude. Btw I think one can be both honest and kind at the same time. In fact honesty usually is itself a kindness, it just depends on whether you're an asshole about it. Anyway, back to skulking the Internet for some obscure electro scenes to share. |
||||
|
Lurker10 raised a point I've always wondered myself: Why, oh why put rope capstans on BOTH ends of a rack? Seems like putting a separate hanging noose on both sides of the condemned victim's neck. Surely one would be sufficient. Now some personal opinions on running threads: Please, please, please no politics here. I live in the US and the ongoing battle of the inept is the worst kind of torture without pleasure--and I'm no political masochist. Second, I can't understand why doing such a minor kindness as adding the password to a post that requires one to enjoy should be a big deal. Yeah, I've been here long enough that I know it, and someone new can ask easily enough once they try to watch the clip and can't, but why make something harder and more frustrating when it isn't necessary and so simple to do? This forum is meant to share a form of erotica appreciated by very few. It seems to me that the more user friendly it is the more new contributions it will get. |
||||
|
|
||||
|
The best caged GIMP scene in mainstream movies..I think no one has success like Lee Frost did it earlier in the 70's.. Here is a Frame by Frame scene of 6 seconds scene in Poor Cecily (sorry for bad quality)..a thumbnail and broader picture..Not sure how important this scene in the movie but the actress and her feelings are good..The noise, background and expressions impressing me to feel this is a realistic scene! ![]()
|
||||
|
On today's opening picture from a favorite vintage set by Bazell: A high point of any good torture session, crushing a nipple with red-hot pincers--and demonstrating the appropriate verbal response. . . (Yes, I still think that sometimes "AAAAAAHHHHHHHHH!" is the only way to go.-) |
||||
|
I agree: less politics, more racks and whipping, please. JD: Nice work on the new Amanda Tapping fake. Given the number of times SG-1 had members captured, it's a shame the writers didn't depict interrogations when the series ran on Showtime. Keep them coming, please. |
||||
|
hi would like to join |
||||
|
Re: 8509. Ed makes some valid points here. Actually, the French, during the Eighteenth Century, did use two ropes whe they hanged criminals at Montfaucon, outside of Paris. There were actually three ropes used: two 'tortouses", which did the strangling, and a third, called a "jet", which the executioner would use to help pull the condemned off the ladder. The only way a two-winch rack might work is if there were some kind of strap, cinch or clamp around the prisoner's midriff. That way, both arms and legs might be stretched. Using only one winch also allows for fewer ears to hear State secrets that the interrogator is trying to wring from the prisoner on the rack. Of course, if stretching of both arms and legs is called for, without worrying about whose ears are hearing whatever is being said, the device seen in one film on the Torture Rack Database might work best--one with four separate winches to stretch each arm and each leg individually. |
||||
|
JD wrote:Lillemour Jonsson in Brigade des moeurs (1985) Damn, what a nasty clip! And you claim you're a bondage lightweight...yeah, sure. I'd seen that one other time before, but the power of that scene never fails to impress me. Here's a chick who gets stripped, sliced up with a knife, beaten and then nearly raped with a broken wine bottle. And then to top it off, they rip up a beloved photo right in front of her and leave her bloody and defeated on the bed. It's got the level of sheer meanness that is missing from nearly every mainstream clip I've seen in movies. No wonder the print quality is clearly off a duped VHS...not likely we'll ever see a DVD restoration of a movie like this. Can you imagine a mainstream filmmaker releasing a movie like this in today's political environment? ---------------------------------------- radant wrote: hi would like to join There's no "join"; it's an open forum, just come on in and enjoy yourself. The only requirement is you have to be a perv or a sick fuck. |
||||
|
Ralphus wrote: "Can you imagine a mainstream filmmaker releasing a movie like this in today's political environment?" I hear what you're saying Ralphus but mainstream filmmakers do make movies where women are brutally attacked, raped and tortured but with no nudity. You can slice, dice, burn, rape, whip, electrocute or just about anything to a gimp so long there's no nudity other than an occasional breast nipple 5 second teaser look. If a mainstream Gimp movie has torture and burning at the stake with clothes on, it's an R rating but if the same exact movie is nude then it's XXX and you will never see it at USA mainstream theatres. Perfect example is movie Maleficarum. If a Hollywood producer like Quentin Tarantino produced it with same exact storyline but no or short nude scenes, it may be a hit movie here. Kill Bill I and II had several brutal gimp scenes but no nudity. Political environment has to do with nudity and not violence against the gimp. I just hate that about mainstream USA movies and TV shows too. Bill K. |
||||
|
Hi, occasional lurker, 1st time poster. In the recent discussion on wheels, was this art included? This is from the book 'Witches' by Erica Jong. Bought the book as a paperback over 30 years ago - mainly for sketches like this. It always struck me that the lovely victim looks like she is bored rather than afraid or even suffering.
|
||||
|
|
||||
|
|
||||
|
Pygmalion and Justine Part Four and Olalla too! I have some very interesting news to report. I can make it official now. OLALLA is heading to MEXICO. It has been selected to be part of the Latin American Features Competition at the FERATUM FILM FEST. OLALLA will be competing with 5 other South American films, 2 from Argentina, 1 from Brazil and 1 from Peru, 1 from Chile. It's also competing with 10 other films from all over the world. Amy is very excited, of course, since she'll be traveling to Mexico to participate, present the film, give interviews, and so on. A great time for us all, indeed. OLALLA is getting some very nice international recognition.
So, Amy's vacation now is a plan. You'll be seeing a lot of promotion for OLALLA in the next few weeks, as we prepare for the moment when the film will be shown at the festival. If OLALLA wins any prize, and they have many, it will be screened at a Mexican cinema circuit for a whole week. Cool, right? Other benefits of the festival are that there will be a lot of journalists, distributors, cinema houses representatives, film festivals reps, and so on. It is a big deal for us, indeed. So, we're in a celebratory mood right now.
Another reason to celebrate is our new production, PYGMALION, with two more days of production left, just to tie loose ends, the film is already in POST! And it is looking beautiful. The cinematography is just fantastic. One thing that passed through Jac's and Amy's mind when they saw some of the stills Miguel sent their way was The Story of O!... Yes. There's one scene in PYGMALION where Jac is putting a corset on Mila and the image is so striking that it immediately made Amy and Jac think that a new version of that famous novel could be made with Amy adapting and directing it if she got a hold of the rights.
PYGMALION takes a different direction from our previous work. It's funny, it looks beautiful, the stars of the film look awesome and although it implies an S&M relationship or two, it's mostly about the frustrations of a man that tries to create the perfect woman for himself. Having failed once, his second time also seems to be on its way to disaster. It's the story of PYGMALION, the ancient play, as it repeats itself over and over again. Mila, the female lead, looks beautiful and so does the supporting actress and director Amy.
And, now I can talk about the most talked about work of ours here in this forum: JUSTINE. As I write this I see we're stuck on the 42% mark with $8,389 raised in almost a month and a half, with still some time left to raise more. We're 58% short of our goal. Those 8,389 dollars raised are a great sum for us, of course. If we add the $ 5,800 raised previously, we have a nice budget for the film, but it is not enough for what Jac has in mind. We do need to raise more. We'd love to pass the 50% mark of the goal. At least.
Sometime ago THE WHEEL was sold out. From that moment on that scene began to take shape in Jac's mind, since there was the certainty that there would be enough funds to make it grand. The 2,000 raised is not all the funds that will be used for that scene, of course. It simple helps pay to construct the famous Wheel, set it up and line up the cast for the scene. A good percentage of the rest of the money raised plus whatever else is needed, is going to be put into this particular scene. What kind of Wheel and who is going to suffer on it, and what will happen to her or them while on the contraption is the matter that concerns the creator now. He spends sleepless nights trying picturing the story. And what's most important, going over the scene, in his head, to work out the details. Construction of the Wheel will commence next week. That's what I heard.
Another perk, The Rack, was also sold out, and in addition, another contributor rose to the challenge and added 200 to the perk with the intention that said funds should be used for some feet torture, either coals under the feet or bastinado. But a cry from many came up suggesting a roasting torture under the rack, like in Red Feline Faces the Inquisition. More to think about between now and the time our crew starts building the set. The roasting bit is not a bad idea, but the 200 are already committed to the feet, so, wouldn't it be interesting if we set up a quick perk for the roasting torture? So many possibilities, right?
One perk that seems to be lacking enthusiastic support is The Cross. Depending on our personality, this perk is either half full or half empty. Jac is a positivist, for him it is half full and has the potential of filling up before the campaign is over. He does trust the fans of crucifixion. What he has in mind for that particular perk is EPIC in the real sense of the word.
What is left I guess is to define the rest of the movie, because those three perks do not make the complete film. The story of JUSTINE is very complex and long, a lot happens and it has to be condensed to the 100 minutes of film. And what is clear is how it will begin and how it will end. Not so clear of where. That will depend on the available funds. Locations are important and they cost money. Remember OLALLA? The film that is now going to have a grand screening in Mexico in a grand Festival? Well, we raised the funds for the BATS scene which included a great location. That location was particularly expensive. It cost more than half of the funds raised.
The same goes for JUSTINE. We already have the funds for a great location, Rodin's Dungeon, interiors, which will be used for The Wheel and The Rack and other additional dungeon scenes that are in the script.
The Cross is not included in the dungeon. The Cross is meant to be set in exteriors, in a great location where we have to travel, all the cast and crew, and lodge for at least three nights. That costs money. Mila's crucifixion in Dead But Dreaming was expensive, and Jac could not do what he wanted in two days. He needed four, at least.
If we do not have enough funds, we'll have to move The Cross to the one location that is in the middle of the city, The Dungeon.
Joek0 @Quoom Thanks for the great new artwork! Your older roasted rack scenes with Camille were still great and are a classic of yours, but your new rendition of this torture is just as good if not better. Thanks for your thought on the movie. I agree with you that Camille/Carmen is an awesome actress. She was awesome in RFOTC and Martyr. I have yet to see all the Inquisition films except for part 3, but what little I did see is still awesome and Camille does a great job there as well. Camille was at the forefront of what we're doing. She started Red Feline with Jac and worked very hard for many years to make it grow. At one point she decided that it was time to concentrate in other matters, so, after working in two feature films in 2002 and 2003, she settled in Paris where she began doing theatre, became an editor for many artistic films, acted in a few and began a family of her own. She is interested in acting in future films with us, like her sister, Vero, is doing. But for now, she's happy where she is.
Quoom @JoeK0: okay, thinking back to this beautiful scene with Camille I couldn't hold back and spent my Sunday with working on a new interpretation of this roast-rack... My thoughts to the movie? I can only give a very subjective report: for me it is the best movie ever done! Yes, the video-quality should be better, and also yes, it is quite dark. But this darkness is something I really like; for me it gives much more mood, than a fully bright-lighted scene. And the look and the acting of Camille... this I cannot imagine to be done better. Yes, the old films, particularly the inquisition series with Camille and Gabrielle, have an atmosphere that JJ wanted for those films. The dark tones, the ciaro oscuro style of photography, and so on. Unfortunately, the kind of equipment available at the time was not sensitive enough to get a better image with low lights. We have great equipment now, cameras, lights, gadgets, that were a dream for Jac back then. And even better than that, we have an expert crew that handles the work. Can you imagine JJ acting, shooting, setting the lights, changing the lights when it was necessary and having either Camille or Gabrielle working with the camera, naked and full of bloody marks? Yes. That was then.
Joek0 I also encourage everyone to donate to the Justine campaign. Making a movie like Maleficarum and Justine costs a lot of money. Amy and the gang have proven that they can make a great GIMP film. If you plan on buying the movie, just buy it now to help fund the movie. Any donation goes a long way to making the film GIMP worthy. Like Ralphus and D. Santorum did before, I really like the work Pachamama Films does and I believe that this is a great way to fund a torture scene like those 2 chose to do. I already gave $500 once for the Cross scene and I plan on giving $1000 more towards more torture. Which tortures depends on what options are left behind. I encourage you to click on the "Click here to torture Amy" banner and donate towards the movie. By the way Ralphus, who made the banner for the Justine IndieGogo campaign? I look at it every time I visit the page. Thank you Joek0, your support is encouraging. We have three Associate Producers now, and we hope to have at least one more. But everyone can contribute with as little as 1 dollar to the cause. Of course we prefer you buy a Download or DVD for less than what it will be when released. Any contribution helps!
Stevie450 Come on, people, let's have some support for Justine! D. Santorum (8331) and Reine Margot (8297) are correct: quality GIMP films are not big money makers, believe it or not. If we want this to happen, we need to put some money where our mouths (or whatever) are! I've contributed over $500. A lousy $25 now buys you the download later. A lousy $30 now buys you the DVD. Every buck matters, so think about it. If you're reading this, you can afford a computer; if you can afford a computer, you can afford a $25 contribution! That's the spirit Stevie450, everyone can contribute even a little to make JUSTINE happen. We're counting on our fans to make Justine happen!
Another way you can contribute is going to our site and get one or more of our amazing movies: http://dvds.redfeline.com |
||||
|
Sad news; just saw that Yvonne Craig, the original Batgirl, died at 78. |
||||
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
People may want to scroll down to read my recent post, before it gets totally buried. |
||||
|
Hi, everyone, Regarding the illustration of the day... No kidding! [www.retrocrush.com] It DID existed! Do not ask how I know. Regards to all, El Wananchi |
||||
|
|
||||
|
Redshep: Thanks for the info! I can't believe that after all this time there are still sites like this that I haven't come across. In my combing through the site I've found a couple more electro scenes, but none even close to as good as the "160" title I posted earlier. Too bad there isn't an easy way to search these sites (that I can find).
|
||||
|
Fritz wrote: This makes the Siskel-Ebert feud between Howie and me look positively substantial by comparison. Come to think of it, I haven't given anything an A+ grade in a while. I'm still waiting for that standout film for 2015. |
||||
|
|
||||
|
The recent posting of the Cuthbert Simpson rack picture is convenient as it illustrates (upper Right) the “Scavenger’s Daughter” (Instrument of Iron) I mentioned in my posting re-racks.Is it always necessary to have the victim on a rack? Why not a simple ropes job that will hold them ready for whatever you have in mind? Something like this I imagine (or at least Hogtied did) |
||||
|
@Margot Glad to hear about Mexico. I already contacted Amy regarding the festival. For those of you who have yet to see Olalla, check out my review linked in the post. Olalla was my first review here. I would love to see a roasted rack in Justine. I hope you make a perk out of it. I'm sure our fans of fiery peril will consider contributing to it. Thanks for even more info on Pygmalion. I already spoke with Amy online about it and assured her that I would buy it since I love the stills seen so far on FB. Iknow that there is no GIMP, but I loved Sirwinakuy and I know that Pygmalion will be just as good. even without the GIMP. ********************************* Ralphus has given me the go ahead to post the following poll. He'll make it official soon. Poll: The rack scene in Justine is fully funded. Once you have a girl up on the rack what do you want done to her other than being stretched. Instead of All of the above, list them in the order based on preference. A. Whip her B. Hot wax torture C. Roast her from below D. Use a pear E. Foot Torture (roast and/or caning) F. Brand with a hot iron G. Prick her with a sharp object. Margot really liked the previous poll since Jac and Amy were able to use the info collected to see what interests the forum regarding the Wheel torture. I plan to do the same since I am 1 of the 4 people who sponsored the rack. My answer is all of them. Here is the a list in order of preference. C,F,E,B,A,D,G As you can see, my most favorable choices are of the fiery variety. After seeing the caps of Camille in the Inquisition movie, I am imagining Amy or Mila given the same treatment. |
||||
|
|
||||
|
This has little to do with GIMP, but I hope you'll enjoy the song as much as I... |
||||
|
THE JUSTINE MOVIE:Stevie450 stated that everyone could afford $25. Margot replied "that is the spirit." Well, the bodyguard and I put up what we could, a bit less than our usual monthly purchase of online website material. A bit less because I'm currently working mininum wage two days a week and lost two days work because of a bus strike and another two because of excessive heat. But we wanted to help Amy, and if we get a DVD out of it thanks, but not necessary. But the point is, not everyone can give $500 and get a nice title on the screen, but we can give what we have to spare. As for Amy doing Story of O: if you're going to continue doing adaptations of famous GIMP books, why not try John Willie's Gwendolyn? It certainly deserves a better rendition. |
||||
|
Joeko the D. "use a pear" selection maybe should be tit torture for I don't believe Amy has ever done any kind of pussy torture and also none of her rape scenes have actually showed penetration. But of the choices listed I take in order C, A, F, E, and much less B and G. In the Red Feline movies I saw with Amy there were no dicks to be seen much less penetration which tells me you won't be seeing any pear penetration in Justine, either. I'm not a big fan of pussy and anal torture so it's not deal breaker for me if Justine doesn't have any. Perhaps please we may see Amy on a hot seat pictured between the rack and the wheel. Bill K. |
||||
|
Yvonne Craig passes away: That's very sad news. I recall years ago when we had a poll question as to what our earliest bondage influences were, and Batgirl came up several times. Of course, the show was campy to the extreme, and nothing really bad ever ultimately happened to Batgirl, but some of the classic damsel in distress situations they put her though had to have aroused many of us seeing a pretty girl in bondage for maybe the first time. And of course, between her and Wonder Woman, millions of future GIMPers became lifelong fans of the superheroine genre.----------------------------------------------- Here's Joek0's poll, now officially on the board in pretty colors: GIMP POLL: The rack scene in Justine is fully funded. Once you have a girl up on the rack what do you want done to her other than being stretched. Instead of All of the above, list them in the order based on preference. A. Whip her B. Hot wax torture C. Roast her from below D. Use a pear E. Foot Torture (roast and/or caning) F. Brand with a hot iron G. Prick her with a sharp object. I think this is an important time to sound off, since Jac and Amy will be tuning in to get ideas. This is your opportunity to have a say in what happens in the movie. I would vote F, C, E, A, E, G, D and B. I think candle wax is too mild for a scene like this, and there's likely no way they would ever use the pear. But the others, particularly heat related tortures, are all winners. Okay guys, your turn. |
||||
|
On reading about Batgirl, I admit she only came on the scene after the time I got tired of Batman, so I don't remember seeing much of her at all and I'm afraid she didn't really press any of my buttons. I guess she was a bit too what you Americans would call preppy for me.One I certainly do remember was the delicious Emma Peel! Now she really did introduce to the most salacious avenues a young fellow could wonder down. Each week some dastardly dude would subject her to a devilish torment of some kind or other. I remember her being ducked in water, held down for a branding and the guys periodically testing to see if the iron was hot enough, shaking his head and returning it to the flame and another where she was locked in a bridle. That may have been in the same episode as the ducking actually. Of course, all this stuff was tame indeed when compared to the sort of sad, sick shite I crave and love now, but it made for great viewing when I was 8-10 and augmented my early love for pirate films which often had a good whipping in them and I could imagine Emma Peel on board instead of some geezer. I just wish the enclosed pic was a real screenshot. You can bet if I had been directing it would have been. For the poll I'll go E F and D. The whipping, which is a must have, should be done off the rack. Truss her up and do the thing properly man. |
||||
|
|
||||
|
Been away for awhile, Ralphus, and wanted to post something to avoid yet another scolding from you about being nothing more than a Lurker….. Regarding the poll: I agree that (D), “Use a Pear,” is highly unlikely to be selected by the producers as a torture. For one thing, the logistics would be difficult, I should think, if the legs are stretched out straight as is the typical position of a victim on a rack. Also, since predominantly all of the pain to the GIMP is internal, I don’t think it would work well visually in a movie. Nonetheless, contemplating the use of a pear is highly intriguing. As far as the other options presented: I also agree that (B), “Hot Wax Torture,” is too tame and suggests consensual bondage play. Now, using molten lead or acid on the other hand…… (E), “Foot Torture,” I suppose could be entertaining, but I would combine that with either (F) and/or (G). Simply caning her feet, while certainly painful, I think would become rather boring to the viewer after a little while, and I don’t know how one would “roast” feet without running the risk of setting the rack on fire. (C), “Roast Her From Below,” sounds quite promising and, as we have seen in Maleficarum, a roasting scene can be filmed rather convincingly. It’s difficult to imagine a GIMP movie without at least some obligatory whipping, so (A), “Whip Her,” will surely make the list. OK, for what it’s worth, Ralphus: My order would be D, F, C, G, E, and B. And, on a totally unrelated matter: My gosh! Did I lead a sheltered life, or what? Your picture of the GIMP on the rack with the large “Aurora” logo in the corner. I recognized the “Aurora” logo immediately, as I spent countless hours of my youth with my Aurora HO slot cars as they shot around my model railroad (occasionally losing the race to the grade crossing….) Little did I know that those wonderful people at Aurora Plastics were sick fucks like me! |
||||
|
Been away for a bit but seems like this place has been busy! Great posts, special shout outs to all the Yvonne Craig memorials, Fumetto's manips and Kathyrne's wicked axe scene |
||||
|
GIMP POLL:With the girl firmly stretched on the rack I will begin with (A) a good whipping. In a proper torture scene the whip is excellent as a warming up. When she can´t take the whip any more, I will continue with the pear (D). Contrary to those who think it not is possible to combine the pear with a rack possition, I would have put my girl in a rack with her legs spread wide apart. Sorry to say, the rest of the list in the poll is not my cup of tea, so I have to suggest my own continuation. From pussy torture I will go on with titt torture and (among other things) stretching her nipples with clamps hanging from above. Next Point on the list is to make an electrical curcuit between the pear and the clamps and let a good amount of current shake her body. And last: dont forget that rape is a very efficient torture method (as well as rewarding for the torturer). |
||||
|
Various contributions: Poll: A, F, C, D, G. Whipping and hot irons, most definitely. Roasting and the pear (OF COURSE the wench should be mounted with her legs spread!) is a yes in reality, but not for Amy. I agree with pcv that waxing always seemed to be tame consensual BDSM stuff I associate with wooden clothespins. Acid/molten lead an excellent alternative. While common and excruciating, I never was a foot man. Also agree with Suspender: Rape for sure, mainly as a perk for the torturer, as torture for the girl, gravy. Yvonne Craig had one of those faces that would look great grimacing in pain--not all gimps do. Add to that she had a reported 37C bust over a 23 waist all on a 5'4" frame (and my personal love of breast torture) and my previous inclusion of her on the fantasy list was a no-brainer. This takes nothing away from Emma Peel, Greg; she was another character just BEGGING for nude torture. Aurora not only offered (not for long, true) a dungeon with female victims, but even a working guillotine with detachable head so it could be "played" over and over by the precocious child. |
||||
|
Some weeks back, I watched Charles Band B-movie "Trophy Heads" has some nice topless GIMP scene. It is good scene but good enough if GIMP actress is in full nude. ![]() ![]() Last week I watched another B-movie "Werewolf Rising". I noticed the same actress did FFN scene (In online versions, scene is removed.. don't know why!) I wonder why many of the Mainstream GIMP scenes are not full nude
|
||||
|
|
||||
|
[putlocker.is]sorry not good with the html stuff....but while the whole (shitty) movie contains an extremely attractive blonde victim being tortured...my favorite scene starts at about 34:47. I've heard this movie is looked down on by GIMPers...maybe I'm just a weirdo but this is one of my favorite mainstream scenes. The attractiveness of the victim, the whimpering and muffled pleading, the way the first needle clearly causes so much pain and we know that theres at least 10? more of them.... Most exciting though, is that it is clearly implied that the needle is being put into her breast. The big tragedy of this scene is that it was shot so dark. I'm including a screenshot that I brightened up a bit. I love the reaction when the bad guy shows the victim all of the glinting needles (they are huge!!) he is about to push into her sensitive parts... If anybody who is good with video editing cares to brighten and clean up this scene, maybe we can see more of what's going on. Ive been trying to no avail, but I'm not very skilled at such things |
||||
|
Oh, and for the poll...D, G, A, F I guess I'm weird with the whole needle/sharp stuff thing |
||||
|
GIMP POLL: In this order A, G, F, C, D, B, E. Actually the last 4 are worthless in my mind. One not listed but ideal humiliation for the lady would be to shave or prick her pussy hairs. Not a thing she could do to protect herself, and would love to see her scared face as the torturer goes back for more hair. |
||||
|
Totally agree with JW.This movie doesn't have a lot to say. But this scene...really gets what I want to see. The victim's nipples are covered for some weird reason and this...makes her bound position even more sexy. The way her breathing makes her squirm and wiggle is almost hypnotic. From this movie there are also some short pics of women chained/tied/tortured but they last less than a second (you can see them when a new guy opens the site). Cheers |
||||
|
oh my Matteo.....thank you so much for that! I read that the movie needed multiple trims and appeals to get an R rating....what do you bet that this scene was much longer originally? There are great frames in those montages btw....maybe I can post some later. I believe there is a naked woman wrapped in barbed wire, a close up of a needle going into a breast, naked woman electrocuted, scalpel to a woman's face, naked woman laying down with the bad guy raising her legs up in the air....probably many more that I never found. That needle scene though is the best. The scream is epic, and the next time we see the victim she begs for death, so we know it was bad |
||||
|
Also, I totally agree that the strap actually makes the scene sexier. Leaves more to the imagination...does it eventually come off? I always imagined that it was there to slightly compress her boobs....make the needles that much more painful.... |
||||
|
Breaking News! Yesterday Amy directed herself in three very hot scenes in Pygmalion. Almost a Gainsburg/Birkin recreation, a kind of je t'aime non plus scenario. Her new film is looking just wonderful and after the big push she and Jac will get from the festival in Mexico, I'm sure our less gimpy movies will hit the bigger market. Is that the future for us all? We're are stuck on the 42%. Meanwhile, Jac is beginning to sport the look he'll have as Monsieur Ronin, pictured above with Amy in the hot scene in Pygmalion. But, as the days fly and our goal is not yet reached, not even 50%, we begin to feel the airs of disappointment. I'm sure Jac will make whatever funds we manage to raise work very hard for the film and Justine will be an amazing movie, no matter what. But we'll always wonder what could've been if we had more funds. Like when Jac made Martyr. He had an amazing idea but didn't have the funds to carry it out, so he settled for a smaller film, a masterpiece still, but smaller. There's a lot of talk about what could happen to our damsels in distress on The Rack or The Wheel, but nothing yet to back that up. We have our great Associate Producers, we have a total of 51 contributors, 21 from this very forum, including, perhaps, all of our Associate Producers (only 2 contributors from CruxForums for a total of 63 bucks and 0 from Crux Foundation, which tells me that maybe we don't have a lot of support there. I know some of the people here also are part of those two forums, so... But still, 0 zero) ??? And I've been campaigning hard there too and my posts have hundreds of hits... and yet... Ok, enough complaining. Thank you to all our contributors here! We're still counting on our fans to make Justine happen the grand way! Another way you can contribute is going to our site and get one or more of our amazing movies . |
||||
|
|
||||
|
Poll response With her stretched out on the rack, I would start with C slow roasting from below A soften her sweaty body up with a whipping E Cane her feet D Insert the Pear F finish her off with the brand I'm not too interested in hot wax or pricking with sharp objects |
||||
|
For fans of ET, there is a fine clip from the Spanish movie Los dueños del silencio (1987) available on YouTube. I haven't seen this clip, but like all mainstream clips, it's very well done, with good lead in, but way too brief. One can find the whole film, in which the scene of interest is at the end, or just a clip of the ET scene.Perhaps JD can put it on zippyshare. |
||||
|
T submitted the Dungeon Song, so apparently musical sadism is OK. I wrote this for my old blog when the question of favorite tortures came up. I sent it to Ralphus a few months ago and he called me a sick fuck. Praise indeed. My Favorite Things (Tune from Sound of Music movie) Whip a girl's body until you draw blood Increase the force till it flows like a flood Hearing her squeal about how the cat stings These are a few of my favorite things! (Chorus) Nazi electrodes and wired up nipples Adjusting the dial to make current that ripples Continue the torture until the bitch sings These are a few of my favorite things! (Chorus) Inquisitors Questioning, looking for sin Hot glowing irons they press against skin Dark chambers crafted by catholic kings These are a few of my favorite things! (Chorus) Stretching a witch facing up on the rack Turning on thumbscrews until the joints crack Then hoist by her titties with ropes tied to rings These are a few of my favorite things! Chorus: When there's no fucks And no cock sucks When I'm feeling mad I simply remember my favorite things And then I don't feel so bad Not exactly G-rated Julie Andrews stuff. |
||||
|
whip her |
||||
|
|
||||
|
So I don't know how to post multiple pics in one message....but I am going to upload a couple of the stills I got from Feardotcom as promisedNeedle in boob? if only the actual torture scene was this clear! ![]() Ouch ![]() Barbed wire ![]() Same girl, different angle....not bad for a mainstream film I must say! ![]() Another good shot of this boner inducing scene...I don't think I could ask for better breasts to see tortured ![]() This is later in the film...after the needle torture scene. The bad guy continues to slice up and generally torture this girl. Unfortunately its mostly all implied....but my imagination definitely has fun ![]() Last one. Hopefully there are more GIMPers out there who find this as exciting as I do....
|
||||
|
|
||||
|
Agreed Matteo. I just put those pics up of her at the end because it hints at other things...we see marks and bandages that were not there before. Plus she just looks so hot. But yes, I can't tell you how many times I've fantasized about exactly what her "treatment" consists of |
||||
|
Nice clip from "Gloria Mundi" JD, this time definitely South American in style!! Don't you just love the hapless female political prisoner stripped naked and at the mercy of a room full of men...... |
||||
|
Ed (post 8558) BRAVO! Over the years I have been required by the Spousal Unit (a/k/a “She Who Must Be Obeyed”) on at least three (3) separate occasions to sit through the entirety of that insipid flick (plus, unfortunately, that recent annoying “live” re-hash on TV). OK, I get it: A family of pussies (both female and male) abandons their home and fortune and bugs out to avoid the draft and SING! Thank you, Ed. Now, when they again run that stupid flick at Christmas Time this year, I can at least mentally plug in some appropriate words to that appallingly boring song. Any chance you can provide lyrics for the rest of them? (My only fear is that, when that scene comes up, She Who Must Be Obeyed will misconstrue my smile as “Enjoyment of a Classic Movie.”) |
||||
|
|
||||
|
I like the strapped-down girl with the strapping over her boobs JW. Always been a fun of the "Scientist Gone Mad" or sci-fi style bondage & this one ticks all the boxes. |
||||
|
Well, it appears that we have reach the attention limit of this forum. Tomorrow is the last day for Pygmalion, we're getting ready for the party and beginning Monday we begin pre production for Justine. I think I did my part in promoting and the last few days were not as successful as before, other matters have taken the attention of the members here. I will return sometime in the near future with news of how things are going. Until then.
|
||||
|
Ever since I came to this forum in late May, I have enjoyed many of the things this lovely forum has to offer. I have finally found time to start reading one of Eda Chang's stories. From what I can tell from what I read so far, I really enjoy the way she tells a story. For me, I am one of those who can't handle the clutter of having a large collection of physical books. That is why I love my Kindle. I can read and store so many books on the go. I've been tinkering around with turning internet text stories into an ebook format you can read on a Kindle or any other ereader. I finally found an easy way and tried it with Eda's stories. I successfully converted one of Eda's stories. For me, reading long stories on a computer screen or phone screen is bad for my eyes. Ebook readers are much easier on one's eyes. I want to know if there is any interest for Ralphus to post Eda's stories in an ebook file that can be downloaded. Eda has given her blessing as long as it stays on the GIMP forum. If you are interested in the idea of reading Eda's stories in an ebook format, post here to let Ralphus and I know. I don't want to pursue this if there is no interest. Also post about whether you prefer physical books or ebooks. |
||||
|
Latest GIMP Poll results: It's early so far, but the top three responses are... A. Whip her F. Brand her with a hot iron C. Roast her from below Keep those answers coming in, it's very possible they may have say in what ends up on the screen when Justine gets produced. You guys may control the destiny of the film, but only if you vote. ----------------------------------------- pcv wrote: Over the years I have been required by the Spousal Unit (a/k/a “She Who Must Be Obeyed”) on at least three (3) separate occasions to sit through the entirety of that insipid flick Okay, here's your problem to begin with. You call yourself a GIMPer and yet your wife is the one calling the shots? Be a man, show her who's the boss! She's supposed to be the one obeying you! Secondly, what's wrong with you? How can you not love The Sound of Music? Musicals always put me in a good mood, and that one has more great songs than any other film ever made. It's delightful! My only problem with the film...the Nazis are the bad guys, but do we ever see them doing what real Nazis do, which is tying up and torturing half-naked women? All those men's magazine covers are based on true life events, you know. The worst thing we see them do is force the family to sing songs at a festival. Or maybe they were just too intimidated by Julie Andrews' character; remember that scene where she shot up the entire hillside? |
||||
|
![]() JD: Thanks for the latest clip. This is one of my favorite mainstream GIMP scenes. It's typical of mid 70's grindhouse fare, but the masturbation lead-in, followed by full-frontal and backside nudity, combined with the victim's very believable reaction to her ordeal make this puppy stand out from the rest. The nasty coup-de-grâce finale is the icing on the cake. Toolbox Murders even made it onto the notorious video nasties list in the UK, just because of this single scene. Sadly, the rest of the movie is crap. One correction though… the actress is not Marciee Drake, but rather porn star Kelly Nichols in her first role (billed under her real name, Marianne Walter). The Anchor Bay DVD has a very enlightening interview with Kelly/Marianne, in which she describes making her “big screen debut”. And she still looks great today. |
||||
|
|
||||
|
|
||||
|
E, G, A, D, C, F Generally the strategy is to go from lesser to greater treatments, but also to remember that the soles of a woman's feet are quite sensitive. A little attention to them will yield a strong response. And as mentioned before, bastinado/falaka are long-establed tortures, as is putting her feet to the fire. Guess I'm just old fashioned.... With others I would not bother with wax. Two under explored topics are the aesthetic and cultural dimensions of GIMP situations: as I read many of the comments on this board there is more than sexual interest driving perceptions: there is a real aesthetic that holds that certain view, poses, expressions are beautiful. Gleaming skin, certain expressions (wide eyes and mouth), a naked body stretched taut, on rack or by suspension...for some of us, an exposed nipple or bared sole. On the cultural side I am thinking of the place of torture in the some Native American cultures. Captives would be tortured horrifically, and would understand their role in that symbolically significant event. To suffer well brought honor, and to suffer badly or without fortitude or endurance was dishonorable, morally repugnant. We often think of torture as degrading, but that is a cultural judgment, and there are other cultures that make other evaluations of the process. Being tortured allowed one to show one's strength and to play a key role in a culturally meaningful event. OK, enough lecture...just wishing to express that perspective, which might explain in part the love many here feel for Amy. Cheers, P |
||||
|
Ralphus @ Post 8570 Your point about me is well taken. But I still think The Sound of Music sucks...... |
||||
|
My poll response: In order of preference (as opposed to order in which they should be inflicted): D, C, F, E, G, B, A. |
||||
|
|
||||
|
Ralphus asked: How can you not love The Sound of Music? I had a SERIOUS pre-pubescent crush on Julie Andrews c. Mary Poppins/Sound of Music ('64 - '65) After my latent sadism kicked in a few years later, I still thought she was beautiful, but like Natalie Wood, not a viable gimp prospect; just not a face I could fantasize about twisted in sexual pain. Redoing My Favorite Things a la a sadistic Weird Al Yankovic was one of those things that just popped into my mind when the topic came up in my dead tumblr blog; the scansion and rhyme scheme was perfect. (Sorry pcv, none of the other songs have the same promise.) Provost observed: On the cultural side I am thinking of the place of torture in the some Native American cultures. Years back, I read Mannix's The History of Torture (also in my formative fantasy years--closest thing I could find to sadism porn) and remember a couple of American Indian stories. In one, he mentions how the Chiefs would have to warn the younger bucks "not to take the squaws back into the woods, an early indication of the erotic influence of torture." Along the line of To suffer well brought honor . . ., Mannix offered a cruelly amusing anecdote of a Mohawk brave facing Huron torture "contemptuously squatting over the cooking fire and singing until his genitals roasted off. The Hurons were so impressed with his courage that they considered making him a part of their tribe, but finally decided he was ruined and tomahawked him instead." |
||||
|
The rack scene should commence, of course, with the stretching. Once stretched, she should be whipped as this makes for a good song and dance routine. After that, the tension should be released somewhat (we don’t want her flopping around like some fish-out-of-water) and hot irons or pincers should be applied (this could include the soles of her feet, as in Mark of the Devil). After that, some more stretching and whipping, and then the pear. I do not see how you can sear her from below, since the rack is a wooden instrument in its classic form. Unless, of course, there was a special opening like in the burning scene in Joy of Torture. |
||||
|
A few quick hits to remind everyone that I'm still around. The poll question: My choices are A, followed by B. Nothing else on the list appeals to me. The '60s: I was very much into Batgirl. The Von Trapp family? Not so much. |
||||
|
|
||||
|
May Yvonne Craig be remembered as a beautiful, talented actress and ballerina.For more superhero bondage check these sites [doppelgangerx.tripod.com] [charma2.tripod.com] |
||||
|
@bout rack scenes: 1, torture her boobs 2, torture her feet 3, cover her in clothespin 4, whip the clothespin off 5, electrical torment |
||||
|
Don Toby your post 8583 rack picks are absurd. You do know that the Justine movie take place in medieval times, right? Cover her in clothespins and whip the clothespins off? Really! Electrical torment I think Ben Franklin was the first to get shock torture and he did to himself around the turn of the 18th century. Bill K. |
||||
|
Don Toby I believe you must have been talking about modern today racks in general and not Justine so then I apologize for my last post. I have a history of commenting before I read what is really said. So sorry. Bill K. |
||||
|
Answer to Justine's poll: Foot torture, the soles the feet are incredibly sensitive on most women and often an overlooked area. Heat torture is a particularly satisfying form of torment and my vote goes to that, good sir. A good roasting from below never hurt either, but I much prefer the damsel placed naked in a metal cage with the flames beneath her, heating the floor and forcing her to caper and dance about frantically. I wager that after just a few minutes a woman would submit to just about anything to be released from the cage. |
||||
|
Hey, Masamune, what is from GIF from 8581 from? |
||||
|
|
||||
|
|
||||
|
to ssmith2010: It is from: This One Won't Run Away - Cherie DeVille |
||||
|
GIMP Review Deadly Interrogation Warning! This movie is not for the faint of heart. If excessive blood and gore is not your thing, I advise you to not read the review or to watch the film. Deadly Interrogation (PKF Studios) is the first movie in the Deadly Interrogation series. The first 4 movies in the DI series was commissioned by GIMP forum regular Fritz. The movie was directed and produced by JohnM. As the movie opens, we meet a lovely female spy (Paris Kennedy) in her hotel room who is speaking to her client regarding a serum that she was hired to steal. As she tries to arrange a pickup, she is interrupted by a knocking on the door claiming to be room service. Before she answers, she hides the phone elsewhere. She then hides the serum by inserting it up her pussy. When she goes to answer, a man (Allen Wright) suddenly appears in front of her with a gun pointing towards her. He forces her onto the hotel bed in an attempt to get the location of the serum. As she refuses, she repeatedly get punched mainly in the head. The effects used were pretty well done. Paris really knows how to act as she moves the rest of the body in a way that makes it appear that she is receiving a brutal beating in the face. Her screams are well acted as well. The bruising effect are decently done as well. He picks up her unconscious body elsewhere to be interrogated. ![]() At the captor’s hideout, he is preparing to setup an interrogation which includes filming it. While he is setting up, Paris is lying unconscious on the floor with her hands cuffed behind her. He then wakes her to question her some more about the serum’s location. She still refuses to tell him. He punches her face some more. She even tries to seduce him to escape her peril, but he just calls her a slut. ![]() We than see Paris sitting in a chair with her hands cuffed behind her and her legs shackled. The captor starts by beating her with a baseball bat to her bare chest. He then beats her back next with the bat. A brutal beating from the bat causes her to bleed from the mouth. She still refuses to talk. Paris’ acting is so convincing as she is receiving a brutal beating with the bat. Her body movements and screaming convey the agony she is feeling. ![]() The captor begins to rip open her dress. She is left only wearing her panties. Our captor un-cuffs her hands so that than he can crush two of the poor girl’s fingers. Paris screams out in pain, but still refuses to talk. At this point, I expected to see the captor cuff her arms again behind her back, but her hands are left unrestrained. I expect proper bondage in this type of film. ![]() Getting nowhere, out captor rips open her panties to torture her some more. He grabs another menacing looking tool to torture her with. Without her panties the serum falls out of her pussy. The captor finally gets what he wants. Our captor tells Paris that the serum allows one to increase their sexual pleasure, but it also increases one’s own tolerance to pain by tenfold. He demands to know who she is working for. She refuses to talk. He injects her with the serum so he can use more extreme tortures on her. He begins by using the tool to grab and pull on to her left nipple. He pulls very hard, but not enough to tear it off. He does the same to her right nipple. I still find it odd that the captor has yet to restrain Paris’ hands by now. Bondage is important in a GIMP movie. Paris still refuses to talk. ![]() Our captor decides that it is time to use electrocution torture to make her talk. He taped electrical wires to each one of hers breasts. Our captor finally decides to cuff her arms behind the chair. Having Paris’ arms un-cuffed was an odd choice by John as it doesn’t make the scene believable without the proper bondage. Luckily, the bondage is much better in the future episodes in the series commissioned by Fritz. ![]() He now begins to electrocute her, starting with a low dosage and steadily increasing it as time goes by. Unlike DI2, John does not use the sparkly electric effects. The only effects used were the sound and body effects which I found enough to be convincing. Paris’ screams were also a pleasure to hear as she is going through the electrocution. Our captor tells Paris that the machine was only set to level 2. Paris still refuses to talk. He raises it another level. Paris begins to scream louder as she tries to endure the pain. He then leaves her alone for a bit while leaving the machine on to torture her. Paris is screaming and flopping around as the electricity is flowing through her body for a good period of time. ![]() He returns to check up on Paris. As he turns off the device, she begins to drool uncontrollably. He then tells Paris that he is going to set the device to the maximum level. Paris begs him to stop. He ignores her wishes as he is having way too much fun. Her body is shaking very uncontrollably. As her body convulses from the electricity, she begins to foam at the mouth. After a little bit, her mouth begins to foam up with her blood. After all that, she finally decides to talk. ![]() After he gets all the info he needed, he refuses to let her go as he is having way too much fun torturing her. He also wants to test the limits of her pain with the serum injected in her body. She pleads to be released, but it falls on deaf ears. He injects her again with more of the serum. He then takes out his gun and begins to shoot her right breast. He then moves to his next target, her right thigh. He then moves onto his next target, above her pussy. Off screen he shoots her many times in the front of her body. Back on screen, we see him shoot her back. She is all bloody from all the bullet holes in her body. She also drools blood from her mouth. I was expecting a lot of screaming in this scene, but am glad that she didn’t as her screams would be too excessive. This scene was very over the top. ![]() With all the bullet wounds she has, the serum does its job and increases her pleasure centers. He then un-cuffs her hands as she consensually gives him a blow job. I find this whole story regarding the serum and this scene to be very corny. I believe that this scene could have been better if it was left out. He then brings out his gun to her lips for her to suck on. After a little while, he pulls the trigger with the gun in her mouth. She is finally dead. ![]() Summary: Paris is a spy that was hired to steal a serum, but is then caught by their client’s enemy. She is then taken elsewhere to be thoroughly interrogated in the most painful and gruesome ways. Pros: Paris Kennedy is an awesome actress. She knows how to play a strong resistant spy at the start, but becomes a broken mess begging for her life. The acting by the villain is awesome as well. He knows how to act evil and merciless to our victim. Decent special effects and editing to make the tortures look real. Cons: Bad bondage in a few of the scenes. Ruins the GIMP fantasy in those scenes. Story and plot were too corny in my opinion. All the tortures are meant to be brutal, but the final torture is brutal to the extreme. The gun shooting scene is way over the top. Even though the special effects are decent, they got better in the sequels. They are not bad considering it was an early attempt to get the effects to look right. Overall, I would give this movie a high B. The blood and brutal violence did not bother me until the last torture which was very over the top. The special effects and editing were great for their first attempt in the series. Paris and her interrogator were great actors as well. The portion of the movie where her hands were un-cuffed lowered my grade as well. I recommend this movie if you like a brutal interrogations. |
||||
|
Thanks Joek0 - I agree with pretty much everything you said about Deadly Interrogation. When watching it I have to convince myself that Paris' hands are somehow bound during the early torture scenes. Am I wrong or are the electrodes actually attached to needles that are pushed into her breasts? I seem to remember thinking that was a nice touch. And Paris does do a great job. Very arousing in her pain :) |
||||
|
Writing commissions - $15 for up to 2500 words, happy to write chapter stories. Got a fantasy story you would love to see in print? Character from a TV show, movie, or game that you always wanted to read about getting the GIMP treatment? Get in touch with me and we can make those images come alive on the page for you. :) |
||||
|
@DarthSaad When I saw the electrodes being added to her breasts, it seemed to look like they were pinned in with something. The camera angle and what was shown on screen made it hard to tell. I just wrote what I did since that much was apparent. Fritz, the one who commissioned this custom could elaborate on this. I have seen the first 4 DI movies commissioned by Fritz. I liked them all as they were unique enough in the tortures shown. DI3, which was reviewed by Howie, was as bloody as Howie described. I however would not have graded it as high as Howie did. It was still a great film though. DI5 which was commissioned by someone else is one I plan to buy soon. A while back, JohnM posted about one of his most recent films that featured a great deal of GIMP (post 8433). It's called "New Experience"; I saw it and I will say that it is a great film that will appeal to all GIMPers here. No blood and the only real violence the Lightweights may dislike is a small scene where she gets a lite beating with the villain's fists and the death scene at the end with strangulation. I recommend it to those who have yet to try a PKF film. If you ignore the death scene at the end, you will like it. The first half is also mainly AOH for those that like that thing. Cute girl and 40 of the 50+ minutes are very GIMP worthy for the lightweights as well. ![]() |
||||
|
Joek0: Great work on the review of Deadly Interrogation. Paris Kennedy is definitely my kind of spy. There's really no denying that Commissioner Fritz gets some attractive ladies to appear in his films. Unfortunately, the Commish and PKF have thrown in a little too much of the red stuff for my tastes. While I suspect you have made an important point about the missing cuffs, it didn't matter to me as I never got past all the blood. |
||||
|
Thanks for the all those who posted about my review so far of Deadly Interrogation. If you can get past the blood and gore, the movie is a really good film for the most part. It would have gotten an A- or higher is she was cuffed throughout the whole film. Proper bondage is important in a GIMP movie. Glad to see that the sequels fix this issue. |
||||
|
|
||||
|
For those who like reading, the latest chapter of the story WONDER WOMAN: HELL IN PARADISE [darthsaad.deviantart.com] DarthSaad |
||||
|
A brief interruption Just to let you know that there's an interview with Jac at SearchMyTrash where he talks about JUSTINE. We're grateful to all those who are making possible for JUSTINE to happen! Visit our site and get one or more of our amazing movies: |
||||
|
Thanks for the great review. I am not sure why her hands were not bound or cuffed in the beginning. Probably my error. The electrodes were attached to nails that were shoved in. That was an interesting project. I had just launched my company after leaving RueMorgue. This was a project that would have benefitted from the crew and studio space I have today. But, it was just me, the actors, and a creepy section of a basement I was able to use. Had I to do it over, she would have been bound, and lighting more creative. Thanks again for the candid review. I am glad you enjoyed it! JohnM |
||||
|
Pic of the day: looks like the inimitable Lily 101, that sad soul that Insex ruined, wearing something I have rolled up in my closet for rainy days.Paris Kennedy: wasn't there something a few weeks ago about her hideous arm tattoo? This film must have been done before that, and gosh, doesn't her chest look good even with bullet holes? I too hope the series will have less bullets and more breast playtime. Got some questions for the history buffs, starting with this rack, noting the neck brace and spiked roller (for the back?) A few more pics to follow. |
||||
|
What is this?One of my favorite movies is the Charles Laughton version of Hunchback of Notre Dame. I've never understood exactly what boot is placed on Maureen O'Hara, and how it is that even though only a few turns she's able to walk fairly well at the end of the movie. Any ideas (other than the fact that the whole end of the movie has nothing to do with the book). |
||||
|
|
||||
|
|
||||
|
|
||||
|
A very interesting version of the rack, with wrists and neck being slowly choked. But I would think a couple of lines criss-crossing the breasts and one down that nice slit would certainly make her more uncomfortable. Of course do those first so she has an idea of what is to come. (Her death or her own come)
|
||||
|
I believe this is a Bishop drawing. (All others were found without artist name)The bodyguard has a question about this. The lady wears a latex cut out bra. In one of Rick Master's early efforts (Spellbound?) the cute lady wears such a bra which really shows off her delights. However, this type of apparel seems to have disappeared from fashion. Any thoughts on why? |
||||
|
Hi, all, Erodite, the metal thing in your post seems to be a feet-crusher device. Beware of most "contemporary" illustrations; most are based on hearsay. El Wananchi |
||||
|
I have Paris Kennedy's Serum I, Serum II, and Deadly Interrogation. I liked the Serum the most of the three, but it had far too long a build up to the good stuff. But the stomach punch beat down at the end was one of my favorite scenes ever. Paris did a great job in her reactions. Serum II and Deadly Interrogation to me both suffer from the same issues. I have no problem with the bloodiness or the gruesomeness of either movie, I suspect a real interrogation could get quite bloody. My beef is just the opposite of my issues with the Serum I. In both the Serum II and Deadly interrogation we don't get enough set up. There are almost no scenes in either movie with Paris as her lovely un-blemished self. I don't want to see the interrogation start after the victim is bloodied and bruised. I want to see HOW SHE GOT THAT WAY. In Deadly Iinterrogation we hardly see any of the initial beatdown that resulted in her being brought to the interrogation room and in the Serum II, Paris is already a bloody mess BEFORE the move starts. In other words, while personally I can deal with a bit of blood and bruising to add to the realism, I prefer my fantasy victims to not be a bloody mess. I can live with them being that way at the end of a flick, but not so much in the beginning. |
||||
|
@JohnM Thanks for your thoughts about my review of DI1. I'm glad to hear about the issues and history of your work regarding this movie. @erodite Paris started most of her porn career doing heavy peril fetish films. Paris does have a small tattoo above the back of her ass (not shown in DI1). But it is nothing like the big, ugly tattoo she has on her arm now. Fortunately, she got the tattoo after her brief career in our type of GIMP films. As for the later DI series, they get more violent and brutal as the series progresses. Check out the review of DI3 by Howie in the review section. [ralphus.net] @elkcreek Just like DI1-4, The 2 Serum films starring Paris were commissioned by our dear friend Fritz. Fritz can give better details about the 2 part serum movie as I have yet to see it myself. But I do know that the 2 parts are meant to be viewed together. That is why part 2 gets straight to the interrogation scene. |
||||
|
A little history. I first met Paris in 2004. She has just done some softcore work with HBO (Blacktie Nights), and had dabbled in hardcore. At that time, she only had a tattoo on the back of her neck "PIMP"---no idea why, and natural, awesome breasts.She worked with me when I was with Ruemorgue, and after I departed, she was one of the first models I hired. She had recently gotten a boob job. They were much----bigger. She worked for me several times, then moved out of the area and started going a different direction with her acting. I have not been in contact with her since probably 2007. I know she got the bit arm tattoo sometime after that. Anyhow, she was always a joy to work with. I included a link to some photos I took---back in 2004 I think from a Ruemorgue shoot. Needless to say, it was an after party. PARIS CANDID Thanks, JohnM |
||||
|
erodite: that is a picture depicting a particularly nasty method of "breaking on the wheel" The victim lays on that cross thing with his/her limbs over the grooves. The executioner then smashes the limbs into the grooves with the wheel, which would presumably be very heavy. This basically pulverizes the bones in the arms and legs. The victim's broken body is then threaded through the wheel hoisted up for display. This was considered the most brutal form of execution in its day, and was mostly reserved for only the gravest offenses. Personally, I find it to be too gruesome and lacking in sexuality to have any GIMP value. |
||||
|
Deadly Interrogation: As the “commissioner” of this video, I suppose I should weigh in here… Joek0: First off, thanks for the review. It is well written, and fair in my opinion. Though I agree with some of your criticisms, obviously I'm not bothered by the blood or the final shooting sequence. The Deadly Interrogation films and their off-shoots were written to be extreme, partly because I like to push the envelope, but also since there isn't much like them around. What's the point of spending hundreds on a custom to produce something that is already available in many variations for twenty bucks? By now, there must be thousands of titles on Nicheclips featuring a plotless scene of a cheerleader being raped and strangled on a bed. And they keep on comin' – I suppose because that's what most customers like, and maybe because such vids are easier (and cheaper) to produce than more complex projects requiring set-changes, effects, and so on. Still, I'm told that the DI videos have been very successful, so there must be folks out there who enjoy them, just as there are many people who are put off by the OTT violence. Personally, it's easier for me to watch exaggerated, hyper-real peril than authentic action which accurately depicts human cruelty – and this underlies the rationale of the DI films. Of course I know that realistically, the victims could not endure the sort of tortures they suffer in the vids. Then again, there are no flying superheroes either. It's a fantasy, remember? As for the story being “corny”, I dunno. To me, corny suggests Hallmark cards and Frank Capra movies, not the Deadly Interrogation plot. Clichéd maybe? If so, that's intentional. You can only do so much in a 25 minute video, so taking the well-trodden path makes matters easy to follow. I tried to include a few surprises in the DI scripts (moreso in the later ones) but the important thing to note is that there is any story at all. The majority of fetish videos don't bother establishing a narrative, let alone one involving interrogation. Like all the sequels (except maybe DI5), DI provides a set-up and a reason for the heroine's subsequent ordeals – and given the dearth of this type of film, establishing any plot, even a well-worn one, was what mattered to me. The Bondage Thing: Trust me, no one was more disappointed about Paris temporarily losing her cuffs in DI than I was. John already has admitted to the error, but believe me, at no point in the script does it say “remove cuffs from victim then apply again five minutes later”. It makes zero sense for Paris to sit with her hands free, doing nothing to defend herself as Allen blithely continues to assault her – but that's the risk you take when ordering these things. Everyone screws up, including producers who are working under enormous pressure and without the aid of continuity staff. At the end of DI, there are some outtakes, including one in which Paris again realizes she's not wearing her cuffs when she should be. In the final scene of DI3, after Nicole's recapture, her arms are not tied when the script specifies otherwise. I have at least a half dozen bondage missteps in customs I've ordered. The truth is, women don't usually wear ropes, duct tape and zip-ties, so during an all-day shoot, I'm sure they remove these unwanted accessories every chance they get – which of course is just begging for continuity errors. Another repeated gotcha is clothing. The outfit Paris is wearing in DI is some fugly smock John had to use at the last minute because the sexy dress I'd sent him was stuck at customs for two weeks and did not arrive in time. The actress in DI2 not only is wearing her attire incorrectly, but isn't even the girl who was slated to play the part. Thanks to a no-show, John offered a substitute literally on the day of shooting, and he still did a first-rate job. I'm picking on PKF here, but I've had surprises on every custom I've ordered. If you can't live with that, don't buy 'em. As for John, he's as good as they come at hitting the mark, and given the detail in my scripts – which can be five or six pages long – he's always done an outstanding job. Finally, bear in mind that DI was produced in 2006, and as John pointed out, it was one of his earliest projects after setting out on his own. He did not have the resources he has today, and I was amazed at what he managed to do given the limitations. Of course, Paris and Allen (married at the time) also deserve some of the credit. Still, there's the bondage problem, and no matter how understandable it may be, it does detract from the final result enough to knock the grade into the B range. DarthSaad: As John mentioned, the terminals in the Deadly Interrogation ET scene are not needles, but nails. Still, his comment, “the electrodes were attached to nails that were shoved in” is not quite accurate. The bare wires from the cables were wrapped around the nails, and no, the nails weren't really shoved in – it just looks that way erodite: Like I said, DI was shot in 2006, long before Paris' arm tattoos appeared, but after her rather significant breast augmentation. Personally, I think she's at her peak here. Indeed, the rest of the DI series does have less bullets – none in 2, 3 and 5; just a few in 4 – but sadly, there's very little breast playtime (a hint of self pleasure in 2 and a reference in 3). After all, these are deadly interrogations. JohnM: Thanks for the Paris pics. I had forgotten just how, um… modestly endowed she was back then. |
||||
|
@Fritz Thanks for your comments on the DI series. I don't mind the gun scene at the end, but I felt it was necessary to mention of how over the top and brutal the scene was. I said "corny" because I did not know the exact word I wanted to use and I still don't know the proper word to describe the story. "Cliche" is alright, but I believe that a second adjective is needed to express my feelings of the story. Even with my views on the story, everything else made the film really good for the most part (the bondage issue). |
||||
|
@Fritz-thanks for the DI series (along with John M). As an interrogation fan, these setups are what I love to see, especially if AOH is involved |
||||
|
@erodite: In some inquisition documents the rack is described as a device with ropes that are tied around the victim and made tighter and tighter. It is suposedly the method used in the Carvajals case as depicted in the movie Santo Oficio: The complete movie has a longer scene of its application to a man. But apart from a rape, the scene shown in the trailer and a garrote before burning there are not many gimp scenes to be seen. |
||||
|
Latest GIMP Poll results:The following are the leading vote-getters in the Justine poll question: A. Whip her 8 votes F. Brand her with a hot iron 7 votes C. Roast her from below 6 votes E. Foot torture (roast and/or caning) 6 votes Obviously very close, keep your votes coming in. --------------------------------------- Joek0: Your excellent review for Deadly Interrogation might just be the most discussed review we've had here in recent memory. It's a fairly audacious film in the annals of GIMP history so it's been seen by a number of us already. Then not only did we hear from the man who commissioned it, we even got a couple rare appearances from John at PKF commenting on it and sharing personal memories of shooting with Paris (as well as some outstanding early photos, too). I've never seen her with natural tits; she looked really good that way. Such a cute girl back then. Definitely no good reason to buy those overly large implants, and of course, the tats put the finishing touches on the ruination of her body. When will women come to their senses and realize this is NOT a good look? Here's the direct link to your latest review: http://ralphus.net/reviews/other/deadlyinterrogation.htm --------------------------------------- erodite wrote: Pic of the day: looks like the inimitable Lily 101, that sad soul that Insex ruined... Okay, the way you phrased that sentence has me intrigued. Insex ruined? Is there more to the story here? |
||||
|
Elkcreek wrote: My beef is just the opposite of my issues with the Serum I. In both the Serum II and Deadly interrogation we don't get enough set up. There are almost no scenes in either movie with Paris as her lovely un-blemished self. First off, I'm assuming you are aware that Serum I and II are two parts of the same film. The custom was based on a single script called simply The Serum, but was released by COH in two parts due to the length of the final video. In other words, part 1, in which Paris remains largely unblemished and lovely, is 20 minutes of set up, followed by 30 minutes of interrogation and torture in part 2. Serum I not only introduces Paris as an assassin, her mission, her failed attempt to kill her target and loads of other expository information, but ends with what I would guess is a very clear indication that there is more to follow. Granted, part 2 moves to a different set and jumps ahead a bit, beginning with a title screen announcing 5 Hours Later in big bright letters. But those five hours include the time it took to transport Paris to a different location, tie her down, and begin her torture. Do you really need to see all this, and every one of the initial whacks with that axe handle (which I deliberately blacked out to add, um… impact)? I mean, Paris' interrogation goes on for three days, which is compressed into 30 minutes of action in the film, so sorry bucko, but you're going to miss some of it. No wonder you're such a fan of GIGA films, in which every punch is repeated five times in slow motion from several angles. By set up, I mean plot exposition and character development (which The Serum has in spades in part 1). I do not mean showing every last punishment charting the demise of the victim. You're definition of the term is obviously somewhat different than mine. Granted, Deadly Interrogation provides only five minutes of set up for a half hour video, but given the rather elementary premise, that's more than is required. Still, unlike The Serum, nothing happens between the fade from the intro to Paris's recovery in the basement. She awakes with a few bruises she received from Allen in the previous scene, but except for travel time, you're not missing nuttin'… expository or otherwise. So in this case, I have no idea what your “beef” is. * * * * * MAV: Word has it you are a little bit of an AOH fan, so you might check out DI2 and (especially) the beginning of Stormy's interrogation in DI4. Of course bearing in mind assorted cautionary comments currently being posted. * * * * * Joek0: Before her days as a porn and fetish queen, Paris made her living in a sideshow-burlesque act in which she chewed broken glass and endured other RL distress as Painproof Paris… or so the legend goes. * * * * * Ralphus wrote: Definitely no good reason to buy those overly large implants I don't know… I can think of at least two. I have to agree about the tats, though. |
||||
|
I'm glad to hear all this discussion about Paris Kennedy and the Deadly Interrogation Series. Since we seem to have barely any reviews from Rue Morgue that JohnM used to have a part in, I want to review one of Paris' movies in her Rue Morgue days. The only one available that really has any GIMP is Car Trouble. JohnM is actually remastering many of his past Rue Morgue films as a side project and releasing them on Niche Clips. Hope to see some great stuff as I wasn't around GIMP those days. |
||||
|
|
||||
|
|
||||
|
I had a couple moments before I start editing to think "Gimp", and realized that I probably have a lot of on-topic elements from my Ruemorgue days--starting in 1997 though today. I think, at this point, if I count the movies from my other producers, I have over 3000 movies---and I am sure several of those have topical scenes.I wil try and post a little more often as I can think of past movies with scenes you might like. I will try to make some GIF's and put up some images as well The picture I just posted is from a 2 part movie called the Wrath of the Queen. And there is actually a sequel to it as well. Thanks, JohnM |
||||
|
RALPHUS: Last year the bodyguard and I watched a documentary about the early days of Kink (then Hogtied) and Insex. Sorry, we do not remember the title nor on what online site we saw it. The years that it covers I was off line completely being a dutiful wife. but the bodyguard says that he was a fan of Insex and especially liked Lily 101 because she seemed to do more of the harsh experimental scenes. But he quit watching because he says 'PD' just kept getting more vicious with each girl and scene. In the documentary this is brought out quite vividly by several of the girls saying PD went over the top and evidently Lily had an off screen relationship with him then she broke down into drugs and mental instability. While the program states that PD is aware of his extremes and now understands the boundary lines between acting and brutality. I did not mean that PD personally ruined her, but that her experience at INSEX was far too much. Of course the bodyguard does seem to gravitate to the hard cases such as Rain de Grey, Amy at Kshara, and Blakemore's Renee Baker. I'll try to find the documentary. |
||||
|
Hi, everyone, Consider the "Garrote" an execution method, not a "torture". Both categories seem to be subject of much confusion. A procedure aimed to kill the victim, however painfully, is conceptually quite different to a "torture", which is meant to extract information or, at least, a confession (though it may lead to the death of the subject if taken too far). The ingenious, naive and ultimately mostly unsuccessful "executions" seen in classic spies (and superheros) movies and shows may perhaps be blamed to some extent. Regards to all, El Wananchi PD: I later saw Erodite was quite aware of the use of the metal device whose picture she posted. |
||||
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
JohnM of PKF wrote: "I had a couple moments before I start editing to think "Gimp", and realized that I probably have a lot of on-topic elements from my Ruemorgue days--starting in 1997 though today. I think, at this point, if I count the movies from my other producers, I have over 3000 movies---and I am sure several of those have topical scenes... The picture I just posted is from a 2 part movie called the Wrath of the Queen. And there is actually a sequel to it as well."I searched the page you linked and I couldn't find the movie. I even used the name of the actress I recognized (Rilynn Rae). Is this movie not for sale? If it is, can you link it? |
||||
|
@Thomas Chaser Queen's Wrath is so far only sold on Kinkbomb. If you want PKF to sell it on NicheClips, I would shoot him an email. JohnM sells and rotates his big collection of movies among many different stores. To search from his huge library of movies, I recommend joining the PKF Forum. JohnM has to approve you when you register, but he gives a lot of good info regarding his films. NicheClips is a good choice since many other great films reviewed here can only be found at NC. Kinkbomb is easier since creditcard payments are easier there, but the full library is still growing. Give JohnM an email and he will help youout. He is very good interacting with his customers. Luna Vera: I just bought my first Luna film from Deathtrap. I bought what seems to be her first film with the company called Hitcher Girl. Great bondage and strangulation scene. The GIMP scene is very short, but enjoyable. It is also another POV style film. Can't wait to try watching more Luna movies. |
||||
|
Joek0: Queen's Wrath is indeed buyable on Nicheclips.... I just went and checked. It's just that they took the apostrophe out. Simply search "Queens Wrath" |
||||
|
erodite wrote: Last year the bodyguard and I watched a documentary about the early days of Kink (then Hogtied) and Insex. I believe that the documentary in question is "Graphic Sexual Horror". [www.imdb.com] |
||||
|
|
||||
|
Man, how weird that the DI series is rearing is lovely blood spattered presence on this board again, because I actually "just" purchased DI 4 this last weekend. I'd held off on that one because I'd heard from someone on this board, I don't remember who, that Stormy was a bad actress in it, and that it didn't come off that well. Might have been Fritz. I actually think she did a great job in her roll, and is VERY hot. I haven't actually finished the film yet, so I can't give a final score yet, but it's certainly worth the money in my book. Not as good as DI 3, but still quite good. I also own Serum 2. I purposely bought 2 for the exact opposite reasoning as elkcreek. I read what the story was, and had a general idea of what I was getting into, and I study those preview pictures like the fucking Torah before I plunk cash down on any of these flicks, and I DEFINITELY didn't want to waste any time with badly filmed dialog before I got to see a nude Paris beaten and tortured with power tools. My problem with Serum is that it wasn't filmed all that well with some pretty static camera angles and the sound was substandard. So while the story and actress were right on the money, the execution wasn't up to snuff for me. ( Execution/Snuff, see what I did there? ) I would LOVE to see it redone by John and his crew at PKF. @ Joek0 - Good job on the review of DI. I actually never purchased that one. I already owned Serum 2, so was aware of Paris, and how I mentioned I study those preview pics, I'd already surmised that her not being tied up would bug me, so passed on that one. I also don't own DI 2. I forget the name of the actress in that one, but I have a few of her other films. She's hot, but there are other models I enjoy more, so while I may purchase that one eventually, I just haven't pulled the trigger yet. You're already aware of my opinion on 3, which by the way, my appreciation for that film has actually increased since I reviewed it. There are not many films of this ilk that I can watch more than a few times and then I'm just kind of done with them, but that's one I can revisit almost anytime, because Nicole is just SO committed to her role in that film and sells everything that's happening to her so fucking well. One of my two favorite PKF films of all time. You mentioned you'd give it a lower score, just curious what you'd give it. @ Elkcreek - If you want to see set-up and the "eventual" gore doesn't bother you, then I'd strongly suggest you give DI 3 a shot, because it has all the elements you appear to be asking for. Good setup and STRONG delivery. Fritz is correct in pointing out that since Serum is a 2 parter all the setup is in one, which is kind of a drag when you're buying these things, but DI 3 is a self-contained story that has all those elements and pulls them off really well, so if you don't already own it you should correct that right away. @ Fritz - I've yet to see ANY movie you had a hand in that didn't have at least some element that I dug the hell out of, so I'm in full agreement with your assessment that there are already tons of films out there that all seem the same, and the ones you're helping to produce have that extra special kick to them. The biggest differentiation between them is just who's filming it, not your story ideas. So far, in my opinion John pulls them off the best. Next would be Roman. Then COH who don't matter anymore because they're not around any longer. Howie |
||||
|
Before we get too far away from the garrote... |
||||
|
Queens Wrath is sold on Kinkbomb, Marshman Media, Nicheclips, Genre Video, and directly through me via PP or the mail. With 6 ways to buy it, there should be a solution for everyone. That being said, let me first give you the reasons you are not finding it when searching Kinkbomb. Kinkbomb does not allow my movies---officially. Unofficially, they value the quality, time and commitment to the productions I do, thus, I have a hidden account. All the movies I have can be accessed through portals on my forum. The direct links to the movies are in the Kinkbomb section of my forum where there is an A-Z listing of all the movies and direct purchase links. If you are a member of my forum, here is the link to "M though R" and if you scroll down to "Q", walla, there it is. Yay. Here is that link: Forum Kinkbomb Link There is Queens Wrath 1 and 2 as well as Queens Wrath: Princess Jasmine By this time you are saying, "JohnM", WTF, how come I cannot go onto Amazon and buy the movie just like Maleficarum? Well, first, blame George Bush Jr. In 2001, the religious right made a backdoor deal that put the credit card companies on a rampage. They revamped their TOS to use the term "obscene" in a very broad sense. Basically, anything that is not produced at a significant budget, can fall into that category. Producers of all sorts of content have been fighting battles with trying to get billing for years. Many sites that sell extreme content---stuff without death---stuff that you all like---are surviving by the seat of their pants. Many have had billing yanked from them, money held for 3-6 months and in some cases never returned. PP is a big problem. Cardservices Intl....even bigger. Many small companies have gone out of business over the years. And some, with seemingly stable billing, survive---unaware that as soon as they get looked at---poof, they are gone. Then there are the exceptions---like Kink---too big to fail it seems. So, I have survived 18 years because I choose to be careful how I sell my movies. No "zencarts" or "wordpress carts". No pp links, etc. But the solutions I have are good, and have been stable. Nicheclips has been around since 2006. They are 10 years strong and very supportive and easy to use. Kinkbomb, once you go to my forum and get the links, is easy---direct CC card purchase. Or, do like many of my customers--they just email me direct and I have a quick, easy billing solution. So, that is the short of it. Whereever you want to buy the movie, however you want to buy it---it is available. Just not on Amazon. Thanks, JohnM |
||||
|
|
||||
|
Back in the 1990s, I was a professional BDSM writer for H.O.M. and published 35 stories with them. I'd love to see some of them illustrated here! Many very talented illustrators! I'd put the stories up on the site, and people could use them for inspiration! |
||||
|
Liking some of the naked execution views. That's kind of the ultimate humiliation for the female victim, knowing that she's helpless, naked, exposed & that everyone can lear at her & there's nothing she can do about it. Regarding the Paris Kennedy shots, she's always been one of my favourites but such a shame about the tattoos. Nice too to see her early photo's where she looks nice and fresh-faced & pre-enhancement. Some of her best work is on the fm concepts site. I recall one where she's tied up with Jamie Lynn in a classic scenario where two sisters are renting a house where the bad guys have hidden their stash & strip the girls down to nothing before tying them up. Now there is a sight, Jamie Lynn & Paris Kennedy naked, bound and gagged...... |
||||
|
|
||||
|
Pygmalion and Justine Part Five plus Olalla, the future and bitching! Our IndieGoGo Campaign for JUSTINE appears to be stuck. We had some strong support by some wonderful friends who want to see this film made and in a great way. Amy, Jac and the rest of the people here are very grateful. I'm too, of course. We have ten days left for the Campaign and we have reached 43% of our target and I'm hoping we can go up to at least 50%, which would be very nice.
As the end of the Campaign approaches Amy and Jac sit to plan how to bring about a massive torture film with the budget at hand. They're creative enough to make it work. They turned a few thousand dollars into an epic inquisition movie. Granted, the budget did not allow for some spectacular BATS scene, or to have some horses roaming the colonial streets of La Paz, but it did allow for a great roasting scene, a great rack scene and all those inquisition tortures.
The roasting scene in Maleficarum was done with a limited budget, the entire film was done with a limited budget, but at a great cost to Amy herself who was thinking, back then, never to do something like that ever again! But then she did Dead But Dreaming where she suffered the famous whipping that went on for those many days of shooting. She loves her art and she's willing to suffer for it. But everyone has a limit.
As she prepares for her role in JUSTINE, she has long talks with Jac as they consider how they're going to make the movie with the limited budget they have in hand, right now, and as they talk, the phrase Swan Song appears in our landscape, lingering like a cloud presaging a storm.
We quickly approach the end of the IndieGoGo Campaign for JUSTINE, somewhat disappointed because Amy and Jac did not find the support they hoped they had, Amy feels that maybe she had enough of putting herself through torture for her art. Pygmalion is a wonderful movie where she did not get whipped once. She was not strangled, crucified, electrocuted, stretched, canned, spanked... and it is, still, a great film.
And Olalla is a great film where she is whipped, crucified and burned on the cross and yet, does not get enough support from the people who love to see her whipped and crucified. And the people who do love Olalla, would prefer a bit less whipping, less suffering, more of that great acting and more of that dark humor.
Pygmalion is funny, Pygmalion has great photography, great acting, some spanking, lovely nude bodies, humor, lots of it, and no one suffers except Higgins/Hendrix/Pygmalion because, in the words of the Rolling Stones "you can't always get what you want".
So, we're at a crossroads, after producing so many movies where the GIMP element is the most important in the story, where GIMP receives the most of screen time in the narrative, because Jac loves to make them and he has the fortune to find incredibly talented and willing actresses, where GIMP IS the movie, yet we find ourselves stuck, like our campaign for IndieGoGo Campaign for JUSTINE, feeling like we reached a plateau, where there's no more to ascend. Is that all there is? There's the talk that maybe that plateau was reached with Maleficarum and that nothing we do will change that.
That's the crossroad Jac is on. In one lane there are scripts like Maleficarum II - Monxa Mala, The Curse of the Green Phantom, Agent Y, and many other extremely GIMPY movies, all needing something like 20,000 each to become a reality, and in the other there are three series for Television with the potential of getting commercial sponsors and to reach cable TV market and all those other markets that are opening like Streaming ... ... Jac standing at the Crossroads, having talked to Amy about that possible Swan Song, pondering which road he will take comes 2016.
Oh, the crossroads. So much experience gained, so much equipment acquired, all those lights, that crane, that dolly, those lenses. That amazing, experienced and tireless crew, that cast of talented actors, extremely courageous, talented, beautiful women... Everyone is so enthusiastic about the work we're doing.
Amy and Jac see the numbers in the IndieGoGo Campaign for JUSTINE and find that maybe all those films that they would love to make, cannot be made because they can't find the resources to make them as great as they see them. All those costumes, torture instruments, locations... cost a lot of money and the actors, crew and the beautiful ladies that would put themselves on those racks and wheels and crosses... deserve to be paid well.
Pygmalion taught everyone something big. That a grand film can be made with a lot less money, with no one suffering, with nothing more special than Jac's house, or his cousin's, for a great location. Actors wearing their own clothes or none at all and if we want something special, we can easily get it. A boutique gave Jac some clothing for Mila... at no cost!
If we pass the 50% mark, it could mean that there's a future for those GIMP movies we want to make because there's enough support to make them happen. Recently, there was a conference of filmmakers from Mexico here and two of our people went to check it out. The discussion was budget. And the Mexican who was speaking said that it was crazy for people in Bolivia to be making movies for 20,000. Someone had commented that his documentary cost that much… or little. Our guys were laughing inside because we had just released Dead But Dreaming, a period movie, a vampire movie, that was made with less than 10,000. So... Jac thought that we should be able to raise 20,000, and be crazy enough to make a massive period and torture movie for that little money based on De Sade's Justine! Sadly, he has to make it, again, for EVEN less than 10,000!
JUSTINE will be made. Amy, Mila, Bea, Gina, Jac and the others will do their part, big time. We'll have that famous Wheel and a great Rack, and the not so popular Cross. And there will be cries of pain and torture galore. It will be the film that will top, in grand form, Jac's Inquisition movie Maleficarum. And maybe JUSTINE will be Amy's last GIMP movie.
You might say I'm kind of pissed off and maybe I am, but it will pass and tomorrow I'll smile, look at the amazing pictures of Pygmalion Mike, our cinematographer, is sending my way, and I'll hear the wonderful comments about how great Pygmalion looks and I'll hear from Amy that she's preparing her trip to Mexico for the festival where I'm sure OLALLA will shine, and I'll hear that the contractor for The Wheel has a great plan, and I'll hear that the Location for JUSTINE has been secured and then... I'll look at the IndieGoGo Campaign for JUSTINE and see that we made another 20 bucks! And I'll be happy to see a little bit more money in our small budget... but I will be sad and maybe kind of pissed that not enough people are willing to put those 20 bucks.
Seeing the results as they are now, we appreciate a lot more those people who are giving us their support. We didn't know you guys were so few! We're glad you are so generous and so enthusiastic about our work, and we won't let you down, you are part of this movie and you will love it, that's for sure. And thank you all for reading this fast enough before it gets buried by a million other pictures and comments. Pygmalion is done, it's in post. Pre-production for JUSTINE is in force right now and I will keep those interested up to date in the progress of the production. We plan to start shooting, if all goes well, the third week of October, after Amy returns from her trip to the festival in Mexico and a brief visit to the US. So... here's the last chance to get us to that 50% of our goal before the ten days are over! We're STILL counting on our fans to make Justine happen! Another way you can contribute is going to our site and get one or more of our amazing movies : |
||||
|
Unfortunately, I fear that Reine Margot (#8642) is right. It doesn't appear that most are even willing to throw in $25. A shame. That would be much more useful than the endless petty arguing that takes up too much of this forum. |
||||
|
@Howie Thanks for your thoughts on the DI movies you have seen. I'll share my thoughts on the first 4 in the series since the 5th one was not done by Fritz. DI1 vs The Serum: I have seen both of these and in my opinion, DI1 is the better one overall. The Serum has more better tortures, but the production values were not as good as PKF. Fritz told me that after DI1, Paris Kennedy was only available for customs at COH. Fritz can probably expand on this. DI2: My favorite of the DI series. I loved Samantha Jo in Liar and she was great in DI2. I also like her character as she resisted the torture the longest. The disembowelment scene at the end was not my thing. Great acting by Samantha Jo. DI3: I liked DI3, but it is my least favorite of the 4, Nicole was great, but I prefer the spy/agent character used in the other movies. Nicole's character was not that type of character. Me personally, I thought she screamed way too much. Her screams are great, but it got too excessive. I really wanted her to be gagged. For me, I liked all the scenes except for the nipple tearing. I found the scene too realistic. I know it is just effects, but John really made it realistic. I plan on reviewing all 4 DI films in the future, but I would give DI3 a B+/A-. I would have to really study the film more to give a proper grade. DI4: I liked it better than DI3, but DI1 and DI2 even more. DI4 was pretty tame compared to the previous entries. Only the final scene was really graphic and over the the top. The ending scene in DI4 is the most gruesome scene in the DI films made by Fritz. ---------------------------------------------------------------------------------- I'm sad to see the results for the Justine campaign. I hope things get better, but I hope people will look into the IndieGogo campaign. I spoke to Amy earlier and she told me that she will try and post once before the campaign ends. She is really busy however with other projects. |
||||
|
So much information is making my head hurt. Thanks to those who answered my queries about the torture devices.Sad to read that Amy's movie may be less than desired. "You can't always get what you want, but sometimes you get what you need." Glad I could help however meager. COVERS the Relentless: Thanks for the film information. That is it. I do recommend watching it. Doesn't sound like the name but then probably watched it on one of the 'tubes' where they rename stuff to avoid copyright. |
||||
|
A little something I did just before discovering this wonderful forum.However, I will not be posting any new stories to the Fiction board (Please keep the cheering down). Those extremely few of you who are interested can now find my harsher stuff at DFN, and the lighter GIMP stuff at deviant art (as erodite2). Thanks Ralphus for your kind support. This DOES NOT mean I'm leaving the forum (Please keep the moans down). AEWRITER: Welcome, I gladly give up whatever space I may have used for your literary efforts. I know my bodyguard can't wait to read them. |
||||
|
JohnM wrote: "Queens Wrath is sold on Kinkbomb, Marshman Media, Nicheclips, Genre Video, and directly through me via PP or the mail. With 6 ways to buy it, there should be a solution for everyone. That being said, let me first give you the reasons you are not finding it when searching Kinkbomb. Kinkbomb does not allow my movies---officially. Unofficially, they value the quality, time and commitment to the productions I do, thus, I have a hidden account. All the movies I have can be accessed through portals on my forum. The direct links to the movies are in the Kinkbomb section of my forum where there is an A-Z listing of all the movies and direct purchase links. If you are a member of my forum, here is the link to "M though R" and if you scroll down to "Q", walla, there it is. Yay. Here is that link: Forum Kinkbomb Link" Got it! Thank you! |
||||
|
@ Joek0 - Different beatings for different heathens I guess. The Spy angle isn't really of any relevance for me. Not that the Female Spy thing isn't hot, just that for me the most important thing is that the GIMP is placed in a predicament where her lucky captor is prepared to mercilessly go to town on her, and that criteria was more than met for me in DI3. I can totally appreciate that if Nicole's scream was annoying for you it would certainly detract from your enjoyment, but I found it fucking INTOXICATING. There are tons of shitty actresses out there who put in half hearted attempts to seem either scared or in pain, and regardless of if you found her pleading annoying, you certainly can't say she was half way about any of it. That girl put her heart into every scream she let loose, and I LOVE every last second of it. Ha ha. To me the nipple scene was one of the highlights of the film. I didn't feel that or any of the violence ever approached anything real enough to turn me off. It hovered at that perfect level where you could allow yourself to believe the fantasy of it while not being turned off by how horrific the reality of it would actually be. That's encouraging to hear about DI 2. I'm a fan of Samantha, just haven't pulled the trigger on that one for one reason or another yet, but I'll certainly give it a shot based on your recommendation. You're right on the money up to the point I'm at in DI 4, aside from it being better than 3 of course It really doesn't seem quite as harsh as the others, but Stormy is actually good enough actress that I'm probably going to give some of her other flicks a shot now. I was aware Fritz had nothing to do with the 5th one, and I'm not crazy about the actress in it either, so that one was never really on my list to check out. Looking forward to your future reviews. Howie |
||||
|
I recently have started getting into comics. I am wondering if anyone can suggests any with "gimp" themes. I apologize if this was too nerdy of a question. BTW, I made a movie today--normally the tazer and cattle prod scenes are faked. The actress wanted "real". So, we zapped her several times with the cattle prod. Thanks, JohnM |
||||
|
@ JohnM - Ones that are currently produced and actually worth looking at would be the Fansadox Comics at [www.dofantasy.com] If you want something less expensive, as in free, there's the actual GIMP comics section run by Fritz in the banner up above. There's some really good ones in there. A real Cattle Prod Scene? I'll be on the lookout for that. I've seen a few flicks go up already with that model, and she's defiantly a looker, but I'd be lying if I said the stomach tat didn't bother me, but I'll certainly give her a shot when that one comes out. Howie |
||||
|
Reine Margot, the only thing I can say is I gave my $30 toward Justine. You would think that Europe with a population of about a billion, and the original creators of the medieval De Sade Justine type dungeon tortures would have great interest in Justine. Have you tried to advertise the Justine campaign in the European web gimp sites? Bill K. |
||||
|
Catching up on a few recent posts...Erodite: Your mention of the Insex documentary Graphic Sexual Horror gave me the impetus to go back and revisit the film again. It's a really fine piece of work, an unapologetic look at PD, the groundbreaking bondage pioneer who broke a number of boundaries in the industry, and inspired a number of producers working in it today. The interviews with the girls are very interesting, too. A lot of them did it for the money, and a few of them couldn't take it and were clearly messed up after the experience, including the model 101 that you mentioned. I also took the time to go back and read Brutus' original review. While he did a great job writing it, it always frustrated me that he never included any vidcaps. So while I was watching the film again, I added a few caps of my own to enhance his text. Here's the updated version: http://ralphus.net/reviews/mainstream/graphicsexualhorror.htm ---------------------------------- Margot: It isn't hard to sense in your last few posts that you're both frustrated and annoyed by what you perceive as a lack of response to the Justine IndieGogo campaign. You can say it's a disappointment so far, but I take a look at the figures and I see you've taken in well over 8 grand, and as you mentioned in an earlier post, 21 of the first 51 contributors came from this forum alone. I don't know the updated stats, but there are 60 contributors right now, which means the GIMP site is responsible for at least a third on your contributions at this point. Also, all of the associate producers have come from this site. That's a lot of money donated right there. The fact that the campaign is slowing down now only means that a number of us here who were serious in wanting to help out have already given at this point. On the other hand, you mentioned the 2 main crux forums have only 2 contributors for a measly total of 63 bucks. That's who you should be complaining to, not us. We've been running a continuous banner on the site for an entire month now to try to give you support. I'd say we've done pretty well for you so far. When I saw the dollar goal you were shooting for when the campaign started, my first thought was you were overreaching to expect to take in 20 grand for this project. Is it unrealistic to expect fans to fund these movies for you? There's a reason why most fetish material doesn't have huge budgets...because they don't expect to take in enough to justify it. Times have changed, and the mentality of viewers has changed along with it. Many of them expect free entertainment for the cost of their Internet connection. Bootleggers and file sharers have sapped the market, and most producers are lucky if they make enough from their loyal fans to turn a small profit before some asshole uploads their finished work to the net for everyone else to take for free. That's why when you released Maleficarum, essentially a big-budget bondage/torture film disguised as a mainstream movie, you were taking a huge chance, going big instead small, which was the norm. Did the film ever make its money back? I know I never saw a dime, despite being promised a percentage of the profits in my role as Associate Producer. Not that I mind; I never did it to make money, I just wanted to see a good film. ![]() But my point is that maybe making big-budget GIMP movies may not be the way to go if you're expecting to succeed in this business. Our niche is very small, and while we are enthusiastic about what we like, I'm not sure the audience is large enough to sustain your dream of making serious films with GIMPy elements. That's something you all will have to decide. We'll support you here, but relying strictly on GIMPers might not be enough. |
||||
|
@JohnM-- If you're just now getting into GIMP comics, welcome to the party! Here's some ideas for your consideration: 1) The Perils of Gwendoline is a must-buy. It's the granddaddy of peril comics which leads directly to things like the cartoon The Perils of Penelope Pitstop to the whole women as secret agents in peril. 2) The other thing you should look at is older Wonder Woman comics, which have strong bondage and peril themes. The post 1980s comics have gotten away from that, and as a consequence are far less interesting. 3) In terms of mainstream comics, the 1970s were interesting for DC comics, with Wonder Woman, Batgirl, The Huntress, Supergirl, Zatanna all getting into gimpage peril in interesting and oddly sexy ways. For example, want to see the Huntress chained to an iron St. Andrews Cross and have the villain play the sword between her breasts? Yeah, it's there. Or Supergirl tied to a giant bowling pin, squirming as villains try to kill her with a giant bowling ball. That's there too. 4) Then, there's the non-mainstream comics. Warren Magazine's 1984 (later renamed 1994) comics often featured bondage and sexual peril themes. The Ghita of Alizarr stories were basically sexual Red Sonja stories in those magazines. Eros Comix (www.eroscomix.com) used to have a number of sexual peril-themed comics available, but most of them are not being published. For example, "Flying Wombat Woman" is a parody of Batgirl. 5) You might also be interested in James McQuade's Misty series. The trade publications is better than the comic series. Two books: Misty, Misty and the Sun Jewel. Hope that helps you get your start. |
||||
|
Re: today's pic.....always nice to see classic Insex material. Never was a member, but was glad to see their stuff when posted on Usenet. JD, if you're still posting, keep it going with the Star Wars and Stargate themed fakes, and if you could, please add Catherine Bell from JAG. There were missed opportunities for GIMP on the show that were missed by the producers/ |
||||
|
|
||||
|
Margot,You asked the market--with your films and with your Indie Gogo campaign--and the market responded. We can get mad at the damned stupid market, but the reality is what it is. So Jac and Amy had a dream of big budget gimp films with story, costumes, sets and cinematography. The market said no. The sad reality of Malificarum is that your mainstream viewers fast-forward through the torture scenes and your gimp viewers FF through the story/costumes/sets. Yeah, I know about the folks here who whine about story, etc., but no-one here goes back to M to re-watch the scene with the school girls being mean. They go back for Amy and Mila suffering. So hell yes, shoot for the mainstream big time with Pygmalion or whatever and our absolute best to you all. Gimp beyond a smidgen hint here and there will turn away mainstream reviewers and audience as it always has. Most of your gimp viewers only want decent lighting and video quality with a great girl (you have a stable of them!) a villain who doesn't blow the whole thing and a situation and follow through that excite the gimp genes. Make your gimp films, if you do, because you get a kick out of making them. Make them with good production values, a simple set, 2-3 scenes like Marquis. You could have spent a lot less on that one. People (me) bought that one for Mila, and I was happier when she was out of costume (could have been in a grungy prison cell). It would have been great for what it was. Might have turned a profit. If your folks enjoy gimp, find a way to make it a money-maker to support your other more "serious" work. A lot of people like horses. A lot of people like abstract expressionist art, but very few would see a horse painted by de Kooning as anything but a freak. You can do both, but not at the same time. Given the budget limitations Justine doesn't have to be full of period costumes and settings with lots of extras, etc. Just make it, as you promised, a great GIMP film. The way Jac would have made the early Red Feline films if he'd had more than a couple flashlights and a low-tech camera. Shoot it on video instead of film (saves a LOT of money). It's the girls and the imagination that make a great gimp film. Spend the limited funds on what really matters to your audience--not to your own artistic aspirations and watch the market respond. And let us know when Pygmalion is out. |
||||
|
Today's MAM cover is from Man's Life Nov 1959---------------- JohnM wrote: I recently have started getting into comics. I am wondering if anyone can suggests any with "gimp" themes. John, you might want to check out my sites: [bcotd.com] [groups.yahoo.com] [groups.yahoo.com] |
||||
|
Ralphus wrote: When I saw the dollar goal you were shooting for when the campaign started, my first thought was you were overreaching to expect to take in 20 grand for this project. When this campaign first started, I posted comments that also questioned the $20,000 figure. It sounded like a lot to me, although I admitted at the time that I don't really know anything about IndieGogo campaigns or their success levels. I'll also repeat something else I raised at the time -- that while GIMPers share a general interest in "peril" movies, our tastes are quite diverse. To pick an obvious example, the films that Fritz commissions are a little too bloody for my tastes. Similarly, I suspect he has little time for some of the films that I like. Based on what I currently know of Justine, it doesn't do much for me. I might change my mind once I know more about the finished product ... but that's my view at the moment. Far more interesting to me -- based on nothing more than the proposed title -- is Agent Y. I like "spy" movies but all of my favourites are in Japanese -- a language I don't speak. An English-language spy flick sounds very promising, particularly if GIMPers get a say in the spy costume. It might sound even more promising to a fledgling associate producer like me if Eda were to be involved in writing the script. Would a proposed spy flick raise $20,000 on IndieGogo? Would it be of any interest to the crucifixion crowd? Beats me. I can only speak for my interests. --- Ralphus also wrote: I know I never saw a dime, despite being promised a percentage of the profits in my role as Associate Producer. Not that I mind; I never did it to make money, I just wanted to see a good film. Fair enough. But you may have to put that home in Bel Air on hold. |
||||
|
To add to Mr. Anthony's post (8655): The Fiction House comics of the 1940's are chock full of full-figured girls in various poses. Their "jungle" tales would sometimes feature a GIMP scene. "Sheena, Queen of the Jungle" (appearing in Jumbo Comics) was the most popular and best-known series. However, "Ka'a'nga" (Jungle Comics) might be the most satisfying or strict GIMPage. Usually, Ka'a'nga's main squeeze Ann would wind up in peril. In the Sheena stories, as often as not, Sheena would be doing the rescuing, while her hapless male squeeze, Bob, would be the one threatened with some dire peril. Fiction House titles are believed to be in the public domain. They can be viewed and/or downloaded at digitalcomicmuseum.com (q. v.). By comparison, DC titles are still under copyright, so you won't find Wonder Woman there. Marvel Comics titles are also under copyright, as are Street and Snith. But many other lines are represented on the site named above, and might be worthy of investigation. For the best perils in "Ka'a'nga", check out Jungle Comics, between issues 65 and 105. For Sheena's best perils, check out Jumbo comics between, say, issues 75 through 112. A change in the writing staff lessened the amount of overt peril in these titles some time in 1948. |
||||
|
|
||||
|
|
||||
|
|
||||
|
A Canadian : agree totally, modern day scenes of private investigator/ espionage spying type stuff that I can better relate to do it for me. |
||||
|
I found a few old oddities cruising tumblr looking for something else. I sent several to Ralphus to put up when and if he saw fit. Haven't seen any yet, so I am going to preempt his with a couple. Most were 1930's mystery mags, not the later MAMs Covers so nicely posts here. This first one features cover art nudity, something that likely would have been banned a decade later when the American Morality Police first raised their righteous heads.
|
||||
|
|
||||
|
Today's pic: From one of my absolute favorite GIMP-scenes all times. The lovely 912 with the option to choose where she should support her weight: on her tits or her pussy. Don't think the buckets are any help.Here is another from the same scene, on her way upto the horse. |
||||
|
If I had $20,000 just lying around, Justine would be funded already.Make no mistake, I love these movies and contributed what I could afford. Just as an aside, has anyone tried deciev... er, convincing a church group to contribute some tax-free donations toward a series of "uplifting spiritual films"? I've always wanted to see an honest depiction of St. Catherine. Now, if only somebody had a fully functioning torture wheel... hmmmm... (Seriously though, don't despair. Budget alone does not a great movie make. Pour your hearts into it. Remember, Fox planned for Damnation Alley to be the big sci-fi hit of 1977.) |
||||
|
I'm sorry to hear the mood is so down right now concerning "Justine". BUT there's still a bit of time......you never know. I'm not rich so really couldn't do much more than pre-order the DVD when it comes out. But what I couldn't do monetarily, I hope I was able to contribute in another way by putting the Indego link on the music video I made. ![]() Hopefully it helped at least a little bit. And hopefully it may some more, as the clip is still getting a descent amount of hits a week (upwards of 4800 I think to date). Hang in there. |
||||
|
Is anyone on the board interested in doing a commission for custom artwork? Or can you recommend someone who would be interested? Thanks! johnmahatma@gmail.com |
||||
|
Margot: I think blaming GIMPers for lack of interest and/or support for Justine is misguided. As Ralphus mentioned, 20k is very ambitious. For any fundraising initiative, even charitable giving, response rates are typically low, much less than 5%, and that’s with sophisticated marketing operations. Based on the very limited marketing that has been conducted (this forum and two crux forums) you should be very pleased at raising over $8,000. Fact of the matter is I think the bigger problem you have overall is poor marketing. The first movie I found from Amy and Jac was not through numerous internet searches but what I assume was a pirated portion of Malificarum on some website (I did buy it on Amazon afterwards). The other movies, Red Feline, Vermeerworks don’t show up for at least the first 20 pages of results. Probably the only reason your movies are found is through a lot of work by GIMPers trying to find this kind of material. We are a dedicated group. As for Justine, do you know how many people are active on the forums? Did you come up with $20,000 based on basic marketing concepts of response/conversion rates? More likely, it was the number that was wanted, not the number that was realistic if Marketing 101 concepts were used. Instead of being frustrated and venting to the members of the one forum that has shown the most support, take a long look at your marketing operation first. |
||||
|
@John M-can't wait for that movie you just shot today. Who's the model? I'm sure Mark Evans is salivating for it too |
||||
|
Today's picture: Maybe it's just me but does anyone else find squeezing women's breasts that much distorts the breasts too much? The nipples and areolas lose their natural shape and definition that makes them sexually attractive. I enjoy breast torture with clamps, pins or branding and electric shocking etc... but balloon breasts I don't find erotic at all. Bill K. |
||||
|
@John M - the Fansadox ones are I think the best for a straight up comic approach to dedicated GIMPery, though I would also recommend the digital comics by Skating Jesus. If you mean mainstream comics, stuff done by John Byrne tends to have a bit - his Wonder Woman run was full of it. I remember reading his She Hulk graphic novel as a young man and imagining all the ways they were "testing" her. ![]() Also John Carter, Warlord of Mars! Dejah Thoris is ALWAYS getting into trouble.
|
||||
|
Bill K. wrote: Maybe it's just me but does anyone else find squeezing women's breasts that much distorts the breasts too much? It's not just you. I feel the same way. |
||||
|
Pygmalion and Justine Part SIX plus Olalla, Oh the future! Wow. A backlash. Ouch. Ok. Got it. I didn't mean to sound too complaining. Or as Camille says it in Martyr, I didn't mean to be such a bitch. I was not complaining about this forum in particular, but just in general. I don't think we did badly, I only think we could've made it better, a few contributions better. In a campaign like this no one knows what will happen, you prepare for the worst and hope for the best. In other campaigns, if you don't meet your goal, you don't get a cent. In our case, we get the money raised minus fees, which is good. When the two perks were sold out, the pre-production ball began rolling. We knew, then, that the film was going to concentrate heavily in the Dungeon of Monsieur Rodin and it now appears that it will stay there, with very few outdoor scenes. There's one big, fully financed scene with many extras, costumes, and so on. It starts with a trial, the sentence, leading the accused to her punishment, outdoors, the counting of the lashes, the humiliation at the Pillory and that's just the beginning of the movie.
As we begin to produce the film, we shall see how we can stretch the money. We can always count on our sales to add to the budget. Although the campaign will end in 7 days, after is all over, we can always appeal for direct contributions. So, don't get me wrong. I was just voicing our frustration at not seeing the campaign doing a little better, at being stuck at 43% as if that was the total limit of our support. That's all. And we're, still, at 43%, even with the new contributions that made me smile. Steve450 Unfortunately, I fear that Reine Margot (#8642) is right. It doesn't appear that most are even willing to throw in $25. A shame. That would be much more useful than the endless petty arguing that takes up too much of this forum. Our reasoning was that maybe there are enough people willing to pre-buy the film for less than what they will pay when it comes out. Our reasoning was wrong. Not many people want to pre-buy, and that's a fact. But it's also a good thing. It means that we'll sell more at the regular price when it comes out.
Joek0 I'm sad to see the results for the Justine campaign. I hope things get better, but I hope people will look into the IndieGogo campaign. I spoke to Amy earlier and she told me that she will try and post once before the campaign ends. She is really busy however with other projects. Don't be sad Joek0, you did a lot for the campaign and you're a big part of this movie. We're going to do the very best we can to make this film as amazing as it is in Jac's perverted mind.
erodite Sad to read that Amy's movie may be less than desired. "You can't always get what you want, but sometimes you get what you need." Glad I could help however meager. Like I said, no room for sadness, we are getting what we need and every cent helps. It's just that I see our images from previous films and they are so awesome, that I fail to understand why people are not going crazy with the potential of what JUSTINE can be. Pygmalion is looking so fantastic, that we want to put those production values into everything we do.
Bill K. Reine Margot, the only thing I can say is I gave my $30 toward Justine. You would think that Europe with a population of about a billion, and the original creators of the medieval De Sade Justine type dungeon tortures would have great interest in Justine. Have you tried to advertise the Justine campaign in the European web gimp sites? Bill K. Thank you for your support Bill. This form of campaign is, I think, frown upon in Europe. There are those who would invest a good amount of money in a movie, yes, but in general, people there haven't yet embraced this. A small percentage of the funds came from Europe. However, Europeans are good buyers, specially in Germany, Holland, the UK; but I haven't seen much enthusiasm for this or our previous campaign. IndieGoGo is basically an American concept with American perspective on things. And I'm not talking about those few individuals who are willing to put good cash in a campaign. One of them, from Germany, put a lot of cash into Olalla but not through the campaign, he did it directly through Pay Pal.
Ralphus Margot: It isn't hard to sense in your last few posts that you're both frustrated and annoyed by what you perceive as a lack of response to the Justine IndieGogo campaign. You can say it's a disappointment so far, but I take a look at the figures and I see you've taken in well over 8 grand, and as you mentioned in an earlier post, 21 of the first 51 contributors came from this forum alone. I don't know the updated stats, but there are 60 contributors right now, which means the GIMP site is responsible for at least a third on your contributions at this point. Also, all of the associate producers have come from this site. That's a lot of money donated right there. The biggest percentage of the funds, including most of the Associate Producers, not all, came from this site. And that's the reason I post here more than anywhere else. I don't have any complaints about that. In fact, we're very, very grateful for this site, that it exists. It would be unfair of me to expect that all the funds should come from here. And even more unfair to complain that we didn't get enough from the gimpers here when in fact we got more that we expected, really. So, here's a view of the stats as of yesterday early afternoon.
Ralphus The fact that the campaign is slowing down now only means that a number of us here who were serious in wanting to help out have already given at this point. On the other hand, you mentioned the 2 main crux forums have only 2 contributors for a measly total of 63 bucks. That's who you should be complaining to, not us. We've been running a continuous banner on the site for an entire month now to try to give you support. I'd say we've done pretty well for you so far. I'm grateful for the banner on the site, it was a constant presence and it helped to keep the campaign on view. As far as the other sites, I'm sorry to find that we don't have a lot of noticeable support there. I know that many of the people that frequent those forums, also come here. There are many people at Crux Foundation that are regular buyers of our movies without fail. But no one has linked directly from there. At the CruxForums I know there are four or five people who like what I occasionally post there, and two of them gave a contribution. But, again, the same people that visit those two crux related forums, come here as well. I'm beginning to believe that this is the place where most people gather to share pictures, ideas, comments, etc. That shows the strength of this great place.
Ralphus When I saw the dollar goal you were shooting for when the campaign started, my first thought was you were overreaching to expect to take in 20 grand for this project. Is it unrealistic to expect fans to fund these movies for you? The same thought was in our heads when we started the campaign. Why put a goal of 20 grand? Instead of half that?, which is what we almost got. Well, when we produce one of these movies, like Dead But Dreaming, or Olalla, we spend between 5 and 12 grand in cash. The rest of the budget comes in points, which we pay back as we sell the movies, little by little. That keeps our cast and crew happy for years because it takes that long to pay them. But we do sell, so they do get paid and eventually we might see the actual budget of the films paid in full, including Amy's and Jac's salaries as producers, script writers, actors, editors, and so on. So, in time, our fans do cover the expenses of the movies. I mean, that's why we can keep on going. If we didn't have a market out there that covered our work, then we would not be doing it at all. We do not operate at a constant loss.
Ralphus There's a reason why most fetish material doesn't have huge budgets...because they don't expect to take in enough to justify it. Times have changed, and the mentality of viewers has changed along with it. Many of them expect free entertainment for the cost of their Internet connection. Bootleggers and file sharers have sapped the market, and most producers are lucky if they make enough from their loyal fans to turn a small profit before some asshole uploads their finished work to the net for everyone else to take for free. Times haven't changed that much since we started in 1998. I remember our freak out when we realized Red Feline on the Cross was pirated. The BlueDog review in this forum, from that time, states that the copy viewed was a pirate copy gotten from Larry. Back then we thought the world ended and we should go find jobs somewhere. Camille cried, Jac was ready to go hunt pirates with his kitchen knife. But as time went on we realized that the sales were not going down, that we were selling at a steady pace and those 1,000 dollars in cash invested in the first movie turned into a little industry. Camille and Jac were getting paid for their early efforts, and the company had some cash to put into another production. And here comes an interesting point. Jac's first film had a tag cost of 500,000 dollars, it took 8 years to make and as of now Jac hasn't seen a cent. But it wasn't his money, of course. It was money raised through foundations, collaborations with institutions like the National Film Boad of Canada and so on. Jac's expenses were covered during those 8 years, with traveling expenses, hotels an so on, but no salaries. In the other hand, Red Feline on the Cross cost 1,000 in cash, it took a few days to make, a couple of months of post production and it generated enough funds to keep us going for a few years. Piracy might hurt, or may not. I don't have enough data to make an objective assessment. So, we do make the movies we make, hoping to make them better, to reach a wider audience, to increase the cash flow to pay our people better and so on.
Ralphus That's why when you released Maleficarum, essentially a big-budget bondage/torture film disguised as a mainstream movie, you were taking a huge chance, going big instead small, which was the norm. Did the film ever make its money back? I know I never saw a dime, despite being promised a percentage of the profits in my role as Associate Producer. Not that I mind; I never did it to make money, I just wanted to see a good film. Maleficarum was the inspiration for what was to come. Essentially we put some good cash in producing a fancier movie, with a large cast, A CREW, amazing locations, complex torture instruments. The actual cash went to pay for those below the line costs. Amy spent 30 days making the costumes. The cash went to buy the materials to make the costumes. She and Mila spent a week or so building the rack, the Spanish Horse etc. The cash went to pay for the wood, the nails, etc. A contractor manufactured the roasting machine. We paid in cash. Some in the crew got paid in cash, not their regular fees, but lower fees. We paid the rent for the location and the fees to the city for the use of the museums, streets and so on. And we also paid, in cash, for all the food during the production and all the transportation costs. The rest of the budget, mainly the actors, producers, director, editor, and so on, earned percentage points.
The unpaid cast and production team were happy to receive a percentage of the sales for some time. Like Mila, for instance, that still gets some cash, not a lot, for her work in Maleficarum. But that percentage, plus the percentages of the other films she made, is money that helps her pay her bills, keeps her son in private school and so on. I cannot say that Maleficarum made a profit. If we had paid everyone during the production a regular salary, if Jac had received his salary as director, and his salary as editor, and his salary as producer and his salary as script writer and his salary as researcher... and if everyone in the crew had received, in cash, her or his salary, I can say that right now, we would still be operating at a loss. Maleficarum hasn't made enough to cover the actual budget of the film. But since everyone who worked, with very few exceptions, accepted to work for points, then it's not a loss. We are seeing that Maleficarum is reaching a point where we'll see that everyone's salary has been covered and it will begin to show an actual profit.
petelobo Margot, You asked the market--with your films and with your Indie Gogo campaign--and the market responded. We can get mad at the damned stupid market, but the reality is what it is. We know the market. We've met the market in 1998, we've been analyzing the market since day one. We have a pretty good idea what the market will bring in terms of cash. We have taken steps, testing the market, like with Maleficarum, and were pleasantly surprised. The market does not fail. It fluctuates, of course. There are high periods and low periods, but if you see our books for a ten year period you can see that there's a consistency. So, that's not the problem, if there's a problem at all. The point here is how to create a better product for that market without loosing granma's savings, and how to increase that said market.
petelobo So Jac and Amy had a dream of big budget gimp films with story, costumes, sets and cinematography. The market said no. The sad reality of Malificarum is that your mainstream viewers fast-forward through the torture scenes and your gimp viewers FF through the story/costumes/sets. The market did not say no. All our films sell on a steady basis. Some of them get awards, go to festivals, and all of them keep our ship floating even on rough seas, we have grown from a two, three people cast and crew to a 9 people full time operation, with larger casts, crews and fancy up to date equipment. I don't see that as the market saying NO. Maleficarum has two versions, the directors cut, where the fan doesn't have to fast forward, and the theatrical version, that can be appreciated in other context. So... we don't have a problem with the market.
petelobo Yeah, I know about the folks here who whine about story, etc., but no-one here goes back to M to re-watch the scene with the school girls being mean. They go back for Amy and Mila suffering. So hell yes, shoot for the mainstream big time with Pygmalion or whatever and our absolute best to you all. Gimp beyond a smidgen hint here and there will turn away mainstream reviewers and audience as it always has. Most of your gimp viewers only want decent lighting and video quality with a great girl (you have a stable of them!) a villain who doesn't blow the whole thing and a situation and follow through that excite the gimp genes. Maybe that's what folks here are happy with but wish there was more. Like those kids in the fifties that saw Invaders from Mars in black and white and wished it was in full color with better effects. So, the point was and is how to grow from the old days of Analog video, 500 watts garden lamps to the days of digital cameras, 4k watts professional lights, green screens, impressive FX and so on, which we did. And how to best use the new technology, the experience, the talent we have grown throughout the years to produce films that will not only tickle the fancy of those lovers of GIMP but would reach higher levels, like Olalla is doing now.
petelobo Make your gimp films, if you do, because you get a kick out of making them. Make them with good production values, a simple set, 2-3 scenes like Marquis. You could have spent a lot less on that one. People (me) bought that one for Mila, and I was happier when she was out of costume (could have been in a grungy prison cell). It would have been great for what it was. Might have turned a profit. If your folks enjoy gimp, find a way to make it a money-maker to support your other more "serious" work. We consider ALL of our work serious. The difference can be in the genre, style, theme, and so on. Our production values are very high now. Pygmalion, a no-budget movie, we didn't raise a cent for it, has an amazing look, it can compete with any Hollywood production as far as looks is concerned, but it's far better because of its content. We spent perhaps 4 grand in that movie, an amount we can recover in two weeks screening in one theater here, or in a couple of months of sales in Amazon and our sites. We had a lot of fun making it.
Le Marquis was done taking advantage of the set and props we had for Maleficarum, not to mention the cast and costumes, so it didn't cost a lot to make. We might make a second movie with the set, costumes and props of JUSTINE. So... there's nothing to be sad about. And it's not about making a profit either. Like I said, we sell enough to cover the expense of keeping a cast and crew working throughout the year. It's about making a far better product and with a larger appeal.
petelobo A lot of people like horses. A lot of people like abstract expressionist art, but very few would see a horse painted by de Kooning as anything but a freak. You can do both, but not at the same time. Given the budget limitations Justine doesn't have to be full of period costumes and settings with lots of extras, etc. Just make it, as you promised, a great GIMP film. The way Jac would have made the early Red Feline films if he'd had more than a couple flashlights and a low-tech camera. Shoot it on video instead of film (saves a LOT of money). For JUSTINE we have the costumes, we have the cast, we have locations, we have extras banging our doors and it will be the greatest GIMP film we ever made. The early days of Red Feline are in the past. If tomorrow we didn't have a cent to produce, we could make movies with the equipment we have now and they would be better than anything we did before. That's not the problem either. And we don't shoot on film, no one does these days. All cinemas in the US have changed from celluloid projectors to DCP, digital projectors. OLALLA was screened on DCP format, we have the capacity to output DCP movies now. OLALLA looks amazing in theaters, because the image is not compressed as in DVD and Bluray. It keeps it's high 2K definition so it looks just like the films Hollywood brings to theaters.
We do have the resources to make great movies, no matter what. So... If I gave the impression that we have a problem, I'm sorry. That was not my intention. We made a rough calculation for what can be an ideal budget for a very high production values movie, we came up with 20,000, based on our previous experiences. The actual budget of those movies is something like 150,000 if we had to pay upfront everyone involved, including ourselves. The official budget of Maleficarum is over 100,000. Our cash expense for that inquisition Epic was 6,500. we predict that the actual cash expense for JUSTINE will be way over 20,000.
petelobo It's the girls and the imagination that make a great gimp film. Spend the limited funds on what really matters to your audience--not to your own artistic aspirations and watch the market respond. And let us know when Pygmalion is out. The girls would like to be paid well for their efforts. Particularly if they are going to spend a few weeks being tortured, while naked, on contraptions that will certainly hurt and cause a tremendous amount of discomfort. I'm sure they can make their money doing something simpler, like being a receptionist for a doctor's office, or a barmaid, or a make up girl in commercials, or acting in commercials, wearing nice clothes and smiling stupidly to a camera showing how to wash dishes with Detergent Ola, or playing the lead role in Pygmalion where only in one day, out of 22, they have to take their clothes off. Do you recognize the guy below? He is Beto, our inquisitor in Maleficarum, full time producer in our company, he's also the friend in Sirwiñakuy, the butler in Barbazul, The General in Dead But Dreaming, the uncle in Olalla and Hugo Higgins in Pygmalion. He'll be The Judge in JUSTINE.
The rule, tendency, art of Imagination is to increase the budget with every new idea. Let's put the girl on the rack. Ok. So, we have to build a rack, we buy the wood for the rack, we hire a metal worker to make some of the parts of the rack. Ok, we have the rack, but we want to have some coals under the rack, so the rack has to be made to those specifications. But can we put coals under the girl without burning her back and ass, not to mention lighting up her beautiful, black, very long hair like a torch ... hmmm. Ok, what about coals under the feet. Certainly we'll whip the girl while on the rack. We need our make up girl to do the whip mark effects, we also need a good whip, maybe two ... maybe we should apply the hot irons on the girls... let's get more special fx equipment... hmm what else do we need? Oh yes, the camera man, the sound man, the gaffer, the hair person, the torturer and a couple of assistants. Cost of the day? ...hmmm wait, Ok, lets set the lights, and create the atmosphere in the set. Do we need an HMI?. Let's paint those white walls to a darker, somber tone. Maybe we should just peel those walls and expose the brick. Ok... we need a week to prepare the set for the rack, lets add two weeks to the rent of the location. Let's bring in the set decorator! and the sound man demands we make the set sound proof because we can't have cars beeping, people screaming, ambulances crying in the middle of France before the French Revolution!... ah, yes, because of the lights we just increased the electric bill 200%.... and so on. Every idea will have a cost.
A Canadian Ralphus wrote: When I saw the dollar goal you were shooting for when the campaign started, my first thought was you were overreaching to expect to take in 20 grand for this project. When this campaign first started, I posted comments that also questioned the $20,000 figure. It sounded like a lot to me, although I admitted at the time that I don't really know anything about IndieGogo campaigns or their success levels. ---+ I'll also repeat something else I raised at the time -- that while GIMPers share a general interest in "peril" movies, our tastes are quite diverse. Any amount can sound unreasonable in the light of the unknown. Some have raised as much as 300,000 for a movie, while others did not pass 1,000. There are a number of reasons for that, the most important is the target audience. If your target is made out of your rich relatives and friends and you know they will give you over 10 grand a head, then you will shoot for the big numbers. If you do not have a target audience at all then even 500 dollars is a big deal. If you do have an idea of your fan base, because you add up the number of sales per movie, and who buys it and why, then you can estimate a percentage of contributors willing to put the money up front. In our case, we placed our bets on a limited number of contributors for some perks and that worked out very well indeed. What we over estimated were the number of people willing to pre-buy the download or DVD. We have two perks sold out, that is 4 grand, we have one perk half sold, that's another grand, we have an Associate Producer without a perk with a 1,000 contribution, for a total of 6,000. That's is a big deal. if we add the 5,000 for the Stocks scene plus the volunteered perk of Upside down torture, the total from a very few individuals is huge in our books. Is it big enough for the film? It will work out very well.
A Canadian Based on what I currently know of Justine, it doesn't do much for me. I might change my mind once I know more about the finished product ... but that's my view at the moment. What we said about JUSTINE is that it will be a French Revolution era movie, the times when De Sade wrote the story, and that there will be a number of awful things happening to poor Justine and companions. And these awful things will have the Wheel, the Rack and the Cross ... in addition to the Stocks and plenty of whipping and torture. That it will be like Maleficarum and that it will have Amy, Mila and other two actresses going through those perils. We also said that if there were some other ideas and they came with some backing, we would consider them too. If NONE of that appeals to you, then you were not our target.
A Canadian Far more interesting to me -- based on nothing more than the proposed title -- is Agent Y. I like "spy" movies but all of my favourites are in Japanese -- a language I don't speak. An English-language spy flick sounds very promising, particularly if GIMPers get a say in the spy costume. It might sound even more promising to a fledgling associate producer like me if Eda were to be involved in writing the script. Agent Y is a project that has been in Jac's mind for some time. A follow up to Agent X. The idea is, still, there, in his mind and it may happen or it may not. There's another Spy idea too, based on a story Eda sent to us, which require a good budget, it involves a large cast, traveling, and so on. There are a couple of Jungle Girl type of stories. One which is very interesting and sexy and the cast and crew would have to spend most of the production time in the jungles of Bolivia. So, we don't have a shortage of ideas and possibilities, but money talks. We leaned to JUSTINE because of how Maleficarum has worked for us.
A Canadian Would a proposed spy flick raise $20,000 on IndieGogo? Would it be of any interest to the crucifixion crowd? Beats me. I can only speak for my interests. The crucifixion crowd is not a crowd, after all. I would say that the Spy crowd is larger. The Inquisition crowd is bigger. Jac is part of that crucifixion minority, so he works a crucifixion or two in his movies to please himself and some in that group. Agent X ends with a crucifixion, Agent Y certainly does too, if it's ever made. The actress picked to portray Agent Y is Mila. Will it happen? I don't know.
A Canadian Ralphus also wrote: I know I never saw a dime, despite being promised a percentage of the profits in my role as Associate Producer. Not that I mind; I never did it to make money, I just wanted to see a good film. Fair enough. But you may have to put that home in Bel Air on hold. To be fair, the funds that Ralphus put on Maleficarum were not an investment, they were a contribution with the roasting scene as a request. As he says, he did not put the money to make money, but to have that scene in an inquisition movie. But if at one moment Maleficarum begins to show an actual profit, we'll share it. Right now Maleficarum is covering the expenses of its production, which have been extended over the years because of all the people involved. Each individual who worked on the movie, has points up to a certain amount based on an X amount agreed upon, times the number of days worked. As an example only, let's say an actress agreed to be tortured for 30 days at 250 dollars a day, she would hold 7,500 in points. (We spent 6,500 in cash in the entire movie, we shot the movie beginning in December 2010 and finished in March 2011. If we add all the unpaid cast, all the unpaid crew, the director, producer, editor, sound and so on to the points basket, each with an average of 7,000 points, we have, all together at least 12 individuals with points, we have something like 84,000 of the income from that film committed to pay, little by little, all those people, so it would take a very long time to cover all those points if ever.
The agreement with our cast and crew is pari passu, with each person's share determined by the amount of money agreed to be paid to that person minus any money already paid to that person. Everyone is happy to get what they can as long as they keep getting it, even if it's 50 dollars a month. Once everyone receives the full amount of their participation, then we can consider that we have profits, and those profits will be shared as well for the lifetime of the film. An example of this is Red Feline on the Cross, that even now it makes some cash for Camille, even if it's 500 a year instead of 200 a week, like it was at the beginning and for a very long time.
T If I had $20,000 just lying around, Justine would be funded already. Make no mistake, I love these movies and contributed what I could afford. That's a wonderful thought T, but we're looking for what people can afford and I'm grateful for whatever amount you contributed to JUSTINE. As I can see, even tough we're still at 43% as of this writing, the funds have gone up a bit, which is pleasing to us all. We are hoping to reach at least 50% of out goal, there is time, still, to make it there. Maybe all those who want to contribute from this forum have already done so, so, THANK YOU! for your great contribution, big or small. JUSTINE will be made in grand style, like it was envisioned. We might not have enough to do what Jac has in mind, but nobody will ever know the difference, only him. It doesn't mean that the film won't be fantastic, with very high production values, with great acting, with great props, with great costumes, with great locations. I don't know the script, so I don't know what won't be there. I only know, based on what I hear, what WILL be in the film, and it's grand.
Gog I'm sorry to hear the mood is so down right now concerning "Justine". BUT there's still a bit of time......you never know.I'm not rich so really couldn't do much more than pre-order the DVD when it comes out. But what I couldn't do monetarily, I hope I was able to contribute in another way by putting the Indego link on the music video I made. Our mood is not down, on the contrary, we're very upbeat because we just completed the production of Pygmalion, it's looking excellent, we're about to start a new production JUSTINE and we have cash for it, OLALLA is going to a big festival in October and we heard that it will be shown on the opening night! I can't say that we're down. I might have given that impression in my previous opus. I was, personally, a bit unhappy with the results of the campaign because I felt responsible. I felt that my postings here and elsewhere were not enough or were not bringing in the results I was aiming for. But that's me. No one else is under pressure for the campaign. Having said that, Jac is looking to the future of the company as a whole, but that's another matter now.
CR Margot: I think blaming GIMPers for lack of interest and/or support for Justine is misguided. As Ralphus mentioned, 20k is very ambitious. For any fundraising initiative, even charitable giving, response rates are typically low, much less than 5%, and that’s with sophisticated marketing operations. Based on the very limited marketing that has been conducted (this forum and two crux forums) you should be very pleased at raising over $8,000. Fact of the matter is I think the bigger problem you have overall is poor marketing. The first movie I found from Amy and Jac was not through numerous internet searches but what I assume was a pirated portion of Malificarum on some website (I did buy it on Amazon afterwards). The other movies, Red Feline, Vermeerworks don’t show up for at least the first 20 pages of results. Probably the only reason your movies are found is through a lot of work by GIMPers trying to find this kind of material. We are a dedicated group. As for Justine, do you know how many people are active on the forums? Did you come up with $20,000 based on basic marketing concepts of response/conversion rates? More likely, it was the number that was wanted, not the number that was realistic if Marketing 101 concepts were used. Instead of being frustrated and venting to the members of the one forum that has shown the most support take a long look at your marketing operation first. I'm not putting the blame on anyone, there's not a blame in this. There's no fault, nothing is wrong. There's the observation, however, that not too many people opted to pre-buy the DVD or Download of the future movie. Our campaign is not limited to the three forums. We do have a mailing campaign, we also have a direct IndieGoGo campaign, Facebook, and other social media outlets. We do not have a big marketing campaign in general because that requires money that we don't have yet and some highly paid experts, but our catalogue is growing, so we're looking into expanding our marketing efforts, putting some money into it and hiring such an expert. We didn't need that before, but now we do. We have a following for the Red Feline movies, I've seen discussions about the Red Feline movies in a variety of sites, so people out there know about us and more people learn about our films every day. Then again, we have been around 17 years already and if we count the pre Red Feline work we did, we've been around for 30 years and this is all we do.
I'm sorry if I gave the impression that I was venting a frustration, or maybe I was, but based on what was happening just a few days before, I felt that we got stuck and I didn't understand why. After my venting, we had a few more buyers and this very long discussion, so I feel that my point was made, somehow, and now I'm clarifying, to a great extent, that point. Our marketing strategy, if it is one, has been explained above. We're STILL counting on our fans to make Justine happen in a grand way! |
||||
|
Today's MAM scan is from Man's Life Nov 1960.----------------------- Since we're talking about GIMP comic book stories, allow me to mention "Nyoka The Jungle Girl". Issue for issue, I think Nyoka ended up in more GIMPy deathtraps than any other female character. You may or may not like how she's dressed or drawn, but Nyoka had a good capture scene almost every issue. Nyoka comics are in the public domain and can be downloaded from DCM: [digitalcomicmuseum.com] My favorite Nyoka covers: http://www.bcotd.com/Comics_archive/Nyoka_The_Jungle_Girl_No004_Fall_1946_Fawcett_[M][W][O].jpg http://www.bcotd.com/Comics_archive/Nyoka_The_Jungle_Girl_No005_Mar_1947_Fawcett_[M][W][O].jpg http://www.bcotd.com/Comics_archive/Nyoka_The_Jungle_Girl_No007_May_1947_Fawcett_[M][W][O]c.jpg http://www.bcotd.com/Comics_archive/Nyoka_The_Jungle_Girl_No008_June_1947_Fawcett_[M][W][O].jpg http://www.bcotd.com/Comics_archive/Nyoka_The_Jungle_Girl_No014_Dec_1947_Fawcett_[M][W][O].jpg http://www.bcotd.com/Comics_archive/Nyoka_The_Jungle_Girl_No024_Oct_1948_Fawcett_[M][W][O].jpg |
||||
|
|
||||
|
|
||||
|
Greetings, Just a couple of thoughts on 'Justine'! GREAT idea! Again, not so great the 'showboating' on this movie! Give us rope, whips, tools of torture, shackles, wooden props and the women! Leave the costuming and other extras to Disney. I believe 'Bring out the Gimp' has shown you its support time and time again! Just my thoughts! |
||||
|
Used to be a paid writer of BDSM fiction for H.O.M. Introduced to models Hazel and Dixon at the Insex Farm by PD as "a major intellectual force in bdsm." Love the site. |
||||
|
Thanks for the advice on comics! I really appreciate it. On another topic, I am always editing and as I edit, the artistic side of me like to take screen grabs of images from time to time. Would any one mind me posting these random images. Later, I will be able to go back and give you the title of the movie--once I release it. Today's image is from a movie starring Alina West. There is lots of AOH, beating, tazer, cattle prod, and general torment while in that position. Thanks, JohnM |
||||
|
Hell yes, it distorts the breasts. Breast tissue is not solid, it's meant to store milk, not like a bag but more like a sponge. And continued wringing of a sponge (natural or man made) will distort it.One has only to look at such porn stars as Darling to see how her breasts became just bags until 're-boobed' and she just keeps on doing the same to those new tits. The lady above, Tracy had small breasts before her limited sessions at Hardtied. The shape she has now is not for the better. I hope she feels her experience there and with her lovers makes up for the unnatural change in her body. That said, I must say I find a nice onion dome breast rather erotic and Gimpish. Other ladies may have a differing view. |
||||
|
Breaking news - we reached 49%!!!!! It took one big Associate Producer to makes us jump from that 43% I was thinking we got stuck in, to a whopping 49.7 %!!! So, we now have 4 Associate Producers! THANK YOU! We are in a celebratory mood today. I believe we can reach the elusive 50% now, and maybe pass it. Wouldn't it be amazing?
The woman with the dark glasses and dark clothes is Amy. The one with beige top is Gina and our cinematographer, Miguel is the one with the jacket. The painted guy is a famous singer that hired Amy to produce and direct an amazing video clip for one of his songs. Amy made more money that day than she normally makes in a month. Did she put that money into the production of Pygmalion? Yes.
We're celebrating because we are getting closer to the 50% of our goal, which is fantastic news. We have 7 days to pass that. Can we? I'm bitting my nails with anticipation. Someone from Germany saved me from this. (Yes, that's me in the picture below)
Daniel KATL Greetings, Just a couple of thoughts on 'Justine'! GREAT idea! Again, not so great the 'showboating' on this movie! Give us rope, whips, tools of torture, shackles, wooden props and the women! Leave the costuming and other extras to Disney. I believe 'Bring out the Gimp' has shown you its support time and time again! Just my thoughts! JUSTINE has costumes, and whips, and tools of torture, and props and lovely women, and extras to watch them because that's how good stories are told. One thought. I said that our days of Red Feline are over. In those days we had some costumes but no extras. The difference is that a nice, seemingly uncomplicated film like Agent X doesn't make as much as Sirwiñakuy and falls way below Maleficarum, an inquisition film with full costumes, extras and so on. A film that dwarfs everything we made, as you can see in the chart below. There you have all our productions in the market and how they are performing this year. Maleficarum is the big tower, followed by Olalla, Dead But Dreaming, Le Marquis, Sirwiñakuy, Barbazul and down below in a prominent place are Agent X and Martyr. Disney has it right, dress your set, get your prince in high regalia, and people will want to watch. We normally undress and torture the princess while everybody watches. (BTW, I think the showboating pushed the project up a bit more today)
A Canadian Reine Margot wrote: That it will be like Maleficarum and that it will have Amy, Mila and other two actresses going through those perils.I may have missed it -- who are the two other actresses? In previous posts I mentioned a new comer and Gina, who will play Dubois, the cruel murderess. The new comer, Bea, will play Omphale, Rodin's lover, helper and occasional victim, who becomes a total victim at one point. And then there's Marian, who will most likely play a long suffering serve, at the service of Rodin, of course, he's the lucky one. The composite below shows Bea, The Stocks and One of the locations for JUSTINE. The Stocks are not finished, that's how they looked after Amy put them together months ago. They went through changes and now they look totally impressive.
So, now that we're approaching the 50% mark and possibly passing it before the campaign is over in 7 days, we feel not only encouraged, but obligated to make JUSTINE our best gimp movie ever! I leave you with Justine waiting for that 50% that will seal her fate.
We're STILL counting on our fans to make Justine happen in a grand way! |
||||
|
@A CanadianLet me expand on Margot's post. Above is a group picture of most of the cast and crew for Pygmalion. Here are the 4 ladies that will be acting in the GIMP roles for Justine. There is Amy and Mila of course. Do I really need to point them out in the picture? Gina (top row, 2nd from the right), who is playing the thief Dubois, has been with the crew since Maleficarum to my knowledge. She usually plays a minor role in the films, but is always a part of the production crew. Her last role that was released was in Olalla where she was an extra in the BATS scene. I hope she does more GIMP for the company. Bea, whos is pictured top row far left, is the new comer that Margot posted about in many previous posts. She was an extra in Olalla's BATS scene before joining the crew full time. Can't wait to see her in Pygmalion and Justine. Can't wait to also see her in your future movies. @Margot Like many here, we are all anxious to see the spy movies you have coming up. Agent Y is great, but a story with Eda's input is what many are looking forward to. I hope to see these get produced soon. I am also a fan of spy/agent films along with good interrogation scenes. |
||||
|
I found a few likely additions while looking for something entirely different. Not the great MAM posts of Covers the Relentless, but interesting nonetheless. All are from Pulps in the 1930s. The first isn't strictly GIMP, the victim being a man, but the quality of the whip mark depiction surprised me for that period. ![]() Some nudity, also unusual: ![]() ![]() ![]() An internal of Ming the Merciless raping Dale Arden (Flash Gordon) ![]() A couple of the Wheel: ![]() ![]() Finally, one just odd: ![]() I also tripped on what was probably a MAM, this one using a laughable attack by a pack of iguanas, like the turtle attack posted by Covers a while back. ![]() What next? A chilling hoard of frenzied guinea pigs? |
||||
|
Joek0 wrote: Bea, whos is pictured top row far left, is the new comer that Margot posted about in many previous posts. She was an extra in Olalla's BATS scene before joining the crew full time. Can't wait to see her in Pygmalion and Justine. Can't wait to also see her in your future movies. Agreed. Bea is quite attractive. |
||||
|
Re: 8685 Ed has not seen "3 Dev Adam", a Turkish slumgullion of a movie, in which an older man is subjected to guinea pig torture. It's treated as a variation on the "rat-in-a-can" torture, with the focus being on the victim's eyes and face. Granted, for strict GIMPage, it lacks something, as its victim is a male. But there are a couple of women watching, and at least one of them is enjoying the spectacle far more than is absolutely necessary! The scene occurs at around the 38 minute mark in the picture. It is also on YT all by its lonesome. As I said, it's a slumgullon of a picture, with Captain America (!) and El Santo (!!) teaming up against an evil Spider-Man (!!!) |
||||
|
A Canadian wrote:Agreed. Bea is quite attractive. Boy, no kidding. I'd seen that group photo before, but I never realized that girl was an acting member of the cast. And all the other photos Margot had posted were of this girl in stocks, but her head was down and all you could see was hair. Sure is nice to have a face to go along with the name. Because honestly, when I hear the name "Bea," it puts me in the mind of someone else. ![]() |
||||
|
|
||||
|
|
||||
|
@quoom I love what you've done with Daughters of the Fallen King. It probably the best thing you've put out in along time. |
||||
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
A while back, JohnM showed us some early pics of Paris Kennedy in her days with Rue Morgue before she had breast implants. I finally got a chance to watch one of her films with Rue Morgue that has some GIMP content and I'm planning on writing a review of the movie. The movie is titled Car Trouble and is currently only available on Kinkbomb. JohnM says he is working on getting it available on NicheClips. I'm not sure on JohnM's policy with posting the Kinkbomb links to his movies. I'll ask him when I get a chance.
|
||||
|
I just bought my 3rd torture perk for Justine, making the Cross scene to finally be sold out. So far, I have 1 share in the rack scene and 2 shares in the cross scene. I'm currently working on getting a poll question set up since the current one has run its course. Glad to see all 3 torture scenes get fully funded. Regarding Bea: Since Margot introduced us to the Newcomer earlier this year, she has kept her identity a secret. She has however dropped some subtle hints to the identity of the Newcomer in future posts. It took me a while, but I had a pretty good guess to who it was given all the clues and following Margot's many posts and following the many Facebook pages for the films. I however respected the secrecy and kept my speculations to myself. When the Search My Trash interview with Jac discussing Justine was made available online, my guess to the identity of the newcomer were confirmed. Since Margot finally mentioned Bea publically on the forum recently, I felt it was OK to reveal her face to the forum. I'm glad that everyone can finally see how cute and attractive Bea is in the photos I've shown so far. |
||||
|
Bea is a treasure! Let's hope she plays a significant role in Justine. |
||||
|
Today's picture: A nightcrawler earthworm is the best you can do Ralphus? There's not a more harmless insect than the earthworm. They eat only dirt.Here my Bug week entry. Not a whole lot of new bugs attack women images to be found on the net. Bill K. |
||||
|
Bug Week? I knew there was a reason I remembered Damnation Alley for the first time in a decade. Between this and the killer cockroaches, here's one in desperate need of a remake... No mannequins were harmed, but a stunt woman was threatened. |
||||
|
To me, though not GIMP, a "Bug" movie is the classic Them! from 1954. Though Starship Troopers comes close for some reason. |
||||
|
Covers: Love the Nyoka comic book pages. I ran a couple of the BATS pages myself as the daily pics a while back. It seemed like Nyoka's only reason for existing was to be captured, tied up and put in some sort of deathtrap...which she unfortunately would escape from time and again. It's too bad the Nyoka series wouldn't go over today...women in jeopardy is too politically incorrect for today's enlightened society. But give me old-fashioned damsels in distress any day.--------------------------------------------- Yes, it's the event you've all been waiting for...it's Buckwheat! ![]() No wait, I'm sorry, that should be Bug Week...Oh tay! --------------------------------------------- Bill K wrote: A nightcrawler earthworm is the best you can do Ralphus? Not the best I can do. I'm just getting warmed up. Besides, JD won't even be back for another day, I'll save the really gross stuff for him later. |
||||
|
Re Bug Week; Google images "isopod" |
||||
|
|
||||
|
@fumetto - GREAT pic! And that was fast? Amazing! Would you be offended if I added a caption? I could email it to you for approval before posting it. |
||||
|
|
||||
|
Since Ralphus has removed the GIMP poll regarding the rack, I assume that he has given me approval of the new poll I had discussed with him. GIMP Poll: The crucifixion scene in Justine is fully funded. If you had a say in the making of the crux scene, what would you want to see done to the 3 ladies (Amy, Mila, and Gina)? I still don't know if I worded the poll to get my point across of why I am running this poll. Like Thomas Chaser, I have 50% say in the crux scrne/ Passion Play scene in Justine. I myself am not that well versed in the crux torture. I want to use the poll to gather ideas for my say in the scene. I hope to get some good ideas. I hope those of you here that also frequent the 2 Crux forums answer the poll for me. |
||||
|
Title: Sex Crimes (Rape) (FAX-527) Starring: Arisu Suzuki, Tomomi Nagai and Yu Kawakami Produced by: FA-Pro Running time: 90 minutes ![]() Not all sex crimes are created equal. While the title of this 2015 Japanese porn film sounds promising, only the first of the flick's three stories truly hits the mark. It's too bad as the movie certainly boasts a solid cast. JAV superstar Yu Kawakami has an impressive track record in GIMP films and pretty Arisu Suzuki, who starred in 2013's The Ground of a Foreign Country - Group Assault, is a terrific rape victim. Regrettably, though, most of the film is quite dull. In what may serve as a morality tale for the 37-million people who reportedly belong to Ashley Madison, the movie is about cheating and immoral women who are violated for their wanton ways. Up first is Arisu as a young student who tempts an older man in his home. As the two are getting busy, the man's wife walks in on them and Arisu is told to hit the road. A bitter Arisu marches along a country road and ultimately parks herself on a bench, where she gets noticed by two middle-aged guys riding by on a bike. ![]() The two fiends threaten Arisu and one guy grabs Arisu by the arm so they can march her into the woods. Arisu is forced to lie on her back in the dirt, with one guy pinning her arms. The other guy rips open Arisu's clothes and yanks of her panties. ![]() Arisu's body jolts as one of the villains starts licking her pussy. Arisu grimaces and tears roll out of her eyes as the pussy eater slurps away. ![]() The two attackers switch places and the second guy licks Arisu. He also fondles and sucks Arisu's small tits. ![]() The second guy drops his pants and rapes Arisu. This part has a bit of a continuity issue, as it begins with Arisu lying in the dirt -- but midway through she is being raped in a grassy area. Regardless, it's a powerful scene and Arisu's whimpers and groans are perfect. ![]() After climaxing inside Arisu, the rapist orders her to stick out her tongue so he can force French kisses on her. He also licks her neck and breasts. The two fellas switch places again so Pussy Licker No. 1 (now known as PL1) can ride Arisu. PL1 pants and grunts as he pumps Arisu. He finishes inside Arisu and licks her pussy some more after he's done. ![]() The two rapists exit the scene of the crime, leaving a crying and quivering Arisu lying naked in the woods. Emotionally shattered, Arisu nonetheless manages to get dressed and leave. ![]() The second story features Tomomi Nagai, an attractive older actress. She plays a randy woman who dreams about being violated by the lecherous man who lives in her condo building. Tomomi is so obsessed with the lech that she ties a sponge to the leg of a kitchen table and rubs her naked pussy against the sponge while fantasizing about the pervert nailing her. As it turns out, the perv makes Tomomi's lurid dreams come true. Tomomi emerges from a shower to discover the sicko has broken into her apartment. The man tells Tomomi he's going to have his way with her. He pulls his dick out of his pants and makes Tomomi stroke him. ![]() Ultimately, the pair copulate twice. While this story is kinda kinky, it's still consensual -- so I'll save the remaining details for one of the 73 other adult sites I visit daily (just kidding). ![]() Yu Kawakami, known for her work in Lady Attackers from Hell 2 and other great GIMP films, stars in the final story. It's about a farm woman who pays a steep price for cheating on her husband. It starts with Yu leaving her farm and biking to a shed to meet her lover. The two frolic in the shed and then cuddle and part ways. Unfortunately for Yu, the affair has been discovered by an older guy and his buddy. After Yu's young paramour leaves, the two buttinskies emerge and threaten to expose Yu's cheating ways. To win their silence, the men say Yu will have to make them happy. ![]() The older guy goes first. He makes Yu strip off her clothes and lie on her back in the hay. The older guy eats Yu's pussy and taps her in the missionary position. ![]() When it's the other guy's turn, he forces Yu to get on her knees and blow him. This is followed by some humping in standing positions. ![]() Once it's over, Yu goes home and spends an evening haunted by dark memories as her husband makes love to her. My grade: B- Most of this movie falls flat. The third story with Yu Kawakami works OK as a blackmail tale but it's nothing special. The second story isn't really GIMP at all. Only the first story with Arisu Suzuki stands out. Sex Crimes (Rape) gets a lukewarm recommendation based solely on the first story and Arisu's strong performance. |
||||
|
A number of people contacted me and asked me to please do something to distract from Bug Week. So, a new review is posted below. |
||||
|
@A Canadian Thanks for the review of Sex Crimes (Rape). I have not watched many Japanese GIMP films lately. The only Japanese GIMP film I saw recently is Flower and Snake because I was interested in the crux scene. Hope to check it out soon. Bug Week: This will be my first Bug Week at the forum. I think I can take it. I consider myself a GIMP Heavyweight and I can stomach most of Fritz's GIMP film's he commissioned. I think I can stomach it. |
||||
|
I'm preparing a post prior to the closing of the campaign. In the meantime, a reminder that we have 6 more days to bring our percentage a notch higher.We're at 54%, it seemed so hard to get to that point and yet, there we are! THANK YOU TO ALL OUR SUPPORTERS! Amy, Mila, Gina, Bea begin to get ready for their roles ahead. There will be rehearsals, preparations, building of props, beginning the coming week. We're counting on our fans to make Justine happen! Another way you can contribute is going to our site and get one or more of our amazing movies.: http://dvds.redfeline.com |
||||
|
|
||||
|
|
||||
|
|
||||
|
Oh Nooo! You mean it's "Bug Week" and not Buckwheat? Look how disappointed this little guy is..... ![]() But since it is "Bug Week"....thought I'd share a hacked preview of an Amy soon to be release Zombie flick: Amy & the Zombies from Gog on Vimeo. ********** JoekO- Thanks for sharing "Car Trouble" with us. Bondage and outdoors....always a major plus if you ask me. ******** And as far as A Canadian not liking "Bug Week". I don't buy it. I mean, look how many times he's posted of late......including a review as well. BTW, thanks for taking the time to do the review....though will have to be a pass for me, as I'm allergic to crotch pixilation. |
||||
|
My contribution for bug week… ![]() Stacey had drawn the short straw. She would be the naked, defenceless bait to lure the giant vermin into the trap. Though Stacey was told otherwise, the gas mask was provided only so she could endure the creature's rapacious assault long enough for it to succumb to the potent pesticide. Yet, by the time the deadly fumes had claimed the six-legged freak, the ill-fated beauty had already expired. The mask could not protect her from the monster's two-foot-long, barbed phallus as it tore apart her innards. When the grotesque spectacle was over at last, Stacey's curvaceous corpse was found sprawled beneath the lifeless mutant which had collapsed on top of her. The survivors were grateful for her unwitting sacrifice, but remained blissfully unaware of the invertebrate's noxious seed, which was already beginning to feast on the decomposing flesh of Stacey's carcass. Soon there would be many, many more. |
||||
|
|
||||
|
Here is the clip site: [www.mbugmovie.com] to have gory Gimp scenes. Bill K. |
||||
|
|
||||
|
JoeK wrote: "A while back, JohnM showed us some early pics of Paris Kennedy in her days with Rue Morgue before she had breast implants. I finally got a chance to watch one of her films with Rue Morgue that has some GIMP content and I'm planning on writing a review of the movie. The movie is titled Car Trouble and is currently only available on Kinkbomb. JohnM says he is working on getting it available on NicheClips. I'm not sure on JohnM's policy with posting the Kinkbomb links to his movies. I'll ask him when I get a chance." Thanks for bringing this one to my attention! I may have to pick it up. |
||||
|
Here is a link to my forum posting of the movie Joek was talking about. I changed the permissions on my forum, so even if you are not a member, you will be able to see this.Car Trouble: [pkfstudios.com] If there is a problem, let me know. Below the add copy are the direct links to purchase through Kinkbomb, Nicheclips and some other options. Thanks, JohnM |
||||
|
JUSTINE IS GOING TO BE GRAND!!!!! Ok, I'm definitely in awe. We were stuck on 43% and now we're passing 54%! We already have almost 11,000 green ones to make JUSTINE. Do you know what that means? It will be grand, oh yes, it will be grand.
Sometimes I have very strong nostalgic feelings for New York, the loft in Chinatown where I lived for a few months. Jac lived in that loft on East Broadway for 8 years, the same 8 years he spent making his first film. Of course, not all of those 8 years were in NY. 2 and a half of those years he spent in the caribbean and another 2 traveling through Europe 2, 3 months at a time, in festivals, mostly, lots of them, with his first film. We met before that, in 86, when he was negotiating some lab work with MaFilm. He was invited to a performance of JC Superstar, by a friend of his that was part that show. I was working there too, and I joined him two years later, one crazy summer when I ended up in New York, working with him, planting the seeds for what was going to become a lifetime experience.
And here we are, many movies later, celebrating the big jump in our campaign, or an amount that back then could only get Jac, maybe, a bit of laboratory work to process his 16 mm negatives, or maybe another trip to the Haiti to shoot, or maybe part of the cost for the mix sound. The final lab work and sound mix for that first film had a tab of 60,000. Yes. Really. And the sound mixer went to win an Oscar, two years later, with a different film, he was that good. And that first movie had a great review in Cahiers Du Cinema and had a premiere in Cannes, with one special guest. The famous writer Graham Greene. And that first film was sold to PBS, Channel Four UK, NDR in Germany and so on .... and still... Jac didn't see a cent; but making it gave him a very exciting life for those 8 years, but ended his marriage.
Ok.. Why am I telling you this? Because in the long road that came after that first film, we did a lot, a lot of work. Documentaries, including one for National Geographic, a mini series, obscure kinky films like Red Feline on the Cross. Fantastic movies like Martyr ... and now we're about to make JUSTINE.
ALL of the films we made were produced for maybe a fifth of the cost of that first, half a million dollar film. And... and this is really interesting. That very expensive film did not bring back the almost 500,000 cost of making it. However, ALL the films we made with small budgets, tiny budgets, or no budgets, and bigger budgets, particularly since Red Feline on the Cross, have already made almost a million dollars in sales. It doesn't look that impressive when spread over the years, but when you see that the original 1,000 dollar investment in Red Feline on the Cross created a mini industry that gave jobs to a few people, fed a few families, made life easier for some amazing artists, then you realize how incredible is to have almost 11,000 to make JUSTINE. We might have a little more, we still have a 4 or 5 days in the campaign as I write this.
We're grateful to all the people that are contributing to the campaign. We're specially grateful to those that got the main perks. All the perks are sold out! The Wheel, SOLD OUT! The Rack, SOLD OUT! The Cross, SOLD OUT! And two people gave 1,000 each to become Associate Producers and a nice group of people gave anywhere from 10 to 0ver 200 each to make this film possible.
THANK YOU ALL!
That's a big deal for us. What is ahead is a lot of work and a lot of planning to make that money do its magic in getting us ALL the stuff we need to accomplish this. This is how the work will start in the next few days: Beginning next week Jac will start meeting with the principal cast, to go over what will happen to them in the film. It is a very delicate situation because the actresses are the most important for him and he has to make sure that they are perfectly fine with everything, that there are no lingering questions or fears, that they are ready. After signing of contracts and releases, rehearsals will begin, some will be recorded for posterity.
Also next week some people will be hired. One person in particular is the one that is going to build The Wheel. We will begin costume fitting with all the actors and we'll secure the locations... and then we'll begin to set things up. Cool? Yes. It is very cool. September is Pre Production month. We hope to have everything ready before Amy leaves for Mexico for the festival. She already booked her flight and hotel and she's ready to go. (The festival pays the hotels, meals and transport. BTW)
While Amy is traveling, Jac will be working with the cast and crew to finish up those details that need to be completed. We will start shooting a few days after our star returns, and the adventure of making JUSTINE will begin.
Joek0 just bought my 3rd torture perk for Justine, making the Cross scene to finally be sold out. So far, I have 1 share in the rack scene and 2 shares in the cross scene. I'm currently working on getting a poll question set up since the current one has run it's course. Glad to see all 3 torture scenes get fully funded. Thank you! I open up the page the other night and saw the big jump and I smiled. The scenes with those three perks have now become officially the center piece of the movie. The lack of some of the funds we were hoping to raise, have forced Jac to changed the script somewhat. A few scenes have been eliminated.
Regarding Bea. A lot has been commented in this forum concerning our new comer, Bea. Bea is short for her name, Beatriz. There was a question whether she would be able to be involved in the film. She's currently working on a very popular national TV show and there were some who were advising her against getting involved in a film like Maleficarum for what it would do to her "reputation". Those "advisors" went as far as saying that it could hurt her career. Well, after deep thinking, she decided to do it, period.
This brings me to a very important point. All the people working in our company, both, in the cast and the crew, work in films for a living. They are not neophytes, or people desperate for a job. They all are highly trained professionals, some with extensive careers, other with solid credentials. They are proud of the work we... and they, do. Really. We all consider this very serious work. So, that should say something about what we can expect from everyone and what you, as the public, should expect to see in this new film.
Now, there's something very interesting happening here. When Amy was visiting Bolivia, she accompany a friend to a casting call for the Nationals Geographic Doc. Jac hired her for a small role, but basically, he hired her friend to play the role of one of the American doctors in the story. Amy went along to the shoot and eventually played the tiny role of the doctor's wife. Later Jac told the couple that his film Martyr was going to be playing in a festival in a nearby city. They went. Amy saw Martyr and decided to change her life entirely and join Jac in his quest for great GIMP movies.
A few years later, Amy directed Sirwiñakuy. One woman saw the film at a theater and contacted the up and coming director to tell her that she would love to act in one of her movies. Amy did a casting with her for the role of one of the victims in Barbazul, she told the aspirant actress what the role would entail, and the lady in question accepted the conditions and joined the cast of that movie. Jac strangles her in the film.
Then there's Mila. She was the receptionist at a clinic where Amy was going for some back problems. While Jac waited, reading JUSTINE, of all books, Mila and him started a conversation. He told her what he does, he mentioned Sirwiñakuy and Mila told him that her sister is friends with the girl that did the make up in that movie and that they met briefly one day. Small world. That's when Mila insinuated that she would be interested in working in a movie. Jac asked her how much she was making. She told him. He told her that he could pay her more than that just to train as an actress and do some small office work. She accepted and joined the cast of Barbazul, Maleficarum and Le Marquis. Cool?
A couple of years later, Bea saw Barbazul at the movies and found her way to our offices and asked to work in our movies. She joined the cast of Olalla, as basically an extra, but wished for something bigger and joined the cast of Pygmalion... but what she really wants, she tells Jac, is to be in JUSTINE. Barbazul is Bea's favorite film.
I think that's a very nice thing. Right? That the actresess come to us AFTER they see our movies. Both Amy and Jac were recently contacted by other actresses who would like to join our team.
We would love the possibility of making some great SPY movie and Jungle Girl type of story, Jac has the scripts and there are amazing locations for either one. All we need is the budget. If JUSTINE brings in the cash when it's released, then everything is possible.
We're still hoping that in the next few days we'll get a few more contributions, mostly in the form of pre buys of the DVD and Download for the movie, to make JUSTINE even better. We will not get the almost 11,000 in the campaign, There are fees that are taken out and because we did not meet our goal, the fees are higher. So we'll get a bit over 9,000 for JUSTINE, which is better than having a lot less. If we manage to push the campaign to reach 12,000, then we'll get over 10,000 cash for the greatest GIMP movie ever. It will be the greatest GIMP movie ever, really.
Let's have that last push to make Justine happen in the grandest way posible!
Another way you can contribute is going to our site and get one or more of our amazing movies : |
||||
|
aewriter: Apparently most people didn't read HOM magazines for the articles, but I did enjoy some of the stories, especially the ones by Julian Braque. Joe X |
||||
|
Hello All. I'm actually new to posting on this forum. I've posted on other forums before. First off I'm a huge fan of AOH interrogation scenes. I've read through this forum many times and really enjoyed what I see. I've commissioned several customs centering on AOH interrogation scenes though mostly producers that feature Heroines in Peril. Recently I commissioned a Heroine in Peril film through Alex David and Shg-Media that focuses on a Heroine played by Layla Rylan tortured in bra and panties. The film has yet to be edited and released but from a preliminary view, it looks to be a great AOH/interrogation film. I also noticed that Amy and Jac are going to film a terrific version of Justine. This looks awesome and I can't wait to see it. I thought Maleficarum and Le Marquis De La Croix were awesome. Best of luck to them. |
||||
|
Margot wrote: "We would love the possibility of making some great SPY movie and Jungle Girl type of story, Jac has the scripts and there are amazing locations for either one. All we need is the budget. If JUSTINE brings in the cash when it's released, then everything is possible." Yes! Yes! Yes! I would make the spy movie first, since it can be done without making a lot of costumes from scratch. If you look at "The Man From UNCLE" (the TV show, not the movie), you will see that it is completely character-driven. There is no fancy car or hi-tech gadgetry. It is just two guys in suits solving a mystery with good interplay between the characters. The only set you would have to own would be the headquarters where they get a briefing and return from time to time to analyze the clues. Everything else could be common everyday places - a print shop, a laundromat, an auto repair shop, and such like that. The focus would be on telling the story. With the money from that, you could make the jungle girl costume, the native costumes, and so forth. Anyway, if I was a movie producer, that's what I'd do. But I'm not, so I just throw money at Indigogo campaigns and see what happens. |
||||
|
|
||||
|
DarthSaad:Sorry, but I have no idea where the post 8645 is from. My bodyguard has a huge folder which he started collecting on line in 2002. He saved it off his computer from the Government's Trojan Horse virus back in 2011. It is simply labeled as Artwork and has over three thousand pics: mag covers, Japanese art prints before hentai, Tom of Finland (redone as heterosexual!), a great deal of Quoom up to 2011. The pics are numbered by category without information on artists or website. I found this in the same section as the torture pics I posted asking for information about. The pic above comes from that folder also but I don't remember doing the edit on it. Was going to name the stinkies after two of our best known forum people but I get into enough trouble as it is. |
||||
|
|
||||
|
GOG:Love your 'Amy and the zombies' flick. Maybe Amy should get together with you on the new James Bond movie: "Sourpussy". The pic above: Again, have no idea where this is from or who artist is, but I did do the quip. And that is all I have for bugs except my bugbottom stories lying dormant in the fiction section. So when is "gross tentacles" week? |
||||