Customs chatter (all producers)

[Electric City]

A client just ordered from us a very interesting production! NO AI, just real cinematic shootings. A remake of Lethal Weapon torture scene! Stay tuned guys! (To preorder it you can write at ecprod11@hotmail.com)

Here is the FIlm Poster

Lethal Toture Film

[martbill]

How long do you all usually wait for a response when communicating with a producer/studio?

I’m currently in contact (somewhat) with Zoey Ziptie about a custom, but her communication has been very spotty. I initially reached out last month and she didn’t respond for over 2 weeks. Then, once she responded, I immediately sent a follow-up email, but she didn’t respond for another 5 days. I sent another immediate reply and now it’s been over a week with no response.

It’s a little frustrating because I would just like to at least get an idea of when the custom might get made and when I’d need to send payment, but I just can’t seem to get in touch with her. Any ideas/suggestions? How long do you all usually wait for a response, and when is it time to move on? Is sending a double email asking for a response fair? She’s been active on social media so I know she’s not taking a break.

[Electric City]

Usually we take less than one hour. Best way is writing to our email ecprod11@hotmail.com

[skullchaser]

How long do you all usually wait for a response when communicating with a producer/studio?

I’m currently in contact (somewhat) with Zoey Ziptie about a custom, but her communication has been very spotty. I initially reached out last month and she didn’t respond for over 2 weeks. Then, once she responded, I immediately sent a follow-up email, but she didn’t respond for another 5 days. I sent another immediate reply and now it’s been over a week with no response.

It’s a little frustrating because I would just like to at least get an idea of when the custom might get made and when I’d need to send payment, but I just can’t seem to get in touch with her. Any ideas/suggestions? How long do you all usually wait for a response, and when is it time to move on? Is sending a double email asking for a response fair? She’s been active on social media so I know she’s not taking a break.

WIth Cruel World, I can usually get a response same or next day, depending on where the hour falls in the time zone difference. White Rose will also tell me when they expect to shoot, so that I'll know when to send the money. But to be fair, I've also done a number of customs with them, so there's already a business relationship there.

[yyy02]

How long do you all usually wait for a response when communicating with a producer/studio?

...It’s a little frustrating because I would just like to at least get an idea of when the custom might get made and when I’d need to send payment, but I just can’t seem to get in touch with her.

WIth Cruel World, I can usually get a response same or next day, depending on where the hour falls in the time zone difference. White Rose will also tell me when they expect to shoot, so that I'll know when to send the money. But to be fair, I've also done a number of customs with them, so there's already a business relationship there.

+1.
What method of communication are you using? Maybe Instagram or TikTok would work better? TBH I'm on neither.

That's why it's good to be in contact with the producer/studio.
Sorry it's proving so difficult.

[Floor13]

Anyone have any experience working with Zoey Ziptie? She responded to a custom inquiry I made and said she's willing to do a 20-minute (!!!) video featuring spreadeagle suspension in a professional dungeon for just £150 (about $200).

Seems like a pretty amazing deal, especially if she's willing to be suspended for that entire time. I sent some info to her about what I'm hoping for, currently waiting for a response.

That's... That's almost too good to be true...
The rental on that place alone for the hours it will take to setup etc...

I wonder if she is aligning a few customs at the same time in the place, or organising multiple shoots, hence slow response.

[martbill]

Anyone have any experience working with Zoey Ziptie? She responded to a custom inquiry I made and said she's willing to do a 20-minute (!!!) video featuring spreadeagle suspension in a professional dungeon for just £150 (about $200).

Seems like a pretty amazing deal, especially if she's willing to be suspended for that entire time. I sent some info to her about what I'm hoping for, currently waiting for a response.

That's... That's almost too good to be true...
The rental on that place alone for the hours it will take to setup etc...

I wonder if she is aligning a few customs at the same time in the place, or organising multiple shoots, hence slow response.

She mentioned that she would be waiting until she had enough custom requests to make renting the dungeon worth it, but I can't get any response from her even just for a timetable estimate. I don't know if she's anticipating that being within the next few weeks or within the year or maybe even beyond that.

I'm also just hoping to get her input regarding the plot of the custom itself, because in my experience, several actresses will say they can do a spreadeagle suspension, but then once it's time to actually hang by their wrists, they realize how strenuous it is and have to cut the suspension short. I'm trying to just verify if she even fully understands the bondage position I'm hoping for, but it's been 2 weeks without a response.

[Floor13]

Well,
I've sent a long Word doc with all the stuff we want to see and stuff we don't want to see:

• Pointed out all the loose straps that fall off the victim.

• Showing how the straps should be tight to hold the victim, and make the skin bulge around them.

• The loose tape on the mouths and eyes.

• Examples of facial expressions that say "cartoon" to me, and we didn't want to see.

• A video of examples of Sydney from Alias, about to have a metal spike hammered into her knee (The 1 second look of "Oh shit, brace brace brace" does things to me. I'll try to crop it and gif it).

• Videos of the screams I don't want to hear (The "Oh no! A mouse is running in the kitchen! Eeeeeeeeeeeee")

• Examples of the screams I do want (mostly from Zhayna when she is haning by her wrists getting shocked, she understood the assignment that day).

• The endless whining and whimpering that some actresses do as if they're paid by the word (I apprecaite, that is on me. I don't want silence, and I don't want endless whimpering as they fill time. THat is what editors and directors are for. And Lara Croft does not whimper inbetween electrocutions!)

• The importance of straight arms and straight knees during AoH and Suspension. Don't claim she is suspended when her arms are bent.

• The importance of seeing feet NOT touching the ground in suspension.

• How flat light in a grey studio with no depth from static cameras is making every scene the same.

• The importance of establishing shot of the victim, close up pan of the body, and some distance stuff as she is there waiting...

• I don't want a lightbulb on the shock box to tell the actress to react, having her glance over checking it. I don't want the act of throwing a switch to be like weight training so they say "Huh!" so the actress knows to stop reacting. I don't want a nudge on the shoulder to indicate that she should stop reacting.

• Sent some examples from the Deadly Interrogation 3 (PKF) and some AI stuff about how sliced up and bloody she should be at the end.

I'm just so tired of duff customs and "Oh, I thought you meant..." and "Oh, she decided she couldn't do that on the day." (I'm not saying force her. I'm saying she agreed to it, and now she's not, after she's been paid. You contact me and we'll change it), and "Oh the ballgag hurt her mouth, so she wore it on the outside of her lips." (I mean... Seriously? You didn't swap to a bit or a cleave?)

Probably will stop working with me as I'm too demanding I can't blame them Sometimes the slightest thing just ruins a scene (Like having the barcode on the bucket, facing the camera, as you drown a girl's head in it.)

Anyway, we'll see what happens.
Probably be my last one this year, unless something tickles my fancy.




Scene 1:
Lara hanging by wrists in Lara costume. Tape wrapped around her head for blindfold and gag. Electro to soles of feet.
She's strong at the start, resists. Then her top pulled over her head, shorts pulled down. Clamps to nipples, voltage up, body flexing, trying to scream through 3 layers of tape.

Scene 2: Spread-eagle suspension AOH. Hoping wide legs and wide arms. Same as above, increasing voltages.

Scene 3: Upright tied to a pole. Shown exaclty how I want her to react (Thank you Elise Graves). Electro nipples and cunt.

Scene 4: Strapped to wall, kind of spread. Sliced open with knives, skewered with screwdrivers, drilled with a well, drill, something with pliers (This is my partners scene, she loves the blood )
Garrotted to death as she tries to escape.

THis is what I want to see:

[martbill]

Well,
I've sent a long Word doc with all the stuff we want to see and stuff we don't want to see:

• Pointed out all the loose straps that fall off the victim.

• Showing how the straps should be tight to hold the victim, and make the skin bulge around them.

• The loose tape on the mouths and eyes.

• Examples of facial expressions that say "cartoon" to me, and we didn't want to see.

• A video of examples of Sydney from Alias, about to have a metal spike hammered into her knee (The 1 second look of "Oh shit, brace brace brace" does things to me. I'll try to crop it and gif it).

• Videos of the screams I don't want to hear (The "Oh no! A mouse is running in the kitchen! Eeeeeeeeeeeee")

• Examples of the screams I do want (mostly from Zhayna when she is haning by her wrists getting shocked, she understood the assignment that day).

• The endless whining and whimpering that some actresses do as if they're paid by the word (I apprecaite, that is on me. I don't want silence, and I don't want endless whimpering as they fill time. THat is what editors and directors are for. And Lara Croft does not whimper inbetween electrocutions!)

• The importance of straight arms and straight knees during AoH and Suspension. Don't claim she is suspended when her arms are bent.

• The importance of seeing feet NOT touching the ground in suspension.

• How flat light in a grey studio with no depth from static cameras is making every scene the same.

• The importance of establishing shot of the victim, close up pan of the body, and some distance stuff as she is there waiting...

• I don't want a lightbulb on the shock box to tell the actress to react, having her glance over checking it. I don't want the act of throwing a switch to be like weight training so they say "Huh!" so the actress knows to stop reacting. I don't want a nudge on the shoulder to indicate that she should stop reacting.

• Sent some examples from the Deadly Interrogation 3 (PKF) and some AI stuff about how sliced up and bloody she should be at the end.

I'm just so tired of duff customs and "Oh, I thought you meant..." and "Oh, she decided she couldn't do that on the day." (I'm not saying force her. I'm saying she agreed to it, and now she's not, after she's been paid. You contact me and we'll change it), and "Oh the ballgag hurt her mouth, so she wore it on the outside of her lips." (I mean... Seriously? You didn't swap to a bit or a cleave?)

Probably will stop working with me as I'm too demanding I can't blame them Sometimes the slightest thing just ruins a scene (Like having the barcode on the bucket, facing the camera, as you drown a girl's head in it.)

Anyway, we'll see what happens.
Probably be my last one this year, unless something tickles my fancy.




Scene 1:
Lara hanging by wrists in Lara costume. Tape wrapped around her head for blindfold and gag. Electro to soles of feet.
She's strong at the start, resists. Then her top pulled over her head, shorts pulled down. Clamps to nipples, voltage up, body flexing, trying to scream through 3 layers of tape.

Scene 2: Spread-eagle suspension AOH. Hoping wide legs and wide arms. Same as above, increasing voltages.

Scene 3: Upright tied to a pole. Shown exaclty how I want her to react (Thank you Elise Graves). Electro nipples and cunt.

Scene 4: Strapped to wall, kind of spread. Sliced open with knives, skewered with screwdrivers, drilled with a well, drill, something with pliers (This is my partners scene, she loves the blood )
Garrotted to death as she tries to escape.

THis is what I want to see:
Screenshot 2025-09-13 020740.png
Screenshot 2025-09-13 020740.png
Untitleddffd.jpeg

Which studio are you working with, and which actress is this going to feature?

[yyy02]

...

• The importance of straight arms and straight knees during AoH and Suspension. Don't claim she is suspended when her arms are bent.

• The importance of seeing feet NOT touching the ground in suspension.

...

This cropped image was taken from an image originally posted by skullchaser. In this image Waldberg is beautifully suspended spreadeagle in Cruel Worlds dungeon or “execution room”.
Her ankles are attached to a spreader bar, and you can tell she is in genuine suspension, hanging from her wrists, with her feet off the floor. She hangs, probably not longer than a few seconds in this shot, but it is oh so gorgeous.