Starring Abbey as Abbey

Run Time is right at 1 hour 25 minutes and add 7 minutes of trailers at the end.

Abbey enters her hotel room but fails to secure the lock. The villain enters and he does not fail to secure the lock. Abbey is on the bed playing with her teddy bears when a gun is placed against her neck by the ski masked intruder. She is handgagged and told to cooperate. She goes on her stomach and is bound wrists behind with black tape. Her ankles are crossed and bound with tape. She is rolled over and he plays with her boobs, then over again and he raises her ass for some slaps - she is fully clothed at this time. He goes off and she struggles to free herself and tries to reach the telephone. He chloroforms her, plays with her boobs and some sundry fondling, pulls down her jeans and panties to display her ass and pussy, then carries her away.

Cut scene - Abbey is still bound face down on the floor of a van traveling on the road. She awakens and to stifle her protestations she is gagged with mouth packing and a cleave. She continues to struggle mightily on the floor. The villain reaches back from the drivers seat and gives her some fondling and leaves her hogtied - Suddenly, she has been transferred to the rear seat of the van still hogtied with the addition of a seat belt to keep her in place. A nice scene follows as they move through traffic with Abbey struggling and the camera shot showing her and looking out the rear window of the van. They arrive at the destination.

Cut scene - Abbey is being carried over the shoulder to the interior. Her ankles are chained and she is hand and thumb cuffed. The dastardly Snidely Whiplash sets her down, fondles her and verbalizes his unhonorable intentions. He then totes her off again to his playroom which is equipped with some fabricated bondage toys. He removes all but her ankle chain. She is defiant when he orders her to remove her top but she complies. She is ordered to kneel on a small, low bench that has a horizontal bar set up on one end. Her ankle chain is removed and her wrists are bound in front, then to the bar - we then go to a split screen showing the same action from different angles. He wraps the cord from the bar around her waist, then down through the crotch and back up to the bar. She is ordered to cross her ankles which he binds with rope and secures it to a small O-ring on the bench. He produces a long, thin wooden rod and menaces her with it in various ways and administers a few smacks across the ass. The crotch rope is removed and her jeans are pulled down for some fondling and smacking. He canes the soles of her feet with her shoes still on, wraps rope through her mouth and slaps her ass. He packs her mouth and leaves her with a cleave gag then she struggles to free herself.

He returns and begins to undo her bonds. She is taken off the bench and forced to stand at attention by her newly found drill sergeant. He orders her to get naked and kneels on the floor. For some unknown reason, he orders her to put her socks and shoes back on. A bar stool is brought in and she sits on it while he uses plasticuffs to bind her wrists behind, legs above the knee and ankles. Then he wraps the cord from a red ball gag around her throat, orders her to open up and he applies the gag. Being the humanitarian he is, he tells her if she wishes he will replace the gag with his ding-dong. She struggles on the stool when he leaves until he returns and tells her to knock that shit off. He stands her up and bends her over the stool for some fondling and smacking. He wraps a leather strap around her neck then whacks her ass with it then smacks the soles of her feet with it. He stands her up and uses pliers to remove the plasticuffs then down to her knees for some more verbal discipline.

Cut scene - She is carried to the bedroom and tossed on the crib. She is bound with surgical tubing and left hogtied after some fondling and smacks. He applies the mouth packing and cleave gag and leaves. We get some fine struggling action from Abbey.

Cut scene - in another split screenshot (and there were others I did not mention) Abbey has been retied with the surgical tubing, each wrist to each ankle. Snidely enters and lifts her ass for some smacks and fondling and as he admires that rump rearranges her several times. After a short hiatus he returns and removes her shoes and socks and holds a sock over her mouth and nose.

Cut scene - Abbey has been knelt on a foot stool and shackled wrists in front and ankles to the stool. A head harness is applied and a blue ball gag attached. He states he will leave her like that until the next day. The End

Movie Pluses - I thought the camera work was quite good. The split screen shots worked rather nicely and several times the camera worked through the vantage of the villain. Various use of angles and distance made for a nice breakup of the usual. Being a huge hogtie and carry guy I was not disappointed though I wish the carries had been longer - No gripe there though. All in all, I liked the concept.

Movie Minuses - 3 things listed in order of importance from least to most - 1. Abbey is a virtual mural for some tattooist - her entire upper back is covered and very distracting - seems to come with today's model landscape so I'll just have to handle it. 2. Abbey seems to be very camera conscious - she spent far too much time looking directly into the camera. That's understandable when the viewpoint is from the villain but all other times it didn't work well. 3. Abbey never conveyed to me she was under extreme torment. The one exception was when she struggled in her hogtie on the bed. Never was sold on the scenes by Abbey. Great bod, nice natural breasts and certainly cute enough - just lacked the passion to sell the scene.