Car Trouble (RueMorgue Cinema, 2004) is an early GIMP movie in the career of Paris Kennedy. This was a time before she got the breast implants. The movie is directed by John Marshall before he formed PKF Studios.

As the movie opens, Paris is stuck in the middle of red neck territory and her car breaks down. As she inspects her car, a crazed man sees her and chases her in the woods. Eventually, the man catches Paris and knocks her unconscious by banging her head against a tree. Paris plays the part of the scared victim really well. Her facial expressions are well done and really conveys her emotions.

While unconscious, the man takes the time to fondle her body before removing her clothes one by one. He then plays with her body some more. This scene does nothing for me as I am not into sex with unconscious bodies. Fortunately, it is a short scene. While unconscious, the man starts by tying a rope around her neck. He then takes another shorter rope and ties her hands together in front of her. . He then brings her back into consciousness. The bondage here is sloppy, but JohnM admits that he is not an expert when it comes to bondage. Later on when forming PKF Studios, he started to learn more about bondage to improve on it in future films.

When Paris realizes the situation she is in, she begins to fear for her life. He then forces her to stand up and walk to a special place he has in store for her. The man leads Paris from behind her using the rope around her neck as a leash. As they walk, Paris does everything she can to beg for mercy, but her cries go unanswered. She even tries to offer him a blow job, but that is shot down as well. Most GIMPers here would probably gag her at this point, but I am glad that she isn’t gagged. Paris really knows how to emote through her acting and her lovely cries.

Our male captor takes Paris to a spot where two trees have a long piece of lumber across the top. There is also a bunch of rope hanging from the trees. The man grabs Paris and begins to tie her in a vertical spread eagle position between the two trees. The bondage is not perfect during the tying scenes as she could easily escape. JohnM’s lack of bondage knowledge is shown here as well. As she is being bound, Paris begs and pleads for her life and freedom. Her cries still go unanswered. Her acting is superb here as well. After she is bound between the trees, he starts to have some fun with her by fondling her lovely nude body. We get to hear more pleading and begging from Paris.

After he has his fun, our captor tells Paris that it is time for her to die. Paris’ pleads get more frantic as she begs for mercy. As he shows the noose to Paris and she panics even more. He sets up the noose before placing it and tightening it around her neck. He then unties her arms so that he can retie her arms behind her. He begins to slowly strangle her by pulling the noose around her neck tightly. This lasts for a few minutes. The effect used is not perfect, but gets the job done. She eventually dies from strangulation.

For the last 13 or so minutes, we see Paris’ body get taken to where her body will be buried. For the purposes of this review, I will not cover it as it is not GIMP worthy. I do have to give JohnM credit. He really gives us some nice body views of Paris’ dead body.

Summary: Paris’ car breaks down in redneck territory. She gets chased by one of those rednecks which leads to her getting tied spread eagled between two trees. After he has his fun, he strangles her to death.

Pros:
Great acting. Paris plays the role of the victim very well. Her pleads and screams are music to my ears. Her captor also plays a great villain while playing the role of a redneck. He knows how to sound like he is having fun with Paris while also knowing when to sound mean to scare poor Paris. They both act well off each other as a victim/villain pair.

Cons:
Bondage is sloppy and not as well done as it could have been. JohnM has mentioned in the forum archives that he was a bondage newbie in his early days as a film maker. He has however got some training and his bondage is better in his later films.