Beat And Fuck Batgirl stars Olive as the titular role, who after being chloroformed, tied and locked up in a dungeon, wakes in fright to find herself helplessly exposed, prone for all sorts of humiliation. Her fears deepen even more when her masked abductor enters; he is hulking, muscular and perverted. With only one thing on his mind: Absolute sexual humiliation, plus much, much worse. Can Batgirl escape this fate before it's truly too late for her? Let's find out!

And the first thing I liked about this film was its main star: Olive. She immediately establishes both herself and her character as spirited, feisty and incredibly naive (both logically and sexually). She pleas to her captor with a conviction and spirit that is incredibly refreshing for a superheroine film; while I've seen my fair share of good performances, she has the acting chops to really give off an effortlessly great, intense performance that almost steals the whole film. She's an absolute joy to watch, and hits all the right notes to make her character as sexy as she is tragically ill-fated.

Another thing I really love about the film is its shooting style, it has (like many XXXtreme ComiXXX films) a perfect blend of kinetic and realistically photographed action, and the professional, slick sheen of the more high-budgeted heroine films. Making it a perfect balance of gritty and downright gorgeous. The shots are always beautifully lit/focused yet never stray from being as frantic and engrossing as possible. And the editing further amplifies this point, by flowing graciously from each take to the next, yet as far as sound consistency goes, it has no peaks or obvious cut off points from each shot, making it all sound and look like it was done in one take with multiple cameras. Further adding to the real-time grittiness it is going for.

I also love the villain; he's as stated before very clear in his intentions from the very second he walks into frame. He eyes up Batgirl like a piece of meat (as we all would), and from almost the exact second he's in close enough proximity of her, he begins to hover over and grope her most prized assets, grunting in approval to her body's many pleasures (both aesthetical and physical). His one-liners and ad-libbed dialogue is also great at expressing his intentions, while never feeling overbearing, cheesy or off-putting (as in some cases, male villains can overshadow what we're really here for). He does none of that.

Batgirl (Olive's) costume is also perfect, complimenting her toned yet curvaceous body with a midriff that shows in all its glory, her abs and gloriously firm belly, whilst covering up (in ravishingly shiny spandex) her graciously buxom breasts and curves. Not long through the film does our villain rip away her leather skirt, exposing her ravishing legs and petite yet fleshy rump.

The lack of a soundtrack helps add to the intensity of these scenes, and the sound design/effects themselves are expertly timed, sounding just as gnarly and merciless as they're performed and reacted to.

I'd say one gripe I have about the film is the fact that Batgirl is gagged too early, and I would've loved to hear more of her improvised lines and pleas, just a little more before being gagged maybe nearer to the end. Either way though, luckily we are treated the plenty of Olive's glorious yelps and moans throughout the rest of the film, so it isn't all bad.

And while it is a joy to watch, I'd also say that I wished there was more foreplay/torture (possibly whips and electrodes) before the sex, as Batgirl is fucked not even a quarter way into the film, sort of depleting a lot of the tension it was building up to this point. But again I'd be less forgiving if it wasn't such a heavenly sight to behold.

The varying of different positions and innovative camera angles also helps keep vibrancy and a tense pacing to these scenes. And while again I would've preferred more character stuff (interactions, witty remarks from our heroine) or some personal struggle our heroine has to overcome that our villain can then capitalize on, I feel the more straight forward vibe that the makers of this film were trying to achieve works for that audience, and for the violent and cold tone they were going for. And even for me, I can still see the undeniable pleasures (both visually and auditory) to be found in the film, be it the gritty close-ups of Olive's sweating and red face during these acts, or the muffled yelps that she graces our ears with ever so sparingly throughout.

And luckily for me there's a fantastically well shot and performed blowjob scene that is beyond exhilarating to experience, while also having a lot of ad-libs from our villain towards the end also, which is always a good addition.

Then comes the ending, which could turn off a lot of viewers depending on what you're into, personally this direction (a bad ending as they'd call it) isn't particularly for my tastes (and for some reason it takes a superfluously long build up before happening), but even so, luckily it isn't dragged out or tedious in any way and happens very fast, so that we still get the shock of the conclusion without all the morbidness of the act itself, especially after something so intrinsically erotic like that of what we've just witnessed.