What we have here is a pretty basic low-low-budget production. There’s no fancy music, no fancy graphics, no sound editors or make-up specialists, and no personal assistants to the stars. It’s basic no-frills, lots-of-moaning entertainment.

The plot, like so much of the movie, is simple. You have a couple – a man and a woman – who are trying to conjure up a pagan god by forcing a maiden to experience four waves of emotion: terror, agony, lust, and despair. As the maiden releases these emotions, the Ancient One will awaken. What happens when it wakes up isn't really stated, but my first thought was something similar to Godzilla rampaging through Tokyo but with naked women instead of railroad cars and electrical poles.

Now, to accomplish this awakening, you have to have some basic tools. Take a look at that bookcase in the background. See those random fertility symbols? You have a conch shell (because we all know invertebrates are aphrodisiacs), a couple of creepy statuettes representing courtship of a man to a woman (ok, so I made that up but it works so go with it), an hourglass representing the passage of time (right?), a couple of creepy skulls representing death and, uh… more death I guess, a bigger hourglass because if you have two then the marking of time will be more accurate, a couple of bowls fogged with smoke (required by the Necronomicon, I think), a couple copies of said Necronomicon, and two beer steins, because beer makes everything better. We have our tools in place, so let’s get down to business.

Terror is accomplished by taking a knife and cutting the victim’s gown into pieces while the priestess licks the victim’s nipples. It must be working, because the priestess sprouts horns, so on to the next stage we go. The victim is whipped so that she experiences the next wave; Agony. A flogger and a single-tail whip slap against the victim’s tender flesh, popping her exposed breasts and tender vagina. It’s not as rough as something Mood Pictures or Elite Pain or Russian Spanking would put out, but more along the lines of a gentle love tapping to get the heart rate up. The victim (Caroline Pierce) has a voluptuous body and soft, milky-smooth skin. If you really gave her a whack, that bottom would mark up quickly and colorfully. But don't worry – if you're averse to having a bruised victim, you won't need to worry about this scene. They're careful not to damage her; at least not yet. The Ancient One likes foreplay. It may be soft, but Tim Woodman and Aiden Starr do a good job delivering campy over-the-top evil deliciousness. Be prepared for a lot of “Um… Oh... Um… Oh…” during this scene.

So now it’s time for the third wave; Lust. This gets a little boost thanks to some Love Potion Number Nine across the victim’s lips, some vaginal tickling, and more “Oh… Um… Oh…”, which must be some sort of pagan chant because the priestess moans it a lot. Aiden really goes to town on Caroline’s pussy; fingers, mouth, and tongue all get some clit time. If you're into girl-on-girl oral sex, this scene is for you.

It’s hard to tell where the acting ends and the real sex begins, because Caroline is definitely enjoying herself here. So much so that the evil priest finishes untying the sacrificial victim and removes the gag from her mouth so that she can suck his cock, which she gladly does. I'm not really into seeing another man’s genitalia in my porn, so I skipped past this part. Fortunately, Tim knows to put his tools away when he’s finished, so the rest of this scene is mostly about Aiden getting Caroline off lesbian-masturbation style, and when she cums, she cums beautifully. The only way this part could be hotter would be if she was a sprayer. But she’s not, so just bask in her glow. And since one good orgasm deserves another, Aiden works her up again, with a very happy ending. If you want some advice on how to pleasure a woman, study this scene closely. You might learn something.

Back to the action. Lust is insatiable, and the victim gives the priest a blowjob (which I skipped through) and while the victim is on her knees and busy down at that end, the priestess goes to work on the other end. Strapping on a belt with a purple tentacle dangling between her legs, Aiden professes that “the Ancient One rages within me” and climbs onto the table to take her victim from behind (and is quite successful, I might add).

When she's done being taken like a sacrificial lamb, Caroline is then turned over and taken again. The Ancient One demands satisfaction!

Now comes the fourth and final stage, the one for which all good GIMP fans have been waiting. That’s right. It’s time for some despair. The priest and priestess break out the ceremonial knives and begin to cut their victim, drawing lines of blood across her soft skin. I can't really ding the Pro Villain team too much for bad special effects here, because the fact that the blood looks like Hershey’s chocolate syrup actually makes this scene a little hotter. Add some whipped cream and strawberry pie filling and Pro Villain could've taken this film in an entirely different direction. But they didn't, so the victim gets a blade shoved through her heart instead, which leads to Aiden chanting “Do it… do it…” and more “Um… Oh… Um…” spellcasting.

As the chocolate syrup oozes from Caroline’s body, her eyes flutter and she dies a soft, gentle death. With her sacrifice complete, the priest declares “Behold! The Ancient One walks among us!” and the camera pans across the room. I won't spoil the surprise for you, but if you have a thing for Victoria's Secret angels, you're in luck.