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Exitus Interruptus (2006) [Uncut version]
aka Exit: Death is Only the Beginning
In German, with English subtitles
Movie Info
Tonight I have a special treat for you, boys and girls. A few years ago, this Andreas Bethmann-directed epic earned the highly-coveted Ralphus Award for Best Mainstream Film of the Year, and deservedly so.
It has something for just about every GIMPer’s tastes: gratuitous nudity, AOH bondage, barefoot bondage, tit-groping, choking, stabbing, shooting, whipping, copious nudity, snuff, muff, plastic dick rape, non-plastic dick rape, fellatio, chloro, gagging, drugging by syringe and in case I forgot to mention it, abundant nudity. And it even tells a story...
Manuela (Renee Pornero...yeah, and she’s really a porn actress) is plagued by nightmares. Quick cutaway scenes of her encounter with a serial killer 5 years ago (in Vegetarians Forced to Lust Part 2, which I have not seen) appear in her dreams – we see them as flashbacks at the start of the movie and throughout.
Renee Pornero as Manuela in Vegetarians Forced to Lust, Part 2
Traumatized such that she can no longer have sex with men, she seeks comfort with cute girlfriend/lover Monique (Anne Gebels).
They rendezvous later at a club for some recreational therapy. Manuela heads to the ladies’ room (without her girlfriend – now that’s got to be a first). While she’s on the crapper, two lezzies come in and start getting jiggy in the adjacent stall.
That’s when the villain – unseen except for his shoes and hands – enters the ladies’ room. He plunges a huge knife through the partition, into and through the torso of the brunette. The second girl, a busty blonde, attempts to flee, but the bad guy beats her head against a wall until she collapses to the floor.
He gags her with tape (that skinny European kind), pulls out a knife, cuts through her clothing, and then shoves the knife right into her shaved pussy (explicitly shown). Yow.
Manuela tries the old if-I-get-up-on-the-lid-and-crouch-he-won't-know-I'm-here trick. Doesn't work. First her neck is ensnared by a noose, then she gets the chloroform treatment.
Monique, unaware of what’s happened, has to suddenly leave the club, because....well I won't bore you with that detail. The villain (whom I will henceforth call “Bertucci” – that’s the pseudonym of the actor who portrays him) drags Manuela out of the restroom.
(Allow me to pause here to explain that Bertucci's modus operandi for the remainder of the movie is to drug his victims via syringe to render them unconscious as he moves them from one scenario to another. Back to the show.)
Manuela awakes to find herself lying face-up on the floor of a cramped, decrepit room with boarded windows and a door nailed shut. She is still clothed but her feet are bare and her ankles are chained together about 2-3 feet off the ground. The room is decorated with numerous small baby dolls suspended by barbed wire.
Bertucci enters, wearing a black mask, and subjects Manuela to a series of humiliations. He unbuttons her blouse and gropes her exposed tits. He tosses her a roll of toilet paper so she can relieve herself while he watches. He gives her a damp washcloth to cleanse herself – including her pussy – in his presence. He eventually strips her, ties her AOH facing the wall, and whips her a few times on the butt.
Then he produces his dead brother’s skeleton, dressed in denim and sporting a plastic dick.
As Manuela lies naked on the floor, her ankle chained to the wall, Bertucci uses his brother to molest and fuck her.
In what I would guess is an insert, the plastic dick is shown penetrating a pussy repeatedly. Manuela's reactions are shown while this is going on.
Meanwhile, Monique gets a message that purports to be from Manuela, asking her to come to a particular address (which turns out to be Bertucci's lodging).
When Monique arrives, the villain knocks her out, then strips, gropes, fondles her and ties her AOH. He taunts her with baby doll holding a knife. He runs the knife along her body, from neck and breasts to thighs and groin. Then he produces a syringe and plunges it into her crotch (implied).
In the next scene, Manuela is tied to a dining room chair, wearing an LBD that Bertucci has provided for her. Naked, zombified Monique arrives with Bertucci's “brother” in a wheelchair and begins to serve dinner. At the table sits Bertucci's dead mother. Monique obeys the villain’s every order; she gets under the table to munch on Manuela's muff and then suck the brother’s plastic dick.
Apparently, one of the best ways to torment a lesbian is to make her watch while her lover sucks a cock, even a fake one. Manuela becomes sick and hurls. For her punishment she is drugged and taken back to her room.
She awakens to find herself naked and ankle-chained once again.
Monique is also there, on a couch, with her hands bound to her feet and wearing nothing but a vacant stare. Manuela next faces the anguish of watching Monique suck the villain’s cock and then bend over to take a reaming from behind.
When Monique revives and the drug has worn off, she finds herself tied in a kind of spread position, on a couch wearing only panties.
Above her, a handgun is hanging from the ceiling, positioned to fire at Monique's pussy. It’s wired to a timer and a weight that is set to pull the trigger.
The masked torturer offers Manuela a deal: suck him and get him off in thirteen seconds and Monique's life will be spared. This time it’s Monique's turn to beg her lover not to do it. This is the most suspenseful blowjob I've ever seen. Manuela gets the job done and a face full of cum for her effort – but it’s too late for poor Monique.
Manuela's got her mouth on Bertucci's dick and her eyes on the timer
Bertucci then ties Manuela in a spread position and suspends a bucket above her that slowly drips water on her pussy. He offers her a deal – if she can endure this for seven hours without asking him to "do anything" for her, he'll let her go.
We get close up shots of her pussy, and the rest of her body as she struggles to keep her sanity. Eventually, she gives in and begs him to help her. Bertucci sticks his finger in her pussy, then gets one of the baby dolls and uses one of its legs like a dildo. Too bad for Manuela.
Afterwards, Manuela feels shame because she was unable to hold out, was manipulated by Bertucci, and should never have believed his promise to let her go.
She also feels rather uncomfortable in her nether region.
The rest of the movie involves Manuela's attempt to extricate herself from the situation. In most situations of this type, the girl would get loose, find some clothing (conveniently, getting her own garments back), and retain a shred of dignity during the breakout. Fortunately, that’s not the case here - she spends the entire escape attempt sequence nekkid as a jaybird.
I won't spoil the ending for you, but it does set up a sequel. Oh wait, there is a sequel.
Movie pluses: All of the above is well done. The leading ladies give fine performances. The villain is cruel, sinister and manipulative. The movie is a rare blend of horror, sex, violence and bondage. The electronic score is repetitive but effectively chilling.
Movie minuses: Hate to quibble, but the villain’s mask and Norman Bates-like mom complex are a bit of a turn-off. Some of the scenes were very dark, and with his mask and black clothing, Bertucci sometimes seems to melt into the background, a disembodied voice. The mask may make him look creepy or silly, depending on your point of view. Once his identity is revealed, the mask no longer serves any purpose. He’s also completely bonkers. His dead mother sits in a rocking chair and "speaks" to him. And I mentioned his fucking brother.
It seems that Bethmann tried to make Pornero's character appear timid and mousy by using unflattering lighting, little or no make-up and ill-fitting clothes (which she doesn't stay in for very long, thankfully).
I liked Pornero's raven hair and piercing blue eyes; but sweet-faced and slender Gebels was the more attractive victim, IMO. Pornero was about 27 when she made this movie, but she looks older; maybe that’s what happens when you do almost two hundred movies on your knees with a cock in your mouth.
That said, I think a lot of GIMPers will enjoy this. It’s the kind of movie many of us have clamored for: no-holds barred, non-stop perversion wrapped inside a plot.
There are a few major differences between the uncut and the “director’s cut” (edited) versions; the uncut version includes hard core inserts, Pornero's fellatio cum shot scene, explicit displays of pussy (tortured and otherwise) and dick (plastic and otherwise), the entire Chinese water pussy-torture sequence, just to name a few that come to mind. It may be easier to find the shorter (by 21 minutes) edited version, in which case you will miss the aforementioned goodies, but still find yourself with a decent GIMPage flick.
I just wish I could tell you where to find it. Exploited Cinema once carried it, as did Amazon in days of yore. But it is well worth the hunt.
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