Title: Cinemagic CMN-137: Best-Rough-Sex-Electrical-Pulse-Punishment
OK, that has to be in the top 5 titles of all time! And the video delivers exactly what it promises. For anyone drawn to electro-torture of women, splurge the $13 for a 2.5-hour high-quality download and start exploring.
Granted, there are 3 victims in vinyl body-suits (wearing masks, so I assume they are inept super-heroines), one in a bathing suit, but the majority of the 18 scenes here feature nice-looking women already stripped and ready to sing and dance. There are a couple sets of bolt-ons-from-hell, but most of what’s on display is real, with bushes and generally pretty women. There’s a combination of “school girls”, girls-next-door and MILFs. In my highly-rated chapters, the camera-work is generally excellent, well-lit and the scenes are well-planned. The work of pros.
Spoiler alert: There’s no explanation of what the girls have done to end up in their predicaments, so you'll have to, you know, imagine something for yourself. And if you prefer not to see women actually suffering…
If you are a right-thinking gimp who enjoys electro-torture scenes that start and end with action, last for minutes instead of seconds, and MOST especially scenes where there is an actress instead of a model, so you can believe what appears to be happening is really happening, and the victims don't want to be there, this video is aimed straight at you.
With 18 clips running from 6 to 14 minutes, there’s way too much material to cap and review. For my taste, 9 of them—about 80 minutes—are A or B material, so we'll focus on those. You get them all for the $13, so if you are a fan of discussing what Garage Olympo “could have been”, you can still find comfort in my D’s and F’s, where clothing abounds, there is little or no realistic bondage and essentially not much happens.
Chapter 1: Pretty girl tied to a device somewhere between a ladder-rack wrapped in aluminum foil and a hammock. She is lying back, spread-eagled with knees pulled wide, nude and oiled, medical gag, trimmed bush and seriously fake breasts. She is shocked on her nipples, then adding her labia. The scenes are long and intense. She starts very frightened and ends up completely spent. Both physically and vocally she makes you feel the reality of her suffering. Her body moves beautifully in the electrical dance, but her breasts are as expressive as concrete lumps during an earthquake.

Chapter 2: A MILF standing in a medical storeroom with two guys, wrists cuffed behind her head, wearing pants. Her top is yanked down in the first 30 seconds to reveal small breasts. Nipple clamps are placed, clipped to wires from a taser, and she is shocked a number of times, only on the nipples. She starts out tough and contemptuous, but ends up peeing in her pants. She is not gagged, and has an amazing voice and facial expressions.
Chapter 4: Pretty girl standing AOH, wearing the top of some kind of uniform pulled back. No gag. Her panties are pulled down around her knees. She is shocked several times by one or both and ends up peeing onto her panties. More of a squeaker than screamer, but she’s definitely girl-next-door material.
Chapter 6: Completely nude, excellent body bound kneeling AOH in one of those chrome frames that every Japanese dungeon seems to have. No gag initially, then a dental gag is added. Electrodes on her wrist restraints, her gag, tongue, nipples and pussy lips. When they flip the switch, she comes up and writhes and dances, sweats and just generally shrieks and begs her voice out. The camera loves low angles, and she is spectacular from that viewpoint. She takes her character from fear to agony to exhaustion and hopelessness in 7 minutes.
Chapter 8: A MILF, in the kneeling AOH position in the frame. She wears the medical gag. Clamps on her nipples first, then the gag. If you like sweating women, she’s it. Then they insert an electric chrome dildo and cut loose again. She pleads and tries to talk. Not as much screaming as gagging. Her body is not as flexible as some of the other actresses, but she definitely sells the scenes.
Chapter 10: Another young pretty girl kneeling AOH in the frame nude with a dental gag. The electrodes are clamped to the gag, tongue, nipples and labia, then a nasty chrome apparatus is inserted in her ass. Good vocal and physical range, lots of tears, drooling and sweat. She ends up peeing and defeated.
Chapter 12: Pretty girl with a very expressive face bound nude AOH in the frame. She is shocked on the nipples and has an electric dildo inserted. Good screamer and dances well, sweats and pees.
Chapter 13: This scene is well-known here, coming from the video both Ralphus and a Canadian chose as the best movie of the year a few years back. It barely makes the cut in this one! Oiled girl spread-eagled nude on a plywood rack, tortured by two guys but only with a headband. Somehow that makes her arch up off the table and scream. There are several shocks, but she remains defiant and in the end either passes our or dies. Much less range than some of the others, but still a good scene.
Chapter 14: A long set with a MILF AOH in the frame. Some women have a body made for torture, and this is one! She may have remains of cigarette burns on her breasts. Her dancing under the current is incredibly gimp-erotic. The movement of her breasts is hypnotizing. She also has a great range of voice and facial expressions. She’s not oiled, just sweating from exertion as clamps are added to the dental gag, nipples and labia. This is very likely the best electro scene I've ever scene.
When was the last time you got 90 minutes (leaving out the weak stuff) of wall-to-wall action, without fake blood, without tats, with nude women it’s a pleasure to watch sweating and writhing and losing bladder control for 14 cents a minute? Add to that generally high production values and superb performances by the victims (and generally fairly invisible villains). If you are a fan of electro-torture, you'll think you've died and gone to heaven (if they have well-equipped dungeons there).
As I've written before, to me the story is not in the set-up, it’s in the event. I don't care why the girl is suffering. I want to see progression and emotional realism expressed with bodies, faces and voices that take me from wherever she is when the torture starts to wherever she is when it ends.
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