I don't get to see all of
Dan Hawke's movies, but he has a winning formula, so
when he shoots a model I like, I take notice. That's the
case with one of his newest titles, DH53: Training Trinity,
starring the adorably cute Trinity A'Dell. I saw her
years ago in DH20: Lash and the Lass,
still one of my favorite Hawke titles. I was thrilled to
see that Dan brought her back for more. From past
experience, I knew that any Dan Hawke picture was going
to feature lots of difficult bondage setpieces, so I
also knew that Trinity was going to be in another rough
time.
The thing I love about Trinity is that she doesn't
look like the typical bondage model. She has
shoulder-length brown hair, a cute face and an innocent
look about her. Her tits are round, firm and not overly
large; they are clearly hers and not store-bought. Even
her tiny rose tattoo on her navel doesn't bother me,
because it's not showy, it's just a cute little feminine
adornment to her body. She has that girl-next-door
quality that I find extremely appealing, and anymore,
that's a hard thing to find in this industry.
This one starts out, in typical Dan fashion, with
Trinity being dragged into Dan's lair, where she swiftly
binds the protesting girl, silencing her with a red
ballgag, and hoists her into a standing spreadeagle. She
eagerly helps himself to her prone and vulnerable body,
molesting her all over as if she belongs to him, and
really, she does, so he has no qualms about ripping off
her dress, yanking off her bra and slapping and
squeezing her cute little titties.
After briefly removing her ballgag, Dan rips away
Trinity's wet panties and decides they would be the
perfect thing to stuff into her mouth, sealing them into
place with three strips of duct tape. Give the man
credit, he knows exactly how to gag a lady! He then
affixes silver clamps to her nips, ties a string to them
and runs the string up to a pulley on the ceiling,
adding a weight to increase the pull on her sore tits.
He adds a crotchrope and strings that to the ceiling,
adding even more tension to her predicament. To top
that, one of her legs is forced off the ground and tied
there, leaving poor Trinity in a vicariously
uncomfortable position. Dan leaves her alone to suffer
and we're treated to multiple angles of Trinity's
torment.
The next scene is my favorite, and the real reason to
buy this video. It starts off with Trinity bound in a
standing position, with her wrists bound behind her. She
looks adorable wearing a tight black ballgag. Dan
decides to make a new "bra" for Trinity, and he uses
lots of rope wound tightly around her fleshy globes
until they are discolored and almost ready to burst.
Breast bondage fans, rejoice. He then leads her over to
small platform and forces her onto her knees, even using
belts to keep her legs in a bent position. After
anchoring her into place with more ropes tied to the
platform above her head, Dan leaves her alone to deal
with her unfortunate position. I would loved to seen
even more of the usual Dan Hawke padding during this
scene, but we only get a couple minutes this time; too
bad. But what's there is certainly eye-popping.
The next time we see Trinity, for some reason she has
now redone her hair into pigtails, and while she looks
cute that way, logically, it makes no sense. For the
movie to have a natural continuity, it's unbelievable to
think that Dan would allow her to go to the restroom,
fix her hair and then come back for more bondage.
Especially if we're to believe the abduction scenario
that began the movie. That quibble aside, Dan ties
Trinity with her legs spread wide to a small wooden
platform, wrists tied behind her, and gags her with a
white ballgag. And what else can we expect from The King
of Crotchropes but yet another joyrope splitting her
pussy lips, with the end tied off to the pulley above,
increasing the pull on her vagina. Dan adds a few clamps
for nipples and leaves her alone for a while. Then we
see 8 full minutes of shots of Trinity alone struggling
in bondage, maybe a bit of overkill after a while. Your
mileage may vary.
The final scene has Trinity bound in another standing
spreadeagle, again gagged with the black ballgag, and
this time the pigtails are gone and her hair is back to
normal (making the previous scene even more
preposterous). Dan whips out the electrical device known
as the violet wand, which he liberally runs all over her
body, giving her lots of nice shocks wherever he feels
like it. There's one extraordinary close up of the wand
where you can actually see the lightning bolts shoot out
and sting the inside of her thigh; I wish we could have
seen more of that. Dan eventually adds a rake attachment
to his toy, and by the end Trinity is crying so much
that black mascara runs down her face. What an appealing
image to see that cute girl suffer so much that her face
is stained with tears! That's entertainment :)
One debit worth noting is a problem that
unfortunately has plagued a few of Dan's productions,
and is even more noticeable this time than in some of
the others I've seen. It's pretty obvious that there's a
TV in the room that Dan uses to make sure his shots are
lined up properly, and while it's for Dan's benefit, it
also draws attention to itself when you see the model
with her eyes constantly affixed in one direction,
clearly and obviously watching herself on TV while Dan
works on her. A glance or two would be okay, but it
becomes a distraction when she stares that way nearly
the entire movie. Advice to Dan the director: Tell your
model to keep her eyes off the screen and tell her if
she wants to watch, you'll give her a copy of the DVD
afterward. If she persists in staring at the
monitor...well, you'll just have to torture her harder
to teach her a lesson!
Overall, this is another winner from Dan, with a very
appealing victim succumbing to his usual assortment of
bondage torments. It's all about the casting, and with
Trinity as the leading lady/victim, it can't help but be
good. Sign this girl up for more, if she can take it.