Dynamite was Dynamite. I agree with Ralphus that in the beginning, she didn't struggle or cry much at all. Actually I fast forwarded from the point when they initially stripped her to the point when they bound her. That supposed "rape" scene in the beginning just looked like consensual sex to me. I don't want to see that consensual sex stuff because it makes it more difficult for me to be able to "believe" the fantasy later on if I have previously seen the supposed rape victim having consensual sex with the supposed rapist. I didn't mind it too much though, cause I knew it was coming thanks to the review Ralphus wrote and I have a fast forward button. The rest of the tape was well worth the price for me.

Where things really got good from a forced sex fantasy aspect was when they took her gag off and asked her name for the forty-third time. That was when she finally broke down. She was sobbing and her breath was coming in gasps as she told them exactly what they wanted to know and begged and pleaded to be let go. She sounded like a little kid half way through a really hard bare-ass spanking and begging and pleading for it to end (and in case anyone is wondering, that is from the memory of my own childhood. I wouldn't EVER spank my own kid). Then she even shed what looked to be a real tear. For a few minutes there, she had me REALLY convinced. I can't say enough about how much I enjoyed her acting in that short scene.

I would have liked to have seen her sobbing and gasping that way during the rape scene. But I still enjoyed the rape scene very much. Especially the part where they flipped her on her back and one of them held her arms while her legs were still tied to the spreader bar. For me this is powerful imagery, partially bound and partially held down by a buddy, but completely restrained.

I think complete restraint is almost necessary for a good rape scene. If her arms are free, then she should be punching, clawing, slapping, etc. Conversely, if her legs are free, she should be kicking or squirming. Otherwise it just doesn't seem that "real." For me, nothing breaks the fantasy quicker than a pair of unrestrained limbs that aren't struggling mightily.

I imagine that it is more difficult to create scenes with that much kicking, clawing or squirming, but the fantasy can be maintained by completely restraining the actress. And I thought Trick or Treat II handled this well when the buddy held her arms.